Cinema Hits: The Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1All by Myself (Il Diario Di Bridget Jones)Eric Carmen44:32
2I’m Not a Girl, Not Yet a Woman (Crossroads)
recording engineer:
Max Martin, Rami (Rami Yacoub) and Michael Tucker (engineer) (lead vocals)
assistant engineer:
Charles McCrorey (lead vocals)
engineer:
John Amatiello
producer and mixer:
Max Martin and Rami (Rami Yacoub)
bass guitar [bass]:
Tomas Lindberg (Swedish bass player)
guitar [guitars]:
Esbjörn Öhrwall
background vocals:
Max Martin and Jeanette Olsson
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
produced for:
Maratone Productions
recorded at:
Battery Studios in Chicago, Illinois, United States (lead vocals) and Maratone Studios in Stockholm, Stockholms län, Sweden
mixed at:
Maratone Studios in Stockholm, Stockholms län, Sweden
music videos:
I’m Not a Girl, Not Yet a Woman by Britney Spears
recording of:
I’m Not a Girl, Not Yet a Woman
writer:
Dido (English singer‐songwriter), Max Martin and Rami (Rami Yacoub)
publisher:
Maratone, Oldmara‐MXM, Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and Zomba Enterprises, Inc.
part of:
Golden Raspberry Award for Worst Original Song (number: 2002)
Britney Spears2.83:50
3Use Me (American Beauty)
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
part of:
American Beauty
Bill Withers4.353:38
4Sway (American Pie)
recording of:
Sway (Bic Runga)
writer:
Bic Runga
Bic Runga4.64:22
5Brown Eyed Girl (A Letto Con Il Nemico)
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
Van Morrison3.33:03
6Oye como va (Puerto Escondido)
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
vocals:
Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios in San Francisco, California, United States (on 1970-07-08)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing, LLC (1995–2020), Windswept Pacific Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Man on Fire
Santana4.44:16
7San Francisco (Be Sure to Wear Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie3.752:58
8It’s Raining Men (Il Diario Di Bridget Jones)
mixer:
Randy Tominaga
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
The Weather Girls3.63:31
9I Say a Little Prayer (Il Matrimonio del Mio Migliore Amico)
producer:
Andy Marvel
cover recording of:
I Say a Little Prayer
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:35
10If You Let Me Stay (Gli Amici Di Peter)
recording engineer and mixer:
Phil Legg
additional engineer:
Michael Brauer (engineer)
producer:
Howard Gray (UK producer, engineer, and electronic musician)
bass:
Sean Oliver
drums (drum set):
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Pete Glenister
keyboard:
Nick Plytas
percussion:
Terence Trent D’Arby (now known as Sananda Maitreya) and Frank Ricotti (percussionist)
background vocals:
Lance Ellington (Strictly Come Dancing) and Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
If You Let Me Stay
lyricist and composer:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby3.53:08
11Movin’ Up (Full Monty)
recording of:
Moving On Up
writer:
Heard and Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing Ltd. and EMI Music Publishing (do not use as a release label!)
M People4:09
12Here Comes the Hotstepper (Pret‐À‐Porter)
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, since 1972) and Rondor Music (London) Ltd.
Ini Kamoze3:22
13Here She Comes (Metropolis)
recording of:
Here She Comes
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Giorgio Moroder
publisher:
G.M.P.C.
Bonnie Tyler3:32
14Hound Dog (Forrest Gump)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Elvis Presley3.82:14
15Footloose (Footloose)
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
Kenny Loggins4.13:47
16The Final Countdown (Notte Prima Degli Esami)
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS-affiliated) and Seven Doors Music
Europe45:07
CD 2
#TitleArtistRatingLength
1Mrs. Robinson (Il Laureato)
recording engineer:
Roy Halee
assistant producer:
Bob Johnston (American record producer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel4.254:02
2I’ve HadBill Medley & Jennifer Warnes3.34:47
3No Ordinary Love (Proposta indecente)
recording of:
No Ordinary Love
lyricist:
Sade Adu
composer:
Sade Adu and Stuart Matthewman
Sade5:24
4From the Heart (Notting Hill)
Another Level4:53
5Just Like You (Un giorno per caso)
Keb’ Mo’3:25
6Calling You (Bagdad Cafè)
Linda Wesley5:22
7The Very Thought of You (Amore per sempre)
double bass:
Walter Page (on 1938-09-15)
guitar:
Freddie Green (on 1938-09-15)
piano:
Margaret Johnson (1930s jazz pianist) (on 1938-09-15)
tenor saxophone:
Lester Young (saxophonist) (on 1938-09-15)
trumpet:
Buck Clayton (on 1938-09-15)
vocals:
Billie Holiday (on 1938-09-15)
recording of:
The Very Thought of You (on 1938-09-15)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Billie Holiday and Her Orchestra2:45
8I’m Kissing You (Romeo & Giulietta)
Des’ree4:51
9Reasons (Hitch, lui si che capisce le donne)
engineer:
George Massenburg
co-producer:
Charles Stepney
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
samples from:
That’s the Way of the World by Earth, Wind & Fire (in 1975-03)
recording of:
Reasons
writer:
Philip Bailey, Charles Stepney and Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire2.654:59
10You Make Me Sick (Save the Last Dance)
recording engineer:
Paul Boutin and Edward Quesada
additional drums (drum set) programming:
Brainz Dimilo
drums (drum set) programming:
Anthony President (Ainsworth Prasad)
producer:
Babyface (R&B musician Kenny Edmonds), Brainz Dimilo and Anthony President (Ainsworth Prasad)
assistant mixer:
Victor McCoy
mixer:
Manny Marroquin
instruments:
Anthony President (Ainsworth Prasad)
background vocals:
Sherree Ford-Payne
background vocals and lead vocals:
P!nk (American singer/songwriter)
phonographic copyright (℗) by:
LaFace Records LLC (in 2000)
recorded at:
Brandon’s Way Recording in Los Angeles, California, United States
mixed at:
The Tracken Place in Hollywood, Los Angeles, California, United States
music videos:
You Make Me Sick by P!nk and You Make Me Sick by P!nk
recording of:
You Make Me Sick (in 2000)
lyricist:
Marthony Tabb
composer:
Obi Nwobosi (Brainz) and Ainsworth Prasad
publisher:
EMI April Music Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
P!nk4.254:07
11In the Wee Small Hours of the Morning (Insonnia d’amore)
producer:
Frank Filipetti and Marty Paich
lead vocals:
Carly Simon
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1990)
cover recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Carly Simon43:15
12So In Love (De‐lovely)
vocals:
Lara Fabian (Belgian singer)
Lara Fabian3:32
13Broken Bicycles (Un sogno lungo un giorno)
recording of:
Broken Bicycles
lyricist and composer:
Tom Waits
Tom Waits2:51
14Stand by Your Man (Insonnia d’amore)
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. (1989-07-24–present) and EMI Music Publishing Ltd. (PRS-affiliated)
Tammy Wynette42:38
15Maneater (Se scappi ti sposo)
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
recording of:
Maneater
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
lyrics quoted on:
Dangerous
Hall & Oates4.354:32
16Oh, Pretty Woman (Pretty Woman)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.32:58
CD 3
#TitleArtistRatingLength
1Eye of the Tiger (Rocky 3)
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Ensign Music Corporation, Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, WB Music Corp. (1929–2019), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label) (from 2017-04-01 to present)
Survivor4.54:06
2Ghostbusters (Ghostbusters)
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS-affiliated), IQ Music Ltd., Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
is based on:
I Want a New Drug
lyrics quoted on:
Ghostingbust
Ray Parker Jr.4.154:05
3Turn the Beat Around (Lo Specialista)
recording of:
Turn the Beat Around
writer:
Gerald Jackson and Pete Jackson (US disco producer)
Gloria Estefan3:53
4I Believe I Can Fly (Space Jam)
recording of:
I Believe I Can Fly
lyricist and composer:
R. Kelly
publisher:
Imagem Music (ended) and Zomba Music Publ. Ltd.
R. Kelly5:22
5We Are (Spiderman 2)
recording of:
We Are
writer:
Andreas Carlsson (pop songwriter) and Jörgen Elofsson (Also known as Shane)
Ana Johnsson23:54
6Shy Guy (Bad Boys)
recording of:
Shy Guy
writer:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) and Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music and World of Andy Music
Diana King4:05
7Papa Loves Mambo (Ocean’s Eleven)
producer:
Joe Carlton
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1954, on 1954-08-31) and The Ray Charles Singers (in 1954, on 1954-08-31)
orchestra:
Mitchell Ayres and His Orchestra (on 1954-08-31)
performer:
Mitchell Ayres and His Orchestra (in 1954)
recording of:
Papa Loves Mambo (on 1954-08-31)
writer:
Al Hoffman, Dick Manning (American songwriter) and Bickley Reichner
Perry Como12:41
8Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
LaBelle3.353:55
9Cuban Pete (The Mask)
Jim Carrey3:33
10Flowers on the Wall (Pulp Fiction)
recording of:
Flowers on the Wall
lyricist and composer:
Lew DeWitt
publisher:
Wallflower Music
The Statler Brothers2:20
11Return to Me (Il Fuggitivo)
recording of:
Return to Me
writer:
Emile Adler and Julie Flanders
October Project4:15
12Remember Me (Armageddon)
engineer, producer and mixer:
Kevin Shirley (producer & mixer)
lead vocals:
Steve Augeri
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
Avatar Studios in Manhattan, New York, New York, United States
recording of:
Remember Me (Armageddon)
writer:
Jack Blades (of Night Ranger), Jonathan Cain and Neal Schon
publisher:
No More Tails Music, Ranch Rock Music, So Much Music, Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック and 日音 Synch事業部
Journey5:28
13Won’t Back Down (Daredevil)
co-producer:
Carl Bell
producer:
Michael Beinhorn
mixer:
Andy Wallace (engineer)
Fuel3:23
14Barracuda (Charlie’s Angels)
producer:
Mike Flicker
acoustic guitar:
Nancy Wilson (guitarist/singer of “Heart”) (from 1977-02 until 1977-04)
bass guitar:
Steve Fossen (from 1977-02 until 1977-04)
drums (drum set):
Michael Derosier (from 1977-02 until 1977-04)
electric guitar:
Roger Fisher (US rock guitarist) (from 1977-02 until 1977-04)
guitar and mellotron:
Howard Leese (from 1977-02 until 1977-04)
lead vocals:
Ann Wilson (lead singer of Heart) (from 1977-02 until 1977-04)
arranger:
Heart (rock band, Ann and Nancy Wilson)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1977)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
mixed at:
Royaltone Studios in North Hollywood, Los Angeles, California, United States and Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
recording of:
Barracuda (from 1977-02 until 1977-04)
writer:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
Know Music, Of the Roses Music, Strange Euphoria Music and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Heart3.84:22
15Living in America (Rocky 4)
assistant engineer:
Jeff Lord‐Alge
engineer:
Chris Lord‐Alge
producer:
Dan Hartman
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Dan Hartman and Stevie Ray Vaughan
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral and The Uptown Horns
keyboard:
Dan Hartman
membranophone:
Ray Marchica
background vocals:
Dan Hartman and T.M. Stevens (US bass player Thomas Michael Stevens)
lead vocals:
James Brown (“The Godfather of Soul”)
recording of:
Living in America
writer:
Dan Hartman and Charlie Midnight
publisher:
April Music (publisher), Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. and United Lion Music Inc.
James Brown34:43
16Sunshine of Your Love (True Lies)
cover recording of:
Sunshine of Your Love
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Living Colour45:16
17I Will Be Strong (Over the Top)
Eddie Money3:20
18Gonna Fly Now (Rocky)
engineer:
Joel Jorgensen
producer:
Jay Chattaway
alto saxophone:
Mike Migliore (from 1976-10 until 1976-12) and George Young (saxophonist) (from 1976-10 until 1976-12)
baritone saxophone:
Bobby Militello (from 1976-10 until 1976-12)
bass:
Gordon Johnson (from 1976-10 until 1976-12), Gary King (bass) (from 1976-10 until 1976-12) and Will Lee (US jazz/rock bassist) (from 1976-10 until 1976-12)
drums (drum set):
Peter Erskine (American jazz drummer) (from 1976-10 until 1976-12), Harvey Mason (jazz drummer) (from 1976-10 until 1976-12) and Allan Schwartzberg (from 1976-10 until 1976-12)
French horn:
Don Corrado (from 1976-10 until 1976-12) and Brooks Tillotson (from 1976-10 until 1976-12)
guitar:
George Benson (jazz guitarist/singer) (from 1976-10 until 1976-12), Eric Gale (from 1976-10 until 1976-12), Jeff Layton (from 1976-10 until 1976-12) and Lance Quinn (from 1976-10 until 1976-12)
keyboard:
Kenny Ascher (from 1976-10 until 1976-12), Biff Hannon (from 1976-10 until 1976-12) and Bob James (US jazz keyboardist, arranger and producer) (from 1976-10 until 1976-12)
percussion:
Phil Kraus (from 1976-10 until 1976-12) and Ralph MacDonald (from 1976-10 until 1976-12)
soprano saxophone:
Mark Colby (saxophonist) (from 1976-10 until 1976-12)
strings:
Alfred Brown (viola) (from 1976-10 until 1976-12), Harry Cykman (from 1976-10 until 1976-12), Max Ellen (from 1976-10 until 1976-12), Paul Gershman (from 1976-10 until 1976-12), Harold Kohon (from 1976-10 until 1976-12), Charles Libove (from 1976-10 until 1976-12), Harry Lookofsky (from 1976-10 until 1976-12), Charles McCracken (cellist) (from 1976-10 until 1976-12), Marvin Morgenstern (from 1976-10 until 1976-12), David Nadien (from 1976-10 until 1976-12), Eugene Noye (from 1976-10 until 1976-12), Max Pollikoff (from 1976-10 until 1976-12), Matthew Raimondi (from 1976-10 until 1976-12), Alan Shulman (cellist and composer) (from 1976-10 until 1976-12), Richard Sortomme (from 1976-10 until 1976-12) and Emanuel Vardi (from 1976-10 until 1976-12)
tenor saxophone:
Joe Farrell (from 1976-10 until 1976-12)
trombone:
Wayne Andre (from 1976-10 until 1976-12), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (from 1976-10 until 1976-12), Roger Homefield (from 1976-10 until 1976-12), Julian Priester (from 1976-10 until 1976-12), Randy Purcell (from 1976-10 until 1976-12) and Dave Taylor (US jazz bass trombonist) (from 1976-10 until 1976-12)
trumpet:
Jim Bossy (from 1976-10 until 1976-12), Randy Brecker (from 1976-10 until 1976-12), Jon Faddis (from 1976-10 until 1976-12), Bernie Glow (from 1976-10 until 1976-12), Stan Mark (from 1976-10 until 1976-12), Marky Markowitz (from 1976-10 until 1976-12), Joe Mosello (from 1976-10 until 1976-12), Dennis Noday (from 1976-10 until 1976-12), Al Rubin (from 1976-10 until 1976-12), Marvin Stamm (from 1976-10 until 1976-12) and Ron Tooley (from 1976-10 until 1976-12)
conductor:
Jay Chattaway (from 1976-10 until 1976-12)
arranger:
Jay Chattaway
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
instrumental recording of:
Gonna Fly Now (in 1976)
lyricist:
Carol Connors and Ayn Robbins
composer:
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
Maynard Ferguson4:22