The Complete Organ Works, Vol. 6

~ Release by Johann Sebastian Bach; David Goode (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Prelude and Fugue in G major, BWV 550: Prelude
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Präludium und Fuge G-Dur, BWV 550: I. Präludium (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge G-Dur, BWV 550
Johann Sebastian Bach2:45
2Prelude and Fugue in G major, BWV 550: Fugue
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Präludium und Fuge G-Dur, BWV 550: II. Fuge (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge G-Dur, BWV 550
Johann Sebastian Bach4:06
3Vom Himmel hoch da komm ich her, BWV 700
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Vom Himmel hoch, da komm ich her, BWV 700 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 11), Bach Compendium (number: K156) and Bach-Werke-Verzeichnis (number: BWV 700)
Johann Sebastian Bach3:16
4Vom Himmel hoch, da komm ich her, BWV 738
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Vom Himmel hoch, da komm ich her, BWV 738 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 738)
Johann Sebastian Bach1:19
5Gelobet seist du, Jesu Christ, BWV 723
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Gelobet seist du, Jesu Christ, BWV 723 (from 2015 until 2016)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 723)
Johann Sebastian Bach2:32
6Gelobet seist du, Jesu Christ, BWV 722
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Gelobet seist du Jesu Christ, BWV 722 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 722)
Johann Sebastian Bach1:23
7Wir Christenleut habn jetzund Freud, BWV 710
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Wir Christenleut habn jetzund Freud, BWV 710 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 21) and Bach-Werke-Verzeichnis (number: BWV 710)
Johann Sebastian Bach1:53
8In dulci jubilo, BWV 729
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
In dulci jubilo, BWV 729 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 729)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Johann Sebastian Bach2:38
9Pastorale in F major, BWV 590: I. Pastorale
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: I. (Pastorella) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Johann Sebastian Bach2:46
10Pastorale in F major, BWV 590: II. Allemande
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: II. (a tempo giusto) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Johann Sebastian Bach2:49
11Pastorale in F major, BWV 590: III. Aria
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: III. (Adagio) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Johann Sebastian Bach3:08
12Pastorale in F major, BWV 590: IV. Gigue
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: IV. (Allegro) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Johann Sebastian Bach4:18
13Fugue in G major (“Jig”), BWV 577
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Fuge G-Dur, BWV 577 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 577)
Johann Sebastian Bach3:28
14Meine Seele erhebt den Herrn, BWV 733
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Meine Seele erhebet den Herren (Fuga sopra il Magnificat), BWV 733 (from 2015 until 2016)
composer:
Johann Ludwig Krebs (composer and organist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 733)
Johann Sebastian Bach4:35
15Canonic Variations on “Vom Himmel hoch da komm ich her”, BWV 769: Variation I
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: I. Canon all' Ottava. Pedal. Canto fermo (Variatio 1) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
Johann Sebastian Bach1:25
16Canonic Variations on “Vom Himmel hoch da komm ich her”, BWV 769: Variation II
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: II. Canon alla Quinta. Canto fermo in Pedel (Variatio 2) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
Johann Sebastian Bach1:35
17Canonic Variations on “Vom Himmel hoch da komm ich her”, BWV 769: Variation III
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: III. Canone alla settima (Variatio 3) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
Johann Sebastian Bach2:29
18Canonic Variations on “Vom Himmel hoch da komm ich her”, BWV 769: Variation IV
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: IV. In canone all'Ottava per augmentationem (Variatio 4) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
Johann Sebastian Bach4:01
19Canonic Variations on “Vom Himmel hoch da komm ich her”, BWV 769: Variation V
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: V. L'altra sorte del canone al rovescio: alle sesta, alla terza, alla seconda e, alla nona (Variatio 5) (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
Johann Sebastian Bach3:02
20Christum wir sollen loben schon, BWV 696
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Christum sollen wir loben schon, BWV 696 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 7) and Bach-Werke-Verzeichnis (number: BWV 696)
Johann Sebastian Bach1:20
21Gelobet seist du, Jesu Christ, BWV 697
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Gelobet seist du, Jesu Christ, BWV 697 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 8) and Bach-Werke-Verzeichnis (number: BWV 697)
Johann Sebastian Bach1:01
22Herr Christ, der ein’ge Gottes Sohn, BWV 698
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Herr Christ, der einig Gottes Sohn, BWV 698 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 9) and Bach-Werke-Verzeichnis (number: BWV 698)
Johann Sebastian Bach1:11
23Nun komm, der Heiden Heiland, BWV 699
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Nun komm, der Heiden Heiland, BWV 699 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 10) and Bach-Werke-Verzeichnis (number: BWV 699)
Johann Sebastian Bach1:11
24Vom Himmel hoch da komm ich her, BWV 701
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Vom Himmel hoch, da komm ich her, BWV 701 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 12) and Bach-Werke-Verzeichnis (number: BWV 701)
Johann Sebastian Bach1:27
25Gottes Sohn ist kommen, BWV 703
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Gottes Sohn ist kommen, BWV 703 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 14) and Bach-Werke-Verzeichnis (number: BWV 703)
Johann Sebastian Bach0:52
26Lob sei dem allmächtigen Gott, BWV 704
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Lob sei dem allmächtigen Gott, BWV 704 (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 15) and Bach-Werke-Verzeichnis (number: BWV 704)
Johann Sebastian Bach1:05
27Prelude and Fugue in A major, BWV 536: Prelude
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Präludium und Fuge A-Dur, BWV 536: I. Präludium (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge A-Dur, BWV 536
Johann Sebastian Bach2:03
28Prelude and Fugue in A major, BWV 536: Fugue
assistant recording engineer:
Michael Gerrard
recording engineer:
Mike Hatch (engineer/editor)
producer:
Matthew O’Donovan
editor:
Michael Gerrard and James Waterhouse (engineer)
organ:
David Goode (British organist) (from 2015 until 2016)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015 until 2016)
recording of:
Präludium und Fuge A-Dur, BWV 536: II. Fuge (from 2015 until 2016)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge A-Dur, BWV 536
Johann Sebastian Bach5:16

Credits

Release

photography:Joanna Harries (photographer)
liner notes:George Parsons (organist)
recorded at:Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2015-01-05 until 2015-01-06, on 2015-09-06, from 2016-01-02 until 2016-01-05, from 2016-08-17 until 2016-08-18)
ASIN:UK: B07DNGH8GB [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_SIGCD806 [info]

Release Group

part of:The Complete Organ Works (Bach/Goode) (number: 6) (order: 6)