All Through the Night: Julie London Sings the Choicest of Cole Porter

~ Release by Julie London (see all versions of this release, 7 available)

Tracklist

▼CD 1
#TitleRatingLength
1I’ve Got You Under My Skin
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Born to Dance
3:04
2You Do Something to Me
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
2:16
3Get Out of Town
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
Get Out of Town
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
2:58
4All Through the Night
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
All Through the Night
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
4:33
5So in Love
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
4:08
6At Long Last Love
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
3:28
7Easy to Love
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:31
8My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig
drums (drum set):
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:47
9Ev’ry Time We Say Goodbye
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:20
10In the Still of the Night
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig
membranophone:
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
woodwind:
Bud Shank
vocals:
Julie London
arranger:
Russ Freeman (pianist)
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
2:41
11You’d Be So Nice to Come Home To
engineer:
John Kraus
producer:
Si Waronker
vocals:
Julie London
orchestra:
The Jimmy Rowles Orchestra
recorded at:
Julie London’s living room
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:17