100 Best Berliner Philharmoniker

~ Release by Berliner Philharmoniker (see all versions of this release, 2 available)

Tracklist

| |
Digital Media 1
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
engineer:
Mike Clements (engineer) (from 2004-12-29 until 2004-12-31)
producer:
Stephen Johns (producer)
choir vocals:
Rundfunkchor Berlin (from 2004-12-29 until 2004-12-31)
orchestra:
Berliner Philharmoniker (from 2004-12-29 until 2004-12-31)
conductor:
Simon Rattle (conductor) (from 2004-12-29 until 2004-12-31)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2004-12-29 until 2004-12-31)
live recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 2004-12-29 until 2004-12-31)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:29
2Overture to Candide
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (from 2002-04-14 until 2002-04-15)
conductor:
Simon Rattle (conductor) (from 2002-04-14 until 2002-04-15)
balance engineer:
Mike Clements (engineer)
recorded at:
Philharmonie, Berlin in Berlin, Germany (from 2002-04-14 until 2002-04-15)
recording of:
Candide: Overture (from 2002-04-14 until 2002-04-15)
composer:
Leonard Bernstein (US composer & conductor)
part of:
Candide
Leonard Bernstein4:17
3The Planets, op. 32: I. Mars, the Bringer of War (Allegro)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (engineer) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:25
4Feux d'artifice
engineer:
Andy Beer, Jochen Hofmann and Tobias Lehmann
producer:
Stephen Johns (producer)
editor:
Stephen Frost (sound engineer) and Raphael Mouterde
orchestra:
Berliner Philharmoniker (from 2004-09-17 until 2004-09-19)
conductor:
Simon Rattle (conductor) (from 2004-09-17 until 2004-09-19)
balance engineer:
Mike Clements (engineer) (from 2004-09-17 until 2004-09-19)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2004-09-17 until 2004-09-19)
recording of:
Préludes, Book 2: Feux d’artifice (orch. Matthews) (from 2004-09-17 until 2004-09-19)
orchestrator:
Colin Matthews
composer:
Claude Debussy (from 1912 until 1913)
orchestration of:
Préludes, Livre II, L. 123: XII. Feux d'artifice. Modérément animé
part of:
Préludes, Book 2 (orch. Matthews)
Igor Stravinsky5:04
5Symphonie fantastique, op. 14: IV. Marche au supplice
engineer:
Mike Cox (engineer)
producer:
Stephen Johns (producer)
editor:
Simon Kiln
orchestra:
Berliner Philharmoniker (from 2008-05-30 until 2008-06-01)
conductor:
Simon Rattle (conductor) (from 2008-05-30 until 2008-06-01)
balance engineer:
Mike Clements (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2008-05-30 until 2008-06-01)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 2008-05-30 until 2008-06-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz7:17
6Slavonic Dance, op. 46 no. 1
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (from 2002-04-14 until 2002-04-15)
conductor:
Simon Rattle (conductor) (from 2002-04-14 until 2002-04-15)
balance engineer:
Mike Clements (engineer)
recorded at:
Philharmonie, Berlin in Berlin, Germany (from 2002-04-14 until 2002-04-15)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (from 2002-04-14 until 2002-04-15)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:06
7Symphony no. 88 in G major: IV. Finale (Allegro con spirito)
orchestra:
Berliner Philharmoniker (in 2007-02)
conductor:
Simon Rattle (conductor) (in 2007-02)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 2007-02)
live recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (in 2007-02)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn3:40
8Symphony no. 4 in E minor, op. 98: III. Allegro giocoso
recording engineer and editor:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2008-10-29 until 2008-11-14)
conductor:
Simon Rattle (conductor) (from 2008-10-29 until 2008-11-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2009)
recorded at:
Philharmonie, Berlin in Berlin, Germany (from 2008-10-29 until 2008-11-14)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (from 2008-10-29 until 2008-11-14)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98
Johannes Brahms6:30
9Gymnopédie no. 3
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (from 2002-04-14 until 2002-04-15)
conductor:
Simon Rattle (conductor) (from 2002-04-14 until 2002-04-15)
balance engineer:
Mike Clements (engineer)
recorded at:
Philharmonie, Berlin in Berlin, Germany (from 2002-04-14 until 2002-04-15)
recording of:
Gymnopédies: I. Lent et grave (Satie: Gymnopédie No. 3 orchestrated by Debussy) (from 2002-04-14 until 2002-04-15)
orchestrator:
Claude Debussy (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie: Lent et grave
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:45
10Symphony no. 1, op. 10: Allegro
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (from 2005-06-15 until 2005-06-17)
conductor:
Simon Rattle (conductor) (from 2005-06-15 until 2006-06-17)
balance engineer:
Mike Clements (engineer) (from 2005-06-15 until 2005-06-17)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2005-06-15 until 2005-06-17)
live recording of:
Symphony no. 1 in F minor, op. 10: II. Allegro (from 2005-06-15 until 2005-06-17)
composer:
Дмитрий Дмитриевич Шостакович (composer) (from 1924 until 1925)
part of:
Symphony no. 1 in F minor, op. 10
Dmitri Shostakovich4:57
11Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
engineer:
Andy Beer (from 2002-09-07 until 2002-09-10) and Graham Kirkby (engineer) (from 2002-09-07 until 2002-09-10)
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (from 2002-09-07 until 2002-09-10)
conductor:
Sir Simon Rattle (conductor) (from 2002-09-07 until 2002-09-10)
balance engineer:
Mike Clements (engineer) (from 2002-09-07 until 2002-09-10)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2002-09-07 until 2002-09-10)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 2002-09-07 until 2002-09-10)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:39
12The Nutcracker, op. 71: Act II, no. 12. Divertissement: Chocolate: Spanish Dance
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12a. Дивертисмент (а) Шоколад: испанский танец (Chocolate: Spanish Dance) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:13
13The Nutcracker, op. 71: Act II, no. 12. Divertissement: Tea: Chinese DancePyotr Ilyich Tchaikovsky1:12
14The Nutcracker, op. 71: Act II. Variation II. Dance of the Sugar-Plum Fairy
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:25
15The Nutcracker, op. 71: Act II. Coda
engineer:
René Moeller (from 2009-12-29 until 2009-12-31)
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2009-12-29 until 2009-12-31)
conductor:
Simon Rattle (conductor) (from 2009-12-29 until 2009-12-31)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2009-12-29 until 2009-12-31)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14d. Па-де-де: Кода (Coda) (from 2009-12-29 until 2009-12-31)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:25
16Polovtsian Dances (from Pringe Igor)
orchestra:
Berliner Philharmoniker
conductor:
Simon Rattle (conductor)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Alexander Borodin)
arranger:
Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov)
Alexander Borodin3:58
17Pictures at an Exhibition: 9. The Hut on Fowl's Legs (Baba-Yaga
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (engineer) (from 2007-12-29 until 2007-12-31)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (orchestrated by Ravel) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky3:26
18Pictures at an Exhibition: 10. The Great Gate of Kiev
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (from 2007-12-29 until 2007-12-31)
conductor:
Simon Rattle (conductor) (from 2007-12-29 until 2007-12-31)
balance engineer:
Mike Clements (engineer) (from 2007-12-29 until 2007-12-31)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2007-12-29 until 2007-12-31)
live recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (orchestrated by Ravel) (from 2007-12-29 until 2007-12-31)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky6:01
Digital Media 2
#TitleArtistRatingLength
1Flute Concerto no. 2 in D, K. 314: I. Allegro aperto
recorded in:
Berlin, Germany (in 1996-09)
flute:
Emmanuel Pahud (flutist) (in 1996-09)
orchestra:
Berliner Philharmoniker (in 1996-09)
conductor:
Claudio Abbado (conductor) (in 1996-09)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto (in 1996-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: I. Allegro aperto
Wolfgang Amadeus Mozart7:32
2Flute Concerto no. 2 in D, K. 314: II. Andante ma non troppo
recorded in:
Berlin, Germany (in 1996-09)
flute:
Emmanuel Pahud (flutist) (in 1996-09)
orchestra:
Berliner Philharmoniker (in 1996-09)
conductor:
Claudio Abbado (conductor) (in 1996-09)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo (in 1996-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: II. Adagio non troppo
Wolfgang Amadeus Mozart5:54
3Flute Concerto no. 2 in D, K. 314: III. Rondeau (Allegro)
recorded in:
Berlin, Germany (in 1996-09)
flute:
Emmanuel Pahud (flutist) (in 1996-09)
orchestra:
Berliner Philharmoniker (in 1996-09)
conductor:
Claudio Abbado (conductor) (in 1996-09)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto (in 1996-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
Wolfgang Amadeus Mozart5:21
4Kammermusik no. 1, op. 24 no. 1: I. Sehr schnell und wild
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (in 1996-02)
conductor:
Claudio Abbado (conductor) (in 1996-02)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Philharmonie, Berlin in Berlin, Germany (in 1996-02)
recording of:
Kammermusik No. 1, op. 24 no. 1: I. Sehr schnell und wild (in 1996-02)
composer:
Paul Hindemith (German composer, 1895-1963)
part of:
Kammermusik No. 1, op. 24 no. 1
Paul Hindemith1:06
5Kammermusik no. 1, op. 24 no. 1: II. Mässig schnelle Halbe. Sehr streng im Rhythmus
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (in 1996-02)
conductor:
Claudio Abbado (conductor) (in 1996-02)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Philharmonie, Berlin in Berlin, Germany (in 1996-02)
recording of:
Kammermusik No. 1, op. 24 no. 1: II. Mäßig schnell Halbe (in 1996-02)
composer:
Paul Hindemith (German composer, 1895-1963)
part of:
Kammermusik No. 1, op. 24 no. 1
Paul Hindemith3:04
6Kammermusik no. 1, op. 24 no. 1: III. Quartett. Sehr langsam und mit Ausdruck
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (in 1996-02)
conductor:
Claudio Abbado (conductor) (in 1996-02)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Philharmonie, Berlin in Berlin, Germany (in 1996-02)
recording of:
Kammermusik No. 1, op. 24 no. 1: III. Quartett: Sehr langsam und mit Ausdruck (in 1996-02)
composer:
Paul Hindemith (German composer, 1895-1963)
part of:
Kammermusik No. 1, op. 24 no. 1
Paul Hindemith3:56
7Kammermusik no. 1, op. 24 no. 1: IV. Finale: 1921 (Lebhaft)
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (in 1996-02)
conductor:
Claudio Abbado (conductor) (in 1996-02)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Philharmonie, Berlin in Berlin, Germany (in 1996-02)
recording of:
Kammermusik No. 1, op. 24 no. 1: IV. Finale 1921: Lebhaft (in 1996-02)
composer:
Paul Hindemith (German composer, 1895-1963)
part of:
Kammermusik No. 1, op. 24 no. 1
Paul Hindemith6:06
8Première Rhapsodie
basset horn and clarinet:
Sabine Meyer (clarinetist)
orchestra:
Berliner Philharmoniker
conductor:
Claudio Abbado (conductor)
recording of:
Première Rapsodie pour clarinette en si bémol, L. 116, CD 124b (for clarinet and orchestra)
orchestrator:
Claude Debussy (in 1911)
composer:
Claude Debussy (from 1909-12 until 1910-01)
premiered at:
[concert] (1919-05-03)
publisher:
Durand et Cie (1909–1947) (in 1911-12)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 116) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 124b)
orchestration of:
Première Rapsodie pour clarinette en si bémol, L. 116, CD 124a (for clarinet and piano)
Claude Debussy8:30
9Flute and Harp Concerto in C, K. 299: II. AndantinoWolfgang Amadeus Mozart4:03
10Piano Concerto no. 5, op. 73 "Emperor": II. Adagio un poco mossoLudwig van Beethoven4:28
11Piano Concerto no. 5, op. 73 "Emperor": III. Rondo (Allegro)Ludwig van Beethoven4:33
12Triple Concerto for Violin, Cello & Piano in C major, op. 56: II. Largo
producer:
Peter Andry (producer)
cello:
Mstislav Rostropovich (cellist) (from 1969-09-15 until 1969-09-17)
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (from 1969-09-15 until 1969-09-17)
violin:
David Oistrakh (violinist) (from 1969-09-15 until 1969-09-17)
orchestra:
Berliner Philharmoniker (from 1969-09-15 until 1969-09-17)
conductor:
Herbert von Karajan (conductor) (from 1969-09-15 until 1969-09-17)
balance engineer:
Allen Stagg (from 1969-09-15 until 1969-09-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (from 1970 to present, from 1987 to present)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1969-09-15 until 1969-09-17)
recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo (from 1969-09-15 until 1969-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven5:34
13Symphony no. 104 in D "London": III. Menuet
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (on 1975-01-04)
conductor:
Herbert von Karajan (conductor) (on 1975-01-04)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (on 1975-01-04)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro (on 1975-01-04)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:29
14Symphony no. 8 "Unfinished": I. Allegro moderato (opening)Franz Schubert4:11
15Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": II. LargoAntonín Dvořák4:37
16Trumpet Concerto in E-flat: III. Rondo (Allegro molto)
producer:
Michel Glotz
trumpet:
Maurice André (French trumpeter) (from 1974-05-28 until 1974-05-29)
orchestra:
Berliner Philharmoniker (from 1974-05-28 until 1974-05-29)
conductor:
Herbert von Karajan (conductor) (from 1974-05-28 until 1974-05-29)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1974-05-28 until 1974-05-29)
recording of:
Trompetenkonzert Es-dur: III. Rondo. Allegro (from 1974-05-28 until 1974-05-29)
composer:
Johann Nepomuk Hummel (composer)
version of:
Trompetenkonzert in E-Dur, S. 49: III. Rondo
part of:
Trompetenkonzert Es-dur
Johann Nepomuk Hummel3:40
Digital Media 3
#TitleArtistRatingLength
1Serenade no. 13 in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
producer:
Christfried Bickenbach and Walter Legge (British classical record producer, 1906-1979)
orchestra:
Berliner Philharmoniker (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:44
2Serenade no. 13 in G, K. 525 "Eine kleine Nachtmusik": II. Romanze (Andante)
producer:
Christfried Bickenbach and Walter Legge (British classical record producer, 1906-1979)
orchestra:
Berliner Philharmoniker (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:57
3Serenade no. 13 in G, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto)
producer:
Christfried Bickenbach and Walter Legge (British classical record producer, 1906-1979)
orchestra:
Berliner Philharmoniker (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:23
4Serenade no. 13 in G, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro)
producer:
Christfried Bickenbach and Walter Legge (British classical record producer, 1906-1979)
orchestra:
Berlin Philharmonic (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:22
5Three German Dances, K. 605: No. 3 "Die Schlittenfahrt"
producer:
Christfried Bickenbach and Walter Legge (British classical record producer, 1906-1979)
orchestra:
Berliner Philharmoniker (from 1960-11-09 until 1960-11-11)
conductor:
Herbert von Karajan (conductor) (from 1960-11-09 until 1960-11-11)
balance engineer:
Horst Lindner (engineer) (from 1960-11-09 until 1960-11-11)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-11-09 until 1960-11-11)
recording of:
3 German Dances for Orchestra, K. 605: No. 2 in G major. German Dance & Trio (from 1960-11-09 until 1960-11-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart2:48
6Water Music: VI. Allegro decisio
producer:
Christfried Bickenbach and Walter Legge (British classical record producer, 1906-1979)
orchestra:
Berliner Philharmoniker (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Water Music Suite: VI. Allegro deciso (arr. Hamilton Harty) (from 1959-12-30 until 1959-12-31)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel3:35
7Ma Vlast: Vlatava, B. 111
conductor:
Herbert von Karajan (conductor)
edit of:
Ma vlast: Vltava by Berliner Philharmoniker, Herbert von Karajan
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana5:29
8An die schonen blauen Donau, op. 314
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II3:50
9Tritsch-Tratsch Polka, op. 214
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (on 1975-01-04, on 1975-12-08)
conductor:
Herbert von Karajan (conductor) (on 1975-01-04, on 1975-12-08)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (on 1975-01-04, on 1975-12-08)
recording of:
Tritsch–Tratsch Polka, op. 214 (on 1975-01-04)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:40
10La Damnation de Faust, op. 24: Hungarian March
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
La Damnation de Faust, op. 24: Première Partie, scène 3. “Marche hongroise” (Rákóczi March) (from 1978-12-29 until 1979-01-03)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:18
11Valse triste, op. 44/1
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-11-16 until 1980-11-20)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-20)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-11-16 until 1980-11-20)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1980-11-16 until 1980-11-20)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius6:06
12Karelia Suite, op. 11: I. Intermezzo
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (on 1981-01-02)
conductor:
Herbert von Karajan (conductor) (on 1981-01-02)
balance engineer:
Wolfgang Gülich (engineer) (on 1981-01-02)
recorded at:
Berliner Philharmonie in Berlin, Germany (on 1981-01-02)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (for orchestra) (on 1981-01-02)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11
Jean Sibelius4:03
13Karelia Suite, op. 11: III. Alla marcia
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (on 1981-01-02)
conductor:
Herbert von Karajan (conductor) (on 1981-01-02)
balance engineer:
Wolfgang Gülich (engineer) (on 1981-01-02)
recorded at:
Berliner Philharmonie in Berlin, Germany (on 1981-01-02)
recording of:
Karelia-sarja, op. 11: III. Alla marcia (for orchestra) (on 1981-01-02)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11
Jean Sibelius4:59
14Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: AllegrettoBéla Bartók4:26
15L'arlésienne: Farandole
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (from 1978-12-29 until 1979-01-03)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:26
16Manon Lescaut: Intermezzo
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-11-16 until 1980-11-17)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-17)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-11-16 until 1980-11-17)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (from 1980-11-16 until 1980-11-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut
Giacomo Puccini5:28
17Lohengrin: Prelude Act III
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (on 1974-09-22, from 1974-10-15 until 1974-10-19)
conductor:
Herbert von Karajan (conductor) (on 1974-09-22, from 1974-10-15 until 1974-10-19)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (on 1974-09-22, from 1974-10-15 until 1974-10-19)
recording of:
Lohengrin, WWV 75: Akt III, Vorspiel (from 1974-09-22 until 1974-10-19)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:16
Digital Media 4
#TitleArtistRatingLength
1Symphony no. 4 in A, op. 90 "Italian": I. Allegro vivace - Più animato
producer:
John Willan (producer)
orchestra:
Berliner Philharmoniker (in 1980-04)
conductor:
Klaus Tennstedt (conductor) (in 1980-04)
balance engineer:
Neville Boyling (engineer)
recorded at:
Philharmonie, Berlin in Berlin, Germany (in 1980-04)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (in 1980-04)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn7:49
2Symphonie no. 8 en fa majeur, op. 93: II. Allegretto scherzando
producer:
René Challan
orchestra:
Berliner Philharmoniker (in 1957-12)
conductor:
André Cluytens (conductor) (in 1957-12)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1957-12)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (in 1957-12)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven4:03
3Peer Gynt: Prelude
orchestra:
Berliner Philharmoniker
conductor:
Jeffrey Tate (conductor)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:54
4Aufstieg und Fall der Stadt Mahagonny - Suite aus der Oper: No. 1. Allegro giusto
orchestra:
Berliner Philharmoniker
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite aus der Oper "Aufstieg und Fall der Stadt Mahagonny": I. Allegro giusto
composer:
Kurt Weill (composer) (from 1928 until 1929)
part of:
Suite aus der Oper "Aufstieg und Fall der Stadt Mahagonny" (for orchestra, Brückner-Rüggeberg, 1959)
Kurt Weill51:15
5Aufstieg und Fall der Stadt Mahagonny - Suite aus der Oper: No. 2. Moderato assai
orchestra:
Berliner Philharmoniker
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite aus der Oper "Aufstieg und Fall der Stadt Mahagonny": II. Moderato assai
composer:
Kurt Weill (composer) (from 1928 until 1929)
part of:
Suite aus der Oper "Aufstieg und Fall der Stadt Mahagonny" (for orchestra, Brückner-Rüggeberg, 1959)
Kurt Weill52:27
6Slavonic Dances, B. 83: No. 1 in B major: Ozdemek (Molto vivace)
orchestra:
Berliner Philharmoniker
conductor:
Lorin Maazel (conductor)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák4:21
7Slavonic Dances, B. 83: No. 5 in B-flat minor: Spacirká (Poco adagio - Vivace)
recording engineer:
Michael Sheady (engineer)
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (in 1988-02)
conductor:
Lorin Maazel (conductor) (in 1988-02)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-02)
recording of:
Slavonic Dances, op. 72: No. 5 in B-flat minor: Poco adagio (for orchestra) (in 1988-02)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák2:50
8Slavonic Dances, B. 83: No. 7 in C major: Kolo (Allegro vivace)
recording engineer:
Michael Sheady (engineer)
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (in 1988-02)
conductor:
Lorin Maazel (conductor) (in 1988-02)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-02)
recording of:
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra) (in 1988-02)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák3:31
9Fidelio: Act I, no. 3 Quartett. Mir ist so wunderbar
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (engineer) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:40
10Fidelio: Act II. Wer ein holdes Weib errungen
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (engineer) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven3:56
11Il trovatore: Vedi le fosche notturne spoglie (Anvil Chorus)
choir vocals:
Chor der Deutschen Oper Berlin
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:05
12Otello: Act I. Una vela!
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Otello: Atto I, scena 1. “Una vela! una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi6:30
13Die Walküre: Walkürenritt: Act III.
producer:
John Willan (producer)
orchestra:
Berliner Philharmoniker (in 1980-10)
conductor:
Klaus Tennstedt (conductor) (in 1980-10)
balance engineer:
Neville Boyling (engineer) and Michael Sheady (engineer)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (in 1980-10)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:23
14Tristan und Isolde: Act III, Scene III. Mild und leise wie er lächelt (Isolder Liebestod)
soprano vocals [Isolde]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1971-12-02 until 1972-01-10)
tenor vocals:
Jon Vickers (tenor) (from 1971-12-02 until 1972-01-10)
orchestra:
Berliner Philharmoniker (from 1971-12-02 until 1972-01-10)
conductor:
Herbert von Karajan (conductor) (from 1971-12-02 until 1972-01-10)
balance engineer:
Wolfgang Gülich (engineer) (from 1971-12-02 until 1972-01-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
partial recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (from 1971-12-02 until 1972-01-10)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner7:23
15Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:29
16Mass no. 19 in D minor, K. 626 "Requiem": LacrimosaWolfgang Amadeus Mozart3:41
17Messa di Requiem: Sanctus
choir vocals:
Eric Ericsons Kammarkör (from 2001-01-25 until 2001-01-27), Orfeón Donostiarra (from 2001-01-25 until 2001-01-27) and Radiokören (from 2001-01-25 until 2001-01-27)
orchestra:
Berliner Philharmoniker (from 2001-01-25 until 2001-01-27)
conductor:
Claudio Abbado (conductor) (from 2001-01-25 until 2001-01-27)
chorus master:
José Antonio Sainz Alfaro (from 2001-01-25 until 2001-01-27) and Bo Wannefors (chorus master) (from 2001-01-25 until 2001-01-27)
balance engineer:
Mike Clements (engineer) (from 2001-01-25 until 2001-01-27) and Mike Cox (engineer) (from 2001-01-25 until 2001-01-27)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2001-01-25 until 2001-01-27)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (from 2001-01-25 until 2001-01-27)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:45
Digital Media 5
#TitleArtistRatingLength
1Violin Concerto in A minor, BWV 1041: I. [Allegro]
violin:
Nigel Kennedy (violinist) (in 2000-01)
orchestra:
Berliner Philharmoniker (in 2000-01)
conductor:
Nigel Kennedy (violinist) (in 2000-01)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:48
2Violin Concerto in A minor, BWV 1041: II. Andante
violin:
Nigel Kennedy (violinist) (in 2000-01)
orchestra:
Berliner Philharmoniker (in 2000-01)
conductor:
Nigel Kennedy (violinist) (in 2000-01)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach6:52
3Violin Concerto in A minor, BWV 1041: III. Allegro assai
violin:
Nigel Kennedy (violinist) (in 2000-01)
orchestra:
Berliner Philharmoniker (in 2000-01)
conductor:
Nigel Kennedy (violinist) (in 2000-01)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:21
4Violin Concerto no. 3 in G, K. 216: III. Rondeau (Allegro - Andante - Allegretto)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and David Mottley (producer)
violin:
David Oistrakh (violinist) (from 1971-03-22 until 1971-03-23, in 1971-10)
orchestra:
Berliner Philharmoniker (from 1971-03-22 until 1971-03-23, in 1971-10)
conductor:
David Oistrakh (violinist) (from 1971-03-22 until 1971-03-23, in 1971-10)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1971-03-22 until 1971-03-23, in 1971-10)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto (from 1971-03-22 until 1971-03-23)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
Wolfgang Amadeus Mozart6:46
5Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace
producer:
Fritz Ganss (producer)
violin:
Yehudi Menuhin (violinist) (from 1957-09-06 until 1957-09-09)
orchestra:
Berliner Philharmoniker (from 1957-09-06 until 1957-09-09)
conductor:
Rudolf Kempe (conductor) (from 1957-09-06 until 1957-09-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1957-09-06 until 1957-09-09)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (from 1957-09-06 until 1957-09-09)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77
Johannes Brahms8:21
6Piano Concerto in A minor, op. 16: II. Adagio
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (in 2002-12)
orchestra:
Berliner Philharmoniker (in 2002-12)
conductor:
Mariss Jansons (Latvian conductor) (in 2002-12)
balance engineer:
Arne Akselberg (in 2002-12)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 2002-12)
recording of:
Piano Concerto in A minor, op. 16: II. Adagio (in 2002-12)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Piano Concerto in A minor, op. 16
Edvard Grieg6:18
7Thaïs: Méditation
producer:
Michel Glotz
violin:
Anne‐Sophie Mutter (violinist) (from 1980-11-16 until 1980-11-17)
orchestra:
Berliner Philharmoniker (from 1980-11-16 until 1980-11-17)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-17)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-11-16 until 1980-11-17)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1980-11-16 until 1980-11-17)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet6:48
8Concert Fantasy on Carmen, op. 25: Introduction: Allegro moderato
producer:
Stephen Johns (producer)
editor:
Simon Kiln
violin:
Sarah Chang (violinist) (in 2001-06)
orchestra:
Berliner Philharmoniker (in 2001-06)
conductor:
Plácido Domingo (tenor) (in 2001-06)
balance engineer:
Mike Clements (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 2001-06)
recording of:
Carmen Fantasy, op. 25: Introduction. Allegro moderato (in 2001-06)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:54
9Concert Fantasy on Carmen, op. 25: I. Moderato
producer:
Stephen Johns (producer)
editor:
Simon Kiln
violin:
Sarah Chang (violinist) (in 2001-06)
orchestra:
Berliner Philharmoniker (in 2001-06)
conductor:
Plácido Domingo (tenor) (in 2001-06)
balance engineer:
Mike Clements (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 2001-06)
recording of:
Carmen Fantasy, op. 25: I. Moderato (in 2001-06)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:09
10Concert Fantasy on Carmen, op. 25: II. Lento assai
producer:
Stephen Johns (producer)
editor:
Simon Kiln
violin:
Sarah Chang (violinist) (in 2001-06)
orchestra:
Berliner Philharmoniker (in 2001-06)
conductor:
Plácido Domingo (tenor) (in 2001-06)
balance engineer:
Mike Clements (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 2001-06)
recording of:
Carmen Fantasy, op. 25: II. Lento assai (in 2001-06)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:28
11Concert Fantasy on Carmen, op. 25: III. Allegro moderato
producer:
Stephen Johns (producer)
editor:
Simon Kiln
violin:
Sarah Chang (violinist) (in 2001-06)
orchestra:
Berliner Philharmoniker (in 2001-06)
conductor:
Plácido Domingo (tenor) (in 2001-06)
balance engineer:
Mike Clements (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 2001-06)
recording of:
Carmen Fantasy, op. 25: III. Allegro moderato (in 2001-06)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate1:53
12Concert Fantasy on Carmen, op. 25: IV. Moderato
producer:
Stephen Johns (producer)
editor:
Simon Kiln
violin:
Sarah Chang (violinist) (in 2001-06)
orchestra:
Berliner Philharmoniker (in 2001-06)
conductor:
Plácido Domingo (tenor) (in 2001-06)
balance engineer:
Mike Clements (engineer)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 2001-06)
recording of:
Carmen Fantasy, op. 25: IV. Moderato (in 2001-06)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:34
13Violin Concerto in E minor, op. 64: II. Andante - Allegretto non troppo
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn8:01
14Don Quixote, op. 35: Thema: Mäßig - Don Quixote The Knight of the Mournful Countenance
producer:
Michel Glotz (in 1975-01)
cello:
Mstislav Rostropovich (cellist) (from 1975-01-03 until 1975-01-08)
piano:
Alexis Weissenberg (from 1975-01-03 until 1975-01-08)
viola:
Ulrich Koch (violist) (from 1975-01-03 until 1975-01-08)
orchestra:
Berliner Philharmoniker (from 1975-01-03 until 1975-01-08)
conductor:
Herbert von Karajan (conductor) (from 1975-01-03 until 1975-01-08)
balance engineer:
Wolfgang Gülich (engineer) (from 1975-01-03 until 1975-01-08)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1975-01-03 until 1975-01-08)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1975-01-03 until 1975-01-08)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (from 1975-01-03 until 1975-01-08)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:23
15Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (on 2005-06-05)
orchestra:
Berliner Philharmoniker (on 2005-06-05)
conductor:
Antonio Pappano (conductor and pianist) (on 2005-06-05)
balance engineer:
Arne Akselberg (on 2005-06-05)
recorded at:
Berliner Philharmonie in Berlin, Germany (on 2005-06-05)
recording of:
Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace (on 2005-06-05)
composer:
Sergei Rachmaninoff (Russian composer) (from 1890 until 1891-07-06)
revised by:
Sergei Rachmaninoff (Russian composer) (in 1917)
part of:
Piano Concerto no. 1 in F-sharp minor, op. 1
Сергей Рахманинов7:51
Digital Media 6
#TitleArtistRatingLength
1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
recorded in:
Berlin, Germany (on 1913-11-10)
orchestra:
Berliner Philharmoniker (on 1913-11-10)
conductor:
Arthur Nikisch (Hungarian conductor) (on 1913-11-10)
balance engineer:
Max Hampe (producer)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1913-11-10)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven6:46
2Symphony no. 6 in B minor, op. 74 "Pathetique": III. Allegro molto vivaceПётр Ильич Чайковский9:21
3Symphony no. 1 in D, op. 25 "Classical": III. GavotteСергей Сергеевич Прокофьев1:50
4Piano Concerto no. 2 in B-flat, op. 83: II. Allegro appassionatoJohannes Brahms8:39
5Der fliegende Holländer: Overture
orchestra:
Berliner Philharmoniker
recording of:
Der fliegende Holländer, WWV 63: Ouvertüre
composer:
Richard Wagner (composer) (from 1840 until 1841)
part of:
Der fliegende Holländer, WWV 63
Richard Wagner11:22
6Die Meistersinger von Nürnberg: Dance of the Apprentices / Entry of the Mastersingers: "Ihr tanz? Was werden die Meister Sagen?"Richard Wagner5:34
7Variation on a Theme by Haydn, op. 56a: Theme. Andante "Chorale St. Antoni"Johannes Brahms2:08
8Variation on a Theme by Haydn, op. 56a: Variation I: Poco più animatoJohannes Brahms1:07
9Variation on a Theme by Haydn, op. 56a: Variation II: Più vivaceJohannes Brahms0:56
10Variation on a Theme by Haydn, op. 56a: Variation III: Con motoJohannes Brahms1:49
11Variation on a Theme by Haydn, op. 56a: Variation IV: Con motoJohannes Brahms1:52
12Variation on a Theme by Haydn, op. 56a: Variation V: VivaceJohannes Brahms0:58
13Variation on a Theme by Haydn, op. 56a: Variation VI: VivaceJohannes Brahms1:10
14Variation on a Theme by Haydn, op. 56a: Variation VII: GraziosoJohannes Brahms2:34
15Variation on a Theme by Haydn, op. 56a: Variation VIII: Presto non troppoJohannes Brahms1:02
16Variation on a Theme by Haydn, op. 56a: Finale: AndanteJohannes Brahms3:51
17Leonore Overture no. 2, op. 72aLudwig van Beethoven16:04

Credits

Release Group

part of:100 Best (EMI Classics) (order: 17)