Wake Up: The Singles Collection

~ Release by Uriah Heep (see all versions of this release, 2 available)

Annotation

Italy: Earmark (6xcds / 6x7" box) CD LP

Annotation last modified on 2019-07-13 12:43 UTC.

Tracklist

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▼CD 1
#TitleRatingLength
1Wake Up (set your sights)
recording of:
Wake Up (Set Your Sights)
writer:
Mick Box and David Byron
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS-affiliated) and S. Bron Music Co. Ltd.
3:35
2Come Away Melinda
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
recording of:
Come Away Melinda
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
33:49
▼CD 2
#TitleRatingLength
1Gypsy
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1970)
recording of:
Gypsy (in 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated) and S. Bron Music Co. Ltd.
2:57
2Come Away Melinda
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
recording of:
Come Away Melinda
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
33:49
▼CD 3
#TitleRatingLength
1Lady in Black
recording engineer and mixer:
Peter Gallen
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1969 until 1970)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
recording of:
Lady in Black (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
4.54:44
2Simon the Bullet Freak
recording of:
Simon the Bullet Freak
writer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS-affiliated) and S. Bron Music Co. Ltd.
3:27
▼CD 4
#TitleRatingLength
1Bird of Prey
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Bird of Prey (from 1969 until 1970)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated) and S. Bron Music Co. Ltd.
recording of:
Bird of Prey (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated) and S. Bron Music Co. Ltd.
34:13
2Lady in Black
recording engineer and mixer:
Peter Gallen
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1969 until 1970)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
recording of:
Lady in Black (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
4.54:44
▼CD 5
#TitleRatingLength
1Look at Yourself
recording of:
Look at Yourself
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:07
2What Should Be Done
producer:
Gerry Bron
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
What Should Be Done (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
34:14
▼CD 6
#TitleRatingLength
1July Morning
recording of:
July Morning
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:18
2Love Machine
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Love Machine (in 1971-07)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.353:39