# | Title | Rating | Length |
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1 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," I. Aria (alto). Vergnügte Ruh, beliebte Seelenlust | | 6:20 |
2 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," II. Recitativo (alto). Die Welt, das Sündenhaus, bricht nur in Höllenlieder aus | | 1:17 |
3 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," III. Aria (alto). Wie jammern mich doch die verkehrten Herzen | | 8:11 |
4 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," IV. Recitativo (alto). Wer sollte sich demnach wohl hier zu leben wünschen | | 1:15 |
5 | Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," V. Aria (alto). Mir ekelt mehr zu leben | | 5:53 |
6 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," I. Coro. Gott, wie dein Name, so ist auch dein Ruhm- choir vocals:
- Tölzer Knabenchor
- orchestra:
- Concentus Musicus Wien
- conductor:
- Nikolaus Harnoncourt
- chorus master:
- Gerhard Schmidt‐Gaden
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| | 1:58 |
7 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," II. Aria (tenor). Herr, so weit die Wolken gehen | | 3:58 |
8 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," III. Recitativo (alto). Du süßer Jesus-Name du | | 1:05 |
9 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," IV. Aria (soprano). Jesus soll mein erstes Wort | | 5:18 |
10 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," V. Recitativo (bass). Und da du, Herr, gesagt- bass vocals:
- Robert Holl
- orchestra:
- Concentus Musicus Wien
- conductor:
- Nikolaus Harnoncourt
- recording of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt"
- premiered in:
- Leipzig, Sachsen, Germany
- composer:
- Johann Sebastian Bach (in 1729)
- librettist:
- Christian Friedrich Henrici (in 1728)
- part of:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
| | 1:40 |
11 | Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," VI. Choral (coro). Laß uns das Jahr vollbringen | | 2:12 |
12 | Cantata, BWV 172 "Erschallet, ihr Lieder," I. Coro. Erschallet, ihr Lieder, erklinget, ihr Saiten- choir vocals:
- Collegium Vocale Gent (from 1985-12-18 until 1985-12-20) and Knabenchor Hannover (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- chorus master:
- Heinz Hennig (from 1985-12-18 until 1985-12-20) and Philippe Herreweghe (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 4:06 |
13 | Cantata, BWV 172 "Erschallet, ihr Lieder," II. Recitativo (bass). Wer mich liebet- bass vocals:
- Max van Egmond (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 0:54 |
14 | Cantata, BWV 172 "Erschallet, ihr Lieder," III. Aria (bass). Heiligste Dreieinigkeit- bass vocals:
- Max van Egmond (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 2:09 |
15 | Cantata, BWV 172 "Erschallet, ihr Lieder," IV. Aria (tenor). O Seelenparadies- tenor vocals:
- Marius van Altena (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 4:40 |
16 | Cantata, BWV 172 "Erschallet, ihr Lieder," V. Aria (Duetto) (soprano, alto). Komm, laß mich nicht länger warten- alto vocals:
- Paul Esswood (from 1985-12-18 until 1985-12-20)
- treble vocals:
- Matthias Echternach (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 3:48 |
17 | Cantata, BWV 172 "Erschallet, ihr Lieder," VI. Choral (coro). Von Gott kömmt mir ein Freudenschein- choir vocals:
- Collegium Vocale Gent (from 1985-12-18 until 1985-12-20) and Knabenchor Hannover (from 1985-12-18 until 1985-12-20)
- orchestra:
- Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
- conductor:
- Gustav Leonhardt (from 1985-12-18 until 1985-12-20)
- chorus master:
- Heinz Hennig (from 1985-12-18 until 1985-12-20) and Philippe Herreweghe (from 1985-12-18 until 1985-12-20)
- recorded at:
- Doopsgezinde kerk in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1985-12-18 until 1985-12-20)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- Philipp Nicolai (in 1599)
- part of:
- Breitkopf 389 Choralgesänge (number: 376)
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| | 1:25 |
18 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut," I. Recitativo (tenor). Erhöhtes Fleisch und Blut | | 0:35 |
19 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut," II. Aria (tenor). Ein geheiligtes Gemüte | | 4:13 |
20 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut," III. Aria (alto). Gott will, o ihr Menschenkinder | | 1:45 |
21 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut," IV. Aria (Duetto) (bass, soprano). So hat Gott die Welt geliebt | | 4:04 |
22 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut," V. Recitativo (Duetto) (soprano, tenor). Unendlichster, den man doch Vater nennt | | 1:11 |
23 | Cantata, BWV 173 "Erhöhtes Fleisch und Blut," VI. Coro. Rühre, Höchster, unsren Geist | | 2:07 |