Tracklist

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CD 1
#TitleRatingLength
1Ouvertüre Leonore Nr. 2, Op. 72b
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
15:46
2Fidelio: I. Aufzug. Nr. 2 Arie "O wär' ich schon mit dir vereint"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1999)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
4:11
3Fidelio: I. Aufzug. Nr. 1 Duett "Jetzt, Schätzchen, jetzt sind wir allein"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
solo tenor vocals [Jaquino]:
Werner Güra (German classical tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
5:06
4Fidelio: I. Aufzug. Nr. 3 Quartet "Mir ist so wunderbar"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
solo tenor vocals [Jaquino]:
Werner Güra (German classical tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. "Höre, Fidelio!" (Rocco, Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
4:35
5Fidelio: I. Aufzug. Nr. 4 Arie "Hat man nicht auch Gold beineben"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
2:37
6Fidelio: I. Aufzug. Nr. 5 Terzett "Gut, Söhnchen, gut"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
6:15
7Fidelio: I. Aufzug. Nr. 6 Marsch
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo bass-baritone vocals [Don Pizarro]:
Falk Struckmann (bass-baritone) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
2:00
8Fidelio: I. Aufzug. Nr. 7 Arie mit Chor "Ha, welch ein Augenblick!"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 1999)
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo bass-baritone vocals [Don Pizarro]:
Falk Struckmann (bass-baritone) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
3:20
9Fidelio: I. Aufzug. Nr. 8 Duett "Jetzt, Alter, hat es Eile!"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo bass-baritone vocals [Don Pizarro]:
Falk Struckmann (bass-baritone) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
5:07
10Fidelio: I. Aufzug. Nr. 9 Rezitativ und Arie "Abscheulicher, wo eilst du hin"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio: Act I. No. 9a Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
2:30
11Fidelio: I. Aufzug. Nr. 9 Rezitativ und Arie "Komm, Hoffnung, laß' den letzten Stern"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio: Act I. No. 9b Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
5:06
12Fidelio: I. Aufzug. Nr. 10 Finale "O welche Lust"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
choir vocals and choir vocals [1st Prisoner]:
Chor der Deutschen Staatsoper Berlin (in 1999)
solo bass-baritone vocals [2nd Prisoner]:
Klaus Häger (Bariton) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” (Chor, 1st Prisoner, 2nd Prisoner) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
7:28
13Fidelio: I. Aufzug. Nr. 10 Finale "Nun sprecht, wie ging's?"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo bass-baritone vocals [Don Pizarro]:
Falk Struckmann (bass-baritone) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
solo tenor vocals [Jaquino]:
Werner Güra (German classical tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
8:32
14Fidelio: I. Aufzug. Nr. 10 Finale "Leb wohl, du warmes Sonnenlicht"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 1999)
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo bass-baritone vocals [Don Pizarro]:
Falk Struckmann (bass-baritone) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
solo tenor vocals [Jaquino]:
Werner Güra (German classical tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
5:20
CD 2
#TitleRatingLength
1Fidelio: II. Aufzug. Nr. 11 Introduktion und Arie "Gott! - Welch Dunkel hier!"5:48
2Fidelio: II. Aufzug. Nr. 11 Introduktion und Arie "In des Lebens Frühlingstagen"4:59
3Fidelio: II. Aufzug. Nr. 12 Melodram und Duett "Wie Kalt ist es"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
2:04
4Fidelio: II. Aufzug. Nr. 12 Melodram und Duett "Nur hurtig fort, nur frisch gegraben"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
4:28
5Fidelio: II. Aufzug. Nr. 13 Terzett "Euch werde Lohn"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo bass-baritone vocals [Don Pizarro]:
Falk Struckmann (bass-baritone) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo tenor vocals [Florestan]:
Plácido Domingo (tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
6:31
6Fidelio: II. Aufzug. Nr. 14 Quartett "Er sterbe!"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo bass-baritone vocals [Don Pizarro]:
Falk Struckmann (bass-baritone) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo tenor vocals [Florestan]:
Plácido Domingo (tenor) (in 1999)
solo tenor vocals [Jaquino]:
Werner Güra (German classical tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
4:57
7Fidelio: II. Aufzug. Nr. 15 Duett "O namenlose Freude!"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo tenor vocals [Florestan]:
Plácido Domingo (tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
3:04
8Fidelio: II. Aufzug. Nr. 16 Finale "Heil sei dem Tag"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
2:11
9Fidelio: II. Aufzug. Nr. 16 Finale "Des besten Königs Wink und Wille"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 1999)
solo bass vocals [Don Fernando]:
Kwangchul Youn (operatic bass) (in 1999)
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo bass-baritone vocals [Don Pizarro]:
Falk Struckmann (bass-baritone) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
solo tenor vocals [Florestan]:
Plácido Domingo (tenor) (in 1999)
solo tenor vocals [Jaquino]:
Werner Güra (German classical tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
8:06
10Fidelio: II. Aufzug. Nr. 16 Finale "Wer ein holdes Weib errungen"
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 1999)
solo bass vocals [Don Fernando]:
Kwangchul Youn (operatic bass) (in 1999)
solo bass vocals [Rocco]:
René Pape (operatic bass) (in 1999)
solo soprano vocals [Leonore]:
Waltraud Meier (mezzo-soprano) (in 1999)
solo soprano vocals [Marzelline]:
Soile Isokoski (soprano) (in 1999)
solo tenor vocals [Florestan]:
Plácido Domingo (tenor) (in 1999)
solo tenor vocals [Jaquino]:
Werner Güra (German classical tenor) (in 1999)
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
3:57
11Ouvertüre Leonore Nr. 1, Op. 138
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Overture “Leonore” no. 1 in C major, op. 138 (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 138)
11:28
12Ouvertüre Leonore Nr. 3, Op. 72a
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (in 1999)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
15:28
13Fidelio: Ouvertüre
assistant engineer:
Bernhard Güttler (engineer), René Möller and Peter Weinsheimer (engineer)
engineer:
Michael Brammann, Philipp Nedel and Eberhard Sengpiel
associate producer:
Dirk Lange
producer:
Martin Fouqué
orchestra:
Staatskapelle Berlin (in 1999)
conductor:
Daniel Barenboim (pianist and conductor) (in 1999)
recorded at:
Konzerthalle des Deutschlandradio Berlin in Berlin, Germany (in 1999)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1999)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
6:54