Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Annotation last modified on 2014-05-02 23:43 UTC.

Tracklist

▶CD 1: Bach: Organ Works
▼CD 2: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
#TitleArtistRatingLength
1Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 1. Aria: Ich will den Kreuzstab gerne tragen
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:38
2Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 2. Recitative: Mein Wandel auf der Welt
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:12
3Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 3. Aria: Endlich, endlich wird mein Joch
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:42
4Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 4. Recitative and Arioso: Ich stehe fertig und bereit
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:56
5Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 5. Chorale: Komm, o Tod, du Schlafes Bruder
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Berlin Motet Choir (in 1951-06)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:49
6Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 1. Aria: Ich habe genug
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (from 1951-06-20 until 1951-06-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22) and RIAS Kammerorchester (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-06-20 until 1951-06-22)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1951-06-20 until 1951-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:27
7Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 2. Recitative: Ich habe genug. Mein Trost ist nur allein
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:27
8Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 3. Aria: Schlummert ein, ihr matten Augen
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:19
9Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 4. Recitative: Mein Gott, wann kommt das schöne: Nun!
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 5. Aria: Ich freue mich auf meinen Tod
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:57
11Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Sinfonia
organ:
Maria Jung
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:17
12Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 1 (Chorus): Christ iag in Todesbanden
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach5:49
13Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 2 (Chorus: Soprano/Contralto): Den Tod niemand zwingen kunnt
organ:
Maria Jung
alto vocals and soprano vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach4:31
14Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 3 (Chorus: Tenor): Jesus Christus, Gottes Sohn
organ:
Maria Jung
tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (for piano, Rummel) (in 1950-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Walter Rummel
arrangement of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
Johann Sebastian Bach2:21
15Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 4 (Chorus): Es war ein wunderlicher Krieg
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach3:05
16Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 5 (Bass): Hier ist das rechte Osterlamm
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (conductor) (in 1950-08)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany (in 1950-08)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach4:21
17Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 6 (Chorus: Soprano/Tenor): So feiern wir das hohe Fest
organ:
Maria Jung
soprano vocals and tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach2:34
18Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 7 (Chorale): Wir essen und wir leben wohl
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:25
▶CD 3: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
▶CD 4: Gregorian Chant
▶CD 5: De La Halle: Dances; Le Jeu De Robin Et De Marion
▶CD 6: Bach: Brandenburg Concertos
▶CD 7: Bach: Brandenburg Concertos
▶CD 8: Gibbons/Morley: Anthems; Madrigals; Fantasies
▶CD 9: Bach: Passio Secundum Matthaeum
▶CD 10: Bach: Passio Secundum Matthaeum
▶CD 11: Bach: Passio Secundum Matthaeum
▶CD 12: Bach: Cantatas
▶CD 13: Praetorius / Widmann / Schein: Dances
▶CD 14: Mouret / Delalande: Symphonies; Fanfares
▶CD 15: Höfische Konzertmusik des österreichischen Barock
▶CD 16: Musique de table
▶CD 17: Vier Orchester-Sinfonien, wq 183
▶CD 18: Israel in Egypt
▶CD 19: Israel in Egypt
▶CD 20: Sonaten für Cembalo
▶CD 21: Canti amorosi
▶CD 22: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
▶CD 23: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
▶CD 24: Music of the Gothic Era
▶CD 25: Pièces de Clavecin
▶CD 26: Die Orchesterwerke
▶CD 27: Goldberg-Variationen
▶CD 28: Le quattro stagioni
▶CD 29: Wassermusik / 3 Konzerte
▶CD 30: Mass in B minor
▶CD 31: Mass in B minor
▶CD 32: Palestrina: Missa Papae Marcelli / Allegri: Misere
▶CD 33: Piano Concertos nos. 18 & 19
▶CD 34: Vespro Della Beata Vergine
▶CD 35: Vespro Della Beata Vergine
▶CD 36: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
▶CD 37: Symphonies nos. 5 & 6 "Pastoral"
▶CD 38: Rebel: Les Élémens / Gluck: Alessandro
▶CD 39: La Resurrezione
▶CD 40: La Resurrezione
▶CD 41: Music for San Rocco
▶CD 42: Messiah
▶CD 43: Messiah
▶CD 44: Lamenti
▶CD 45: A Flemish Feast / Flemish Renaissance Wind Music
▶CD 46: Motets
▶CD 47: Italian Cantatas
▶CD 48: une symphonie imaginaire
▶CD 49: il divino boemo
▶CD 50: Concertos for Two Violins
▶CD 51: Alcina
▶CD 52: Alcina
▶CD 53: Alcina
▶CD 54: Motetes e himnos para el año litúrgico
▶CD 55: 2013