The Love Album IV

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal‐Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal‐Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:57
2Don’t Speak
recording engineer:
Phil Kaffel
producer:
Matthew Wilder
mixer:
Holman and Paul Palmer (engineer)
bass guitar:
Tony Kanal
cello:
Melissa Hasin
drums (drum set) [drums] and percussion:
Adrian Young (drummer for No Doubt)
guitar:
Tom Dumont
keyboard and piano:
Eric Stefani
lead vocals:
Gwen Stefani
phonographic copyright (℗) by:
Interscope Records, Inc. (not for release label use!) (in 1996)
recorded at:
York Street Studios in Auckland, Auckland, North Island, New Zealand
mixed at:
Cactus Studios in California, United States
recording of:
Don’t Speak
writer:
Eric Stefani and Gwen Stefani
publisher:
Knock Yourself Out Music and Universal‐MCA Music Publishing (US)
No Doubt4.24:20
32 Become 1
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
additional programming:
Pete Davis (UK engineer, programmer, keyboards), Statik (worked with Spice Girls) and Paul Waller
programming and producer:
Richard Stannard and Matt Rowe
additional producer:
Andy Bradfield
mixer:
Andy Bradfield
guitar:
Greg Lester
keyboard:
Richard Stannard and Matt Rowe
strings arranger:
Craig Armstrong (Scottish score composer)
concertmaster:
Isobel Griffiths and Perry Montague‐Mason (violinist)
recording of:
2 Become 1
writer:
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls4.53:58
4As Long as You Love Me
assistant engineer:
Tommie Hicks Jr.
engineer:
Joe Smith (US recording/mixing engineer)
producer:
Kristian Lundin and Max Martin
guitar:
Esbjörn Öhrwall
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
recording of:
As Long as You Love Me
writer:
Max Martin
publisher:
Grantsville Publishing Ltd., GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.23:31
5The Day We Find Love
9114:07
6I Wanna Be the Only One (Boskat main mix)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
publisher:
Benny's Music, BMG Songs Inc., EMI Blackwood Music Inc. (1989-07-24–present) and Rhettrhyme Music
Eternal feat. BeBe Winans4:31
7If You Love Me
Brownstone3:41
8Give Me a Little More TimeGabrielle2.653:59
9You Might Need Somebody
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather and Dean Parks (American session guitarist)
horn:
Chuck Findley, Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) and Larry Williams (Trumpet player)
keyboard:
Leon Pendarvis
percussion:
Lenny Castro
background vocals:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas and Phyllis St. James
horn arranger:
Bill Reichenbach, Jr. (jazz trombonist)
strings arranger:
Nick de Caro
cover recording of:
You Might Need Somebody
composer:
Nan O'Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Randy Crawford4:14
10Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.84:04
11Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 466)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
EMI Songs Ltd.
Luther Vandross4.153:49
12I Say a Little Prayer
recording engineer:
Tom Dowd
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.43:31
13Wherever I Lay My Hat (That’s My Home)Paul Young4:10
14Suddenly
producer:
Keith Diamond
mixer:
Keith Diamond and Bryan “Chuck” New
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Suddenly
writer:
Keith Diamond and Billy Ocean
Billy Ocean4.53:51
15Anything for You
recording of:
Anything for You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan3:41
16Wonderful Tonight
Damage4:09
17Everything
recording of:
Everything
additional writer:
Thom Bell (keyboards, songwriter, producer), James Brown (“The Godfather of Soul”), Hachidai Nakamura, Linda Epstein, Rokusuke Ei, John Starks and Fred Wesley
writer:
James Harris III and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Beechwood Music Corp., Dynatone Publishing Co., Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Mary J. Blige44:00
18Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Shirelles3.752:42
19Moon River
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
Danny Williams3.52:35