Solid Gold Soul 1967

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼CD 1
Nr.TitelKünstlerBewertungLänge
1Respect
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
Dirigent(in):
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World und New York Post: 100 Greatest Covers (2007) (Nummer: 52)
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. und Warner/Chappell North America
Aretha Franklin3.82:26
2Soul Man
Produzent(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex "Sam and Dave") (in 1967) und David Prater (Soul artist) (in 1967)
vocals:
Sam & Dave
phonographic copyright (℗) by:
HHO Recordings Ltd.
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (in 1967)
Verfasser(in):
David Porter (US soul musician, producer & songwriter) (in 1967) und Isaac Hayes (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:38
3Get on Up
The Esquires2:23
4Jimmy Mack
Martha and the Vandellas2:50
5You're My Everything
The Temptations52:59
6I Heard It Through the Grapevine
cover recording of:
I Heard It Through the Grapevine (am 1967-06-17)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部
Gladys Knight & the Pips3.352:45
7Tramp
cover recording of:
Tramp
Verfasser(in):
Lowell Fulson und Jimmy McCracklin
publisher:
Budget Music, Careers‐BMG Music Publishing, Inc. und Powerforce Music
Otis Redding & Carla Thomas2:53
8The Hunter Gets Captured by the Game
The Marvelettes2:50
9Your Precious Love
vocals:
Tammi Terrell
recording of:
Your Precious Love
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
Marvin Gaye & Tammi Terrell43:02
10I Never Loved a Man (The Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24) und Chips Moman (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24) und Spooner Oldham (am 1967-01-24)
Posaune:
David Hood (am 1967-01-24)
Schlagzeug:
Roger Hawkins (am 1967-01-24)
Tenorsaxophon:
Joe Arnold (am 1967-01-24) und Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-01-24)
Trompete:
Ken Laxton (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
Dirigent(in):
Tom Dowd (am 1967-01-24)
Horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd und Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 186)
recording of:
I Never Loved a Man (The Way I Love You) (am 1967-01-24)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music
Aretha Franklin42:42
11Tell It Like It Is
recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville4.52:41
12Bernadette
recording of:
Bernadette
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Four Tops3:02
13(Your Love Keeps Lifting Me) Higher and Higher
Produzent(in):
Carl Davis (record producer)
Bass:
James Jamerson (am 1967-07-06)
Gitarre:
Robert White (US funk/soul guitarist) (am 1967-07-06)
Keyboard:
Johnny Griffith (am 1967-07-06)
Schlagzeug:
Richard "Pistol" Allen (am 1967-07-06)
Sologesang:
Jackie Wilson (soul singer) (am 1967-07-06)
arranger:
Sonny Sanders
aufgenommen bei:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Vereinigte Staaten (am 1967-07-06)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 246)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (am 1967-07-06)
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music Publishing Ltd. (PRS-affiliated), Mijac Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Jackie Wilson52:53
14Soul Finger
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Bass [electric bass]:
James Alexander (bass) (in 1967)
Gitarre:
Jimmy King (US guitarist for The Bar-Kays) (in 1967)
Orgel:
Ronnie Caldwell (in 1967)
Schlagzeug:
Carl Cunningham (drummer for The Bar-Kays) (in 1967)
Tenorsaxophon:
Phalon Jones (in 1967)
Trompete:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
Verfasser(in):
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar-Kays), James Alexander (bassist, singer and songwriter), Phalon Jones und Jimmy King (US guitarist for The Bar-Kays)
The Bar‐Kays4.52:19
15Are You Lonely for Me
Freddie Scott3:12
16Funky Broadway
baritone saxophone:
Floyd Newman (vom 1967-02-01 bis 1967-02-04)
Bass [electric bass]:
Tommy Cogbill (vom 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (vom 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (vom 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (vom 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (vom 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (vom 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (vom 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (vom 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (vom 1967-02-01 bis 1967-02-04)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (vom 1967-02-01 bis 1967-02-04)
cover recording of:
Funky Broadway (vom 1967-02-01 bis 1967-02-04)
Texter und Komponist(in):
Arlester “Dyke” Christian
Wilson Pickett22:33
17Sweet Soul Music
recording of:
Sweet Soul Music
Verfasser(in):
Arthur Conley, Sam Cooke und Otis Redding
basiert auf:
Yeah Man
Arthur Conley42:19
18Mercy, Mercy, Mercy
phonographic copyright (℗) by:
Dance Plant Records (Cussy Music Publishing) (in 2012) und FHT (in 2012)
recording of:
Mercy, Mercy, Mercy
Komponist(in):
Josef Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
Cannonball Adderley3:08
19Hypnotized
Linda Jones2:38
20Love Is Here and Now You're Gone
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Love Is Here and Now You’re Gone
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Supremes2:46
21Close Your Eyes
Peaches & Herb2:37
22Nothing Takes the Place of You
Toussaint McCall3:04

Nennungen

Veröffentlichungsgruppe

Teil von:Solid Gold Soul (Time-Life Music) (Nummer: 2) (Reihenfolge: 2)