| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232, Credo: 13. Chorus: Credo in unum Deum | Johann Sebastian Bach | | 1:55 |
| 2 | Mass in B minor, BWV 232, Credo: 14. Chorus: Credo in unum Deum, Patrem omnipotentem- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 1:53 |
| 3 | Mass in B minor, BWV 232, Credo: 15. Duet: Et in unum Dominum | Johann Sebastian Bach | | 4:11 |
| 4 | Mass in B minor, BWV 232, Credo: 16. Chorus: Et incarnatus est | Johann Sebastian Bach | | 3:26 |
| 5 | Mass in B minor, BWV 232, Credo: 17. Chorus: Crucifixus- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- bass vocals:
- Stephen Varcoe (in 1985-02)
- choir vocals:
- Monteverdi Choir (in 1985-02)
- countertenor vocals:
- Michael Chance (in 1985-02)
- mezzo-soprano vocals:
- Carol Hall (in 1985-02)
- tenor vocals:
- Wynford Evans (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:09 |
| 6 | Mass in B minor, BWV 232, Credo: 18. Chorus: Et resurrexit | Johann Sebastian Bach | | 3:49 |
| 7 | Mass in B minor, BWV 232, Credo: 19. Aria: Et in Spiritum Sanctum | Johann Sebastian Bach | | 5:30 |
| 8 | Mass in B minor, BWV 232, Credo: 20. Chorus: Confiteor | Johann Sebastian Bach | | 2:32 |
| 9 | Mass in B minor, BWV 232, Credo: 21. Chorus: Et exspecto resurrectionem | Johann Sebastian Bach | | 3:34 |
| 10 | Mass in B minor, BWV 232, Sanctus: 22. Chorus: Sanctus | Johann Sebastian Bach | | 5:26 |
| 11 | Mass in B minor, BWV 232, Sanctus: 23. Chorus I & II: Osanna in excelsis- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- The English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985) and Polydor International GmbH (in 1985)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:36 |
| 12 | Mass in B minor, BWV 232, Sanctus: 24. Aria: Benedictus, qui venit | Johann Sebastian Bach | | 4:48 |
| 13 | Mass in B minor, BWV 232, Sanctus: 25: Chorus I & II: Osanna in excelsis- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:36 |
| 14 | Mass in B minor, BWV 232, Agnus Dei: 26. Aria: Agnus Dei | Johann Sebastian Bach | | 5:47 |
| 15 | Mass in B minor, BWV 232, Agnus Dei: 27. Chorus I & II: Osanna in excelsis | Johann Sebastian Bach | | 3:20 |
