The Best of Ray Charles: The Atlantic Years

~ Release by Ray Charles (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleRatingLength
1It Should’ve Been Me
recording of:
It Should Have Been Me
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
2:45
2Don’t You Know
recording of:
Don’t You Know
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Progressive Music (publisher)
2:57
3Blackjack
recorded in:
Atlanta, Georgia, United States (on 1954-11-18)
baritone saxophone:
David Newman (American jazz saxophonist) (on 1954-11-18)
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
tenor saxophone:
Don Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
recording of:
Blackjack (on 1954-11-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Progressive Music (publisher)
2:21
4I’ve Got a Woman
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1954-11-18)
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
solo tenor saxophone:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
I Got a Woman (on 1954-11-18)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:52
5What Would I Do Without You
recording of:
What Would I Do Without You?
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Progressive Music (publisher), Unichappell Music, Inc., Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
2:38
6Greenbacks
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
solo baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1954-11-18)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Greenbacks (on 1954-11-18)
writer:
Renald Richard
2:51
7Come Back
recording of:
Come Back Baby
writer:
Ray Charles (soul musician, singer and songwriter) and Walter Davis (American blues singer and pianist)
publisher:
Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
version of:
Come Back Baby
3:07
8A Fool for You
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone [alto sax] and baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1955-04-23)
bass:
Roosevelt "Whiskey" Sheffield (on 1955-04-23)
drums (drum set):
William Peeples (on 1955-04-23)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-04-23)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1955-04-23)
trumpet:
Joe Bridgewater (on 1955-04-23) and Riley Webb (on 1955-04-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-04-23)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
A Fool for You (on 1955-04-23)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
3:03
9This Little Girl of Mine
recording of:
This Little Girl of Mine
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
42:33
10Hallelujah I Love Her So
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (on 1955-11-30)
bass:
Paul West (bass) (on 1955-11-30)
drums (drum set):
David "Panama" Francis (US swing jazz drummer) (on 1955-11-30)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
solo tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1955-11-30)
trumpet:
Joe Bridgewater (on 1955-11-30) and Joshua "Jack" Willis (trumpet) (on 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-11-30)
recording of:
Hallelujah, I Love Her So (on 1955-11-30)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc., Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
22:37
11Lonely Avenue
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Emmott Dennis (on 1956-05-16)
bass:
Roosevelt "Whiskey" Sheffield (on 1956-05-16)
drums (drum set):
William Peeples (on 1956-05-16)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
solo tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1956-05-16)
trumpet:
Joe Bridgewater (on 1956-05-16) and John Hunt (trumpeter) (on 1956-05-16)
background vocals:
The Cookies (50s girl group) (on 1956-05-16)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-05-16)
recording of:
Lonely Avenue (on 1956-05-16)
lyricist and composer:
Doc Pomus
publisher:
Carlin Music Corporation, Pomus Songs Inc., Progressive Music (publisher), Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:36
12It’s Alright
recording of:
It’s All Right
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
2:18
13Ain’t That Love
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Emmott Dennis (on 1956-11-26)
bass:
Roosevelt "Whiskey" Sheffield (on 1956-11-26)
drums (drum set):
William Peeples (on 1956-11-26)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1956-11-26)
tambourine:
Jerry Wexler (on 1956-11-26)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1956-11-26)
trumpet:
Joe Bridgewater (on 1956-11-26) and John Hunt (trumpeter) (on 1956-11-26)
background vocals:
The Raelettes (on 1956-11-26)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1956-11-26)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Ain’t That Love (on 1956-11-26)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Progressive Music (publisher)
2:53
14Swanee River Rock (Talkin’ ’bout That River)
cover recording of:
Swanee River Rock
writer:
Ray Charles (soul musician, singer and songwriter) and Stephen Foster (composer)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
publisher:
Unichappell Music, Inc.
2:20
15That’s Enough
recorded in:
New York, New York, United States (on 1957-05-26)
baritone saxophone:
Emmott Dennis (on 1957-05-26)
bass:
Edgar Willis (bass) (on 1957-05-26)
drums (drum set):
William Peeples (on 1957-05-26)
keyboard:
Ray Charles (soul musician, singer and songwriter) (on 1957-05-26)
saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1957-05-26)
trumpet:
Joe Bridgewater (on 1957-05-26) and Ricky Harper (trumpet player (Ray Charles)) (on 1957-05-26)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1957-05-26), Mary Ann Fisher (on 1957-05-26) and The Raelettes (on 1957-05-26)
recording of:
That’s Enough (on 1957-05-26)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
2:45
16What’d I Say, Part I
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 1)
partial recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:12
17(Night Time Is) The Right Time
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1958-10-28)
bass:
Edgar Willis (bass) (on 1958-10-28)
drums (drum set):
Milt Turner (on 1958-10-28)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1958-10-28)
solo alto saxophone [alto sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1958-10-28)
trumpet:
Marcus Belgrave (on 1958-10-28) and Lee "Ricky" Harper" (trumpet player (Ray Charles)) (on 1958-10-28)
background vocals:
The Raelettes (on 1958-10-28)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1958-10-28) and Margie Hendrix (on 1958-10-28)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1958-10-28)
cover recording of:
Night Time Is the Right Time (on 1958-10-28)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
53:28
18Drown In My Own Tears
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (on 1955-11-30)
bass:
Paul West (bass) (on 1955-11-30)
drums (drum set):
David "Panama" Francis (US swing jazz drummer) (on 1955-11-30)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1955-11-30)
trumpet:
Joe Bridgewater (on 1955-11-30) and Joshua "Jack" Willis (trumpet) (on 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-11-30)
cover recording of:
Drown in My Own Tears (on 1955-11-30)
lyricist and composer:
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music and Trio Music Co., Inc.
43:22
19Tell the Truth (live)
live cover recording of:
Tell the Truth
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
2:51
20Just for a Thrill
cover recording of:
Just for a Thrill
lyricist:
Don Raye
composer:
Lil Hardin Armstrong
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal Music Corp. (USA, affiliated with ASCAP)
2:25