# | Title | Rating | Length |
---|
A1 | Daydreamer- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- cover recording of:
- Daydreamer
- lyricist and composer:
- Terry Dempsey
- publisher:
- Angela Music Publishing Co., Ltd., Peermusic III, Ltd. and Warner/Chappell Music, Hong Kong Limited
| | 3:25 |
A2 | She’s Sweet, She’s Somebody- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- recording of:
- She’s Sweet, She’s Somebody
- writer:
- James Calvert and Gino Cunico
- publisher:
- EMI Blackwood Music Inc. , Home Grown Music, Inc. , Triple Scale Publishing Co. and シンコーミュージック・パブリッシャーズ
| | 3:11 |
A3 | Can’t Hold On Any Longer- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- recording of:
- Can’t Hold On Any Longer
- writer:
- Kenny Moore and Ron Wilkins
| | 2:52 |
A4 | When I Wanted You- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- recording of:
- When I Wanted You
- lyricist and composer:
- Gino Cunico
- publisher:
- Home Grown Music, Inc.
| | 3:48 |
A5 | Fanny (Be Tender With My Love)- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- cover recording of:
- Fanny (Be Tender With My Love)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, Careers Music, Inc., Crompton Songs, Flam Music Ltd., Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| | 3:36 |
B1 | Can’t Smile Without You- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- cover recording of:
- Can’t Smile Without You
- writer:
- Chris Arnold , David Martin and Geoff Morrow
- publisher:
- Universal/Dick James Music Ltd. , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| | 3:26 |
B2 | Don’t Throw It All Away- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- cover recording of:
- Don’t Throw It All Away
- writer:
- Gary Benson and David Mindel
- publisher:
- Noel Gay Music Co. Ltd. and ミュージック・セールス
| | 3:24 |
B3 | Don’t Get Around Much Anymore | | 3:40 |
B4 | Emptiness- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- recording of:
- Emptiness
- lyricist and composer:
- David Castle
- publisher:
- EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
| | 3:43 |
B5 | Can’t Hold On Any Longer (reprise)- additional recording engineer:
- Bob Schaper
- recording engineer:
- Ron Hitchcock
- producer:
- Vini Poncia
- bass guitar [bass]:
- Cooker Lo Presti
- vocals:
- Gino Cunico
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1976)
- recorded at:
- Mama Jo’s in Hollywood, Los Angeles, California, United States, Producer’s Workshop in Hollywood, Los Angeles, California, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
- partial recording of:
- Can’t Hold On Any Longer
- writer:
- Kenny Moore and Ron Wilkins
| | 1:25 |