Bach 2000: The Complete Bach Edition, Volume 4: Sacred Cantatas: BWV 150-159, 161-188, 192, 194-199

~ Release by Johann Sebastian Bach (see all versions of this release, 13 available)

Tracklist

▼CD 1
#TitleRatingLength
1Cantata, BWV 150 "Nach dir, Herr, verlanget mich," I. Sinfonia.
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:27
2Cantata, BWV 150 "Nach dir, Herr, verlanget mich," II. Coro. Nach dir, Herr, verlanget mich
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
3:50
3Cantata, BWV 150 "Nach dir, Herr, verlanget mich," III. Aria (soprano). Doch bin und bleibe ich vergnügt
treble vocals:
Ansgar Pfeiffer (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:25
4Cantata, BWV 150 "Nach dir, Herr, verlanget mich," IV. Coro. Leite mich in deiner Wahrheit
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:54
5Cantata, BWV 150 "Nach dir, Herr, verlanget mich," V. Aria (Terzetto) (alto, tenor, bass). Zedern müssen von den Winden
alto vocals:
Paul Esswood (countertenor) (in 1984-01)
bass vocals:
Max van Egmond (bass-baritone) (in 1984-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:32
6Cantata, BWV 150 "Nach dir, Herr, verlanget mich," VI. Coro. Meine Augen sehen stets zu dem Herrn
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
2:18
7Cantata, BWV 150 "Nach dir, Herr, verlanget mich," VII. Coro. Meine Tage in dem Leide
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
3:17
8Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," I. Aria (soprano). Süßer Trost, mein Jesus kömmt
treble vocals:
Sebastian Hennig (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
7:56
9Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," II. Recitativo (bass). Erfreue dich, mein Herz
bass vocals:
Max van Egmond (bass-baritone) (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
1:03
10Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," III. Aria (alto). In Jesu Demut kann ich Trost
alto vocals:
Paul Esswood (countertenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
5:55
11Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," IV. Recitativo (tenor). Du teurer Gottessohn
tenor vocals:
Kurt Equiluz (tenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
0:49
12Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," V. Choral (coro). Heut schleußt er wieder auf die Tür
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (in 1984-01)
orchestra:
Leonhardt‐Consort (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Hermann (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 235)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
0:46
13Cantata, BWV 152 "Tritt auf die Glaubensbahn," I. Concerto. Tritt auf die Glaubensbahn
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:33
14Cantata, BWV 152 "Tritt auf die Glaubensbahn," II. Aria (bass). Tritt auf die Glaubensbahn
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:25
15Cantata, BWV 152 "Tritt auf die Glaubensbahn," III. Recitativo (bass). Der Heiland ist gesetzt
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
2:03
16Cantata, BWV 152 "Tritt auf die Glaubensbahn," IV. Aria (soprano). Stein, der über alle Schätze
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:14
17Cantata, BWV 152 "Tritt auf die Glaubensbahn," V. Recitativo (bass). Es ärgre sich die kluge Welt
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
1:28
18Cantata, BWV 152 "Tritt auf die Glaubensbahn," VI. Duetto (soprano, bass). Wie soll ich dich, Liebster der Seelen, umfassen?
bass vocals:
Thomas Hampson (baritone)
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:31
19Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," I. Choral (coro). Schau, lieber Gott, wie meine Feind
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:02
20Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," II. Recitativo (alto). Mein liebster Gott
alto vocals:
Stefan Rampf
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:33
21Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," III. Aria (bass). Fürchte dich nicht, ich bin mit dir
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:40
22Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IV. Recitativo (tenor). Du sprichst zwar, lieber Gott
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:33
23Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," V. Choral (coro). Und ob gleich alle Teufel
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:05
24Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VI. Aria (tenor). Stürmt nur, stürmt, ihr Trübsalswetter
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:56
25Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VII. Recitativo (bass). Getrost! mein Herz, erdulde deinen Schmerz
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:38
26Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VIII. Aria (alto). Soll ich meinen Lebenslauf
alto vocals:
Stefan Rampf
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:55
27Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IX. Choral (coro). Drum will ich, weil ich lebe noch
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:44
▶CD 2
▶CD 3
▶CD 4
▶CD 5
▶CD 6
▶CD 7
▶CD 8
▶CD 9
▶CD 10
▶CD 11
▶CD 12
▶CD 13
▶CD 14
▶CD 15

Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 4) (order: 4)
ASIN:US: B00001IV8B [info]
US: B00002DF3P [info]