# | Title | Artist | Rating | Length |
---|
1 | Especially For You | Kylie Minogue & Jason Donovan | | 4:01 |
2 | Every Little Thing She Does Is Magic | The Police | 4.05 | 4:20 |
3 | Nightshift | Commodores | | 5:06 |
4 | When the Rain Begins to Fall | Jermaine Jackson & Pia Zadora | | 4:06 |
5 | Gimme Hope Jo’anna | Eddy Grant | | 3:47 |
6 | Don’t Leave Me This Way | The Communards | 3.4 | 4:33 |
7 | Why, Tell Me Why | Anita Meyer | | 3:31 |
8 | Swing the Mood- DJ-mix of:
- All Shook Up by Elvis Presley, American Patrol by Glenn Miller, At the Hop by Danny & the Juniors, C’mon Everybody by Eddie Cochran, Hound Dog by Elvis Presley, In the Mood by Glenn Miller, Jailhouse Rock by Elvis Presley, Let’s Twist Again by Chubby Checker, Little Brown Jug by Glenn Miller & His Orchestra, Pennsylvania 6-5000 by Glenn Miller, Rock Around the Clock by Bill Haley & His Comets, Rock‐A‐Beatin’ Boogie by Bill Haley and His Comets, Shake, Rattle and Roll by Bill Haley & His Comets, Tutti Frutti by Little Richard and Wake Up Little Susie by The Everly Brothers
- recording of:
- Swing the Mood
- medley of:
- Wake Up Little Susie
- medley of:
- Rock Around the Clock
- medley of:
- Let’s Twist Again
- medley of:
- Rock‐a‐Beatin’ Boogie
- medley of:
- Tutti Frutti
- medley of:
- C’mon Everybody
- medley of:
- Hound Dog
- medley of:
- All Shook Up
- medley of:
- Jailhouse Rock
- medley of:
- At the Hop
- medley of:
- In the Mood
- medley of:
- Shake, Rattle and Roll
| Jive Bunny & the Mastermixers | 3 | 6:08 |
9 | The Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
- lyrics quoted on:
- Numba 1 (Tide Is High)
- lyrics quoted on:
- Numba 1 (Tide Is High)
| Blondie | 4.5 | 3:51 |
10 | Pearlydumm | BZN | | 4:18 |
11 | Japanese Boy | Aneka | | 3:58 |
12 | Coward of the County | Kenny Rogers | | 4:22 |
13 | Kids in Amerika- engineer:
- Stephen Stewart and Steve Stewart
- producer:
- Ricky Wilde
- bass guitar:
- Martin Russell (from 1980 until 1981)
- drums (drum set):
- Chris North (from 1980 until 1981)
- guitar:
- Francis Lickerish (from 1980 until 1981), James Stevenson (from 1980 until 1981), Steve Stewart (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI France (in 1993), EMI Records Ltd. (in 1996, in 2001) and EMI Records Limited (in 2006)
- recorded at:
- The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- RAK Studios in London , England, United Kingdom
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- Finchley Music Corp.
- lyrics quoted on:
- The Art of Losing
| Kim Wilde | 4.35 | 3:25 |
14 | Bette Davis Eyes | Kim Carnes | | 3:43 |
15 | Why Do Fools Fall in Love | Diana Ross | | 2:54 |
16 | Don’t Stand So Close to Me- engineer:
- Nigel Gray
- producer:
- Nigel Gray and The Police
- drums (drum set):
- Stewart Copeland (from 1980-07-07 until 1980-08-07)
- electric bass guitar, synthesizer and lead vocals:
- Sting (from 1980-07-07 until 1980-08-07)
- electric guitar:
- Andy Summers (from 1980-07-07 until 1980-08-07)
- background vocals:
- Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
- phonographic copyright (℗) by:
- A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
- recorded at:
- Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
- recording of:
- Don’t Stand So Close to Me (from 1980-07-07 until 1980-08-07)
- lyricist and composer:
- Sting
- publisher:
- Warner Bros. (ended), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (from 2003 to ????) and Songs of Universal, Inc. (from 2022-02 to present)
| The Police | 3.95 | 4:00 |
17 | Vienna | Ultravox | | 4:55 |