| # | Title | Rating | Length |
|---|
| 1 | Cantata, BWV 158 "Der Friede sei mit dir," I. Recitativo (bass). Der Friede sei mit dir | | 1:49 |
| 2 | Cantata, BWV 158 "Der Friede sei mit dir," II. Aria-Choral (bass, soprano). Welt ade! ich bin dein müde | | 7:05 |
| 3 | Cantata, BWV 158 "Der Friede sei mit dir," III. Recitativo (bass). Nun Herr, regiere meinen Sinn | | 1:36 |
| 4 | Cantata, BWV 158 "Der Friede sei mit dir," IV. Choral (coro). Hier ist das rechte Osterlamm | | 1:16 |
| 5 | Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," I. Arioso-Recitativo (bass, alto). Sehet! Komm, schaue doch, mein Sinn | | 2:59 |
| 6 | Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," II. Aria-Choral (alto, soprano). Ich folge dir nach | | 4:15 |
| 7 | Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," III. Recitativo (tenor). Nun will ich mich, mein Jesu | | 1:05 |
| 8 | Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," IV. Aria (bass). Es ist vollbracht | | 5:16 |
| 9 | Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," V. Choral (coro). Jesu, deine Passion | | 1:17 |
| 10 | Cantata, BWV 161 "Komm, du süße Todesstunde," I. Aria (alto). Komm, du süße Todesstunde | | 4:43 |
| 11 | Cantata, BWV 161 "Komm, du süße Todesstunde," II. Recitativo (tenor). Welt, deine Lust ist Last | | 1:53 |
| 12 | Cantata, BWV 161 "Komm, du süße Todesstunde," III. Aria (tenor). Mein Verlangen | | 5:06 |
| 13 | Cantata, BWV 161 "Komm, du süße Todesstunde," IV. Recitativo (alto). Der Schluß ist schon gemacht | | 2:17 |
| 14 | Cantata, BWV 161 "Komm, du süße Todesstunde," V. Coro. Wenn es meines Gottes Wille | | 3:07 |
| 15 | Cantata, BWV 161 "Komm, du süße Todesstunde," VI. Choral (coro). Der Leib zwar in der Erden | | 1:12 |
| 16 | Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," I. Aria (bass). Ach, ich sehe, itzt, da ich zur Hochzeit gehe- bass vocals:
- Robert Holl (from 1983-01 until 1986-04)
- orchestra:
- Concentus Musicus Wien (from 1983-01 until 1986-04)
- conductor:
- Nikolaus Harnoncourt (from 1983-01 until 1986-04)
- recorded at:
- Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
- recording of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (from 1983-01 until 1986-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1716-10-25)
- composer:
- Johann Sebastian Bach (from 1715 until 1716)
- librettist:
- Salomon Franck (in 1715)
- part of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
| | 3:44 |
| 17 | Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," II. Recitativo (tenor). O großes Hochzeitfest | | 1:24 |
| 18 | Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," III. Aria (soprano). Jesu, Brunnquell aller Gnaden- treble vocals:
- Tobias Eiwanger (from 1983-01 until 1986-04)
- orchestra:
- Concentus Musicus Wien (from 1983-01 until 1986-04)
- conductor:
- Nikolaus Harnoncourt (from 1983-01 until 1986-04)
- recorded at:
- Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
- recording of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (from 1983-01 until 1986-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1716-10-25)
- composer:
- Johann Sebastian Bach (from 1715 until 1716)
- librettist:
- Salomon Franck (in 1715)
- part of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
| | 4:25 |
| 19 | Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," IV. Recitativo (alto). Mein Jesu, laß mich nicht- alto vocals:
- Paul Esswood (from 1983-01 until 1986-04)
- orchestra:
- Concentus Musicus Wien (from 1983-01 until 1986-04)
- conductor:
- Nikolaus Harnoncourt (from 1983-01 until 1986-04)
- recorded at:
- Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
- recording of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (from 1983-01 until 1986-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1716-10-25)
- composer:
- Johann Sebastian Bach (from 1715 until 1716)
- librettist:
- Salomon Franck (in 1715)
- part of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
| | 1:35 |
| 20 | Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," V. Aria (Duetto) (alto, tenor). In meinem Gott bin ich erfreut- alto vocals:
- Paul Esswood (from 1983-01 until 1986-04)
- tenor vocals:
- Kurt Equiluz (from 1983-01 until 1986-04)
- orchestra:
- Concentus Musicus Wien (from 1983-01 until 1986-04)
- conductor:
- Nikolaus Harnoncourt (from 1983-01 until 1986-04)
- recorded at:
- Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
- recording of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (from 1983-01 until 1986-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1716-10-25)
- composer:
- Johann Sebastian Bach (from 1715 until 1716)
- librettist:
- Salomon Franck (in 1715)
- part of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
| | 4:22 |
| 21 | Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," VI. Choral (coro). Ach, ich habe schon erblicket- choir vocals:
- Tölzer Knabenchor (from 1983-01 until 1986-04)
- orchestra:
- Concentus Musicus Wien (from 1983-01 until 1986-04)
- conductor:
- Nikolaus Harnoncourt (from 1983-01 until 1986-04)
- chorus master:
- Gerhard Schmidt‐Gaden (from 1983-01 until 1986-04)
- recorded at:
- Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
- recording of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (from 1983-01 until 1986-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1716-10-25)
- composer:
- Johann Sebastian Bach (from 1715 until 1716)
- librettist:
- Johann Rosenmüller (in 1652)
- part of:
- Breitkopf 389 Choralgesänge (number: 18)
- part of:
- Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
| | 1:06 |
