Contented Rest

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Adagio from Concerto in C minor for violin, oboe, strings and continuo, reconstructed from Harpsichord Concerto, BWV 1060
oboe:
Diana Doherty (oboist)
violin:
Anna McDonald (violinist)
orchestra:
Sinfonia Australis
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach4:42
2Vergnügte Ruh', beliebte Seelenlust (Contented rest, beloved inner joy) from Cantata No. 170 ‘Vergnügte Ruh', BWV 170
alto vocals and mezzo-soprano vocals:
Sally-Anne Russell
orchestra:
Orchestra of the Antipodes
conductor:
Antony Walker (conductor)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (from 2003-10-09 until 2003-12-10)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach5:54
3Adagio from Concerto in D minor, BWV 974, transcribed for keyboard solo from Alessandro Marcello's Concerto for oboe, strings and continuo
piano:
John Champ
recording of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (transcription for cembalo by J.S. Bach)
composer:
Alessandro Marcello
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto per oboe, archi e continuo in re minore: II. Adagio
part of:
Keyboard Concerto no. 3 in D minor after Alessandro Marcello, BWV 974 (transcription for cembalo by J.S. Bach)
Johann Sebastian Bach4:30
4Air from Orchestral Suite No. 3 in D major, BWV 1068
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
recorded at:
ABC Odeon in Hobart, Tasmania, Australia (from 1999-09-14 until 1999-09-16)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (from 1999-09-14 until 1999-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach3:23
5Mache dich, mein Herze, rein (Purify yourself, my heart) from St Matthew Passion, BWV 244
baritone vocals:
Teddy Tahu Rhodes (baritone)
orchestra:
Sinfonia Australis
conductor:
Antony Walker (conductor)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 2003-03-24 until 2003-10-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:16
6Siciliana from Sonata No. 3 in E-flat major for flute and harpsichord, BWV 1031, arranged for harp solo by Dewey Owens
harp:
Marshall McGuire (harpist)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (for harp, Owens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Dewey Owens (American harpist)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
Johann Sebastian Bach1:49
7Jesus bleibet meine Freude (Jesu, joy of man's desiring) from Cantata No. 147 ‘Herz und Mund und Tat und Leben', BWV 147
choir vocals:
Sydney Philharmonia Symphonic Chorus
orchestra:
Sydney Philharmonia
conductor:
Antony Walker (conductor)
live recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
music quoted on:
Minnen av aprilhimlen
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:46
8Prelude from Cello Suite No. 1 in G major, BWV 1007
viola da gamba:
Daniel Yeadon (cello and viol player)
recording of:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude
part of:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
Johann Sebastian Bach2:58
9Andante from Brandenburg Concerto No. 2, BWV 1047
piano:
Antony Gray (Australian pianist)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (for piano, Goossens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
part of:
A Bach Book for Harriet Cohen
arrangement of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante
Johann Sebastian Bach4:09
10Erbarme dich (Have mercy) from St Matthew Passion, BWV 244
violin:
Anna McDonald (violinist)
alto vocals:
Sally-Anne Russell
orchestra:
Orchestra of the Antipodes
conductor:
Antony Walker (conductor)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 2003-10-09 until 2003-12-10)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:11
11Wachet auf, ruft uns die Stimme: ‘Schübler' Chorale No. 1, BWV 645
chamber organ:
Linda Kent (harpsichordist / organist)
treble recorder / alto recorder:
Genevieve Lacey
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach4:38
12Bist du bei mir (If you are beside me) , BWV 508 from the Notebook of Anna Magdalena Bach
soprano vocals:
Yvonne Kenny (Australian soprano)
orchestra:
Melbourne Symphony Orchestra
conductor:
Vladimir Kamirski
arranger:
Walter Bergmann
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 508)
Godfried Heinrich Stölzel2:40
13To His Servant Bach, God Grants a Final Glimpse:The Morning Star
guitar:
Peter Constant, Timothy Kain (guitarist), Richard Strasser and Fiona Walsh
recording of:
To His Servant Bach, God Grants a Final Glimpse: The Morning Star
composer:
Graeme Koehne
Graeme Koehne3:59
14Schafe können sicher weiden (Sheep may safely graze) from Cantata No. 208 ‘Was mir behagt ist nur die muntre Jagd' (Hunting Cantata), BWV 208
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach6:37
15Weichet nur, betrübte Schatten (Hence, dismal shadows) from Cantata No. 202 ‘Weichet nur' (Wedding Cantata), BWV 202
oboe:
Antony Chesterman
soprano vocals:
Sara Macliver (soprano)
vocals:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
conductor:
Antony Walker (conductor)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 2003-10-09 until 2003-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach6:36
16Prelude No. 8 in E-flat minor, BWV 853 from The Well-Tempered Clavier, Book I
piano:
David Stanhope (Australian composer, conductor and virtuoso pianist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853
Johann Sebastian Bach4:22
17Sinfonia from the Christmas Oratorio, BWV 248
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
arranger:
William Gillies Whittaker
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:01