The Ultimate Oldies but Goodies Collection: Raunchy

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

▼CD 1: The Ultimate Oldies but Goodies Collection: Raunchy: Side A
Nr.TitelKünstlerBewertungLänge
1Whole Lot of Shakin’ Going On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographic copyright (℗) by:
Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS-affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd. und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:54
2Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Carl Perkins Music Inc., Carlin Music Corp., Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:18
3A White Sport Coat (and a Pink Carnation)
recorded in:
New York, Vereinigte Staaten (am 1957-01-25)
recording of:
A White Sport Coat and a Pink Carnation (am 1957-01-25)
Texter und Komponist(in):
Marty Robbins
Marty Robbins2:31
4Don’t Let Go
recording of:
Don’t Let Go
Texter und Komponist(in):
Jesse Stone
publisher:
Campbell Connelly & Co. Ltd., Scion Three Music LLC und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Roy Hamilton2:30
5Only the Lonely (Know How I Feel)
Produzent(in):
Fred Foster
Gitarre:
Hank Garland (am 1960-03-26) und Harold Bradley (am 1960-03-26)
Klavier:
Floyd Cramer (am 1960-03-26)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1960-03-26)
Schlagzeug [drums]:
Buddy Harman (am 1960-03-26)
Hintergrundgesang:
Joe Melson (am 1960-03-26) und The Anita Kerr Singers (Mixed vocal group) (am 1960-03-26)
vocals:
Roy Orbison (am 1960-03-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 2)
recording of:
Only the Lonely (Know the Way I Feel) (am 1960-03-26)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:27
6Kansas City
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 5)
cover recording of:
Kansas City
Texter:
Jerry Leiber (in 1952)
Komponist(in):
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co. Ltd. und Sony/ATV Songs LLC
Wilbert Harrison32:27
7I Want You, I Need You, I Love You
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-04-14)
Gitarre:
Chet Atkins (am 1956-04-14) und Scotty Moore (American guitarist and recording engineer) (am 1956-04-14)
Klavier:
Marvin Hughes (am 1956-04-14)
Schlagzeug:
D.J. Fontana (am 1956-04-14)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-04-14)
vocals:
Brock Speer (am 1956-04-14), Ben Speer (am 1956-04-14), Lena Brock "Mom" Speer (am 1956-04-14) und Gordon Stoker (am 1956-04-14)
phonographic copyright (℗) by:
BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-04-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 25)
recording of:
I Want You, I Need You, I Love You (am 1956-01-31)
Verfasser(in):
Ira Kosloff und Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music und Williamson Music Company
recording of:
I Want You, I Need You, I Love You (am 1956-04-11)
Verfasser(in):
Ira Kosloff und Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music und Williamson Music Company
cover recording of:
I Want You, I Need You, I Love You (am 1956-04-14)
Verfasser(in):
Ira Kosloff und Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music und Williamson Music Company
Elvis Presley52:42
8Singing the Blues
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 37)
cover recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell with Ray Conniff and His Orchestra2:29
9Ya Ya
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (vom 1997 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 22)
recording of:
Ya, Ya (in 1961)
Verfasser(in):
Lee Dorsey, Morris Levy, Clarence Lewis und Morgan Robinson
publisher:
FROST Music Corp
was commissioned by:
Fury Records (USA label active 50s to 70s)
Lee Dorsey52:28
10Get a Job
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 36)
recording of:
Get a Job (in 1957-10)
Verfasser(in):
Earl T. Beal, Raymond W. Edwards (member of 1950s doowop group the Silhouettes), Richard A. Lewis (member of 1950s doowop group the Silhouettes) und William F. Horton
publisher:
EMI Longitude Music, Jamie Music Publishing Co., Ken Williams Music, Dandelion Music Co. (in 1957) und Wildcat Music (US publisher) (in 1957)
The Silhouettes4.52:47
11Love Is Strange
vocals:
Mickey Baker und Sylvia Robinson
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 7)
recording of:
Love Is Strange (am 1956-10-17)
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Ben Ghazi Music, Inc. (publisher), Cromwell Music und Cromwell Music Ltd.
Mickey & Sylvia4.52:56
12Diana
vocals:
Paul Anka
Dirigent(in):
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka
publisher:
Pamco Music Inc. (beendet) und Epa Publishing
Paul Anka52:25
13Stay
Kontrabass:
Albert Hill (double bassist)
Schlagzeug [drums]:
Willie Morrow
Baritongesang:
Charles Thomas (The Zodiacs)
Sologesang:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
Tenor-Gesang:
Wiley Bennett
Tenor-Gesang [falsetto tenor]:
Henry Gaston
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 1)
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
Maurice Williams & the Zodiacs51:38
14Keep A‐Knockin’
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep A-Knockin' an You Can't Get In
Little Richard2:20
15Western Movies
recording of:
Western Movies
Verfasser(in):
Cliff Goldsmith und Fred Smith (60s producer)
publisher:
Escort Music Company und Keymen Music (publisher)
The Olympics2:23
16The Happy Organ
recording of:
The Happy Organ
Komponist(in):
David Clowney, James J. Kriegsmann und Ken Wood (50/60 Rockabilly artist)
publisher:
Embassy Music Corporation
Dave "Baby" Cortez2:02
▶CD 2: The Ultimate Oldies but Goodies Collection: Raunchy: Side B

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ASIN:US: B002542PDO [Info]