Tracklist

CD 1
#TitleRatingLength
1BWV 1047 Brandenburg Concerto No. 2 Movement 15:07
2BWV 201 Cantata4:39
3BWV 1033 Sonata in C-Major - version for flute solo
flute:
Jean‐Claude Gérard (flutist) (from 1998-05 until 1998-11)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1998-05 until 1998-11)
compilation of:
Sonate C-Dur, BWV 1033: Allegro by Jean‐Claude Gérard and Sonate C-Dur, BWV 1033: Andante - Presto by Jean‐Claude Gérard
recording of:
Flute Sonata in C major, BWV 1033: I. Andante - Presto (from 1998-05 until 1998-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Flute Sonata in C major, BWV 1033
recording of:
Flute Sonata in C major, BWV 1033: II. Allegro (from 1998-05 until 1998-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Flute Sonata in C major, BWV 1033
4:03
4BWV 78 Cantata, Duet no. 2
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (from 1979-02 until 1979-10)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
4:41
5BWV 1012 Suite for violincello no 6 D Major, Gavotte4:01
6BWV 211 Coffee Cantata
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
soprano vocals:
Christine Schäfer (soprano) (in 1996-05)
tenor vocals:
James Taylor (operatic tenor) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
compilation of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" by Bach‐Collegium Stuttgart, Helmuth Rilling, Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" by Bach‐Collegium Stuttgart, Helmuth Rilling, Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" by Bach‐Collegium Stuttgart, Helmuth Rilling and Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" by Bach‐Collegium Stuttgart, Helmuth Rilling
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1996-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1996-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1996-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1996-05)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
8:42
7BWV 1004 Partita II D Major - Gigue
violin:
Dimitri Sitkovetsky (violinist)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern, Germany
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
4:19
8BWV 245 St John Passion Opening Chorus
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
8:35
9BWV 108 Art of the Fugue Contrapunctus 1 to 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080
3:06
10BWV 244 St. Mathew Passion opening chorus
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:56
11BWV 525 Trio Sonata No. 1
organ:
Kay Johannsen
recorded at:
Stadtkirche in Stein am Rhein, Schaffhausen, Switzerland
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro (from 1997-03-03 until 1997-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
4:06
12BWV 26 Cantata Opening chorus
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
2:26
13BWV 177 Cantata, Aria
tenor vocals:
Peter Schreier (german tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": IV. Aria (Tenor) "Laß mich kein Lust noch Furcht von dir" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
4:49
14BWV 371 Chorale - Kyrie
choir vocals:
Gächinger Kantorei Stuttgart (in 1998-09)
orchestra:
Bach‐Collegium Stuttgart (in 1998-09)
conductor:
Helmuth Rilling (conductor) (in 1998-09)
recording of:
Choralsatz, BWV 371 "Kyrie! Gott Vater in Ewigkeit" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 225) and Bach-Werke-Verzeichnis (number: BWV 371)
3:02
15BWV 1068 Overture no. 3.
orchestra:
Oregon Bach Festival Chamber Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
4:57