Capital Gold Soul Legends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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▼CD 1
Nr.TitelKünstlerBewertungLänge
1Tracks of My Tears
Produzent(in):
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 50) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 54)
recording of:
The Tracks of My Tears
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Smokey Robinson & The Miracles4.253:02
2Tired of Being Alone
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 293)
recording of:
Tired of Being Alone
Texter und Komponist(in):
Al Green
publisher:
Burlington Music Ltd., Irving Music, Inc. und Universal Music Publishing Group
Al Green4.452:49
3My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (vom 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (vom 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (vom 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (vom 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (vom 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (vom 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (vom 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (vom 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (vom 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (vom 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (vom 1964-09-25 bis 1964-11-17)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (vom 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
The Temptations4.52:55
4(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部
Aretha Franklin4.252:45
5Hard to Handle
Produzent(in):
Steve Cropper
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
vocals:
Otis Redding
recording of:
Hard to Handle
Verfasser(in):
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell und Otis Redding
publisher:
Carlin Music Corporation (in 1968) und Irving Music, Inc. (in 1968)
Otis Redding4.22:19
6I Got You (I Feel Good)
recorded in:
Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Produzent(in):
James Brown (“The Godfather of Soul”)
alto saxophone:
Nat Jones (am 1965-05-06) und Maceo Parker (am 1965-05-06)
Bass:
Bernard Odum (am 1965-05-06)
Gitarre:
Alphonso "Country" Kellum (am 1965-05-06) und Jimmy Nolen (am 1965-05-06)
Orgel:
Nat Jones (am 1965-05-06)
Posaune:
Levi Rasbury (am 1965-05-06)
Schlagzeug:
Melvin Parker (am 1965-05-06)
Tenorsaxophon:
Al "Brisco" Clark (am 1965-05-06), St. Clair Pinckney (am 1965-05-06) und Eldee Williams (am 1965-05-06)
Trompete:
Joe Dupars (am 1965-05-06), Mike Ridley (am 1965-05-06) und Ron Tooley (am 1965-05-06)
Sologesang:
James Brown (“The Godfather of Soul”) (am 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) und PolyGram Inc. (1978–1990) (in 1988)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 78)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (am 1965-05-06)
Texter und Komponist(in):
James Brown (“The Godfather of Soul”)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown4.62:47
7In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Stax studio pianist, 1960s) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles "Packy" Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett22:33
8Give Me Just a Little More Time
recording of:
Give Me Just a Little More Time (Dunbar/Wayne)
Verfasser(in):
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Holland Group Productions Inc.
Chairmen of the Board2:40
9(Love Is Like a) Heat Wave
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 257)
recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
Martha and the Vandellas42:46
10(Your Love Keeps Lifting Me) Higher and Higher
recording of:
(Your Love Keeps Lifting Me) Higher and Higher
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music Publishing Ltd. (PRS-affiliated), Mijac Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Jackie Wilson2:55
11I Can't Help Myself
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul "Duke" Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.52:44
12Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 391)
recording of:
Band of Gold
Verfasser(in):
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:52
13Feel the Need in Me
recording of:
Feel the Need in Me
Texter und Komponist(in):
Abrim Tilmon
publisher:
Bridgeport Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Detroit Emeralds3:41
14Baby Now That I've Found You
recording of:
Baby Now That I’ve Found You (in 1967)
Texter und Komponist(in):
Tony Macaulay und John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd. und Sony/ATV Music Pub. Ltd.
The Foundations42:36
15There Goes My First Love
The Drifters3:03
16You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.84:01
17Mr. Big Suff
Jean Knight2:45
18Juicy Fruit
recording of:
Juicy Fruit
Komponist(in):
James Mtume (jazz/funk musician)
Mtume53:15
19Nights Over Egypt
recording of:
Nights Over Egypt
Verfasser(in):
Cynthia Biggs und Dexter Wansel
The Jones Girls3:42
20Love T.K.O.
cover recording of:
Love T.K.O.
Verfasser(in):
Eddie Gip Noble, Cecil Womack und Linda Womack
publisher:
Warner Chappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teddy Pendergrass3:40
21I Can't Stand the Rain
Teil von:
Cachitos Nochevieja 2022 (Nummer: 24) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 197)
recording of:
I Can’t Stand the Rain (in 1973)
Verfasser(in):
Don Bryant, Bernard Miller und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Ann Peebles4.252:28
22Why Can't We Live Together
recording of:
Why Can’t We Live Together
Texter und Komponist(in):
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited und ピアーミュージック (Japan, subsidiary of Nichion)
Timmy Thomas4:50
23Be Thankful for What You Got
Produzent(in):
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974) und Frank Fioravanti (in 1974)
arranger:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974)
phonographic copyright (℗) by:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1974)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 374)
recording of:
Be Thankful for What You Got
Texter und Komponist(in):
William DeVaughn
publisher:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Tunes, LLC
William DeVaughn4.53:31
24Every Time You Go Away
recording of:
Everytime You Go Away
Texter und Komponist(in):
Daryl Hall
publisher:
Hot Cha Music Co., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Hall & Oates5:22
▼CD 2
Nr.TitelKünstlerBewertungLänge
1What's Love Got to Do With It
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (vom 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Tina Turner3:19
2Sexual Healing
Produzent(in):
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.84:03
3Free
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Free
Verfasser(in):
Susaye Greene, Hank Redd, Nathan Watts und Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams2:38
4Caravan of Love
recording of:
Caravan of Love
Komponist(in):
Ernie Isley, Marvin Isley und Chris Jasper
publisher:
April Music Inc. und IJI Publishing
Isley Jasper Isley4:20
5Rock Me Tonight (For Old Time's Sake)
recording of:
Rock Me Tonight (For Old Times Sake)
Texter und Komponist(in):
Paul Laurence
Freddie Jackson4:04
6If You Don't Know Me by Now
Produzent(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
Hintergrundgesang:
The Blue Notes (Harold Melvin group)
Sologesang:
Harold Melvin
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
Verfasser(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:22
7Wishing on a Star
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
Rose Royce43:56
8Heartbreaker
Techniker(in):
Karl Richardson
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Akustikgitarre und Hintergrundgesang:
Barry Gibb
Bassgitarre:
George “Chocolate” Perry (bassist)
E-Gitarre:
George Terry (guitar player with Clapton in 70's)
Schlagzeug:
Steve Gadd (drummer)
Sologesang:
Dionne Warwick
Dirigent(in):
Albhy Galuten
Saiteninstrumente arranger:
Albhy Galuten und Barry Gibb
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
produced for:
Karlbhy Productions
aufgenommen bei:
Middle Ear Studio in Miami Beach, Florida, Vereinigte Staaten
zusätzlich aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Heartbreaker (Dionne Warwick song) (in 1982)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Dionne Warwick44:17
9Solid
recorded in:
U.S.A.
Produzent(in):
Nickolas Ashford und Valerie Simpson
phonographic copyright (℗) by:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
produced for:
Hopsack & Silk Productions Inc.
recording of:
Solid
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.53:21
10Ain't Nobody
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Rufus & Chaka Khan3:19
11Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
EMI Songs Ltd.
Luther Vandross4.153:46
12Love Town
recording of:
Love Town
Verfasser(in):
Len Barry und Bobby Eli
Booker Newberry III3:31
13The Soul City Walk
recording of:
The Soul City Walk
Verfasser(in):
Victor Carstarphen, Gene McFadden und John Whitehead
Archie Bell & the Drells4:05
14Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing und Pathe Publications (Far East) Limited
LaBelle3.353:55
15Use Ta Be My Girl
Bearbeitung von:
Use ta Be My Girl von The O’Jays
recording of:
Use ta Be My Girl
Texter und Komponist(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
The O’Jays53:22
16Joy and Pain
recording of:
Joy and Pain
Texter und Komponist(in):
Frankie Beverly
Maze4:30
17Homely Girl
recording of:
Homely Girl
Verfasser(in):
Stanley McKenny und Eugene Record
publisher:
Six Continents Music Publishing Inc.
The Chi‐Lites3:29
18Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:44
19Misty Blue
Produzent(in):
Tommy Couch (US producer, songwriter, engineer & studio owner), Wolf Stephenson und James Cary Stroud
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Dorothy Moore43:35
20Tonight I Celebrate My Love
recording engineer:
Alan R. Hirshberg
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart und Russ Terrano
Bassgitarre [bass]:
Nathan East
Gitarre:
Paul Jackson
Klavier:
Randy Kerber
Schlagzeug:
Carlos Vega
vocals:
Peabo Bryson und Roberta Flack
arranger:
Michael Masser und Gene Page
Orchestrator(in):
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California, Vereinigte Staaten und Studio Sound in North Hollywood, Los Angeles, California, Vereinigte Staaten
mixed at:
Motown Hitsville in West Hollywood, California, Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music, Prince Street Productions, Inc., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Chappell Music Publishing, シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング フジパシフィック事業部, ヤマハミュージックEH(CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部
Peabo Bryson3.753:30
21When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-02-17)
Produzent(in):
Marlin Greene ('60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene ('60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54)
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:50

Nennungen

Veröffentlichungsgruppe

Teil von:Capital Gold Legends (Nummer: Soul) (Reihenfolge: 15)