Carmen (Gesamtaufnahme in deutscher Sprache)

~ Release by Georges Bizet; Cervena, Apreck, Maria Croonen, Lauhöfer, Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel (see all versions of this release, 2 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Carmen: No. 1 Einleitung
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen : Prélude (in 1967)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (italian lyrics)
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet3:33
2Carmen: No. 2 Szene und Chor “Diese Menge, im Gedränge!”
baritone vocals [Morales]:
Bruno Aderhold (german baritone) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
soprano vocals [Micaëla]:
Maria Croonen (soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 2 Szene „Diese Menge, im Gedränge” (Moralès, Micaëla, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet5:46
3Carmen: No. 3 Chor der Straßenjungen “Schnell herbeigestürmt”
choir vocals:
Rundfunk-Kinderchor Leipzig (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 3 Chor „Schnell herbeigestürmt wie’s Wetter” (Straßenjungen) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet2:23
4Carmen: No. 4 Rezitativ “Ein junges Mädchen”
baritone vocals [Morales]:
Bruno Aderhold (german baritone) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 3 Rezitativ „Ein junges Mädchen” (Moralès, Don José) (in 1967)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translated version of:
Carmen : Acte I. No. 3 Dialogue « Il y a une jolie fille qui est venue te demander » (Moralès, Don José)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet2:39
5Carmen: No. 5 Chor “Eilen wir herbei mit der Glocke Töne”
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 4 Chor „Kommen wir herbei mit der Glocke Tönen” (Zigarettenarbeiterinnen, Carmen) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet4:54
6Carmen: No. 6. Habanera
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 5 Habanera „Ja, die Liebe hat bunte Flügel” (Carmen, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet3:38
7Carmen: No. 7 Szene “Carmen, sieh, wir folgen Dir ”
choir vocals:
Rundfunkchor Leipzig (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 6 Szene „Carmen, sieh, wir alle folgen dir” (Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet1:45
8Carmen: No. 6a Rezitativ “Ha, das heiß ich doch Unverschämtheit”
soprano vocals [Micaëla]:
Maria Croonen (soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 6a Rezitativ „Ha! das heiß’ ich doch Unverschämtheit!” (Don José, Micaëla) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 6 Scène « Qu'est-ce que ça veut dire » (Don José, Micaëla)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet0:50
9Carmen: No. 7 Duett “Wie? Du kommst von der Mutter”
soprano vocals [Micaëla]:
Maria Croonen (soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 7 Duett „Wie? Du kommst von der Mutter” – „Als Botin komm’ ich her” – „Ich seh’ die Mutter dort” (Don José, Micaëla) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet8:52
10Carmen: No. 7a Rezitativ “Bleibe da, während hier den lieben Brief”
soprano vocals [Micaëla]:
Maria Croonen (soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 7a Rezitativ „Bleibe da, während hier den lieben Brief ich lese” (Don José, Micaëla) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 7b Récit « Reste là, maintenant, pendant que je lirai » (Don José, Micaëla)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet1:17
11Carmen: No. 8 Chor “Was ist dort geschehen?”
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 8 Chor „Was ist dort geschehen?” … „Kommt zu Hülf!” (Zuniga, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet3:10
12Carmen: No. 9 Lied und Rezitativ “Mein Offizier, ein Streit entspann sich droben”
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 9 Lied & Rezitativ „Mein Offizier, ein Streit entspann sich droben” (Don José, Zuniga, Carmen, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 9 Chanson « Mon officier, c’était une querelle » (Don José, Zuniga)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet3:58
13Carmen: No. 10 Seguidilla und Duett “Draußen am Wall von Sevilla”
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 10 Seguidilla & Duett „Draußen am Wall von Sevilla” (Carmen, Don José) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet4:01
14Carmen: No. 11 Finale “Hier die Order”
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Erster Akt. Nr. 11 Finale I „Hier, der Befehl!” (Zuniga, Carmen) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet2:02
15Carmen: Zwischenspiel
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (in 1967)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:38
16Carmen: No. 12 Zigeunerlied “Was ist des Zigeuners höchste Lust”
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 12 Zigeunerlied „Was ist Zigeuners höchste Lust” (Carmen, Frasquita, Mercédès) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:25
17Carmen: No. 12a Rezitativ “Ihr Herren, Pastia sagt”
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 12a Rezitativ „Ihr Herren, Pastia sagt” ... „Was will er denn von uns” (Frasquita, Zuniga, Mercédès, Carmen) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:52
18Carmen: No. 13 Chor “Ein Hoch dem Torero”
baritone vocals [Morales]:
Bruno Aderhold (german baritone) (in 1967)
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 13 Chor „Ein Hoch, ein Hoch dem Torero!” (Zuniga, Frasquita, Mercédès, Carmen, Moralès, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet1:05
19Carmen: No. 14 Lied “Euren Toast kann ich wohl erwidern”
baritone vocals [Escamillo]:
Robert Lauhöfer (german baritone) (in 1967)
baritone vocals [Morales]:
Bruno Aderhold (german baritone) (in 1967)
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 14 Torerolied: „Euren Toast kann ich wohl erwidern” – „Auf in den Kampf” (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:49
20Carmen: No. 14a Rezitativ “Du Schöne, oh sprich”
baritone vocals [Escamillo]:
Robert Lauhöfer (german baritone) (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 14a Rezitativ „Du Schöne, o sprich, sag deinen Namen mir” (Escamillo, Carmen) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet1:44
21Carmen: No. 15 Quintett “Ich hab ein Geschäft vorzuschlagen”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
tenor vocals [Remendado]:
Harald Neukirch (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 15 Quintett: „Ich hab’ ein Geschäft vorzuschlagen” (Dancaïro, Mercédès, Frasquita, Remendado, Carmen) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:32
22Carmen: No. 15a Rezitativ “Sag, wen erwartest du”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
tenor vocals [Remendado]:
Harald Neukirch (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 15a Rezitativ „Sag, wen erwartest du?” … „Den Soldat, von dem ich schon erzählt” (Dancaïro, Carmen, Remendado) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet1:15
23Carmen: No. 16 Lied “He, holla, halt, wer da?”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
tenor vocals [Remendado]:
Harald Neukirch (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 16 Lied „He, holla! Halt! wer da?” … „Hört ihr ihn?” (Don José, Carmen, Frasquita, Mercédès, Dancaïro, Remendado) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:40
▼CD 2
#TitleArtistRatingLength
1Carmen: No. 16a Rezititativ “Bist du's Jose”
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 16a Rezitativ: „Bist du endlich da?” (Carmen, Don José) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:52
2Carmen: No. 17 Duett “Tanzen will ich zu eurer Ehr”
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 17 Duett: „Tanzen will ich zu Eurer Ehr’” (Carmen, Don José) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet12:04
3Carmen: No. 18 Finale “Holla, Carmen - holla”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
tenor vocals [Remendado]:
Harald Neukirch (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Zweiter Akt. Nr. 18 Finale II: „Holla! Carmen! holla, holla!” … „Wer klopft? wer ist da?” (Zuniga, Don José, Carmen, Remendado, Dancaïro, Frasquita, Mercédès, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:51
4Carmen: No. 18a Zwischenspiel
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (in 1967)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet2:46
5Carmen: No. 19 Sextett und Chor “Nur mutig die Schlucht hinab”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
tenor vocals [Remendado]:
Harald Neukirch (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 19 Sextett mit Chor „Nur mutig die Schlucht hinab, ihr Kameraden” (Frasquita, Mercédès, Carmen, Don José, Remendado, Dancaïro, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III, No. 19. « Écoute, écoute, compagnon, écoute » (Les Contrebandiers, Mercédès, Frasquita, Carmen, Don José, Le Dancaïre, Le Remendado) (Chœur des contrebandiers)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet4:01
6Carmen: No. 19a Rezitiativ “Ihr ruhet hier ein Stündchen aus”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 19a Rezitativ „Ihr ruhet hier ein Stündchen aus, Kameraden!” (Dancaïro, Carmen, Don José) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. « Reposons-nous une heure ici » (Le Dancaïre, Carmen, Don José)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet2:25
7Carmen: No. 20 Terzett “Mische, hebe, weissagen wir”
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 20 Terzett & Kartenlied „Mische! - Mische! - Hebe! - Hebe!” (Carmen, Frasquita, Mercédès) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès, Carmen)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet6:47
8Carmen: No. 20a Rezitativ “Was gibt's”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 20a Rezitativ „Was gibt’s?” … „Wir wollen versuchen durchzukommen” (Carmen, Dancaïro, Frasquita) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Trio des cartes : « Eh bien ?... » (Carmen, Le Dancaïre, Frasquita)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet0:39
9Carmen: No. 21 Ensemble “Ach, die Zöllner sind nur Sünder”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
tenor vocals [Remendado]:
Harald Neukirch (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 21 Ensemble „Ach, die Zöllner sind nur Sünder” (Frasquita, Mercédès, Carmen, Remendado, Dancaïro, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. No. 21. « Quant au douanier, c'est notre affaire » (Frasquita, Mercédès, Carmen, Le Dancaïre, Le Remendado, Chœur)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet3:09
10Carmen: No. 22 Rezitativ und Arie “Hier in der Felsenschlucht”
soprano vocals [Micaëla]:
Maria Croonen (soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 22 Rezitativ & Arie „Hier, in der Felsenschlucht sollen die Schmuggler hausen” … „Ich sprach, daß ich furchtlos mich fühle” (Micaëla) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla)
translated version of:
Carmen : Acte III. No. 22. Récit « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet6:08
11Carmen: No. 22a Rezitativ “Mein Aug, täusch ich mich nicht?”
baritone vocals [Escamillo]:
Robert Lauhöfer (german baritone) (in 1967)
soprano vocals [Micaëla]:
Maria Croonen (soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 22a Rezitativ „Doch täusch’ ich mich nicht?” (Micaëla, Escamillo) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Air : « Mais… Je ne me trompe pas… C’est Don José » (Micaëla)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet0:34
12Carmen: No. 23 Duett “Ich bin Escamillo”
baritone vocals [Escamillo]:
Robert Lauhöfer (german baritone) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 23 Duett „Ich bin Escamillo” (Escamillo, Don José) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet2:34
13Carmen: No. 24 Finale “Halt ein! Halt ein! Jose!”
baritone vocals [Dancairo]:
Günther Leib (baritone) (in 1967)
baritone vocals [Escamillo]:
Robert Lauhöfer (german baritone) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
soprano vocals [Micaëla]:
Maria Croonen (soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
tenor vocals [Remendado]:
Harald Neukirch (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Dritter Akt. Nr. 24 Finale III „Halt ein! halt ein! José!” (Carmen, Escamillo, Dancaïro, Don José, Remendado, Micaëla, Frasquita, Mercédès, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet7:53
14Carmen: No. 24a Zwischenspiel
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (in 1967)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:08
15Carmen: No. 25 Chor “Nur zwei Cuartos”
bass vocals [Zuniga]:
Wilhelm Klemm (operatic bass) (in 1967)
choir vocals:
Rundfunkchor Leipzig (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Vierter Akt. Nr. 25 Chor „Nur zwei Cuartos” (Zuniga, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet2:08
16Carmen: No. 26 Marsch und Chor “Ha, sie naht, es ist die Quadrilla”
baritone vocals [Escamillo]:
Robert Lauhöfer (german baritone) (in 1967)
choir vocals:
Rundfunk-Kinderchor Leipzig (in 1967) and Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
mezzo-soprano vocals [Mercedes]:
Sigrid Kehl (contralto) (in 1967)
soprano vocals [Frasquita]:
Ursula Engert (German soprano) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Vierter Akt. Nr. 26 Marsch & Chor „Ha, sie naht!” (Chor, Kinderchor, Escamillo, Carmen, Frasquita, Mercédès) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet6:46
17Carmen: No. 27 Duett und Finale “Du bist's?”
choir vocals:
Rundfunkchor Leipzig (in 1967)
mezzo-soprano vocals [Carmen]:
Soňa Červená (mezzo-soprano) (in 1967)
tenor vocals [Don José]:
Rolf Apreck (tenor) (in 1967)
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1967)
conductor:
Herbert Kegel (conductor) (in 1967)
recording of:
Carmen: Vierter Akt. Nr. 27 Duett & Schlusschor „Du bist's?” … „Ich bin’s!” (Carmen, Don José, Chor) (in 1967)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet8:29