Tracklist

CD 1
CD 2
CD 3
CD 4
CD 5
CD 6
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1Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," I. Aria (alto). Vergnügte Ruh, beliebte Seelenlust
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
contralto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:20
2Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," II. Recitativo (alto). Die Welt, das Sündenhaus, bricht nur in Höllenlieder aus
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
orchestra:
Leonhardt‐Consort (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:17
3Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," III. Aria (alto). Wie jammern mich doch die verkehrten Herzen
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
orchestra:
Leonhardt‐Consort (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
8:11
4Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," IV. Recitativo (alto). Wer sollte sich demnach wohl hier zu leben wünschen
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
orchestra:
Leonhardt‐Consort (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:15
5Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," V. Aria (alto). Mir ekelt mehr zu leben
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
orchestra:
Leonhardt‐Consort (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
5:53
6Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," I. Coro. Gott, wie dein Name, so ist auch dein Ruhm1:58
7Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," II. Aria (tenor). Herr, so weit die Wolken gehen3:58
8Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," III. Recitativo (alto). Du süßer Jesus-Name du1:05
9Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," IV. Aria (soprano). Jesus soll mein erstes Wort5:18
10Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," V. Recitativo (bass). Und da du, Herr, gesagt1:40
11Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," VI. Choral (coro). Laß uns das Jahr vollbringen2:12
12Cantata, BWV 172 "Erschallet, ihr Lieder," I. Coro. Erschallet, ihr Lieder, erklinget, ihr Saiten
choir vocals:
Collegium Vocale Gent (from 1985-12-18 until 1985-12-20) and Knabenchor Hannover (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
chorus master:
Heinz Hennig (conductor) (from 1985-12-18 until 1985-12-20) and Philippe Herreweghe (Belgian conductor) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:06
13Cantata, BWV 172 "Erschallet, ihr Lieder," II. Recitativo (bass). Wer mich liebet
bass vocals:
Max van Egmond (bass-baritone) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
0:54
14Cantata, BWV 172 "Erschallet, ihr Lieder," III. Aria (bass). Heiligste Dreieinigkeit
bass vocals:
Max van Egmond (bass-baritone) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
2:09
15Cantata, BWV 172 "Erschallet, ihr Lieder," IV. Aria (tenor). O Seelenparadies
tenor vocals:
Marius van Altena (tenor) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:40
16Cantata, BWV 172 "Erschallet, ihr Lieder," V. Aria (Duetto) (soprano, alto). Komm, laß mich nicht länger warten
alto vocals:
Paul Esswood (countertenor) (from 1985-12-18 until 1985-12-20)
treble vocals:
Matthias Echternach (Boy Soprano, Tenor) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
3:48
17Cantata, BWV 172 "Erschallet, ihr Lieder," VI. Choral (coro). Von Gott kömmt mir ein Freudenschein
choir vocals:
Collegium Vocale Gent (from 1985-12-18 until 1985-12-20) and Knabenchor Hannover (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
chorus master:
Heinz Hennig (conductor) (from 1985-12-18 until 1985-12-20) and Philippe Herreweghe (Belgian conductor) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:25
18Cantata, BWV 173 "Erhöhtes Fleisch und Blut," I. Recitativo (tenor). Erhöhtes Fleisch und Blut
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
0:35
19Cantata, BWV 173 "Erhöhtes Fleisch und Blut," II. Aria (tenor). Ein geheiligtes Gemüte
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:13
20Cantata, BWV 173 "Erhöhtes Fleisch und Blut," III. Aria (alto). Gott will, o ihr Menschenkinder
alto vocals:
Christian Immler (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:45
21Cantata, BWV 173 "Erhöhtes Fleisch und Blut," IV. Aria (Duetto) (bass, soprano). So hat Gott die Welt geliebt
bass vocals:
Robert Holl (bass-baritone)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) and Stefan Gienger
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
4:04
22Cantata, BWV 173 "Erhöhtes Fleisch und Blut," V. Recitativo (Duetto) (soprano, tenor). Unendlichster, den man doch Vater nennt
tenor vocals:
Kurt Equiluz (tenor)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) and Stefan Gienger
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
1:11
23Cantata, BWV 173 "Erhöhtes Fleisch und Blut," VI. Coro. Rühre, Höchster, unsren Geist
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
2:07
CD 7
CD 8
CD 9
CD 10
CD 11
CD 12
CD 13
CD 14
CD 15

Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 4) (order: 4)
ASIN:US: B00001IV8B [info]
US: B00002DF3P [info]