Clash on Broadway

~ Release by The Clash (see all versions of this release, 5 available)

Tracklist

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▼CD 1: Clash On Broadway (Disc 1)
#TitleRatingLength
1Janie Jones (demo)
producer:
Guy Stevens
recording of:
Janie Jones
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
2:12
2Career Opportunities (demo)
producer:
Guy Stevens
recording of:
Career Opportunities
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
1:58
3White Riot
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
White Riot
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.52:00
41977
producer:
Mickey Foote
recording of:
1977
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.51:42
5I’m So Bored With the U.S.A.
producer:
Mickey Foote
recording of:
I’m So Bored With the U.S.A.
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3.752:26
6Hate & War
producer:
Mickey Foote
recording of:
Hate & War
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.652:06
7What’s My Name
producer:
Mickey Foote
recording of:
What’s My Name
writer:
Mick Jones (The Clash/Big Audio Dynamite), Keith Levene and Joe Strummer
3.351:41
8Deny
producer:
Mickey Foote
recording of:
Deny
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:05
9London’s Burning
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
London’s Burning
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.752:11
10Protex Blue
producer:
Mickey Foote
recording of:
Protex Blue
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
41:46
11Police & Thieves
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
cover recording of:
Police and Thieves
writer:
Junior Murvin and Lee “Scratch” Perry
3.656:01
1248 Hours
producer:
Mickey Foote
recording of:
48 Hours
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
41:36
13Cheat
producer:
Mickey Foote
recording of:
Cheat
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
52:07
14Garageland
producer:
Mickey Foote
recording of:
Garageland
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.353:14
15Capital Radio One
producer:
Mickey Foote
recording of:
Capital Radio (Capital Radio One)
writer and composer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
2:10
16Complete Control
producer:
Mickey Foote and Lee Perry
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 362)
recording of:
Complete Control
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:15
17Clash City Rockers
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Clash City Rockers
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.53:49
18City of the Dead
producer:
Mickey Foote
recording of:
City of the Dead
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.52:24
19Jail Guitar Doors
producer:
Mickey Foote
recording of:
Jail Guitar Doors
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.253:06
20The Prisoner
producer:
The Clash (70s–80s British punk rock band)
recording of:
The Prisoner
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
33:01
21(White Man) In Hammersmith Palais
producer:
The Clash (70s–80s British punk rock band)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 340) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 430)
recording of:
(White Man) In Hammersmith Palais
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
34:01
22Pressure Drop
producer:
The Clash (70s–80s British punk rock band)
recording of:
Pressure Drop
lyricist and composer:
Frederick Nathaniel Hibbert
33:27
231‐2 Crush on You
producer:
The Clash (70s–80s British punk rock band)
recording of:
1‐2 Crush on You
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3:01
24English Civil War (live)
producer:
Bill Price (UK producer/engineer)
live cover recording of:
When Johnny Comes Marching Home
lyricist:
Patrick Sarsfield Gilmore
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 6637)
2:42
25I Fought the Law (live)
producer:
Bill Price (UK producer/engineer)
live cover recording of:
I Fought the Law
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部
2:26
▼CD 2: Clash On Broadway (Disc 2)
#TitleRatingLength
1Safe European Home
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Safe European Home
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:52
2Tommy Gun
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Tommy Gun
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:18
3Julie’s Been Working for the Drug Squad
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
recording of:
Julie’s Been Working for the Drug Squad
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.353:05
4Stay Free
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Stay Free
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.353:41
5One Emotion
recording of:
One Emotion
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4:13
6Groovy Times
producer:
The Clash (70s–80s British punk rock band) and Bill Price (UK producer/engineer)
recording of:
Groovy Times
composer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.53:32
7Gates of the West
producer:
The Clash (70s–80s British punk rock band) and Bill Price (UK producer/engineer)
recording of:
Gates of the West
composer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
33:29
8Armagideon Time
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
cover recording of:
Armagideon Time
writer:
Willi Williams (Jamaican reggae artist)
composer:
Clement “Coxsone” Dodd
is based on:
Real Rock (riddim)
43:52
9London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
4.153:21
10Brand New Cadillac
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
live cover recording of:
Brand New Cadillac (on 1982-02-02)
lyricist and composer:
Vince Taylor (rock and roll singer; The Playboys)
publisher:
ワーナー・チャペル音楽出版, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
3.652:11
11Rudie Can’t Fail
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Rudie Can’t Fail (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.33:29
12The Guns of Brixton
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Guns of Brixton (from 1979-01 until 1979-03)
lyricist and composer:
Paul Simonon
is based on:
Paul’s Tune
43:13
13Spanish Bombs
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Spanish Bombs (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:20
14Lost in the Supermarket
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Lost in the Supermarket (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:49
15The Right Profile
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Right Profile (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
Up‐Toon (instrumental)
2.853:55
16The Card Cheat
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Card Cheat (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.53:51
17Death or Glory
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Death or Glory (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd.
recording of:
Death or Glory
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd.
43:57
18Clampdown
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Clampdown (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
is based on:
Working and Waiting
3.83:51
19Train in Vain
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 213) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 292)
recording of:
Train in Vain (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.43:11
20Bankrobber
producer:
Mikey Dread
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Bankrobber
additional lyricist:
Half Pint (Jamaican reggae/dancehall singer)
lyricist, writer and composer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
34:33
▼CD 3: Clash On Broadway (Disc 3)
#TitleRatingLength
1Police on My Back
producer:
The Clash (70s–80s British punk rock band)
lead vocals:
Mick Jones (The Clash/Big Audio Dynamite)
cover recording of:
Police on My Back
lyricist and composer:
Eddy Grant
publisher:
Edward Kassner Music Co. Ltd.
53:18
2The Magnificent Seven
producer:
The Clash (70s–80s British punk rock band)
lead vocals:
Joe Strummer
recording of:
The Magnificent Seven
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
45:33
3The Leader
producer:
The Clash (70s–80s British punk rock band)
lead vocals:
Joe Strummer
recording of:
The Leader
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
41:43
4The Call Up
producer:
The Clash (70s–80s British punk rock band)
lead vocals:
Joe Strummer
recording of:
The Call Up
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
3.55:28
5Somebody Got Murdered
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
lead vocals:
Mick Jones (The Clash/Big Audio Dynamite)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Somebody Got Murdered
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
arranger:
The Clash (70s–80s British punk rock band)
3.353:35
6Washington Bullets
producer:
The Clash (70s–80s British punk rock band)
lead vocals:
Joe Strummer
recording of:
Washington Bullets
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
33:52
7Broadway
producer:
The Clash (70s–80s British punk rock band)
recording of:
Broadway
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
5:50
8Lightning Strikes (Not Once but Twice) (live)
recorded at:
Bond’s International Casino in New York, New York, United States (in 1981)
live recording of:
Lightning Strikes (Not Once but Twice)
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
3:39
9Every Little Bit Hurts
producer:
The Clash (70s–80s British punk rock band)
cover recording of:
Every Little Bit Hurts
lyricist and composer:
Ed Cobb
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
4:37
10Stop the World
producer:
The Clash (70s–80s British punk rock band) and Bill Price (UK producer/engineer)
recording of:
Stop the World
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
32:35
11Midnight to Stevens
producer:
The Clash (70s–80s British punk rock band)
recording of:
Midnight to Stevens
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4:39
12This Is Radio Clash
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
This Is Radio Clash
writer:
The Clash (70s–80s British punk rock band)
44:12
13Cool Confusion
producer:
The Clash (70s–80s British punk rock band)
recording of:
Cool Confusion
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
33:17
14Red Angel Dragnet (edited version)
mixer:
Glyn Johns
recording of:
Red Angel Dragnet
writer:
Paul Simonon and Joe Strummer
3:25
15Ghetto Defendant (edited version)
mixer:
Glyn Johns
recording of:
Ghetto Defendant
writer:
Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
4:16
16Rock the Casbah
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 58)
recording of:
Rock the Casbah
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.453:45
17Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.553:10
18Straight to Hell (unedited version)
producer:
The Clash (70s–80s British punk rock band)
recording of:
Straight to Hell
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
6:57
19The Street Parade
producer:
The Clash (70s–80s British punk rock band)
recording of:
The Street Parade
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
3:19