My Baby Just Cares for Me: 20 Swinging Favourites

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Company, Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS-affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone43:37
2I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Born to Dance
Peggy Lee2:30
3When You’re Smiling
Frank Sinatra1:59
4Day In, Day Out
recording of:
Day In, Day Out
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Billie Holiday6:47
5Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.25:52
6Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Company (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone4.653:21
7My Blue Heaven
recording of:
My Blue Heaven
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
Frank Sinatra2:02
8Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:08
9Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong44:14
10Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Billie Holiday5:29
11September in the Rain
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-31)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-31)
conductor:
Nelson Riddle (on 1960-08-31)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-31)
cover recording of:
September in the Rain (on 1960-08-31)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
Frank Sinatra2:59
12It’s All Right With Me
Peggy Lee2:23
13Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS-affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
Nina Simone54:01
14Love Is Here to Stay
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
Billie Holiday3:40
15A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong43:53
16On the Sunny Side of the Street
cover recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS-affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
Peggy Lee3:13
17Should I
recording of:
Should I
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
Frank Sinatra1:31
18(I Loves You) Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone4:09
19A Foggy Day in London Town
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Ella Fitzgerald & Louis Armstrong44:34
20But Not for Me
recorded in:
Los Angeles, California, United States (on 1957-01-07)
engineer:
Val Valentin (on 1957-01-07)
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
But Not for Me (on 1957-01-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Billie Holiday43:47