Capital Gold Soul Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Tracks of My Tears
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Smokey Robinson & The Miracles4.253:02
2Tired of Being AloneAl Green4.452:49
3My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4.52:55
4(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部
Aretha Franklin4.252:45
5Hard to Handle
producer:
Steve Cropper
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
vocals:
Otis Redding
recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
Otis Redding4.22:19
6I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (“The Godfather of Soul”)
alto saxophone:
Nat Jones (on 1965-05-06) and Maceo Parker (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
lead vocals:
James Brown (“The Godfather of Soul”) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (“The Godfather of Soul”)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.62:47
7In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles "Packy" Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett22:33
8Give Me Just a Little More Time
recording of:
Give Me Just a Little More Time (Dunbar/Wayne)
writer:
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Holland Group Productions Inc.
Chairmen of the Board2:40
9(Love Is Like a) Heat Wave
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 257)
recording of:
(Love Is Like a) Heat Wave
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music and Stone Agate Music Division
Martha and the Vandellas42:46
10(Your Love Keeps Lifting Me) Higher and HigherJackie Wilson2:55
11I Can't Help Myself
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1965)
strings:
Detroit Symphony Orchestra (in 1965)
background vocals:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul "Duke" Fakir (in 1965), Jackie Hicks (in 1965) and Lawrence Payton (in 1965)
lead vocals:
Levi Stubbs (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 30), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 415) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.52:44
12Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold
writer:
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:52
13Feel the Need in Me
recording of:
Feel the Need in Me
lyricist and composer:
Abrim Tilmon
publisher:
Bridgeport Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Detroit Emeralds3:41
14Baby Now That I've Found You
recording of:
Baby Now That I’ve Found You (in 1967)
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd. and Sony/ATV Music Pub. Ltd.
The Foundations42:36
15There Goes My First Love
The Drifters3:03
16You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:01
17Mr. Big Suff
Jean Knight2:45
18Juicy Fruit
recording of:
Juicy Fruit
composer:
James Mtume (jazz/funk musician)
Mtume53:15
19Nights Over EgyptThe Jones Girls3:42
20Love T.K.O.Teddy Pendergrass3:40
21I Can't Stand the RainAnn Peebles4.252:28
22Why Can't We Live TogetherTimmy Thomas4:50
23Be Thankful for What You Got
producer:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974) and Frank Fioravanti (in 1974)
arranger:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974)
phonographic copyright (℗) by:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1974)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 374)
recording of:
Be Thankful for What You Got
lyricist and composer:
William DeVaughn
publisher:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Tunes, LLC
William DeVaughn4.53:31
24Every Time You Go AwayHall & Oates5:22
CD 2
#TitleArtistRatingLength
1What's Love Got to Do With It
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner3:19
2Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.84:03
3Free
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Free
writer:
Susaye Greene, Hank Redd, Nathan Watts and Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams2:38
4Caravan of LoveIsley Jasper Isley4:20
5Rock Me Tonight (For Old Time's Sake)
recording of:
Rock Me Tonight (For Old Times Sake)
lyricist and composer:
Paul Laurence
Freddie Jackson4:04
6If You Don't Know Me by Now
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
background vocals:
The Blue Notes (Harold Melvin group)
lead vocals:
Harold Melvin
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:22
7Wishing on a Star
recording of:
Wishing on a Star
lyricist and composer:
Billie Calvin (Billie Rae Calvin)
Rose Royce43:56
8HeartbreakerDionne Warwick44:17
9Solid
recorded in:
U.S.A.
producer:
Nickolas Ashford and Valerie Simpson
phonographic copyright (℗) by:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
produced for:
Hopsack & Silk Productions Inc.
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.53:21
10Ain't Nobody
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Rufus & Chaka Khan3:19
11Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 466)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
EMI Songs Ltd.
Luther Vandross4.153:46
12Love Town
recording of:
Love Town
writer:
Len Barry and Bobby Eli
Booker Newberry III3:31
13The Soul City WalkArchie Bell & the Drells4:05
14Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
LaBelle3.353:55
15Use Ta Be My Girl
edit of:
Use ta Be My Girl by The O’Jays
recording of:
Use ta Be My Girl
lyricist and composer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
The O’Jays53:22
16Joy and Pain
recording of:
Joy and Pain
lyricist and composer:
Frankie Beverly
Maze4:30
17Homely GirlThe Chi‐Lites3:29
18Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:44
19Misty Blue
producer:
Tommy Couch (US producer, songwriter, engineer & studio owner), Wolf Stephenson and James Cary Stroud
cover recording of:
Misty Blue
lyricist and composer:
Bob Montgomery
publisher:
Reservoir One America and Talmont Music (publisher) (from 1966 to present)
Dorothy Moore43:35
20Tonight I Celebrate My LovePeabo Bryson3.753:30
21When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:50

Credits

Release Group

part of:Capital Gold Legends (number: Soul) (order: 15)