Die kompletten Werke, Volume 14: Kantaten, BWV 176-187

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Dezember 1980 (BWV 176); August 1980/Mai 1981 (BWV 177); Februar 1972 (No. 4&6)/Februar 1982 (BWV 178)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Februar 1974/Februar 1982 (No. 5) (BWV 179); Februar/Oktober 1979 (BWV 180); Januar/Februar 1974/Februar 1982 (BWV 181)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Januar 1975 (BWV 182); Dezember 1980/März/November 1982 (BWV 183); September 1976/Januar/April 1977 (BWV 184)
CD4 Aufnahme: Gedächtniskirche Stuttgart. Februar/Mai 1976 (BWV 185); September 1976/Januar/April 1977 (BWV 186); Februar 1971 (BWV 187)

Annotation last modified on 2014-06-19 18:14 UTC.

Tracklist

| |
▼CD 1: BWV 176-178
#TitleArtistRatingLength
1Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": I. Coro "Es ist ein trotzig und verzagt Ding"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": I. Coro "Es ist ein trotzig und verzagt Ding" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach2:41
2Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": II. Recitativo (Alt) "Ich meine, recht verzagt"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": II. Recitativo (Alt) "Ich meine, recht verzagt" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach1:01
3Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": III. Aria (Sopran) "Dein sonst hell beliebter Schein"
soprano vocals:
Inga Nielsen (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": III. Aria (Sopran) "Dein sonst hell beliebter Schein" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach3:11
4Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": IV. Recitativo (Bass) "So wundre dich, o Meister, nicht"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": IV. Recitativo (Bass) "So wundre dich, o Meister, nicht" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach2:02
5Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": V. Aria (Alt) "Ermuntert euch"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": V. Aria (Alt) "Ermuntert euch" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach2:37
6Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": VI. Choral "Auf daß wir also allzugleich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": VI. Choral "Auf daß wir also allzugleich" (in 1980-12)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 45)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach1:31
7Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": I. Coro "Ich ruf zu dir, Herr Jesu Christ"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": I. Coro "Ich ruf zu dir, Herr Jesu Christ" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola
part of:
Breitkopf 389 Choralgesänge (number: 183)
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach7:17
8Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": II. Aria (Alt) "Ich bitt noch mehr, o Herre Gott"
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": II. Aria (Alt) "Ich bitt noch mehr, o Herre Gott" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach6:40
9Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": III. Aria (Sopran) "Verleih, daß ich aus Herzensgrund"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": III. Aria (Sopran) "Verleih, daß ich aus Herzensgrund" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach6:04
10Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": IV. Aria (Tenor) "Laß mich kein Lust noch Furcht von dir"
tenor vocals:
Peter Schreier (german tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": IV. Aria (Tenor) "Laß mich kein Lust noch Furcht von dir" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach4:45
11Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": V. Coro "Ich lieg im Streit und widerstreb"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": V. Coro "Ich lieg im Streit und widerstreb" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach1:35
12Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": I. Coro "Wo Gott der Herr nicht bei uns hält"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-02)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": I. Coro "Wo Gott der Herr nicht bei uns hält" (in 1972-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach5:25
13Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": II. Recitativo (Alt) "Was Menschenkraft und -witz anfäht"
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-02)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": II. Recitativo (Alt) "Was Menschenkraft und -witz anfäht" (in 1972-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach3:02
14Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": III. Aria (Bass) "Gleichwie die wilden Meereswellen"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-02)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": III. Aria (Bass) "Gleichwie die wilden Meereswellen" (in 1972-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach4:01
15Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": IV. Choral (Tenor) "Sie stellen uns wie Ketzern nach"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": IV. Choral (Tenor) "Sie stellen uns wie Ketzern nach" (in 1972-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach2:32
16Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": V. Choral e Recitativo (Coro, Bass, Tenor, Alt) "Auf sperren sie den Rachen weit"
bass vocals:
Wolfgang Schöne (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-02)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": V. Choral e Recitativo (Coro, Bass, Tenor, Alt) "Auf sperren sie den Rachen weit" (in 1972-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach1:45
17Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VI. Aria (Tenor) "Schweig, schweig nur, taumelnde Vernunft"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VI. Aria (Tenor) "Schweig, schweig nur, taumelnde Vernunft" (in 1972-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach3:54
18Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VII. Choral "Die Feind sind all in deiner Hand"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-02)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VII. Choral "Die Feind sind all in deiner Hand" (in 1972-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 384)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach1:57
▼CD 2: BWV 179-181
#TitleArtistRatingLength
1Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": I. Coro "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": I. Coro "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei" (in 1974-02)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach3:38
2Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": II. Recitativo (Tenor) "Das heutge Christentum ist leider schlecht bestellt"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": II. Recitativo (Tenor) "Das heutge Christentum ist leider schlecht bestellt" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:06
3Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": III. Aria (Tenor) "Falscher Heuchler Ebenbild"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": III. Aria (Tenor) "Falscher Heuchler Ebenbild" (in 1974-02)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach2:50
4Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": IV. Recitativo (Bass) "Wer so von innen wie von außen ist"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": IV. Recitativo (Bass) "Wer so von innen wie von außen ist" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:47
5Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Aria (Sopran) "Liebster Gott, erbarme dich"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Aria (Sopran) "Liebster Gott, erbarme dich" (in 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach6:19
6Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": VI. Choral "Ich armer Mensch, ich armer Sünder"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1974-02)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": VI. Choral "Ich armer Mensch, ich armer Sünder" (in 1974-02)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Christoph Tietze (in 1663)
part of:
Breitkopf 389 Choralgesänge (number: 371)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:10
7Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach6:11
8Kantate, BWV 180 "Schmücke dich, o liebe Seele": II. Aria (Tenor) "Ermuntre dich: dein Heiland klopft"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": II. Aria (Tenor) "Ermuntre dich: dein Heiland klopft" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach5:54
9Kantate, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo e Choral (Sopran) "Wie teuer sind des heilgen Mahles Gaben"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo e Choral (Sopran) "Wie teuer sind des heilgen Mahles Gaben" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:25
10Kantate, BWV 180 "Schmücke dich, o liebe Seele": IV. Recitativo (Alt) "Mein Herz fühlt in sich Furcht und Freude"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": IV. Recitativo (Alt) "Mein Herz fühlt in sich Furcht und Freude" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:30
11Kantate, BWV 180 "Schmücke dich, o liebe Seele": V. Aria (Sopran) "Lebens Sonne, Licht der Sinnen"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": V. Aria (Sopran) "Lebens Sonne, Licht der Sinnen" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:52
12Kantate, BWV 180 "Schmücke dich, o liebe Seele": VI. Recitativo (Bass) "Herr, laß an mir dein treues Lieben"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VI. Recitativo (Bass) "Herr, laß an mir dein treues Lieben" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:09
13Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens" (from 1979-02 until 1979-10)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 304)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:13
14Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (Bass) "Leichtgesinnte Flattergeister"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (Bass) "Leichtgesinnte Flattergeister" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach3:14
15Kantate, BWV 181 "Leichtgesinnte Flattergeister": II. Recitativo (Alt) "O unglückselger Stand verkehrter Seelen"
alto vocals:
Gabriele Schnaut (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": II. Recitativo (Alt) "O unglückselger Stand verkehrter Seelen" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach1:53
16Kantate, BWV 181 "Leichtgesinnte Flattergeister": III. Aria (Tenor) "Der schädlichen Dornen unendliche Zahl"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": III. Aria (Tenor) "Der schädlichen Dornen unendliche Zahl" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach2:42
17Kantate, BWV 181 "Leichtgesinnte Flattergeister": IV. Recitativo (Sopran) "Von diesen wird die Kraft erstickt"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": IV. Recitativo (Sopran) "Von diesen wird die Kraft erstickt" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach0:51
18Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Coro "Laß, Höchster, uns zu allen Zeiten"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1982-02)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Coro "Laß, Höchster, uns zu allen Zeiten" (from 1974-01 until 1982-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach5:03
▼CD 3: BWV 182-184
#TitleArtistRatingLength
1Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (in 1975-01)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach1:52
2Kantate, BWV 182 "Himmelskönig, sei willkommen": II. Coro "Himmelskönig, sei willkommen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": II. Coro "Himmelskönig, sei willkommen" (in 1975-01)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach4:08
3Kantate, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Bass) "Siehe, ich komme"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Bass) "Siehe, ich komme" (in 1975-01)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach0:42
4Kantate, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Bass) "Starkes Lieben"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Bass) "Starkes Lieben" (in 1975-01)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach2:54
5Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter"
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter" (in 1975-01)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach6:37
6Kantate, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenor) "Jesus, laß durch Wohl und Weh"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenor) "Jesus, laß durch Wohl und Weh" (in 1975-01)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach4:04
7Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion" (in 1975-01)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach3:52
8Kantate, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro "So lasset uns gehen in Salem der Freuden"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro "So lasset uns gehen in Salem der Freuden" (in 1975-01)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach5:12
9Kantate, BWV 183 "Sie werden euch in den Bann tun": I. Recitativo (Bass) "Sie werden euch in den Bann tun"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": I. Recitativo (Bass) "Sie werden euch in den Bann tun" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:44
10Kantate, BWV 183 "Sie werden euch in den Bann tun": II. Aria (Tenor) "Ich fürchte nicht des Todes Schrecken"
tenor vocals:
Peter Schreier (german tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": II. Aria (Tenor) "Ich fürchte nicht des Todes Schrecken" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach7:15
11Kantate, BWV 183 "Sie werden euch in den Bann tun": III. Recitativo (Alt) "Ich bin bereit, mein Blut und armes Leben"
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": III. Recitativo (Alt) "Ich bin bereit, mein Blut und armes Leben" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:20
12Kantate, BWV 183 "Sie werden euch in den Bann tun": IV. Aria (Sopran) "Höchster Tröster, Heilger Geist"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": IV. Aria (Sopran) "Höchster Tröster, Heilger Geist" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
arranger:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach3:50
13Kantate, BWV 183 "Sie werden euch in den Bann tun": V. Choral "Du bist ein Geist, der lehret"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": V. Choral "Du bist ein Geist, der lehret" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 126)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:24
14Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenor) "Erwünschtes Freudenlicht"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenor) "Erwünschtes Freudenlicht" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:20
15Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Sopran, Alt) "Gesegnete Christen, glückselige Herde"
alto vocals:
Gabriele Schnaut (soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Sopran, Alt) "Gesegnete Christen, glückselige Herde" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach8:56
16Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenor) "So freuet euch, ihr auserwählten Seelen"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenor) "So freuet euch, ihr auserwählten Seelen" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach2:23
17Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenor) "Glück und Segen sind bereit"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenor) "Glück und Segen sind bereit" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach4:44
18Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Choral "Herr, ich hoffe je, du werdest die"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Choral "Herr, ich hoffe je, du werdest die" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Anarg von Wildenfels (Hymn-Writer) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 283)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach1:11
19Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Coro (+ Sopran, Bass) "Guter Hirte, Trost der Deinen"
bass vocals:
Niklaus Tuller (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Coro (+ Sopran, Bass) "Guter Hirte, Trost der Deinen" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:13
▼CD 4: BWV 185-187
#TitleArtistRatingLength
1Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": I. Aria Duetto (Sopran, Tenor) "Barmherziges Herze der ewigen Liebe"
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": I. Aria Duetto (Sopran, Tenor) "Barmherziges Herze der ewigen Liebe" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen, Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach4:00
2Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo (Alt) "Ihr Herzen, die ihr euch"
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo (Alt) "Ihr Herzen, die ihr euch" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen, Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:34
3Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria (Alt) "Sei bemüht in dieser Zeit"
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria (Alt) "Sei bemüht in dieser Zeit" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen, Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach3:31
4Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": IV. Recitativo (Bass) "Die Eigenliebe schmeichelt sich"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": IV. Recitativo (Bass) "Die Eigenliebe schmeichelt sich" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen, Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach1:23
5Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": V. Aria (Bass) "Das ist der Christen Kunst"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": V. Aria (Bass) "Das ist der Christen Kunst" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen, Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:57
6Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": VI. Choral "Ich ruf zu dir, Herr Jesu Christ"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": VI. Choral "Ich ruf zu dir, Herr Jesu Christ" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen, Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Agricola
part of:
Breitkopf 389 Choralgesänge (number: 184)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach1:19
7Kantate, BWV 186 "Ärgre dich, o Seele, nicht": I. Coro "Ärgre dich, o Seele, nicht"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": I. Coro "Ärgre dich, o Seele, nicht" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach3:45
8Kantate, BWV 186 "Ärgre dich, o Seele, nicht": II. Recitativo (Bass) "Die Knechtsgestalt, die Not, der Mangel"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": II. Recitativo (Bass) "Die Knechtsgestalt, die Not, der Mangel" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:11
9Kantate, BWV 186 "Ärgre dich, o Seele, nicht": III. Aria (Bass) "Bist du, der mir helfen soll"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": III. Aria (Bass) "Bist du, der mir helfen soll" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach3:06
10Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IV. Recitativo (Tenor) "Ach, daß ein Christ so sehr"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IV. Recitativo (Tenor) "Ach, daß ein Christ so sehr" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:18
11Kantate, BWV 186 "Ärgre dich, o Seele, nicht": V. Aria (Tenor) "Mein Heiland läßt sich merken"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": V. Aria (Tenor) "Mein Heiland läßt sich merken" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach3:07
12Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VI. Choral "Ob sichs anließ, als wollt er nicht"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VI. Choral "Ob sichs anließ, als wollt er nicht" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:55
13Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VII. Recitativo (Bass) "Es ist die Welt die große Wüstenei"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VII. Recitativo (Bass) "Es ist die Welt die große Wüstenei" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:12
14Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VIII. Aria (Sopran) "Die Armen will der Herr umarmen"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VIII. Aria (Sopran) "Die Armen will der Herr umarmen" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach4:10
15Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IX. Recitativo (Alt) "Nun mag die Welt mit ihrer Lust vergehen"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IX. Recitativo (Alt) "Nun mag die Welt mit ihrer Lust vergehen" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:43
16Kantate, BWV 186 "Ärgre dich, o Seele, nicht": X. Duetto (Sopran, Alt) "Laß, Seele, kein Leiden"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": X. Duetto (Sopran, Alt) "Laß, Seele, kein Leiden" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach5:29
17Kantate, BWV 186 "Ärgre dich, o Seele, nicht": XI. Choral "Die Hoffnung wart' der rechten Zeit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": XI. Choral "Die Hoffnung wart' der rechten Zeit" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:54
18Kantate, BWV 187 "Es wartet alles auf dich": I. Coro "Es wartet alles auf dich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": I. Coro "Es wartet alles auf dich" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach7:29
19Kantate, BWV 187 "Es wartet alles auf dich": II. Recitativo (Bass) "Was Kreaturen hält"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": II. Recitativo (Bass) "Was Kreaturen hält" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach1:07
20Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach4:29
21Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach3:30
22Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
soprano vocals:
Maria Friesenhausen (German soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach3:55
23Kantate, BWV 187 "Es wartet alles auf dich": VI. Recitativo (Sopran) "Halt ich nur fest an ihm"
soprano vocals:
Maria Friesenhausen (German soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VI. Recitativo (Sopran) "Halt ich nur fest an ihm" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach1:37
24Kantate, BWV 187 "Es wartet alles auf dich": VII. Choral "Gott hat die Erde zugericht'"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VII. Choral "Gott hat die Erde zugericht'" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Hans Vogel (in 1563)
part of:
Breitkopf 389 Choralgesänge (number: 308)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach2:14