BTHVN 2020: The New Complete Edition

~ Release by Ludwig van Beethoven (see all versions of this release, 8 available)

Annotation

A limited edition 123-disc collection to celebrate the 250th anniversary of Beethoven's birth. The collection includes 118 CDs, 3 BluRay audio discs, and 2 DVD video discs.

Annotation last modified on 2020-05-14 08:50 UTC.

Tracklist

▶CD 1: Symphonies nos. 1 & 2 / Overtures “Prometheus” & “Leonore” no. 3 (Modern Instruments)
▶CD 2: Symphonies nos. 3 & 4 (Modern Instruments)
▶CD 3: Symphonies nos. 5 & 6 / Overture “Coriolan” (Modern Instruments)
▶CD 4: Symphonies nos. 7 & 8 / Wellington's Victory / Overture “Zur Namensfeier” (Modern Instruments)
▶CD 5: Symphony no. 9 (Modern Instruments)
▶CD 6: Symphonies nos. 1 & 2 / Music to “Egmont” (Vienna Cycle)
▶CD 7: Symphonies nos. 3 & 4 (Vienna Cycle)
▶CD 8: Symphonies nos. 5 & 7 (Vienna Cycle)
▶CD 9: Symphonies nos. 6 & 8 (Vienna Cycle)
▶CD 10: Symphony no. 9 (Vienna Cycle)
▶CD 11: Symphonies nos. 1 & 2 (Period Instruments)
▶CD 12: Symphonies Nos. 3 & 4 (Period Instruments)
▶CD 13: Symphonies nos. 5 & 6 (Period Instruments)
▶CD 14: Symphonies nos. 7 & 8 (Period Instruments)
▶CD 15: Symphony no. 9 / Choral Fantasy (Period Instruments)
▶CD 16: Piano Concertos nos. 1 & 2 / Piano Concerto WoO 4
▶CD 17: Piano Concertos nos. 3 & 4
▶CD 18: Piano Concerto no. 5 / Violin Concerto
▶CD 19: Violin Concerto / Violin Romances / Romance cantabile
▶CD 20: Piano Concertos nos. 1 & 2 / Piano Rondo WoO 6
▶CD 21: Piano Concertos nos. 3 & 4 / Choral Fantasy
▶CD 22: Piano Concerto no. 5 / Piano Concerto in D
▶CD 23: Triple Concerto / Violin Concerto Movement / Cadenzas
▶CD 24: Ritterballett / The Creatures of Prometheus
▶CD 25: Dances & Marches WoO 7, 8, 14, 15, 18-22 & 24
▶CD 26: Egmont / The Ruins of Athens / Gratulations-Menuett
▶CD 27: King Stephen / The Consecration of the House / Tarpeja / Leonore Prohaska
▶CD 28: Leonore (I)
▶CD 29: Leonore (II)
▶CD 30: Fidelio (I)
▶CD 31: Fidelio (II) / Overture “Leonore” no. 1 / Arias, Choruses & Scenes WoO 91, 94, 97 & Unv 15
▶CD 32: Piano Sonatas nos. 1-3
▶CD 33: Piano Sonatas nos. 4-6 & 8
▶CD 34: Piano Sonatas nos. 7 & 9-11
▶CD 35: Piano Sonatas nos. 12-15 & 19
▶CD 36: Piano Sonatas nos. 16-18 & 20
▶CD 37: Piano Sonatas nos. 21-25
▶CD 38: Piano Sonatas nos. 26, 27 & 29
▶CD 39: Piano Sonatas nos. 28 & 29
▶CD 40: Piano Sonatas nos. 30-32
▶CD 41: Named Piano Sonatas: no. 8 “Pathétique” / no. 14 “Moonlight” / no. 17 “The Tempest” / no. 21 “Waldstein”
▶CD 42: Named Piano Sonatas: no. 23 “Appassionata” / no. 26 “Les Adieux” / no. 29 “Hammerklavier”
▶CD 43: Last Piano Sonatas: nos. 30-32
▶CD 44: Bagatelles opp. 33, 119, 126 / WoO 54, 56, 60, 81 & 214
▶CD 45: Electoral Sonatas WoO 47 / Sonata Movements op. 129, WoO 48-53 & 57
▶CD 46: Dances op. 89, WoO 10, 11, 13, 82-86 & 218 / Miscellaneous Works opp. 51, 77, WoO 55, 61, 61a & 215
▶CD 47: Variations WoO 63-66 & 68-71
▶CD 48: Variations opp. 34, 35, WoO 72, 73 & 75-77
▶CD 49: Variations opp. 76, 120 & WoO 78-80
▶CD 50: Diabelli Variations / “Eroica” Variations
▶CD 51: Works for Piano Duet opp. 6, 45, 134, WoO 67 & 74 / Other Solo Works opp. 39, WoO 31, 33, 64 & Hess 107
▶CD 52: Violin Sonatas nos. 1-4
▶CD 53: Violin Sonatas nos. 5 & 6 / Variations WoO 40 / Rondo WoO 41 / German Dances WoO 42
▶CD 54: Violin Sonatas nos. 7 & 9
▶CD 55: Violin Sonatas nos. 8-10
▶CD 56: Cello Sonatas nos. 1 & 2 / Variations op. 66 & WoO 46
▶CD 57: Cello Sonatas nos. 3-5 / Variations WoO 45
▶CD 58: Flute Duos opp. 105, 107 & WoO 26
▶CD 59: Other Duos op. 17, WoO 32, 34, 35, 43ab & 44ab
▶CD 60: Piano Trios nos. 1, 2 & 9 / Trio Movement Unv 9
▶CD 61: Piano Trios nos. 3, 5 & 6
▶CD 62: Piano Trios nos. 7, 8, 10 & 11
▶CD 63: Piano Trios no. 4 & Trio in E-flat op. 38
▶CD 64: Trios with Wind Instruments op. 87, WoO 28 & 37
▶CD 65: String Trios nos. 1 & 2
▶CD 66: String Trios nos. 3-5
▶CD 67: String Trios WoO 9, 15 & Hess 29 / Serenade op. 25
▶CD 68: String Quartets nos. 1-3
▶CD 69: String Quartets nos. 4-6
▶CD 70: String Quartets nos. 7 & 8
▶CD 71: String Quartets nos. 9 & 10
▶CD 72: String Quartets nos. 11, 13 & Grosse Fuge
▶CD 73: String Quartets nos. 12 & 14
▶CD 74: String Quartets nos. 15 & 16
▶CD 75: String Quartets nos. 12 & 15
▶CD 76: String Quartets nos. 13 & 14
▶CD 77: String Quartets no. 16, Hess 32 & 34 / Minuet WoO 209 / Preludes & Fugues Hess 30 & 31
▶CD 78: Piano Quartets WoO 36 / 3 Equali WoO 30
▶CD 79: Quintets opp. 16, 29, 137, WoO 208, Hess 38 & Unv 7
▶CD 80: String Quintets opp. 4 & 104 / Wind Sextets op. 71 & WoO 29
▶CD 81: Sextet op. 81b / Septet op. 20 / Octets op. 103 & WoO 25
▶CD 82: Lieder (I)
▶CD 83: Lieder (II)
▶CD 84: Lieder (III)
▼CD 85: Partsongs: WoO 95, 88 & 102-106 / Canons & Musical Jokes
#TitleRatingLength
1“Bei labbri, che Amore”, WoO 99/1 [Hess 211]
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
soprano vocals:
Heidi Person (soprano)
tenor vocals:
Peter Maus (German operatic tenor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Bei labbri, che Amore", WoO 99 No. 1/Hess 211
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 211)
part of:
Italian Part-Songs WoO 99
1:20
2“Sei mio ben”, WoO 99/4 [Hess 231]
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
soprano vocals:
Heidi Person (soprano)
tenor vocals:
Peter Maus (German operatic tenor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Sei mio ben", WoO 99 No. 4/Hess 231
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 231)
part of:
Italian Part-Songs WoO 99
0:39
3“Scrivo in te”, WoO 99/8 [Hess 215]
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
soprano vocals:
Heidi Person (soprano)
tenor vocals:
Peter Maus (German operatic tenor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Scrivo in te", WoO 99 No. 8 (11)/Hess 215
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 215)
part of:
Italian Part-Songs WoO 99
0:53
4“Fra tutte le pene”, WoO 99/11a [Hess 208]
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
baritone vocals:
Ralf Lukas (bass-baritone)
tenor vocals:
Peter Maus (German operatic tenor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Fra tutte le pene", WoO 99 No. 11(3)a/Hess 208 [Biamonti 142] (uncorrected version)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 208)
part of:
Italian Part-Songs WoO 99
1:19
5“Salvo tu vuoi lo sposo?”, WoO 99/12b [Hess 228]
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
soprano vocals:
Heidi Person (soprano)
tenor vocals:
Peter Maus (German operatic tenor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Salvo tu vuoi lo sposo?", WoO 99 No. 12b/Hess 228
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 228)
part of:
Italian Part-Songs WoO 99
0:35
6“Ma tu tremi”, WoO 99/2 [Hess 212]
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
contralto vocals:
Astrid Pilzecker (contralto)
soprano vocals:
Christina Klopsch (soprano)
tenor vocals:
Joachim Vogt (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Ma tu tremi, o mio tesoro", WoO 99 No. 2(6)/Hess 212
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 212)
part of:
Italian Part-Songs WoO 99
1:45
7“Giura il nocchier”, WoO 99/5a [Hess 227]
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto)
bass vocals:
Günther Beyer (operatic bass)
soprano vocals:
Christina Klopsch (soprano)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Giura il nocchier", WoO 99 No. 5a(5b)/Hess 227
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 227)
part of:
Italian Part-Songs WoO 99
0:38
8“Per te d'amico aprile”, WoO 99/9 [Hess 216]
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Per te d'amico aprile", WoO 99 No. 9/Hess 216
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 216)
part of:
Italian Part-Songs WoO 99
0:47
9“Fra tutte le pene”, WoO 99/11b [Hess 225]
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto)
soprano vocals:
Christina Klopsch (soprano)
tenor vocals:
Joachim Vogt (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Fra tutte le pene", WoO 99 No. 11(3)b/Hess 225
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 225)
part of:
Italian Part-Songs WoO 99
1:05
10“Quella cetra ah pur tu sei”, WoO 99/13a [Hess 218]
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Quella cetra ah pur tu sei", WoO 99 No. 13a(10b)/Hess 218
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 218)
part of:
Italian Part-Songs WoO 99
0:59
11“Chi mai di questo core”, WoO 99/7 [Hess 214]
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Chi mai di questo core", WoO 99 No. 7(2)/Hess 214
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 214)
part of:
Italian Part-Songs WoO 99
1:02
12“Già la notte s'avvicina”, WoO 99/14a [Hess 223]
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto)
bass vocals:
Günther Beyer (operatic bass)
tenor vocals:
Joachim Vogt (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Già la notte s'avvicina", WoO 99 No. 14a(4b)/Hess 223
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 223)
part of:
Italian Part-Songs WoO 99
0:38
13“Nei campi e nelle selve”, WoO 99/10a [Hess 217] (1st version)
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto)
bass vocals:
Günther Beyer (operatic bass)
soprano vocals:
Christina Klopsch (soprano)
tenor vocals:
Joachim Vogt (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Nei campi e nelle selve", WoO 99 No. 10(7)a/Hess 217
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 217)
part of:
Italian Part-Songs WoO 99
1:15
14“Nei campi e nelle selve”, WoO 99/10b [Hess 220] (2nd version)
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Hella Weigmann (alto)
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Nei campi e nelle selve", WoO 99 No. 10(7)b/Hess 220
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 220)
part of:
Italian Part-Songs WoO 99
1:47
15“Fra tutte le pene”, WoO 99/11c [Hess 224] (1st version)
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto)
bass vocals:
Günther Beyer (operatic bass)
soprano vocals:
Christina Klopsch (soprano)
tenor vocals:
Joachim Vogt (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Fra tutte le pene", WoO 99 No. 11(3)c/Hess 224
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 224)
part of:
Italian Part-Songs WoO 99
1:06
16“Fra tutte le pene”, WoO 99/11c [Hess 210] (2nd version)
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Hella Weigmann (alto)
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Fra tutte le pene" (2nd version), Hess 210
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 210)
1:17
17“Quella cetra ah pur tu sei”, WoO 99/13c [Hess 213] (1st version)
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Hella Weigmann (alto)
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Quella cetra ah pur tu sei", WoO 99 No. 13c(10a)/Hess 213
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 213)
part of:
Italian Part-Songs WoO 99
0:59
18“Quella cetra ah pur tu sei”, WoO 99/13b [Hess 219] (2nd version)
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto)
bass vocals:
Günther Beyer (operatic bass)
soprano vocals:
Christina Klopsch (soprano)
tenor vocals:
Joachim Vogt (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Quella cetra ah pur tu sei", WoO 99 No. 13b(10c)/Hess 219
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 219)
part of:
Italian Part-Songs WoO 99
0:39
19“Giura il nocchier”, WoO 99/5b [Hess 230] (1st version)
alto vocals:
Hella Weigmann (alto)
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Giura il nocchier", WoO 99 No. 5b/Hess 230
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 230)
part of:
Italian Part-Songs WoO 99
0:43
20“Giura il nocchier”, WoO 99/5c [Hess 221] (2nd version)
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Hella Weigmann (alto)
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Giura il nocchier", WoO 99 No. 5c(a)/Hess 221
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 221)
part of:
Italian Part-Songs WoO 99
0:43
21“Già la notte s'avvicina”, WoO 99/14b [Hess 222]
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
alto vocals:
Hella Weigmann (alto)
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
"Giura il nocchier", WoO 99 No. 5c(a)/Hess 221
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1803)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 221)
part of:
Italian Part-Songs WoO 99
0:43
22Abschiedsgesang, WoO 102 (for tenor and two basses)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass) and Siegfried Hausmann (operatic bass)
tenor vocals:
Joachim Vogt (tenor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
Song of Farewell for Tenor and 2 Basses, WoO 102
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 102)
4:03
23Cantata campestre, WoO 103 (Cantata for four voices and piano): “Un liete brindisi”
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
piano:
Walter Olbertz (German pianist)
bass vocals:
Siegfried Hausmann (operatic bass)
soprano vocals:
Christa Jehser
tenor vocals:
Joachim Vogt (tenor) and Wolfgang Wagner (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
Rural Cantata for 4 Voices accompanied by Piano, WoO 103
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 127) and Kinsky catalogue (Beethoven WoO works) (number: WoO 103)
4:54
24Gesang der Mönche, WoO 104 (from Friedrich von Schiller's Wilhelm Tell for three male voices): “Rasch tritt der Tod den Menschen an”
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass) and Siegfried Hausmann (operatic bass)
tenor vocals:
Joachim Vogt (tenor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"The Monk's Song" for 3 a cappella Male Voices from Schiller's play "William Tell", WoO 104
composer:
Ludwig van Beethoven (German composer) (in 1817)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 104)
1:08
25Hochzeitslied, WoO 105 (for voice, mixed chorus and piano)
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
piano:
Walter Olbertz (German pianist)
bass vocals:
Siegfried Hausmann (operatic bass)
choir vocals:
Berliner Barock Solisten
conductor:
Dietrich Knothe (conductor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
composer:
Ludwig van Beethoven (German composer) (in 1819)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 105)
1:27
26Lobkowitz-Kantate, WoO 106 (for soprano, chorus, and piano): “Es lebe unser teurer Fürst!”
recording engineer:
Jutta Gallinat (engineer) and Horst Kunze (balance engineer)
producer:
Heinz Wegner
piano:
Walter Olbertz (German pianist)
choir vocals:
Berliner Barock Solisten
soprano vocals:
Christa Jehser
conductor:
Dietrich Knothe (conductor)
recorded at:
Studio Reichstagufer in Berlin, Germany (from 1973-11 until 1973-12)
recording of:
Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106
composer:
Ludwig van Beethoven (German composer) (in 1823)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 106)
2:04
27Chor auf die verbündeten Fürsten, WoO 95: “Ihr weisen Gründer glücklicher Staaten”
recording engineer:
Rainer Höpfner (engineer)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
vocals:
BBC Singers (professional chamber choir of the BBC)
orchestra:
BBC Symphony Orchestra
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Chorus for the Allied Princes, WoO 95
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 95)
1:48
28Lob auf den Dicken, WoO 100 (Musical joke for 3 solo voices and chorus): “Schuppanzigh ist ein Lump”
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass) and Siegfried Hausmann (operatic bass)
choir vocals:
Kammerchor der Berliner Singakademie
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
Musical joke for three voices "Lob auf den Dicken", WoO 100
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 100)
0:30
29“Graf liebster Graf”, WoO 101 (Musical joke)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
clarinet:
Hermann Franke (clarinetist), Thomas Franke and Günter Wäsch (clarinetist)
alto vocals:
Astrid Pilzecker (contralto)
soprano vocals:
Christina Klopsch (soprano)
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101
composer:
Ludwig van Beethoven (German composer) (in 1802-11)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 101)
0:40
30“Im Arm der Liebe ruht rich's wohl”, WoO 159 (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto), Helga Tietze (alto) and Hella Weigmann (alto)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Im Arm der Liebe ruht sich's wohl", WoO 159
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 159)
1:29
31“Ewig dein”, WoO 161 (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
tenor vocals:
Günther Koch, Joachim Vogt (tenor) and Wolfgang Wagner (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Ewig dein", WoO 161
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 161)
1:12
32“Kurz ist der Schmerz”, WoO 163 (3-part canon) (1st setting)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Renate Schunke (soprano)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Kurz ist der Schmerz", WoO 163
composer:
Ludwig van Beethoven (German composer) (in 1813)
dedicated to:
Johann Friedrich Naue
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 163)
1:23
33“Freundschaft ist die Quelle wahrer Glückselighkeit”, WoO 164 (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass), Werner Eberhardt (bass-baritone and counter tenor) and Siegfried Hausmann (operatic bass)
tenor vocals:
Günther Koch, Joachim Vogt (tenor) and Wolfgang Wagner (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 164)
0:55
34“Glück zem neuen Jahr!”, WoO 165 (4-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Glück zum neuen Jahr!", WoO 165
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 165)
0:32
35“Kurz ist der Schmerz”, WoO 166 (3-part canon) (2nd setting)
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
alto vocals:
Ulrike Helzel
soprano vocals:
Heidi Person (soprano)
tenor vocals:
Peter Maus (German operatic tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Kurz ist der Schmerz", WoO 166
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 166)
2:12
36“Brauchle, Linke”, WoO 167 (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
alto vocals:
Helga Tietze (alto)
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Charlotte Rimkus (soprano)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Brauchle, Linke", WoO 167
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 167)
0:21
37Das Schweigen, WoO 168a (Puzzle canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto)
bass vocals:
Günther Beyer (operatic bass)
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Das Schweigen", WoO 168 No. 1
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 168 no. 1)
1:07
38Das Reden, WoO 168b (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Renate Schunke (soprano)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Das Reden", WoO 168 No. 2
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 168 no. 2)
1:14
39“Ich küsse Sie”, WoO 169 (2-part puzzle canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass)
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Ich küsse Sie", WoO 169
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 169)
0:15
40“Ars longa, vita brevis”, WoO 170 (2-part canon) (1st setting)
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
baritone vocals:
Ralf Lukas (bass-baritone)
soprano vocals:
Heidi Person (soprano)
tenor vocals:
Peter Maus (German operatic tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Ars longa, vita brevis", WoO 170
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 170)
1:00
41“Ich bitt' dich, schreib mir die Es-Scala auf”, WoO 172 (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
alto vocals:
Ulrike Helzel
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Renate Schunke (soprano)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 172)
0:28
42“Hoi' euch der Teufel! B'hüt' euch Gott!”, WoO 173 (2-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Hol' euch der Teufel! B'hüt' euch Gott!", WoO 173
composer:
Ludwig van Beethoven (German composer) (in 1819)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 173)
0:15
43“Glaube und hoffe!”, WoO 174 (for 4 voices, not canonic)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Glaube und hoffe!", WoO 174
composer:
Ludwig van Beethoven (German composer) (in 1819)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 174)
0:29
44“Sankt Petrus war ein Fels”, WoO 175 (2-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass) and Siegfried Hausmann (operatic bass)
choir vocals:
Kammerchor der Berliner Singakademie
tenor vocals:
Joachim Vogt (tenor) and Wolfgang Wagner (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Sankt Petrus war ein Fels!", WoO 175
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 175)
0:43
45“Glück zum neuen Jahr”, WoO 176 (3-part canon)
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
baritone vocals:
Ralf Lukas (bass-baritone)
tenor vocals:
Volker Horn (tenor) and Peter Maus (German operatic tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Glück zum neuen Jahr!", WoO 176
composer:
Ludwig van Beethoven (German composer) (in 1819)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 176)
0:51
46“Bester Magistrat, Ihr friert”, WoO 177 (4-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
double bass:
Walter Klier (double bass player) and Manfred Pernutz (double bass player)
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
Canon for 6 "Bester Magistrat, Ihr friert", WoO 177
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 177)
0:39
47“Signor Abate, WoO 178 (3-part canon)”
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass), Werner Eberhardt (bass-baritone and counter tenor) and Siegfried Hausmann (operatic bass)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Signor Abate!", WoO 178
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 178)
0:45
48“Seiner kaiserlichen Hoheit ... Alles Gute”, WoO 179 (Non-canonic introduction and 4-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
alto vocals:
Astrid Pilzecker (contralto)
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Charlotte Rimkus (soprano)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Alles Gute", WoO 179
composer:
Ludwig van Beethoven (German composer) (in 1819)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 179)
1:40
49Auf einen, welcher Hoffmann geheißen (“Hoffman, sei ja kein Hoffmann”), WoO 180 (2-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
tenor vocals:
Joachim Vogt (tenor) and Wolfgang Wagner (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Hoffmann, sei ja kein Hofmann", WoO 180
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 180)
0:40
50“O Tobias!”, WoO 182 (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass)
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Renate Schunke (soprano)
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"O Tobias!", WoO 182
composer:
Ludwig van Beethoven (German composer) (in 1821)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 182)
0:36
51“Bester Graf, Sie sind ein Schaf!”, WoO 183 (4-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
alto vocals:
Helga Tietze (alto) and Hella Weigmann (alto)
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Bester Herr Graf, Sie sind ein Schaf!", WoO 183
composer:
Ludwig van Beethoven (German composer) (in 1823)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 183)
0:31
52“Falstafferel, lass dich sehen”, WoO 184 (5-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
violin:
Wolf-Dieter Batzdorf (violinist and conductor) and Bernd Niedermayr (violinist)
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Renate Schunke (soprano)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Falstafferel, laß dich sehen!", WoO 184
composer:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 184)
1:02
53“Edel sei der Mensch”, WoO 185 (6-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
clarinet:
Hermann Franke (clarinetist), Thomas Franke and Günter Wäsch (clarinetist)
alto vocals:
Astrid Pilzecker (contralto), Helga Tietze (alto) and Hella Weigmann (alto)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Edel sei der Mensch", WoO 185
composer:
Ludwig van Beethoven (German composer) (in 1823)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 185)
2:36
54“Te solo adoro”, WoO 186 (2-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Te solo adoro", WoO 186
composer:
Ludwig van Beethoven (German composer) (in 1824)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 186)
0:41
55Auf einen, welcher Schwencke geheißen (“Schwenke dich ohne Schwänke!”), WoO 187 (4-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
alto vocals:
Helga Tietze (alto)
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Renate Schunke (soprano)
tenor vocals:
Wolfgang Wagner (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Schwenke dich ohne Schwänke!", WoO 187
composer:
Ludwig van Beethoven (German composer) (in 1824)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 187)
0:38
56“Gott ist eine feste Burg”, WoO 188 (2-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
double bass:
Walter Klier (double bass player) and Manfred Pernutz (double bass player)
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Gott ist eine feste Burg", WoO 188
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 188)
0:18
57“Doktor sperrt das Tor dem Tod”, WoO 189 (4-part canon)
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
alto vocals:
Ulrike Helzel
baritone vocals:
Ralf Lukas (bass-baritone)
tenor vocals:
Peter Maus (German operatic tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Doktor sperrt das Tor dem Tod", WoO 189
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 189)
1:03
58“Ich war hier, Doktor, ich war hier”, WoO 190 (2-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass)
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Ich war hier, Doktor, ich war hier", WoO 190
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 190)
0:19
59“Kühl, nicht lau”, WoO 191 (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass), Werner Eberhardt (bass-baritone and counter tenor) and Siegfried Hausmann (operatic bass)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Kühl, nicht lau", WoO 191
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 191)
0:54
60“Ars longa, vita brevis”, WoO 192 (4-part canon) (2nd setting)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Ars longa, vita brevis", WoO 192
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 192)
0:24
61“Ars longa, vita brevis”, WoO 193 (Canon) (3rd setting)
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
alto vocals:
Ulrike Helzel
soprano vocals:
Heidi Person (soprano)
tenor vocals:
Volker Horn (tenor) and Peter Maus (German operatic tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Ars longa, vita brevis", WoO 193
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 193)
0:27
62“Si non per portas, per muros”, WoO 194 (Puzzle canon)
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
baritone vocals:
Ralf Lukas (bass-baritone)
tenor vocals:
Volker Horn (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Si non per portas, per muros", WoO 194
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 194)
0:36
63“Freu dich des Lebens!”, WoO 195 (2-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Freu dich des Lebens!", WoO 195
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 195)
0:24
64“Es muss sein!”, WoO 196 (4-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass), Werner Eberhardt (bass-baritone and counter tenor) and Siegfried Hausmann (operatic bass)
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Es muß sein!", WoO 196
composer:
Ludwig van Beethoven (German composer) (in 1826)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 196)
0:31
65“Da ist das Werk”, WoO 197 (5-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
soprano vocals:
Gisela Fetting (soprano), Christina Klopsch (soprano) and Renate Schunke (soprano)
tenor vocals:
Joachim Vogt (tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Da ist das Werk", WoO 197
composer:
Ludwig van Beethoven (German composer) (in 1826)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 197)
0:41
66“Wir irren allesamt”, WoO 198 (Puzzle canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Wir irren allesamt", WoO 198
composer:
Ludwig van Beethoven (German composer) (in 1826)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 198)
0:30
67“Das Schöne zum Guten”, WoO 202 (Non-canonic)
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
alto vocals:
Ulrike Helzel
baritone vocals:
Ralf Lukas (bass-baritone)
soprano vocals:
Heidi Person (soprano)
tenor vocals:
Peter Maus (German operatic tenor)
conductor:
Dietrich Knothe (conductor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Das Schöne zum Guten!", WoO 202
composer:
Ludwig van Beethoven (German composer) (in 1823)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 202)
0:16
68“Das Schöne zu dem Guten”, WoO 203 (Puzzle canon)
recording engineer and balance engineer:
Klaus Behrens (Engineer)
producer:
Lennart Dehn
alto vocals:
Ulrike Helzel
soprano vocals:
Heidi Person (soprano)
conductor:
Dietrich Knothe (conductor)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
"Das Schöne zu dem Guten!", WoO 203
composer:
Ludwig van Beethoven (German composer) (in 1825)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 203)
0:20
69“Herr Graf, ich komme zu fragen”, WoO 221 [Hess 276] (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
bass vocals:
Günther Beyer (operatic bass), Werner Eberhardt (bass-baritone and counter tenor) and Siegfried Hausmann (operatic bass)
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Herr Graf, ich komme zu fragen", Hess 276, WoO 221
composer:
Ludwig van Beethoven (German composer) (in 1797)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 276) and Kinsky catalogue (Beethoven WoO works) (number: WoO 221)
0:57
70“Esel aller Esel”, WoO 227 [Hess 277] (3-part canon)
recording engineer:
Werner Ebel (engineer), Heinrich Eras, Hartmut Kölbach (engineer) and Eberhard Richter (engineer)
producer:
Heinz Wegner
choir vocals:
Kammerchor der Berliner Singakademie
conductor:
Dietrich Knothe (conductor)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1976-05 until 1976-06)
recording of:
"Esel aller Esel", Hess 277, WoO 227
composer:
Ludwig van Beethoven (German composer) (in 1826)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 277) and Kinsky catalogue (Beethoven WoO works) (number: WoO 227)
0:30
▶CD 86: Folksong Settings op. 108
▶CD 87: Folksong Settings WoO 152
▶CD 88: Folksong Settings WoO 152 nos. 20, 23, & 24 / WoO 153
▶CD 89: Folksong Settings WoO 154 & 157
▶CD 90: Folksong Settings WoO 155
▶CD 91: Folksong Settings WoO 156 & 158bc
▶CD 92: Folksong Settings WoO 158a
▶CD 93: Works for Solo Voices with Orchestra opp. 65, 116, 118, 121b, 122 / WoO 89, 90, 92, 92a, 93
▶CD 94: Emperor Cantatas WoO 87 & 88
▶CD 95: Der glorreiche Augenblick / Meeresstille und Glückliche Fahrt / Mass in C
▶CD 96: Missa solemnis (Period Instruments)
▶CD 97: Missa solemnis (Modern Instruments)
▶CD 98: Christus am Ölberge
▶CD 99: Solo Piano & Arrangements for Piano
▶CD 100: Chamber Music
▶CD 101: Contrapuntal Studies & Doubtful Works
▶CD 102: Symphony no. 8 / Symphonies nos. 3, 5, 7 - Excerpts / Overtures “Leonore” nos. 2 & 3
▶CD 103: Symphony no. 5 / Grosse Fuge / Overtures “Egmont”, “Coriolan” & “Leonore” no. 3
▶CD 104: Symphonies nos. 5 & 6
▶CD 105: Symphony no. 9 / Overture “Egmont”
▶CD 106: Piano Concerto no. 3 / Violin Concerto
▶CD 107: Piano Sonatas nos. 8, 23, 30 & 31
▶CD 108: Piano Sonatas nos. 11, 18, 28 & 31
▶CD 109: Piano Sonatas nos. 4, 15 & 32
▶CD 110: Cello Sonata nos. 3 & 5 / Piano Trio no. 7 “Archduke”
▶CD 111: String Quartets nos. 13 & 16 / Grosse Fuge
▶CD 112: String Quartets nos. 6 & 15
▶CD 113: Lieder / Fidelio
▶CD 114: Piano Concertos nos. 1 & 2 / Piano Rondo WoO 6
▶CD 115: Piano Concerto no. 4 / Violin Concerto / Romance no. 2
▶CD 116: Piano Sonatas nos. 8, 14 & 17 / Lieder / Horn Sonata
▶CD 117: Piano Trio no. 5 “Ghost” / String Quartet no. 9 / Quintet op. 16
▶CD 118: Chamber Versions of Symphony no. 2 & Piano Concerto no. 4 / “Ah! perfido”
▶Blu-ray 119: The Symphonies
▶Blu-ray 120: The Piano Sonatas
▶Blu-ray 121: The String Quartets
▶DVD-Video 122: Fidelio
▶DVD-Video 123: Symphonies nos. 4 & 7