| # | Title | Artist | Rating | Length |
|---|
| 1 | Stay With Me Baby | Duffy | | 3:53 |
| 2 | All Day and All of the Night | The Kinks | 4.55 | 2:23 |
| 3 | Elenore | The Turtles | 5 | 2:31 |
| 4 | Judy in Disguise | John Fred & His Playboy Band | 4 | 2:54 |
| 5 | Dancing in the Street- producer:
- William Stevenson
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 40) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 130)
- recording of:
- Dancing in the Street
- writer:
- Marvin Gaye, Ivy Jo Hunter and William Stevenson
- publisher:
- EMI Music Publishing , FCG Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha Reeves & the Vandellas | 3.6 | 2:36 |
| 6 | Wouldn’t It Be Nice- engineer:
- Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Brian Wilson
- 12 string guitar:
- Jerry Cole (on 1966-01-22)
- accordion:
- Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
- baritone saxophone:
- Jay Migliori (on 1966-01-22)
- bass guitar:
- Lyle Ritz (on 1966-01-22)
- drums (drum set):
- Hal Blaine (on 1966-01-22)
- electric bass guitar:
- Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
- guitar:
- Bill Pitman (on 1966-01-22)
- mandoguitar:
- Barney Kessel (on 1966-01-22)
- percussion:
- Frank Capp (on 1966-01-22)
- piano:
- Al De Lory (on 1966-01-22)
- piano [track piano]:
- Larry Knechtel (on 1966-01-22)
- tenor saxophone:
- Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
- trumpet:
- Roy Caton (on 1966-01-22)
- background vocals:
- Al Jardine (on 1966-01-22), Bruce Johnston (on 1966-01-22), Carl Wilson (on 1966-01-22) and Dennis Wilson (on 1966-01-22)
- lead vocals:
- Mike Love (on 1966-01-22) and Brian Wilson (on 1966-01-22)
- arranger:
- Brian Wilson
- recorded at:
- Columbia Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 297)
- recording of:
- Wouldn’t It Be Nice (on 1966-01-22)
- lyricist:
- Tony Asher , Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Almo Music Corp. , Irving Music , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Beach Boys | 4.45 | 2:23 |
| 7 | Ooo Baby Baby | Smokey Robinson & The Miracles | 5 | 2:45 |
| 8 | This Guy’s in Love With You | Herb Alpert & the Tijuana Brass | 4 | 4:01 |
| 9 | Crimson and Clover | Tommy James & the Shondells | 5 | 5:25 |
| 10 | Hi Ho Silver Lining | Jeff Beck | 2 | 2:49 |
| 11 | I Can See for Miles- executive producer:
- Chris Stamp
- producer:
- Kit Lambert
- drums (drum set):
- Keith Moon
- guitar:
- Pete Townshend
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 1967)
- recorded at:
- CBS Studios in London , England, United Kingdom (from 1967-05-28 until 1967-05-29), Talent Masters Studios in New York, New York, United States (in 1967-07) and Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1967-09)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 258)
- recording of:
- I Can See for Miles (from 1967-05-28 until 1967-09)
- lyricist and composer:
- Pete Townshend
- publisher:
- Fabulous Music, Ltd. and TRO-Essex Music, Inc.
| The Who | 4.85 | 4:07 |
| 12 | With a Girl Like You | The Troggs | 4.4 | 2:07 |
| 13 | The Letter | The Box Tops | 4.35 | 1:54 |
| 14 | I’m Alive | The Hollies | | 2:25 |
| 15 | Yesterday Man | Chris Andrews | | 2:32 |
| 16 | I’ve Been a Bad Bad Boy | Paul Jones | | 2:21 |
| 17 | Silence Is Golden | The Tremeloes | 3.5 | 3:09 |
| 18 | The End of the World | Skeeter Davis | 3.5 | 2:39 |
