Bar Jazz, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Sony Music - Catalog #: SMC 504598 2 - EAN: 5099750459829

  • Disc 1 of 3 CD-Box

Label: Sony Music - Catalog #: SMC 504598 2 - EAN: 5099750459829

  • Disc 2 of 3 CD-Box

Label: Sony Music - Catalog #: SMC 504598 2 - EAN: 5099750459829

  • Disc 3 of 3 CD-Box
Annotation last modified on 2007-01-28 05:58 UTC.

Tracklist

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▼CD 1: Happy Hour
#TitleArtistRatingLength
1Falsa Bahina
guest performer:
João Gilberto
Stan Getz5:04
2La Cuna
Ray Barretto5:27
3You're the Sunshine of My Life
Andy Williams3:10
4Night & Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Keiko Lee3:33
5Bossa Rocka
The George Benson Quartet4:23
6Samba Torto
engineer and producer:
Teo Macero
remixer:
Kevin Boutate (engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1964-12-21 until 1965-02-08)
Charlie Byrd2:17
7Caravan of Dreams
recording engineer, programming, producer and mixer:
Paul Brown (smooth jazz performer/producer)
bass:
Freddie Washington (US session bassist)
guitar and keyboard:
Peter White (smooth jazz/jazz fusion guitarist)
membranophone:
Joel Rosenblatt
percussion:
Lenny Castro
tenor saxophone:
Boney James
arranger:
Paul Brown (smooth jazz performer/producer) and Peter White (smooth jazz/jazz fusion guitarist)
Peter White6:00
8You'd Be So Nice to Come Home To
recording engineer:
Rudy van Gelder (on 1975-04-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
mixer:
Mark Wilder (US recording/mastering engineer)
alto saxophone [alto sax]:
Paul Desmond (on 1975-04-23)
bass:
Ron Carter (US jazz double-bassist) (on 1975-04-23)
drums (drum set):
Steve Gadd (drummer) (on 1975-04-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1975-04-23)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1975-04-23)
trumpet:
Chet Baker (on 1975-04-23)
conductor:
Don Sebesky (on 1975-04-23)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1975-04-23)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
You’d Be So Nice to Come Home To (on 1975-04-23)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Paul Desmond7:06
9Besame Mucho
Dave Pike6:54
10Girl Talk
recording of:
Girl Talk
lyricist:
Bobby Troup
composer:
Neal Hefti
part of:
East Coast Music Association Song of the Year Nominees (number: 1991 (Holly Cole))
Neal Hefti2:53
11Comes Once in a Lifetime
instrumental recording of:
Comes Once in a Lifetime
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
Dave Grusin3:35
12Smooth Operator
Greg Adams3:48
13Reck'n So
Kirk Whalum4:00
14East of the Sun
Georges Arvanitas5:02
15Tea for Two
recorded in:
New York, New York, United States (on 1963-02-26)
double bass:
John Ore (on 1963-02-26)
drums (drum set):
Frankie Dunlop (on 1963-02-26)
piano:
Thelonious Monk (on 1963-02-26)
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Thelonious Monk3:49
16Brazil
recording of:
Brazil
Antonio Carlos Jobim5:18
17Agua de Beber (feat. Antonio Carlos Jobim)
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Água de beber (Portuguese original) (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
Astrud Gilberto2:18
▼CD 2: Cocktail Lounge
#TitleArtistRatingLength
1The Girl From Ipanema
cover recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation, MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Charlie Byrd2:47
2Memories of You
recording of:
Memories of You
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Benny Goodman3:12
3The Two Lonely People
Bill Evans6:14
4How Insensitive
alto saxophone and flute:
Frank Wess (from 1977-06-21 until 1977-06-22)
baritone saxophone and tuba:
Howard Johnson (tuba & baritone saxophone) (from 1977-06-21 until 1977-06-22)
bass:
Rufus Reid (from 1977-06-21 until 1977-06-22)
drums (drum set):
Victor Lewis (drums) (from 1977-06-21 until 1977-06-22)
flugelhorn and trumpet:
Woody Shaw (from 1977-06-21 until 1977-06-22)
piano:
George Cables (from 1977-06-21 until 1977-06-22)
saxophone:
Dexter Gordon (from 1977-06-21 until 1977-06-22)
trombone:
Wayne Andre (from 1977-06-21 until 1977-06-22) and Slide Hampton (from 1977-06-21 until 1977-06-22)
trumpet:
Benny Bailey (from 1977-06-21 until 1977-06-22)
vibraphone:
Bobby Hutcherson (from 1977-06-21 until 1977-06-22)
recorded at:
Sound Ideas Studios in New York, New York, United States (from 1977-06-21 until 1977-06-22)
cover recording of:
How Insensitive (from 1977-06-21 until 1977-06-22)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation
translated version of:
Insensatez
Dexter Gordon4:53
5Capricious
recording of:
Capricious
composer:
Billy Taylor (jazz/bop pianist)
Gerry Mulligan5:46
6I'm Through With Love
recording of:
I’m Thru With Love
lyricist:
Gus Kahn
composer:
Fud Livingston and Matty Malneck
publisher:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (on 1931-04-17)
Chet Baker2:39
7Blue Gala
Gato Barbieri5:50
8Laura
recording engineer:
Frank Laico (on 1958-02-19)
producer:
George Avakian
cornet:
Nat Adderley (on 1958-02-19)
double bass:
Wilbur Little (on 1958-02-19)
drums (drum set):
Albert “Tootie” Heath (on 1958-02-19)
piano:
Tommy Flanagan (on 1958-02-19)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1958-02-19)
recording of:
Laura (original 1944 film theme)
composer:
David Raksin (in 1944)
J.J. Johnson3:53
9In the Wee Small Hours
Kyle Eastwood4:33
10Rhapsdy in Blue
recording of:
Rhapsody in Blue (Glenn Miller arrangement)
composer:
George Gershwin (composer)
arranger:
Glenn Miller (jazz band leader)
arrangement of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
The Glenn Miller Orchestra3:13
11The Shadow of Your Smile
cover recording of:
The Shadow of Your Smile
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 38)
Tony Bennett3:38
12Take Ten
engineer:
Rudy van Gelder
producer:
Creed Taylor
mixer:
Mark Wilder (US recording/mastering engineer)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1973-11-27)
drums (drum set):
Jack DeJohnette (on 1973-11-27)
guitar:
Gene Bertoncini (guitar player) (on 1973-11-27)
keyboard:
Bob James (US jazz keyboardist, arranger and producer) (on 1973-11-27)
solo guitar:
Gábor Szabó (on 1973-11-27)
conductor:
Don Sebesky (on 1973-11-27)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1973-11-27)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Take Ten (on 1973-11-27)
composer:
Paul Desmond
publisher:
Desmond Music Company
Paul Desmond6:04
13Dream Lady
Tom Scott4:40
14What a Wonderful World
Leroy Jones4:56
15My Little Suede Shoes
Lou Donaldson6:13
16Autumn Leaves
double bass:
Israel Crosby (in 1955-10)
guitar:
Ray Crawford (in 1955-10)
piano:
Ahmad Jamal (in 1955-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1955-10)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
translated version of:
Les Feuilles mortes
The Ahmad Jamal Trio2:42
17Orchid Blue
Ellis Marsalis5:16
▼CD 3: 'Round Midnight
#TitleArtistRatingLength
1Wait Till You See Her
Miles Davis4:03
2I've Grown Accustomed to Her Face
Stan Getz5:03
3Unforgettable
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
vibraphone:
Teddy Charles (on 1964-02-10)
lead vocals:
Aretha Franklin (on 1964-02-10)
arranger:
Robert Mersey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Unforgettable (on 1964-02-10)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Aretha Franklin43:41
4Sentimental Lady
alto saxophone:
Johnny Hodges (on 1959-12-02)
alto saxophone and clarinet:
Russell Procope (on 1959-12-02)
baritone saxophone:
Harry Carney (on 1959-12-02)
bass:
Jimmy Woode (on 1959-12-02)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1959-12-02)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1959-12-02)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-12-02)
tenor saxophone:
Paul Gonsalves (on 1959-12-02)
trombone:
Matthew Gee (jazz trombonist) (on 1959-12-02), Booty Wood (on 1959-12-02) and Britt Woodman (on 1959-12-02)
trumpet:
Ray Nance (on 1959-12-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Sentimental Lady
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra4:00
5Love Dance
cover recording of:
Love Dance
lyricist:
Gilson Peranzzetta and Paul Williams (US songwriter/soft rock vocalist)
composer:
Ivan Lins and Gilson Peranzzetta
publisher:
BMG Sapphire Songs, Dinorah Music, Hobsong Music, Inc., Kidada Music, Inc. (publisher), State of the Arts Music and Sunset Squid Music
sub-publisher:
フジパシフィックミュージック
Keiko Lee5:47
6I'm Glad There Is You
recording engineer:
Rudy van Gelder (from 1994-02-22 until 1994-02-24)
assistant engineer:
Maureen Sickler
producer:
Todd Barkan (producer) and Grover Washington, Jr.
double bass:
George Mraz (jazz bassist) (from 1994-02-22 until 1994-02-24)
drums (drum set):
Lewis Nash (from 1994-02-22 until 1994-02-24)
piano:
Hank Jones (piano) (from 1994-02-22 until 1994-02-24)
soprano saxophone:
Grover Washington, Jr. (from 1994-02-22 until 1994-02-24)
vocals:
Freddy Cole (from 1994-02-22 until 1994-02-24)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1994-02-22 until 1994-02-24)
cover recording of:
I’m Glad There Is You (from 1994-02-22 until 1994-02-24)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
Grover Washington, Jr.6:57
7The Woman I Remember
Gato Barbieri5:08
8Michelle (feat. Clark Terry)
Coleman Hawkins3:30
9Prelude to a Kiss
recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Duke Ellington & His Orchestra2:41
10Reverie
Illinois Jacquet4:18
11Tu y Mi Canción
David Sánchez5:38
12I Loves You, Porgy
Marlowe Morris Quintet4:29
13That Beautiful Sadness
recording engineer and mixer:
Stephen Krause
producer:
Mark Isham (American musician and score composer)
recorded at and mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
Mark Isham5:58
14It Might as Well Be Spring
Don Braden7:20
15Detour Ahead
assistant engineer:
Roy Clark (engineer) and Richie Clarke (production manager, audio engineer, sound design)
engineer:
James P. Nichols
producer:
Terence Blanchard (American trumpeter and score composer) and Miles Goodman
bass:
Chris Thomas (Brian Blade Fellowship bassist, american) (from 1993-10-20 until 1993-10-29)
membranophone:
Troy Davis (from 1993-10-20 until 1993-10-29)
piano:
Bruce Barth (from 1993-10-20 until 1993-10-29)
trumpet:
Terence Blanchard (American trumpeter and score composer) (from 1993-10-20 until 1993-10-29)
vocals:
Jeanie Bryson (from 1993-10-20 until 1993-10-29)
arranger:
Miles Goodman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
Manhattan Center: Grand Ballroom in Manhattan, New York, New York, United States (from 1993-10-20 until 1993-10-29)
Terence Blanchard4:34
16Very Early
Georges Arvanitas4:10

Credits

Release Group

part of:Bar Jazz (number: 2) (order: 2)