Complete Recordings on Archiv Produktion

~ Release by Reinhard Goebel, Musica Antiqua Köln (see all versions of this release, 6 available)

Annotation

A 75-CD collection of Reinhard Goebel's Archiv recordings with Musica Anitqua Köln. Includes a 200-page booklet and original album covers.

Annotation last modified on 2022-11-21 10:51 UTC.

Tracklist

▶CD 1: J. S. Bach: Brandenburg Concertos nos. 1-5
▶CD 2: J. S. Bach: Brandenburg Concerto no. 6 / Orchestral Suites (Overtures) nos. 1 & 2 / Concerto for Flute, Violin & Harpsichord
▶CD 3: J. S. Bach: Orchestral Suites (Overtures) nos. 3 & 4 / Orchestral Suite, BWV 1070
▶CD 4: J. S. Bach: Musikalisches Opfer
▶CD 5: J. S. Bach: Die Kunst der Fuge (I)
▶CD 6: J. S. Bach: Die Kunst der Fuge (II) / Canone
▶CD 7: J. S. Bach: Trio Sonatas
▶CD 8: J. S. Bach: Violin Sonatas nos. 1-5
▶CD 9: J. S. Bach: Violin Sonata no. 6 / Violin Sonatas, Fugue & Suite
▶CD 10: J. S. Bach: Violin Sonatas / Gamba Sonatas nos. 1 & 2
▶CD 11: J. S. Bach: Gamba Sonata no. 3 / Violin Sonata, BWV 1019a / Flute Sonatas
▶CD 12: J. S. Bach: Flute Sonatas & Partita
▶CD 13: J. S. Bach: Secular Cantatas (I)
▶CD 14: J. S. Bach: Secular Cantatas (II)
▶CD 15: J. S. Bach: Wedding Cantatas
▶CD 16: C. P. E. Bach, W. F. Bach: Concertos for 2 Harpsichords
▶CD 17: Bachiana: Music by the Bach Family
▶CD 18: Bachiana: Double Concertos
▶CD 19: Cantatas by the Bach Family Before Johan Sebastian (I)
▶CD 20: Cantatas by the Bach Family Before Johan Sebastian (II)
▶CD 21: Lamento: Arias and Cantatas by the Bach Family
▶CD 22: Biber: Mensa sonora / Sonata representativa
▶CD 23: Biber: Harmonia artificiosa (I)
▶CD 24: Biber: Harmonia artificiosa (II)
▶CD 25: Biber: Rosenkranz Sonatas (I)
▶CD 26: Biber: Rosenkranz Sonatas (II) / Passacaglia
▶CD 27: Biber: Missa Salisburgensis
▶CD 28: Charpentier: Musiques sacrée
▶CD 29: Clérambault: Orphée / Médée
▶CD 30: Couperin: Les Nations (I)
▶CD 31: Couperin: Les Nations (II)
▶CD 32: Gilles: Requiem
▶CD 33: Handel: Marian Cantatas & Arias
▶CD 34: Hasse: Salve Regina
▶CD 35: Haydn: Concerti, concertini & divertimenti (I)
▶CD 36: Haydn: Concerti, concertini & divertimenti (II)
▶CD 37: Heinichen: Dresden Concerti (I)
▶CD 38: Heinichen: Dresden Concerti (II)
▶CD 39: Heinichen: Lamentationes - Passionsmusik (I)
▼CD 40: Lamentationes - Passionsmusik (II)
#TitleArtistRatingLength
1“Nicht das Band, das dich bestricket”, Seibel 20: 1. Aria: “Nicht das Band, das dich bestricket” (alto)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Nicht das Band, das dich bestricket"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen9:53
2“Nicht das Band, das dich bestricket”, Seibel 20: 2. Recitative: “So schleppt man dich zum Richthaus fort” (alto)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Récitatif "So schleppt man dich zum Richthaus fort"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen0:49
3“Nicht das Band, das dich bestricket”, Seibel 20: 3. Chorus: “Kommt, schauet Petrus' Tränen an” (soprano, alto, tenor)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
tenor vocals:
Jörg Dürmüller (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Kommt, schauet Petrus' Tränen an"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen3:32
4“Nicht das Band, das dich bestricket”, Seibel 20: 4. Recitative: “Ruchbarer Geist, verräterischer Sinn” (bass)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Ruchbarer Geist, verräterischer Sinn"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen2:09
5“Nicht das Band, das dich bestricket”, Seibel 20: 5. Aria: “Ach mein Mund, ach meine Zunge” (bass)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Ach mein Mund, ach meine Zunge"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen3:04
6“Nicht das Band, das dich bestricket”, Seibel 20: 6. Recitative: “Was nützt mir's nun, dass ich so rein an Füßen” (bass)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Was nützt mir's nun,dass ich so rein an Füssen"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen2:04
7“Nicht das Band, das dich bestricket”, Seibel 20: 7. Aria: “Mein Herze, quille Blut” (bass)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Min Herz, quille Blut"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen3:20
8“Nicht das Band, das dich bestricket”, Seibel 20: 8. Recitative: “O weh! Die ganze Schar schnaubt voller Grimm” (soprano)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "O weh! Die ganze Schar schnaubt voller Grimm"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen1:16
9“Nicht das Band, das dich bestricket”, Seibel 20: 9. Aria: “Die Sporne, die meinen Erlöser durchstechen” (soprano)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Die Sporne, die meinen Erlöser durch stechen"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen5:16
10“Nicht das Band, das dich bestricket”, Seibel 20: 10. Recitative: “Jetzt lösen sie dich auf” (soprano, tenor)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
tenor vocals:
Jörg Dürmüller (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Jetzt Lösen sie dich auf"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen4:32
11“Nicht das Band, das dich bestricket”, Seibel 20: 11. Aria: “Der Abgrund muss erzittern” (tenor)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
tenor vocals:
Jörg Dürmüller (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Der Abgrund muss erzittern"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen3:59
12“Nicht das Band, das dich bestricket”, Seibel 20: 12. Recitative: “So leidet selbst die Unschuld so viel Qualen” (soprano, alto)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "So leidet selbst die Unschuld so viel Qualen"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen4:13
13“Nicht das Band, das dich bestricket”, Seibel 20: 13. Chorus: “Ich wünsche mir, Jesu, dir einzig zum Ruhme” (soprano, alto, tenor, bass)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
tenor vocals:
Jörg Dürmüller (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Ich wünsche mir, Jesu, die einzig zum Ruhme"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen5:06
14Warum toben die Heiden, Seibel 39
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Ludger Böckenhoff and Reinhard Lagemann
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1994-10) and Adrian Rovatkay (in 1994-10)
cello:
Detmar Leertouwer (Classical Cellist) (in 1994-10), Mark Mefsut (Classical cellist) (in 1994-10) and Markus Möllenbeck (in 1994-10)
harpsichord:
Christian Rieger (harpsichordist) (in 1994-10)
oboe:
Markus Deuter (German oboe player) (in 1994-10), Wolfgang Dey (Classical oboist) (in 1994-10), Monika Nielen (Classical oboist.) (in 1994-10), Michael Niesemann (Saxophone, electronic wind instrument) (in 1994-10) and Susanne Regel (Classical oboist) (in 1994-10)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1994-10)
recorder:
Wolfgang Dey (Classical oboist) (in 1994-10) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1994-10)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1994-10)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1994-10), Marion Moonen (Dutch flautist) (in 1994-10), Martin Sandhoff (in 1994-10) and Jed Wentz (flautist/conductor) (in 1994-10)
viola:
Victoria Gunn (in 1994-10) and Fred Günther (in 1994-10)
violin:
Daniel Deuter (in 1994-10), Florian Deuter (violinist and conductor) (in 1994-10), Ulrike Fischer (in 1994-10), Sebastian Griewisch (in 1994-10), Wolfgang von Kessinger (in 1994-10), Ulrike Kunze (in 1994-10), Christoph Mayer (classical violinist) (in 1994-10), Sherman Plessner (in 1994-10), Anton Steck (violinist and conductor) (in 1994-10) and Katharina Wolff (in 1994-10)
violone:
Jonathan Cable (in 1994-10)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist)
orchestra:
Musica Antiqua Köln (in 1994-10)
conductor:
Reinhard Goebel (violinist and conductor) (in 1994-10)
performer:
Almut Geldsetzer (in 1994-10) and Marie-Luise Geldsetzer (in 1994-10)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1994-10)
recording of:
Warum toben die Heiden S. 39
composer:
Johann David Heinichen (in 1715)
part of:
Gustav Adolph Seibel: Das Leben des Königl. polnischen und Kurfürstl. sächs. Hofkapellmeisters Johann David Heinichen (number: S. 39)
Johann David Heinichen14:28
15Pastorale in A major, Seibel 242
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
editor:
Mark Buecker (Engineer of classical recordings)
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (Saxophone, electronic wind instrument) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
orchestra:
Musica Antiqua Köln (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 1995-01)
recording of:
Pastorale per la notte di natale, SeiH 242
composer:
Johann David Heinichen
part of:
Gustav Adolph Seibel: Das Leben des Königl. polnischen und Kurfürstl. sächs. Hofkapellmeisters Johann David Heinichen (number: S. 242)
Johann David Heinichen6:20
▶CD 41: Leclair: Musique de chambre - Late Works
▶CD 42: Le roi danse - Original Motion Picture Soundtrack
▶CD 43: Monteverdi: Combattimento di Tancredi e Clorinda / Lamento d'Arianna
▶CD 44: Telemann: Tafelmusik (I)
▶CD 45: Telemann: Tafelmusik (II)
▶CD 46: Telemann: Tafelmusik (III)
▶CD 47: Telemann: Tafelmusik (IV)
▶CD 48: Telemann: Wassermusik / 3 Concertos
▶CD 49: Telemann: Wind Concertos
▶CD 50: Telemann: String Concertos (I)
▶CD 51: Telemann: Sinfonia spirituosa / String Concertos (II)
▶CD 52: Telemann: Chamber Concertos
▶CD 53: Telemann: Flute Quartets
▶CD 54: Telemann: Overture / Ino
▶CD 55: Veracini: 5 Overtures
▶CD 56: Vivaldi: Concerti da camera
▶CD 57: Concerti per flauto: Mancini, Sarri, Barbella, Valentine
▶CD 58: Le Parnasse français: Marais, Rebel, Couperin
▶CD 59: Early Italian Violin Music: Gabrieli, Rossi, Fontana, Marini, Farina, Buonamente
▶CD 60: German Chamber Music Before Bach (I): Reincken, J. S. Bach
▶CD 61: German Chamber Music Before Bach (II): Buxtehude, Pachelbel
▶CD 62: German Chamber Music Before Bach (III): Rosenmülkler, Schenck, Westhoff
▶CD 63: Conversation Galante: Philidor, Francœur, Guillemain, Quentin
▶CD 64: French Baroque Concertos: Blavet, Boismortier, Buffardin, Corrette, Quentin
▶CD 65: Pachelbel: Canon & Gigue / J. S. Bach, Handel, Vivaldi
▶CD 66: De profundis: Schütz, Tunder, Bruhns, Weckmann, Strungk
▶CD 67: Scherzi Musicali: Biber, Schmelzer, Walther
▶CD 68: Concerti: Torelli, Mossi, Valentini, Locatelli, Leo
▶CD 69: Rebel: Les Élémens / Gluck: Alessandro
▶CD 70: Concerti “per L'orchestra di Dresda”
▶CD 71: Chaconne: Blow, Corelli, Muffat, Pezel, Purcell
▶CD 72: Sonata pro tabula: Biber, Schmelzer, Bertali, Pezel, Valentini
▶CD 73: Lamenti: Monteverdi, Vivaldi, Purcell, Bertali, Legrenzi
▶CD 74: Musica Baltica
▶CD 75: Reinhard Goebel in Gespräch: Interviews with music examples - J. S. Bach, Gilles, Handel, Mozart, Ockeghem etc.