Tracklist

CD 1
CD 2
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1Cantata, BWV 154 "Mein liebster Jesus ist verloren," I. Aria (tenor). Mein liebster Jesus ist verloren
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
2:58
2Cantata, BWV 154 "Mein liebster Jesus ist verloren," II. Recitativo (tenor). Wo treff ich meinen Jesum an
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
0:32
3Cantata, BWV 154 "Mein liebster Jesus ist verloren," III. Choral (coro). Jesu, mein Hort und Erretter
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Jahn (German poet of the 17th century)
part of:
Breitkopf 389 Choralgesänge (number: 365)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:04
4Cantata, BWV 154 "Mein liebster Jesus ist verloren," IV. Aria (alto). Jesu, laß dich finden
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:42
5Cantata, BWV 154 "Mein liebster Jesus ist verloren," V. Arioso (bass). Wisset ihr nicht
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:13
6Cantata, BWV 154 "Mein liebster Jesus ist verloren," VI. Recitativo (tenor). Dies ist die Stimme meines Freundes
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:51
7Cantata, BWV 154 "Mein liebster Jesus ist verloren," VII. Aria (Duetto) (alto, tenor). Wohl mir, Jesus ist gefunden
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:45
8Cantata, BWV 154 "Mein liebster Jesus ist verloren," VIII. Choral (coro). Meinen Jesum laß ich nicht
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Christian Keymann
part of:
Breitkopf 389 Choralgesänge (number: 244)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:02
9Cantata, BWV 155 "Mein Gott, wie lang, ach lange," I. Recitativo (soprano). Mein Gott, wie lang, ach lange?
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
1:59
10Cantata, BWV 155 "Mein Gott, wie lang, ach lange," II. Aria (Duetto) (alto, tenor). Du mußt glauben, du mußt hoffen
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
5:54
11Cantata, BWV 155 "Mein Gott, wie lang, ach lange," III. Recitativo (bass). So sei, o Seele, sei zufrieden!
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
2:08
12Cantata, BWV 155 "Mein Gott, wie lang, ach lange," IV. Aria (soprano). Wirf, mein Herze, wirf dich noch
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
2:56
13Cantata, BWV 155 "Mein Gott, wie lang, ach lange," V. Choral (coro). Ob sichs anließ, als wollt er nicht
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Paul Speratus (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 88)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
1:17
14Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," I. Sinfonia2:47
15Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," II. Aria-Choral (soprano, tenor). Ich steh mit einem Fuß im Grabe
tenor vocals:
Kurt Equiluz (tenor)
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johann Hermann Schein (composer) (in 1628)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
5:25
16Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," III. Recitativo (bass). Mein Angst und Not
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:25
17Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," IV. Aria (alto). Herr, was du willt, soll mir gefallen
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
4:32
18Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," V. Recitativo (bass). Und willst du, daß ich nicht soll kranken0:59
19Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," VI. Choral (coro). Herr, wie du willt, so schicks mit mir
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:25
20Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," I. Duetto (tenor, bass). Ich lasse dich nicht, du segnest mich denn
bass vocals:
Max van Egmond (bass-baritone) (from 1985-01-02 until 1985-01-06)
tenor vocals:
Kurt Equiluz (tenor) (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": I. Duetto (Tenor, Bass) "Ich lasse dich nicht, du segnest mich denn!" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
4:14
21Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," II. Aria (tenor). Ich halte meinen Jesum feste
tenor vocals:
Kurt Equiluz (tenor) (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": II. Aria (Tenor) "Ich halte meinen Jesum feste" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
6:54
22Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," III. Recitativo (tenor). Mein lieber Jesu du
tenor vocals:
Kurt Equiluz (tenor) (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": III. Recitativo (Tenor) "Mein lieber Jesu du" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
1:34
23Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," IV. Aria (bass). Ja, ja, ich halte Jesum feste
bass vocals:
Max van Egmond (bass-baritone) (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo ed Arioso (Bass) "Ja, ja, ich halte Jesum feste" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
6:06
24Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," V. Choral (coro). Meinen Jesum laß ich nicht
orchestra:
Leonhardt‐Consort (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": V. Choral "Meinen Jesum laß ich nicht" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Keymann (in 1658) and Christian Friedrich Henrici (in 1727)
part of:
Breitkopf 389 Choralgesänge (number: 245)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
0:54
CD 3
CD 4
CD 5
CD 6
CD 7
CD 8
CD 9
CD 10
CD 11
CD 12
CD 13
CD 14
CD 15

Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 4) (order: 4)
ASIN:US: B00001IV8B [info]
US: B00002DF3P [info]