Count Basie / Sarah Vaughan

~ Release by Count Basie & Sarah Vaughan (see all versions of this release, 5 available)

Tracklist

▼CD 1
#TitleRatingLength
1Perdido
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Perdido (with lyrics) (on 1961-01-13)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music Inc
version of:
Perdido (original instrumental version)
52:13
2Lover Man
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Lover Man (on 1961-01-12)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:59
3I Cried for You
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
I Cried for You (on 1961-01-13)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
52:56
4Alone
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-12)
drums (drum set):
Sonny Payne (on 1961-01-12)
guitar:
Freddie Green (on 1961-01-12)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-12)
reeds:
Marshall Royal (on 1961-01-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-12) and Billy Mitchell (US jazz saxophonist) (on 1961-01-12)
trombone:
Henry Coker (on 1961-01-12), Al Grey (trombone) (on 1961-01-12) and Benny Powell (on 1961-01-12)
trumpet:
Sonny Cohn (on 1961-01-12), Thad Jones (on 1961-01-12), Joe Newman (US jazz trumpeter) (on 1961-01-12) and Snooky Young (on 1961-01-12)
woodwind:
Charlie Fowlkes (on 1961-01-12) and Frank Wess (on 1961-01-12)
vocals:
Sarah Vaughan (on 1961-01-12)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-12)
cover recording of:
Alone (from the film: "A Night at the Opera") (on 1961-01-12)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
3:56
5There Are Such Things
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
recording of:
There Are Such Things (on 1961-01-13)
writer:
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) and George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:12
6Mean to Me
producer:
Teddy Reig
double bass:
Eddie Jones (US jazz double bassist) (from 1960-07 until 1961-01)
drums (drum set):
Sonny Payne (from 1960-07 until 1961-01)
guitar:
Freddie Green (from 1960-07 until 1961-01)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01)
reeds:
Marshall Royal (from 1960-07 until 1961-01)
saxophone:
Frank Foster (saxophonist) (from 1960-07 until 1961-01), Charlie Fowlkes (from 1960-07 until 1961-01) and Billy Mitchell (US jazz saxophonist) (from 1960-07 until 1961-01)
trombone:
Henry Coker (from 1960-07 until 1961-01), Al Grey (trombone) (from 1960-07 until 1961-01) and Benny Powell (from 1960-07 until 1961-01)
trumpet:
Sonny Cohn (from 1960-07 until 1961-01), Thad Jones (from 1960-07 until 1961-01), Joe Newman (US jazz trumpeter) (from 1960-07 until 1961-01) and Snooky Young (from 1960-07 until 1961-01)
woodwind:
Frank Wess (from 1960-07 until 1961-01)
vocals:
Sarah Vaughan (from 1960-07 until 1961-01)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1960-07 until 1961-01)
cover recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
52:52
7The Gentleman Is a Dope
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-11)
drums (drum set):
Sonny Payne (on 1961-01-11)
guitar:
Freddie Green (on 1961-01-11)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-11)
reeds:
Marshall Royal (on 1961-01-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-11) and Billy Mitchell (US jazz saxophonist) (on 1961-01-11)
trombone:
Henry Coker (on 1961-01-11), Al Grey (trombone) (on 1961-01-11) and Benny Powell (on 1961-01-11)
trumpet:
Sonny Cohn (on 1961-01-11), Thad Jones (on 1961-01-11), Joe Newman (US jazz trumpeter) (on 1961-01-11) and Snooky Young (on 1961-01-11)
woodwind:
Charlie Fowlkes (on 1961-01-11) and Frank Wess (on 1961-01-11)
vocals:
Sarah Vaughan (on 1961-01-11)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-11)
recording of:
The Gentleman Is a Dope (Allegro) (on 1961-01-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Allegro (Rodgers & Hammerstein musical)
2:47
8You Go to My Head
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-10)
drums (drum set):
Sonny Payne (on 1961-01-10)
guitar:
Freddie Green (on 1961-01-10)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-10)
reeds:
Marshall Royal (on 1961-01-10)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-10) and Billy Mitchell (US jazz saxophonist) (on 1961-01-10)
trombone:
Henry Coker (on 1961-01-10), Al Grey (trombone) (on 1961-01-10) and Benny Powell (on 1961-01-10)
trumpet:
Sonny Cohn (on 1961-01-10), Thad Jones (on 1961-01-10), Joe Newman (US jazz trumpeter) (on 1961-01-10) and Snooky Young (on 1961-01-10)
woodwind:
Charlie Fowlkes (on 1961-01-10) and Frank Wess (on 1961-01-10)
vocals:
Sarah Vaughan (on 1961-01-10)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-10)
cover recording of:
You Go to My Head (on 1961-01-10)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
54:53
9Until I Met You
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Until I Met You (Corner Pocket) (on 1961-01-13)
lyricist:
Don Wolf (songwriter / composer)
composer:
Don Wolf (songwriter / composer) and Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
53:10
10You Turned the Tables on Me
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-10)
drums (drum set):
Sonny Payne (on 1961-01-10)
piano:
Kirk Stuart and Count Basie (pianist) (from 1960-07 until 1961-01)
saxophone:
Frank Foster (saxophonist) (from 1960-07 until 1961-01), Charlie Fowlkes (from 1960-07 until 1961-01) and Billy Mitchell (US jazz saxophonist) (from 1960-07 until 1961-01)
tenor saxophone:
Frank Foster (saxophonist) and Billy Mitchell (US jazz saxophonist)
trombone:
Henry Coker (from 1960-07 until 1961-01), Al Grey (trombone) (from 1960-07 until 1961-01) and Benny Powell (from 1960-07 until 1961-01)
trumpet:
Sonny Cohn (from 1960-07 until 1961-01), Thad Jones (from 1960-07 until 1961-01), Joe Newman (US jazz trumpeter) (from 1960-07 until 1961-01) and Snooky Young (from 1960-07 until 1961-01)
woodwind:
Charlie Fowlkes and Frank Wess (from 1960-07 until 1961-01)
vocals:
Sarah Vaughan (from 1960-07 until 1961-01)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-10)
cover recording of:
You Turned the Tables on Me (on 1961-01-10)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:25
11Little Man (You've Had a Busy Day)
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Frank Foster (saxophonist)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Little Man, You've Had a Busy Day (on 1961-01-13)
writer:
Al Hoffman, Maurice Sigler and Mabel Wayne
publisher:
Al Hoffman Songs Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
4:53
12Teach Me Tonight
producer:
Teddy Reig
double bass:
Eddie Jones (US jazz double bassist) (from 1960-07 until 1961-01)
guitar:
Freddie Green (from 1960-07 until 1961-01)
membranophone:
Sonny Payne (from 1960-07 until 1961-01)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01)
reeds:
Marshall Royal (from 1960-07 until 1961-01)
saxophone:
Frank Foster (saxophonist) (from 1960-07 until 1961-01), Charlie Fowlkes (from 1960-07 until 1961-01) and Billy Mitchell (US jazz saxophonist) (from 1960-07 until 1961-01)
trombone:
Henry Coker (from 1960-07 until 1961-01), Al Grey (trombone) (from 1960-07 until 1961-01) and Benny Powell (from 1960-07 until 1961-01)
trumpet:
Sonny Cohn (from 1960-07 until 1961-01), Thad Jones (from 1960-07 until 1961-01), Joe Newman (US jazz trumpeter) (from 1960-07 until 1961-01) and Snooky Young (from 1960-07 until 1961-01)
woodwind:
Frank Wess (from 1960-07 until 1961-01)
vocals:
Sarah Vaughan (from 1960-07 until 1961-01) and Joe Williams (US jazz vocalist) (from 1960-07 until 1961-01)
arranger:
Ernie Wilkins
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1960-07 until 1961-01)
cover recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, ティー・アール・オー・エセックス・ジャパン A事業部, 日音 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:53
13If I Were a Bell
producer:
Teddy Reig
double bass:
Eddie Jones (US jazz double bassist) (from 1960-07 until 1961-01)
drums (drum set):
Sonny Payne (from 1960-07 until 1961-01)
guitar:
Freddie Green (from 1960-07 until 1961-01)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01)
reeds:
Marshall Royal (from 1960-07 until 1961-01)
saxophone:
Frank Foster (saxophonist) (from 1960-07 until 1961-01), Charlie Fowlkes (from 1960-07 until 1961-01) and Billy Mitchell (US jazz saxophonist) (from 1960-07 until 1961-01)
trombone:
Henry Coker (from 1960-07 until 1961-01), Al Grey (trombone) (from 1960-07 until 1961-01) and Benny Powell (from 1960-07 until 1961-01)
trumpet:
Sonny Cohn (from 1960-07 until 1961-01), Thad Jones (from 1960-07 until 1961-01), Joe Newman (US jazz trumpeter) (from 1960-07 until 1961-01) and Snooky Young (from 1960-07 until 1961-01)
woodwind:
Frank Wess (from 1960-07 until 1961-01)
vocals:
Sarah Vaughan (from 1960-07 until 1961-01) and Joe Williams (US jazz vocalist) (from 1960-07 until 1961-01)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1960-07 until 1961-01)
cover recording of:
If I Were a Bell (Guys and Dolls)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
2:45
14Until I Met You (alternate version)
producer:
Teddy Reig
double bass:
Eddie Jones (US jazz double bassist) (from 1960-07 until 1961-01)
drums (drum set):
Sonny Payne (from 1960-07 until 1961-01)
guitar:
Freddie Green (from 1960-07 until 1961-01)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01)
reeds:
Marshall Royal (from 1960-07 until 1961-01)
saxophone:
Frank Foster (saxophonist) (from 1960-07 until 1961-01), Charlie Fowlkes (from 1960-07 until 1961-01) and Billy Mitchell (US jazz saxophonist) (from 1960-07 until 1961-01)
trombone:
Henry Coker (from 1960-07 until 1961-01), Al Grey (trombone) (from 1960-07 until 1961-01) and Benny Powell (from 1960-07 until 1961-01)
trumpet:
Sonny Cohn (from 1960-07 until 1961-01), Thad Jones (from 1960-07 until 1961-01), Joe Newman (US jazz trumpeter) (from 1960-07 until 1961-01) and Snooky Young (from 1960-07 until 1961-01)
woodwind:
Frank Wess (from 1960-07 until 1961-01)
vocals:
Sarah Vaughan (from 1960-07 until 1961-01)
arranger:
Thad Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1960-07 until 1961-01)
cover recording of:
Until I Met You (Corner Pocket)
lyricist:
Don Wolf (songwriter / composer)
composer:
Don Wolf (songwriter / composer) and Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:48

Credits

Release

ASIN:US: B000005H33 [info]
discography entry:en: Count Basie/Sarah Vaughan [info]

Release Group

Discogs:https://www.discogs.com/master/372321 [info]
Wikidata:Q5176640 [info]