Mobile Beat #4

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼Medium 1
#TitleArtistRatingLength
1Oh Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.33:01
2Don't Rock the Jukebox
recording of:
Don't Rock The Jukebox
writer:
Alan Jackson (US country singer/songwriter), Roger Murrah (songwriter) and Keith Stegall (American country singer / songwriter and record producer)
Alan Jackson2:55
3Margaritaville
recording of:
Margaritaville
lyricist and composer:
Jimmy Buffett
Jimmy Buffett54:15
4Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
Van Morrison3.33:11
5You Shook Me All Night Long
recording of:
You Shook Me All Night Long
writer:
Angus Young (member of AC/DC), Brian Johnson (AC/DC lead singer) and Malcolm Young (Guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
AC/DC53:35
6Move This
Technotronic3:44
7La Bamba
Los Lobos2:21
8Pink Cadillac
recording engineer:
Toby Scott
producer:
Jon Landau, Chuck Plotkin, Bruce Springsteen and Steven Van Zandt
mixer:
Bob Clearmountain
bass:
Garry Tallent
drums (drum set):
Max Weinberg
guitar and lead vocals:
Bruce Springsteen
saxophone:
Clarence Clemons
phonographic copyright (℗) by:
Bruce Springsteen (in 1984)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Pink Cadillac (on 1983-05-31)
lyricist and composer:
Bruce Springsteen (from 1981 until 1982)
Bruce Springsteen43:37
9Mustang Sally
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
Wilson Pickett43:10
10Last Dance
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
recording of:
Last Dance
lyricist and composer:
Paul Jabara
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Management Three Music, Olga Music and フジパシフィックミュージック
part of:
Academy Award for Best Original Song (number: 51)
Donna Summer3.753:23
11The One You Love
recording of:
The One You Love
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Jack Tempchin
publisher:
Night River Publishing
Glenn Frey4:36
12Turn the Beat Around
vocals:
Gloria Estefan
cover recording of:
Turn the Beat Around
writer:
Gerald Jackson and Pete Jackson (US disco producer)
Gloria Estefan4.53:57
13The Stroll
The Diamonds2:31
14Wooly Bully
recording of:
Wooly Bully
lyricist and composer:
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) and Melodie der Welt (publisher)
Sam the Sham & the Pharaohs2:24
15After the Lovin'
Engelbert Humperdinck3:58
16I Just Called to Say I Love You
recording of:
I Just Called to Say I Love You
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and 大洋音楽
part of:
Academy Award for Best Original Song (number: 57)
Stevie Wonder4:27
17Everybody Everybody
recording of:
Everybody Everybody (Black Box)
lyricist and composer:
Daniele Davoli, Mirko Limoni and Valerio Semplici (Black Box)
publisher:
Lombardoni Edizioni Musicali
Black Box4:12
18Love Can Build a Bridge
The Judds3:59
19Takin' Care of Business
assistant engineer:
Marc Sterling
engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
bass guitar:
C.F. Turner (from 1973-09 until 1973-10)
drums (drum set) and percussion:
Rob Bachman (from 1973-09 until 1973-10)
guitar [lead guitar] and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10)
guitar [second lead guitar]:
Tim Bachman (from 1973-09 until 1973-10)
piano:
Norman Durkee (from 1973-09 until 1973-10)
background vocals:
C.F. Turner (from 1973-09 until 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10) and Tim Bachman (from 1973-09 until 1973-10)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1973-09 until 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 59)
recording of:
Takin’ Care of Business (from 1973-09 until 1973-10)
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
Bachman–Turner Overdrive4.354:56
20Long Cool Woman (In a Black Dress)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (on 1971-07-16)
writer:
Allan Clarke (of The Hollies), Roger Cook (singer, songwriter, producer) and Roger Greenaway
The Hollies4.53:16