Une cantate imaginaire

~ Release by Bach; Nathalie Stutzmann, Orfeo 55 (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Cantate "Am Abend aber desselbigen Sabbats", BWV 42: Sinfonia
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach?:??
2Cantate "Freue dich, erloste Schar!", BWV 30: Kommt, ihr angefochtnen Sunder
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
Johann Sebastian Bach?:??
3Cantate "Ich freue mich in dir", BWV 133: Getrost!
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach?:??
4Suite pour orchestra no. 3, BWV 1068: Aria
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach?:??
5Livre de musique d'Anna Magdalena Bach, BWV 508: Bist du bei mir
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach?:??
6Cantate "Ich liebe den Hochsten von ganzem Gemute", BWV 174: Sinfonia
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach?:??
7Cantate "Ich hatte viel Bekummernis": Sinfonia
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach?:??
8Cantate "Wer mich liebet, der wird mein Wort halten", BWV 74: Nichts kann mich erretten
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VII. Aria (Alt) "Nichts kann mich erretten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach?:??
9Cantate "Allein zu dir, Herr Jesu Christ", BWV 33: Wie furchtsam wankten meine Schritte
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten meine Schritte"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach?:??
10Cantate "Gleichwie der Regen und Schnee vom Himmel fallt", BWV 18: Sinfonia
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach?:??
11Passion selon Saint Matthieu, BWV 244: Erbarme dich
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach?:??
12Cantate "Christ lag in Todes Banden", BWV 4: Sinfonia
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Christ lag in Todes Banden, BWV 718
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: K119) and Bach-Werke-Verzeichnis (number: BWV 718)
Johann Sebastian Bach?:??
13Cantate "Gott soll allein mein Herze haben", BWV 169: Stirb in mir, Welt und alle deine Liebe
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt"
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach?:??
14Cantate "Gloria in excelsis Deo", BWV 191: Gloria in excelsis Deo
choir vocals:
Mikaeli kammarkör
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach?:??
15Cantate "Ich bin ein guter Hirt", BWV 85: Jesus ist ein guter Hirt
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": II. Aria (Alt) "Jesus ist ein guter Hirt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach?:??
16Cantate "Himmelskonig, sei willkommen", BWV 182: Sinfonia
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach?:??
17Livre de musique d'Anna Magdalena Bach, BWV 505: Vergiss mein nicht, mein allerliebster Gott
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Geistliches Lied, BWV 505 "Vergiß mein nicht, mein allerliebster Gott"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 505)
Johann Sebastian Bach?:??
18Cantate "Herz und Mund und Tat und Leben", BWV 147: Jesus bleibet meine Freude
choir vocals:
Mikaeli kammarkör
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
conductor:
Nathalie Stutzmann (contralto and conductor)
phonographic copyright (℗) by:
Universal Music Classics & Jazz France (in 2012)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
music quoted on:
Minnen av aprilhimlen
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach?:??

Credits

Release

copyrighted (©) by:Universal Music Classics & Jazz France (in 2012)
ASIN:UK: B009L2WPGU [info]