Volltreffer! 40 Number One Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Memories Are Made of This
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
Dean Martin52:14
2Young Love
cover recording of:
Young Love
writer:
Ric Cartey (US rockabilly singer and songwriter) and Carole Joyner
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Tab Hunter2:22
3Diana
vocals:
Paul Anka
conductor:
Don Costa (US pop music arranger & producer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 26)
recording of:
Diana (on 1957-05-20)
lyricist and composer:
Paul Anka
publisher:
Pamco Music Inc. (ended) and Epa Publishing
Paul Anka52:25
4Tennessee Waltz
orchestra:
Jack Rael & his Orchestra (in 1950-11)
conductor:
Jack Rael (in 1950-11)
cover recording of:
Tennessee Waltz (on 1950-10-14)
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Patti Page3:03
5Don't Be Cruel
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
lyricist, writer and composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
Elvis Presley3.752:02
6The Yellow Rose of Texas
recording of:
The Yellow Rose of Texas (on 1955-06-10)
lyricist:
[traditional] (special purpose artist) and Don George (US songwriter/composer, 1909–1987)
composer:
[traditional] (special purpose artist)
publisher:
EMI Full Keel Music
Mitch Miller and the Gang3:02
7Singing the Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 37)
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Guy Mitchell2:28
8Love Letters in the Sand
producer:
Randy Wood (producer)
bass:
Larry Breen (on 1956-11-24)
clarinet:
Ryland Weston (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (guitarist, conductor, and composer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-11-24)
cover recording of:
Love Letters in the Sand (on 1956-11-24)
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone2:16
9Mexican Joe
live recording of:
Mexican Joe (in 1959)
lyricist and composer:
Mitchell Torok
Jim Reeves2:38
10Rock Around the Clock
recording of:
Rock Around the Clock (Bill Haley’s version)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets2:11
11The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:40
12Wake Up, Little Susie
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 21) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 311)
recording of:
Wake Up Little Susie (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers51:59
13El Paso
recording of:
El Paso
lyricist and composer:
Marty Robbins
publisher:
Chappell & Co., Inc. (USA), Hill & Range Songs, Inc., Mariposa Music Inc. (publisher), Unichappell Music, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Marty Robbins4:28
14Music! Music! Music!
recording of:
Music! Music! Music!
writer:
Bernie Baum and Stephan Weiss
Teresa Brewer2:52
15To Know Him Is to Love Him
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
instruments:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
lyricist and composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. and Vogue Music
The Teddy Bears2:21
16Hearts of Stone
vocals:
The Fontane Sisters
orchestra:
Billy Vaughn and His Orchestra
cover recording of:
Hearts of Stone
writer:
Rudy Jackson (1950s-60s R&B vocalist) and Eddie Ray (US record company executive, producer & songwriter)
publisher:
Regent Music (BMI)
The Fontane Sisters2:05
17The Battle of New Orleans
cover recording of:
The Battle of New Orleans (on 1959-01-27)
lyricist and composer:
Jimmy Driftwood
part of:
Grammy Award: Song of the Year nominees (number: 1960 winner)
is based on:
The 8th of January
Johnny Horton52:35
18Vaya con dios
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recording of:
Vaya con Dios (original)
writer:
Inez James, Buddy Pepper and Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. and Manuskript (not for release label use! this is only for copyrights and publishing relationships)
Les Paul & Mary Ford2:52
19All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
lyrics quoted on:
Cyprus Avenue
Elvis Presley3.651:57
20Livin' Doll
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
lyricist and composer:
Lionel Bart
Cliff Richard2:43
▼CD 2
#TitleArtistRatingLength
1Don't Forbid Me
producer:
Randy Wood (producer)
double bass:
Larry Breen (on 1956-11-10)
drums (drum set):
Irv Kluger (on 1956-11-10)
guitar:
Barney Kessel (on 1956-11-10) and Jack Marshall (guitarist, conductor, and composer) (on 1956-11-10)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-10)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-10)
vocals:
Pat Boone (on 1956-11-10)
conductor:
Billy Vaughn (on 1956-11-10)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-11-10)
recording of:
Don't Forbid Me (on 1956-11-10)
lyricist and composer:
Chas. Singleton (composer/lyricist)
publisher:
Roosevelt Music Co., Inc.
cover recording of:
Don't Forbid Me
lyricist and composer:
Chas. Singleton (composer/lyricist)
publisher:
Roosevelt Music Co., Inc.
Pat Boone2:15
2(Let Me Be) Your Teddy Bear
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1957-01-15 until 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-15 until 1957-01-18)
additional performer:
The Jordanaires (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 26)
recording of:
(Let Me Be Your) Teddy Bear (from 1957-01-15 until 1957-01-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
Elvis Presley31:46
3Tequila
recording of:
Tequila
lyricist:
Chuck Rio (Daniel Flores)
composer:
Chuck Río (Daniel Flores)
The Champs4.32:11
4Tom Dooley
recording of:
Tom Dooley
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4192)
The Kingston Trio43:08
5Sail Along Silv'ry Moon
Billy Vaughn2:07
6At the Hop
recording of:
At the Hop
writer:
John L. Medora, Arthur Singer and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors2:30
7This Ole House
producer:
Al Ham and Mitch Miller
vocals:
Rosemary Clooney (on 1954-05-22)
orchestra:
Buddy Cole and His Orchestra (on 1954-05-22)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
This Ole House (on 1954-05-22)
lyricist and composer:
Stuart Hamblen
Rosemary Clooney2:23
8I'm Moving On
recorded in:
Nashville, Tennessee, United States (on 1950-03-28)
double bass and double bass [bass]:
Ernie Newton (contrabassist) (on 1950-03-28)
fiddle:
Tommy Vaden (US country fiddler) (on 1950-03-28)
guitar:
Hank Snow (on 1950-03-28)
guitar [rhythm guitar]:
Jack Shook (on 1950-03-28)
steel guitar:
Joe Talbot (Steel guitar player and music industry executive) (on 1950-03-28)
vocals:
Hank Snow (on 1950-03-28)
recording of:
I’m Moving On (on 1950-03-28)
lyricist and composer:
Hank Snow
publisher:
Hill and Range Songs, Inc. and Unichappell Music, Inc.
Hank Snow2:51
9Sixteen Tons
acoustic guitar:
Bobby Gibbons (on 1955-09-20)
bass clarinet:
Darol Rice (on 1955-09-20)
clarinet:
Red Mandel (on 1955-09-20)
double bass [bass]:
Rolly Bundock (on 1955-09-20)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-09-20)
finger snaps and lead vocals:
Tennessee Ernie Ford (on 1955-09-20)
trombone:
George Bruns (on 1955-09-20)
trumpet:
Charlie Parlato (on 1955-09-20)
conductor:
Jack Fascinato (on 1955-09-20)
arranger:
Jack Fascinato
phonographic copyright (℗) by:
Bacci Bros Records (in 2010) and Lucky Vintage (in 2014)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-09-20)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 12)
cover recording of:
Sixteen Tons (on 1955-09-20)
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
parody version of:
Sixteen Tons (yiddish parody)
Tennessee Ernie Ford52:37
10All I Have to Do Is Dream
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 141) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 323)
recording of:
All I Have to Do Is Dream (in 1958)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers2:19
11Banana Boat Song
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (50s US vocalist) (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-10-20)
recorded at:
Webster Hall in New York, New York, United States (on 1955-10-20)
recording of:
Day-O (The Banana Boat Song) (Burgess/Attaway version made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd and Lord Burgess Music Publishing Co.
lyrics quoted on:
Don’t Wanna Go Home
version of:
Day-O (The Banana Boat Song) (Original folk song)
Harry Belafonte4.83:05
12Patricia
recording of:
Patricia
lyricist:
Bob Marcus
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Pérez Prado2:20
13Answer Me
cover recording of:
Answer Me, My Love
lyricist:
Fred Rauch, Carl Sigman and Gerhard Winkler
composer:
Fred Rauch and Gerhard Winkler
translator:
Carl Sigman
publisher:
Bourne Co. (not for release label use, this is a music publisher)
translated version of:
Mütterlein
Frankie Laine2:40
14Nel blu dipinto di blu (Volare)
phonographic copyright (℗) by:
Warner Music Italia Srl (not for release label use! Italian branch of Warner Music International) (in 1958)
part of:
Grammy Award: Record of the Year nominees (number: 1959 winner) and Italy in the Eurovision Song Contest (number: 1958)
recording of:
Nel blu dipinto di blu (Volare)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
publisher:
Curci and EMI Robbins Catalog Inc. (ASCAP)
part of:
Grammy Award: Song of the Year nominees (number: 1959 winner)
Domenico Modugno43:39
15April Love
conductor:
Billy Vaughn
phonographic copyright (℗) by:
Geffen Records. (in 1957)
recording of:
April Love (on 1957-09-15)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Leo Feist, Inc.
Pat Boone2:45
16Green Door
recording of:
Green Door
lyricist:
Marvin Moore (songwriter, best known for "Four Walls" and "The Green Door")
composer:
Bob Davie
Jim Lowe2:14
17Heartbreak Hotel
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (on 1956-01-10), Lena Brock "Mom" Speer (on 1956-01-10) and Gordon Stoker (on 1956-01-10)
publisher:
Sony/ATV Songs LLC
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 45) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 347)
recording of:
Heartbreak Hotel (on 1956-01-10)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Unichappell Music, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Elvis Presley3.82:13
18Travellin' Light
cover recording of:
Travellin’ Light
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
Cliff Richard2:43
19La Paloma
instrumental recording of:
La paloma (Spanish original)
lyricist and composer:
Sebastián Iradier
Billy Vaughn2:28
20Lonely Boy
vocals:
Paul Anka
conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Lonely Boy
lyricist and composer:
Paul Anka
publisher:
Spanka Music (ended) and Epa Publishing
Paul Anka2:32

Credits

Release

ASIN:DE: B00CBW5R1W [info]