Tosca (1964 studio cast)

~ Release by Giacomo Puccini; Maria Callas, Carlo Bergonzi, Tito Gobbi, Chœurs du Théâtre National de l'Opéra de Paris, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (see all versions of this release, 6 available)

Annotation

Recorded: 3, 4, 7-12, 14.XII.1964, & 19.I.1965, Salle Wagram, Paris.
℗ 1965

Annotation last modified on 2023-03-20 14:14 UTC.

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Tosca: Atto I. “Ah! Finalmente!”
bass vocals [Angelotti]:
Leonardo Monreale (operatic bass) (from 1964-12-03 until 1965-01-19)
bass vocals [Sagrestano]:
Giorgio Tadeo (operatic bass) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini5:13
2Tosca: Atto I. “Dammi i colori… Recondita armonia”
bass-baritone vocals [Sagrestano]:
Giorgio Tadeo (operatic bass) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini4:18
3Tosca: Atto I. “Gente là dentro!”
bass vocals [Angelotti]:
Leonardo Monreale (operatic bass) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini1:07
4Tosca: Atto I. “Mario! Mario! Mario!”
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
partial recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Ora stammi a sentir” (Tosca, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini7:15
5Tosca: Atto I. “Ah quegli occhi” – “Quale occhio al mondo può star di paro”
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini5:42
6Tosca: Atto I. “È buona la mia Tosca”
bass vocals [Angelotti]:
Leonardo Monreale (operatic bass) (from 1964-12-03 until 1965-01-19)
bass-baritone vocals [Sagrestano]:
Giorgio Tadeo (operatic bass) (from 1964-12-03 until 1965-01-19)
choir vocals:
Chœur de l’Opéra de Paris (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini5:05
7Tosca: Atto I. “Un tal baccano in chiesa!”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
bass-baritone vocals [Sagrestano]:
Giorgio Tadeo (operatic bass) (from 1964-12-03 until 1965-01-19)
tenor vocals [Spoletta]:
Renato Ercolani (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:42
8Tosca: Atto I. “Or tutto è chiaro… Tosca? Che non mi veda” / Act I, Scene IX. “Mario! Mario!”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
bass-baritone vocals [Sagrestano]:
Giorgio Tadeo (operatic bass) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:02
9Tosca: Atto I. “Ed io venivo a lui tutta dogliosa”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:58
10Tosca: Atto I. “Tre sbirri una carrozza”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
choir vocals:
Chœur de l’Opéra de Paris (from 1964-12-03 until 1965-01-19)
tenor vocals [Spoletta]:
Renato Ercolani (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
chorus master:
Jean Laforge (choral conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I
Giacomo Puccini3:45
▼CD 2
#TitleArtistRatingLength
1Tosca: Atto II. “Tosca è un buon falco!”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
baritone vocals [Sciarrone]:
Ugo Trama (operatic bass) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:16
2Tosca: Atto II. “Ha più forte”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
baritone vocals [Sciarrone]:
Ugo Trama (operatic bass) (from 1964-12-03 until 1965-01-19)
tenor vocals [Spoletta]:
Renato Ercolani (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini2:22
3Tosca: Atto II. “Meno male!”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
tenor vocals [Spoletta]:
Renato Ercolani (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:11
4Tosca: Atto II. “Dov’è dunque Angelotti?”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
tenor vocals [Spoletta]:
Renato Ercolani (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini2:27
5Tosca: Atto II. “Ed or fra noi parliam da buoni amici” – “Sciarrone, che dice il Cavalier?”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
baritone vocals [Sciarrone]:
Ugo Trama (operatic bass) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:57
6Tosca: Atto II. “Orsù, Tosca, parlate”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
baritone vocals [Sciarrone]:
Ugo Trama (operatic bass) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
tenor vocals [Spoletta]:
Renato Ercolani (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:12
7Tosca: Atto II. “Nel pozzo… nel giardino”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
baritone vocals [Sciarrone]:
Ugo Trama (operatic bass) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
Giacomo Puccini5:41
8Tosca: Atto II. “Se la giurata fede debbo tradir”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:27
9Tosca: Atto II. “Vissi d’arte”
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1965)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:00
10Tosca: Atto II. “Vedi, le man giunte io stendo a te!”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:42
11Tosca: Atto II. “E qual via scegliete?”
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini6:40
12Tosca: Atto III. “Io de’ sospiri”
treble vocals [Un Pastore]:
David Sellar (once sang "Un Pastore" with Callas in "Tosca") (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini5:48
13Tosca: Atto III. “Mario Cavaradossi? A voi”
bass vocals [Carceriere]:
Leonardo Monreale (operatic bass) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini4:30
14Tosca: Atto III. “E lucevan le stelle”
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
vocals:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:02
15Tosca: Atto III. “Ah! Franchigia a Floria Tosca”
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini2:45
16Tosca: Atto III. “O dolci mani mansuete e pure”
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini5:17
17Tosca: Atto III. “E non giungono”
bass vocals [Carceriere]:
Leonardo Monreale (operatic bass) (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
partial recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III
Giacomo Puccini2:42
18Tosca: Atto III. “Com’è lunga l’attesa!”
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini2:31
19Tosca: Atto III. “Presto! Su, Mario! Mario! Su! Presto! Andiamo!”
baritone vocals [Sciarrone]:
Ugo Trama (operatic bass) (from 1964-12-03 until 1965-01-19)
choir vocals:
Chœurs de l’Opéra national de Paris (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Spoletta]:
Renato Ercolani (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini1:26