Carmina Burana

~ Release by Orff; Philharmonia Orchestra, Philharmonia Chorus, Riccardo Muti (see all versions of this release, 6 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:42
2Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:33
3Carmina Burana: I. Primo vere: Veris leta facies
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:06
4Carmina Burana: I. Primo vere: Omnia Sol temperat
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:11
5Carmina Burana: I. Primo vere: Ecce gratum
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:30
6Carmina Burana: Uf dem anger: Tanz
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:42
7Carmina Burana: Uf dem anger: Floret silva noblis
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:11
8Carmina Burana: Uf dem anger: Charmer, gip die varwe mir
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:14
9Carmina Burana: Uf dem anger: Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff4:15
10Carmina Burana: Uf dem anger: Were diu werlt alle min
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:52
11Carmina Burana: II. In Taberna: Estuans interius
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:11
12Carmina Burana: II. In Taberna: Olim lacus colueram
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
tenor vocals:
John van Kesteren (tenor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:21
13Carmina Burana: II. In Taberna: Ego sum abbas
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:27
14Carmina Burana: II. In Taberna: In taberna quando sumus
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:07
15Carmina Burana: III. Cour d'amours: Amor volat undique
producer:
John Mordler (producer)
choir vocals:
Southend Boys’ Choir (from 1979-03-02 until 1979-03-04, on 1979-03-30)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Michael Crabb (organist, conductor, chorus master) (from 1979-03-02 until 1979-03-04)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:21
16Carmina Burana: III. Cour d'amours: Dies, nox et omnia
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:24
17Carmina Burana: III. Cour d'amours: Stetit puella
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:42
18Carmina Burana: III. Cour d'amours: Circa mea pectora
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:57
19Carmina Burana: III. Cour d'amours: Si puer cum puellula
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:02
20Carmina Burana: III. Cour d'amours: Veni, veni, venias
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:56
21Carmina Burana: III. Cour d'amours: In trutina
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:22
22Carmina Burana: III. Cour d'amours: Tempus est iocundum
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30) and Southend Boys’ Choir (from 1979-03-02 until 1979-03-04, on 1979-03-30)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30) and Michael Crabb (organist, conductor, chorus master) (from 1979-03-02 until 1979-03-04)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:09
23Carmina Burana: III. Cour d'amours: Dulcissime
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:42
24Carmina Burana: Blanziflor et Helena: Ave formosissima
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:04
25Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna (reprise)
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bowen (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (on 1979-03-30)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:44