Única

~ Release by Maria Callas (see all versions of this release, 2 available)

Tracklist

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▼CD 1
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1Gianni Schicchi: “O mio babbino caro”
sound engineer, engineer and balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Lauretta]:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-15 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1954-09-15 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
2:41
2La Bohème: “Mi chiamano Mimi”
soprano vocals [Mimì]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
4:53
3La Bohème: “Donde lieta usci”
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Mimì]:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
3:24
4La Wally: “Ebben? ne andrò lontana”
soprano vocals [Wally]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica
part of:
La Wally: Atto I
4:55
5Adrienne Lecouvreur: “Io son l’umile ancella”
engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (on 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-21)
conductor:
Tullio Serafin (conductor) (on 1954-09-21)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-21)
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (on 1954-09-21)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto I
3:51
6Adrienne Lecouvreur: “Poveri fiori”
engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20)
conductor:
Tullio Serafin (conductor) (on 1954-09-20)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20)
recording of:
Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) (on 1954-09-20)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto IV
3:18
7Andrea Chénier: “La mamma morta”
soprano vocals:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (in 1954)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno
part of:
Andrea Chénier: Atto III
4:57
8Tosca: “Vissi d’arte”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1953)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
3:21
9Madama Butterfly: “Un bel dì vedremo”
producer:
Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
soprano vocals:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
4:46
10Turandot: “Signore, ascolta”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I
2:34
11Turandot: “Tu, che di gel sei cinta”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III
2:53
12Turandot: “In questa reggia…”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II
6:29
13Rigoletto: “Gualtier Maldè… Caro nome”
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Marullo]:
William Dickie (british bass-baritone) (from 1955-09-03 until 1955-09-16)
bass vocals [Ceprano]:
Carlo Forti (operatic bass) (from 1955-09-03 until 1955-09-16)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
soprano vocals [Gilda]:
Maria Callas (soprano) (from 1955-09-03 until 1955-09-16)
tenor vocals [Borsa]:
Renato Ercolani (tenor) (from 1955-09-03 until 1955-09-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
conductor:
Tullio Serafin (conductor) (from 1955-09-03 until 1955-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1956)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1955-09-03 until 1955-09-16)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
7:35
14La Traviata: “Ah, fors’è lui”
soprano vocals:
Maria Callas (soprano)
orchestra:
Orquestra Sinfónica do Teatro Nacional de São Carlos
conductor:
Franco Ghione (conductor, violinist and composer)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
3:22
15Le Trouvère: “D’amor sull’ali rosee”
producer:
Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:08
16I vespri siciliani: “Mercé, dilette amiche”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Tullio Serafin (conductor)
recording of:
I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto V
4:06
17La sonnambula: “Compagne, teneri amici… Come per me sereno”
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recording of:
La sonnambula: Atto I, scena 1. “Compagne, teneri amici… Come per me sereno” (Amina, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
La sonnambula: Atto I
3:20
18Lucia di Lammermoor: “Regnava nel silenzio… Quando rapito”
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Teatro comunale in Firenze, Firenze, Toscana, Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
8:02
▼CD 2
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1Norma: “Casta Diva”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
5:38
2Le Barbier de Séville: “Una voce poco fa”
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
baritone vocals:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
6:24
3Ernani: “Surta è la notte… Ernani, involami”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Nicola Rescigno (conductor)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
6:15
4Aïda: “Ritorna vincitor !”
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
7:10
5Orphée et Eurydice: “J’ai perdu mon Eurydice”
producer:
Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-03-31)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, Scène 1, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31)
composer:
Christoph Willibald Gluck (composer)
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
4:29
6Carmen: “L’amour est un oiseau rebelle”
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
music quoted on:
Nxde
part of:
Carmen : Acte I
4:24
7Carmen: “Près des remparts de Séville”
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
4:37
8Carmen: “Les triangles des sistres tintaient”
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
4:23
9Roméo et Juliette: “Ah! je veux vivre dans ce rêve”
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-04-05)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (from 1961-03-28 until 1961-04-05)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
3:45
10Werther: “Werther! qui m’aurait dit… Des cris joyeux”
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Charlotte]:
Maria Callas (soprano) (from 1963-05-02 until 1963-05-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-05-02 until 1963-05-08)
conductor:
Georges Prêtre (conductor) (from 1963-05-02 until 1963-05-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-05-02 until 1963-05-08)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1963-05-02 until 1963-05-08)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1963-05-02 until 1963-05-08)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
7:08
11Samson et Dalila: “Printemps qui commence”
soprano vocals:
Maria Callas (soprano) (from 1963-05-02 until 1963-05-08)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1963-05-02 until 1963-05-08)
conductor:
Georges Prêtre (conductor) (from 1963-05-02 until 1963-05-08)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila) (from 1963-05-02 until 1963-05-08)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
5:21
12Samson et Dalila: “Mon cœur s’ouvre à ta voix”
soprano vocals:
Maria Callas (soprano) (from 1963-05-02 until 1963-05-08)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1963-05-02 until 1963-05-08)
conductor:
Georges Prêtre (conductor) (from 1963-05-02 until 1963-05-08)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s'ouvre à ta voix » (Dalila) (from 1963-05-02 until 1963-05-08)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
5:21
13Manon: “Je ne suis que faiblesse… Adieu, notre petite table”
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (conductor)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
3:24
14Louise: “Depuis le jour”
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France)
conductor:
Georges Prêtre (conductor)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
composer:
Gustave Charpentier (composer)
part of:
Louise: Acte III, Scène I.
4:47
15Faust: “Un bouquet!… Ah! je ris” (air des bijoux)
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (conductor)
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
5:30

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ASIN:ES: B004QTIHLU [info]