The Best Easy Album ...Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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CD 1
Nr.TitelKünstlerBewertungLänge
1Can’t Take My Eyes Off YouAndy Williams3:16
2Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Memories Are Made of This
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
Dean Martin52:17
3On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Nat King Cole3:11
4Beyond the Sea
Bobby Darin2:55
5We Have All the Time in the World
Produzent(in):
John Barry (English score composer) und Phil Ramone
Sologesang:
Louis Armstrong
Dirigent(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
Texter:
Hal David
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und EMI United Partnership Ltd.
Teil von:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:15
6I Left My Heart in San FranciscoTony Bennett2:53
7Wives and Lovers
recording of:
Wives and Lovers
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Virgin Music (Publishers) Ltd.
Jack Jones2:30
8Comin’ Home Baby
Mel Tormé2:44
9Mas que nada
Sérgio Mendes2:39
10If I Had a Hammer
recording of:
If I Had a Hammer
Verfasser(in):
Lee Hays (in 1949) und Pete Seeger (in 1949)
Trini Lopez3:00
11The More I See You
Chris Montez2:40
12Up Up and Away
The Johnny Mann Singers2:32
13Whatever Will Be, Will Be (Que será, será)
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
Dirigent(in):
Frank De Vol (am 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (US lyricist)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
Academy Award for Best Original Song (Nummer: 29)
Doris Day2:07
14Sugar Town
recording of:
Sugar Town
Texter und Komponist(in):
Lee Hazlewood
publisher:
Granite Music Corporation
Nancy Sinatra2:25
15I Couldn’t Live Without Your LovePetula Clark2:53
16Avenues & Alleyways
recording of:
Avenues and Alleyways (The Protectors)
Texter und Komponist(in):
Peter Callander und Mitch Murray
publisher:
ATV Kirshner (publisher) (in 1972)
Tony Christie3:20
17Where Are You Now (My Love)
recording of:
Where Are You Now (My Love)
Komponist(in):
Tony Hatch und Jackie Trent
Jackie Trent2:47
18Raindrops Keep Falling on My HeadB.J. Thomas43:04
19Candy Man
Sammy Davis Jr.1:59
20Sway
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
cover recording of:
Sway
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
Version von:
¿Quién será?
Dean Martin42:44
21A Man Without Love
recording of:
A Man Without Love (Quando m'innamoro)
Texter:
Mario Panzeri (Italian Composer and “paroliere”)
Komponist(in):
Roberto Livraghi und Daniele Pace (italian lyricist & songwriter)
Übersetzer:
Barry Mason (English songwriter)
übersetzte Version von:
Quando m’innamoro
Engelbert Humperdinck43:20
22We’re Gonna Change the WorldMatt Monro3:35
23Big Spender
Produzent(in):
Kenneth Hume und Norman Newell
Sologesang:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Alyn Ainsworth and His Orchestra
Dirigent(in):
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
Texter:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
Komponist(in):
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. und WB Music Corp. (1929–2019)
music quoted on:
Main Title From “The Pink Panther Strikes Again”
Teil von:
Overture (Sweet Charity)
Teil von:
Sweet Charity
Shirley Bassey4.51:50
24King of the Road
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964-11)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (in 1964-11)
Texter:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.652:30
25What the World Needs Now Is LoveJackie DeShannon3.63:06
26We’ve Only Just Begun
The Ray Conniff Singers2:54
CD 2
Nr.TitelKünstlerBewertungLänge
1Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (am 1954-07-27)
Gitarre:
John Collins (jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
Dirigent(in):
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
日音 Synch事業部
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Nat King Cole2:53
2The Look of LoveDusty Springfield53:41
3Joanna
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1968)
recording of:
Joanna
Verfasser(in):
Tony Hatch und Jackie Trent
publisher:
ATV Music Ltd.
Scott Walker3:51
4Ev’ry Time We Say Goodbye
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (in 1956)
Orchester:
Buddy Bregman Orchestra
Dirigent(in):
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald3.53:31
5Anyone Who Had a Heart
recording of:
Anyone Who Had a Heart
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Carlin Music Corp.
Dionne Warwick2:53
6Wondrous Place
Billy Fury2:25
7Galveston
phonographic copyright (℗) by:
Capitol Records Nashville (in 2001)
cover recording of:
Galveston (in 1969)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Glen Campbell2:42
8(It Looks Like) I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again
Texter:
Jimmie Currie (songwriter) und Lonnie Donegan
basiert auf:
Wanderin' (American folk song)
Tom Jones34:15
9Midnight Cowboy
recording of:
Midnight Cowboy
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry42:45
10Moon River
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 34)
Danny Williams3.52:37
11Misty
Produzent(in):
Al Ham und Mitch Miller
vocals:
Johnny Mathis (in 1959)
Dirigent(in):
Glenn Osser (in 1959)
arranger:
Glenn Osser
recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908-1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Johnny Mathis3:35
12For All We Know
Produzent(in):
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
Dirigent(in):
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970)
Texter:
Arthur James (soft rock singer/songwriter/guitarist) und Robb Wilson
Komponist(in):
Fred Karlin
publisher:
MCA Music Ltd. und Pamco Music Inc.
Teil von:
Academy Award for Best Original Song (Nummer: 43)
Shirley Bassey2:45
13Downtown
vocals:
Petula Clark (English singer & actor) (in 1964)
arranger:
Tony Hatch
recording of:
Downtown (in 1964)
Texter und Komponist(in):
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Welbeck Music Ltd. und ユニバーサル・ミュージック・パブリッシング Synch事業部
Petula Clark4.53:11
14That’s Amore
recording of:
That’s Amore
Texter:
Jack Brooks (English-American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin3:21
15Somethin’ Stupid
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (am 1967-02-01)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) und Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-02-01) und Nancy Sinatra (am 1967-02-01)
Dirigent(in):
Billy Strange (am 1967-02-01)
arranger:
Billy Strange (am 1967-02-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (am 1967-02-01)
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
Frank & Nancy Sinatra42:35
16Fever
Bass:
Joe Mondragon (in 1958-05)
Fingerschnippen:
Peggy Lee (jazz vocalist) (in 1958-05) und Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958-05)
Schlagzeug:
Shelly Manne (in 1958-05)
vocals:
Peggy Lee (jazz vocalist) (in 1958-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (in 1958-05)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.353:19
17It Had to Be You
recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS-affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Vic Damone23:32
18And I Love You So
Techniker(in):
Tom Pick
Produzent(in):
Chet Atkins
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1973-01-19)
Dirigent(in):
Cam Mullins (am 1973-01-19)
arranger:
Cam Mullins
cover recording of:
And I Love You So (am 1973-01-19)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc., Songs of Universal, Inc., シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Perry Como3:17
19Chanson d’amour
Produzent(in):
Richard Perry (producer)
accordion:
Steve Paietta
Bass:
Andy Muson (in 1975)
Gitarre:
Ben Benay (in 1975) und Ira Newborn (in 1975)
Klavier:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1975)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (in 1975)
Solo-Tenorsaxophon:
Jay Migliori (in 1975)
Remix:
Howard Steele
arranger:
Ira Newborn
vocals arranger:
Tim Hauser (in 1975) und Janis Siegel (in 1975)
cover recording of:
Chanson d’amour (1958 song) (in 1975)
Texter und Komponist(in):
Wayne Shanklin
publisher:
Carlin Music und Intersong (publisher) (in 1982)
The Manhattan Transfer2:53
20Dream a Little Dream of MeCass Elliot3:14
21(Where Do I Begin) Love Story
Produzent(in):
Dick Glasser
recording of:
(Where Do I Begin?) Love Story (Love Story) (am 1970-12-17)
Texter:
Carl Sigman
Komponist(in):
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited, Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing, LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 und ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Version von:
Theme From Love Story (Instrumental)
Andy Williams3:11
22Honey Come Back
recording engineer:
Peter Abbott (US recording engineer) und Joe Polito (Engineer)
Produzent(in):
Al de Lorry
Dirigent(in):
Al de Lory
arranger:
Al de Lory
cover recording of:
Honey Come Back
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Glen Campbell3:02
23Yesterday
cover recording of:
Yesterday
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC und Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (vom 1965 bis heute)
Matt Monro2:48
24Unforgettable
recorded in:
Los Angeles, California, Vereinigte Staaten (am 1951-08-17)
Gitarre:
Irving Ashby (am 1951-08-17)
Klavier:
Nat King Cole (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester und Interpret(in):
Nelson Riddle and His Orchestra (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole43:12
25Cry Me a River
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, Vereinigtes Königreich
recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Julie London52:58

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