111 Years of Deutsche Grammophon: The Collectors’ Edition, 03: Chopin: 24 Préludes, op. 28

~ Release by Fryderyk Chopin; Martha Argerich (see all versions of this release, 52 available)

Tracklist

▼CD 3
#TitleArtistRatingLength
124 Préludes, op. 28 no. 1 in C major, Agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:31
224 Préludes, op. 28 no. 2 in A minor, Lento
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 2 in A minor, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:09
324 Préludes, op. 28 no. 3 in G major, Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:51
424 Préludes, op. 28 no. 4 in E minor, Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:51
524 Préludes, op. 28 no. 5 in D major, Molto allegro
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 5 in D major, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:30
624 Préludes, op. 28 no. 6 in B minor, Lento assai
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:46
724 Préludes, op. 28 no. 7 in A major, Andantino
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (in 1975-10)
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:44
824 Préludes, op. 28 no. 8 in F‐sharp minor, Molto agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 8 in F-sharp minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:29
924 Préludes, op. 28 no. 9 in E major, Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 9 in E major, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:30
1024 Préludes, op. 28 no. 10 in C‐sharp minor, Molto allegro
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 10 in C-sharp minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:24
1124 Préludes, op. 28 no. 11 in B major, Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 11 in B major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:32
1224 Préludes, op. 28 no. 12 in G‐sharp minor, Presto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 12 in G-sharp minor, op. 28: Presto (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:57
1324 Préludes, op. 28 no. 13 in F‐sharp major, Lento
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 13 in F-sharp major, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:44
1424 Préludes, op. 28 no. 14 in E‐flat minor, Allegro
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 14 in E-flat minor, op. 28: Allegro (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:29
1524 Préludes, op. 28 no. 15 in D‐flat major, Sostenuto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:50
1624 Préludes, op. 28 no. 16 in B‐flat minor, Presto con fuoco
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 16 in B-flat minor, op. 28: Presto con fuoco (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1724 Préludes, op. 28 no. 17 in A‐flat major, Allegretto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 17 in A-flat major, op. 28: Allegretto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:50
1824 Préludes, op. 28 no. 18 in F minor, Molto allegro
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:46
1924 Préludes, op. 28 no. 19 in E‐flat major, Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 19 in E-flat major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:04
2024 Préludes, op. 28 no. 20 in C minor, Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:32
2124 Préludes, op. 28 no. 21 in B major, Cantabile
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 21 in B-flat major, op. 28: Cantabile (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:33
2224 Préludes, op. 28 no. 22 in G minor, Molto agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 22 in G minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:34
2324 Préludes, op. 28 no. 23 in F major, Moderato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:43
2424 Préludes, op. 28 no. 24 in D minor, Allegro appassionato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:16
25Prélude no. 25 in C‐sharp minor, op. 45: Sostenuto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prelude in C-sharp minor, op. 45 (in 1977-02)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 45)
Frédéric Chopin4:02
26Prélude no. 26 in A‐flat major, op. posth: Presto con leggierezza
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prelude in A-flat major, Op. posth.: Presto con leggierezza (in 1977-02)
composer:
Fryderyk Chopin (composer) (in 1834)
Frédéric Chopin0:46
27Piano Sonata no. 2 in B‐flat minor, op. 35: I. Grave - Doppio movimento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: I. Grave - Doppio movimento (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin6:40
28Piano Sonata no. 2 in B‐flat minor, op. 35: II. Scherzo
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: II. Scherzo (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin6:04
29Piano Sonata no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin8:34
30Piano Sonata no. 2 in B‐flat minor, op. 35: IV. Finale. Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: IV. Finale. Presto (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin1:27

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Release Group

includes:21 Ungarische Tänze (Hungarian Dances) by Johannes Brahms; Wiener Philharmoniker, Claudio Abbado
24 Préludes, op. 28 by Frédéric Chopin; Martha Argerich
Adagio by Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Ah! mio cor: Handel Arias by George Frideric Handel; Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
Boléro / La Valse / Pavane pour une infante défunte / Daphnis et Chloé: Suite no. 2 by Ravel; Orchestre de Paris, Daniel Barenboim
Carmina Burana (1967 recording) by Carl Orff; Gundula Janowitz, Gerhard Stolze, Dietrich Fischer‐Dieskau, Chor und Orchester der Deutschen Oper Berlin, Eugen Jochum
Christmette by Michael Praetorius; Gabrieli Consort & Players, Paul McCreesh
Cielo e mar by Rolando Villazón
Concertos by Bach; Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Concertos for Violin, Strings and Continuo by Antonio Vivaldi; Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
Credo by Hélène Grimaud, Swedish Radio Symphony Orchestra and Choir, Esa-Pekka Salonen
Die Stimme: Deutsche Opernarien by Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann
Dvořák: Cellokonzert / Tschaikowsky: Rokoko‐Variationen by Dvořák, Tschaikowsky; Berliner Philharmoniker, Mstislav Rostropovich, Herbert von Karajan
Études op. 10 & op. 25 by Chopin; Maurizio Pollini
First Piano Concertos by Tchaikovsky, Mendelssohn; Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim
Gala Opera Concert by Los Angeles Philharmonic, Carlo Maria Giulini, Plácido Domingo
Horowitz in Moscow by Владимир Самойлович Горовиц
Klavierkonzerte no. 1 / Klavierkonzerte no. 2 / Totentanz by Franz Liszt; Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
Klavierkonzerte Nos. 4 & 5 by Beethoven; Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner
Lamenti by Anne Sofie von Otter
Le quattro stagioni / Concerto for Oboe and Violin RV 548 / Concerto for 2 Violins RV 516 by Antonio Vivaldi; The English Concert, Simon Standage, Trevor Pinnock
Messe in h‐moll by Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
Nocturnes by Chopin; Maria João Pires
Opera Arias by Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda
Orgelwerke BWV 525, 552, 565, 645-650, 768 by Johann Sebastian Bach; Helmut Walcha
Pachelbel: Kanon & Gigue / J.S. Bach / Handel / Vivaldi by Musica Antiqua Köln, Reinhard Goebel
Pétrouchka / Le Sacre du printemps by Stravinsky; The Cleveland Orchestra, Pierre Boulez
Piano Concerto no. 2 / 6 Préludes by Sergei Rachmaninoff; Warsaw National Philharmonic Orchestra, Stanisław Wisłocki, Sviatoslav Richter
Préludes, Vol. I / Images by Claude Debussy; Arturo Benedetti Michelangeli
Requiem (1953 Berlin recording) by Giuseppe Verdi; Ferenc Fricsay
Requiem in D minor, K. 626 by Wolfgang Amadeus Mozart; Wiener Philharmoniker, Karl Böhm, Edith Mathis, Julia Hamari, Wiesław Ochman, Karl Ridderbusch
Schumann: Dichterliebe / Schubert, Beethoven: Lieder by Schumann, Schubert, Beethoven; Fritz Wunderlich, Hubert Giesen
Sechs Suiten für Violoncello solo, BWV 1007–1012 (1960 recording) by Johann Sebastian Bach; Pierre Fournier
Sinfonie Nr. 4, d-moll, Op. 120 by Robert Schumann; Berliner Philharmoniker, Wilhelm Furtwängler
Sonaten by Domenico Scarlatti; Ivo Pogorelich
Sonaten: Waldstein / Les Adieux / Appassionata by Beethoven; Emil Gilels
Symphonie fantastique by Berlioz; Orchestre Lamoureux, Igor Markevitch
Symphonie no. 9 / Ouvertüre »Coriolan« by Beethoven; Berlin Philharmonic Orchestra, Herbert von Karajan
Symphonien nos. 5 & 7 by Ludwig van Beethoven; Wiener Philharmoniker, Carlos Kleiber
Symphonien nos. 8 & 9 »Aus der Neuen Welt« by Antonín Dvořák; Berliner Philharmoniker, Rafael Kubelík
Symphony no. 4 in A major, op. 90 “Italian” / Symphony no. 5 in D major, op. 107 “Reformation” by Felix Mendelssohn; Berliner Philharmoniker, Lorin Maazel
Symphony no. 5 by Mahler; Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel
Tchaikovsky: Violin Concerto / Wieniawski: Études‐Caprices / Sarasate: Navarra by Tchaikovsky, Wieniawski, Sarasate; David Oistrakh
The Art of Fugue by Bach; Emerson String Quartet
The Vagabond by Bryn Terfel, Malcolm Martineau
Une symphonie imaginaire by Jean-Philippe Rameau; Les Musiciens du Louvre, Marc Minkowski
Vespro della Beata Vergine by Claudio Monteverdi; Sir John Eliot Gardiner
Violinkonzert / Doppelkonzert by Johannes Brahms; Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
West Side Story (1984 studio cast) by Leonard Bernstein; Kiri Te Kanawa, José Carreras, Tatiana Troyanos, Kurt Ollmann, Marilyn Horne
Winterreise (1971 recording) by Schubert; Dietrich Fischer‐Dieskau, Gerald Moore
part of:111 Years of Deutsche Grammophon celebratory compilations (order: 2)