100 Best Berliner Philharmoniker

~ Release by Berliner Philharmoniker (see all versions of this release, 2 available)

Tracklist

Digital Media 1
Digital Media 2
Digital Media 3
Digital Media 4
#TitleArtistRatingLength
1Symphony no. 4 in A, op. 90 "Italian": I. Allegro vivace - Più animato
producer:
John Willan (producer)
orchestra:
Berliner Philharmoniker (in 1980-04)
conductor:
Klaus Tennstedt (conductor) (in 1980-04)
balance engineer:
Neville Boyling (engineer)
recorded at:
Philharmonie, Berlin in Berlin, Germany (in 1980-04)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (in 1980-04)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn7:49
2Symphonie no. 8 en fa majeur, op. 93: II. Allegretto scherzando
producer:
René Challan
orchestra:
Berliner Philharmoniker (in 1957-12)
conductor:
André Cluytens (conductor) (in 1957-12)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1957-12)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (in 1957-12)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven4:03
3Peer Gynt: Prelude
orchestra:
Berliner Philharmoniker
conductor:
Jeffrey Tate (conductor)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:54
4Aufstieg und Fall der Stadt Mahagonny - Suite aus der Oper: No. 1. Allegro giusto
orchestra:
Berliner Philharmoniker
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite aus der Oper "Aufstieg und Fall der Stadt Mahagonny": I. Allegro giusto
composer:
Kurt Weill (composer) (from 1928 until 1929)
part of:
Suite aus der Oper "Aufstieg und Fall der Stadt Mahagonny" (for orchestra, Brückner-Rüggeberg, 1959)
Kurt Weill51:15
5Aufstieg und Fall der Stadt Mahagonny - Suite aus der Oper: No. 2. Moderato assai
orchestra:
Berliner Philharmoniker
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite aus der Oper "Aufstieg und Fall der Stadt Mahagonny": II. Moderato assai
composer:
Kurt Weill (composer) (from 1928 until 1929)
part of:
Suite aus der Oper "Aufstieg und Fall der Stadt Mahagonny" (for orchestra, Brückner-Rüggeberg, 1959)
Kurt Weill52:27
6Slavonic Dances, B. 83: No. 1 in B major: Ozdemek (Molto vivace)
orchestra:
Berliner Philharmoniker
conductor:
Lorin Maazel (conductor)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák4:21
7Slavonic Dances, B. 83: No. 5 in B-flat minor: Spacirká (Poco adagio - Vivace)
recording engineer:
Michael Sheady (engineer)
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (in 1988-02)
conductor:
Lorin Maazel (conductor) (in 1988-02)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-02)
recording of:
Slavonic Dances, op. 72: No. 5 in B-flat minor: Poco adagio (for orchestra) (in 1988-02)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák2:50
8Slavonic Dances, B. 83: No. 7 in C major: Kolo (Allegro vivace)
recording engineer:
Michael Sheady (engineer)
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (in 1988-02)
conductor:
Lorin Maazel (conductor) (in 1988-02)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-02)
recording of:
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra) (in 1988-02)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák3:31
9Fidelio: Act I, no. 3 Quartett. Mir ist so wunderbar
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (engineer) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:40
10Fidelio: Act II. Wer ein holdes Weib errungen
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (engineer) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven3:56
11Il trovatore: Vedi le fosche notturne spoglie (Anvil Chorus)
choir vocals:
Chor der Deutschen Oper Berlin
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:05
12Otello: Act I. Una vela!
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Otello: Atto I, scena 1. “Una vela! una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi6:30
13Die Walküre: Walkürenritt: Act III.
producer:
John Willan (producer)
orchestra:
Berliner Philharmoniker (in 1980-10)
conductor:
Klaus Tennstedt (conductor) (in 1980-10)
balance engineer:
Neville Boyling (engineer) and Michael Sheady (engineer)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (in 1980-10)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:23
14Tristan und Isolde: Act III, Scene III. Mild und leise wie er lächelt (Isolder Liebestod)
soprano vocals [Isolde]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1971-12-02 until 1972-01-10)
tenor vocals:
Jon Vickers (tenor) (from 1971-12-02 until 1972-01-10)
orchestra:
Berliner Philharmoniker (from 1971-12-02 until 1972-01-10)
conductor:
Herbert von Karajan (conductor) (from 1971-12-02 until 1972-01-10)
balance engineer:
Wolfgang Gülich (engineer) (from 1971-12-02 until 1972-01-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
partial recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (from 1971-12-02 until 1972-01-10)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner7:23
15Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:29
16Mass no. 19 in D minor, K. 626 "Requiem": LacrimosaWolfgang Amadeus Mozart3:41
17Messa di Requiem: Sanctus
choir vocals:
Eric Ericsons Kammarkör (from 2001-01-25 until 2001-01-27), Orfeón Donostiarra (from 2001-01-25 until 2001-01-27) and Radiokören (from 2001-01-25 until 2001-01-27)
orchestra:
Berliner Philharmoniker (from 2001-01-25 until 2001-01-27)
conductor:
Claudio Abbado (conductor) (from 2001-01-25 until 2001-01-27)
chorus master:
José Antonio Sainz Alfaro (from 2001-01-25 until 2001-01-27) and Bo Wannefors (chorus master) (from 2001-01-25 until 2001-01-27)
balance engineer:
Mike Clements (engineer) (from 2001-01-25 until 2001-01-27) and Mike Cox (engineer) (from 2001-01-25 until 2001-01-27)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2001-01-25 until 2001-01-27)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (from 2001-01-25 until 2001-01-27)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:45
Digital Media 5
Digital Media 6

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Release Group

part of:100 Best (EMI Classics) (order: 17)