The Power of Love: 1978–1980

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
CD 1
Nr.TitelKünstlerBewertungLänge
1Stay With Me Till Dawn
Techniker(in):
Colin Fairley und Steve Nye (producer, engineer and pianist)
Produzent(in):
John Punter
Akustikgitarre [Solo]:
Mike Paxman (multi-instrumentalist & record producer)
Bass:
Mo Foster
Keyboard:
Chris Parren
membranophone:
Peter Van Hooke
vocals:
Judie Tzuke
Dirigent(in):
Richard Studt
Saiteninstrumente arranger:
Paul Buckmaster
recording of:
Stay With Me Till Dawn
Verfasser(in):
Mike Paxman (multi-instrumentalist & record producer) und Judie Tzuke
publisher:
Rocket Music Ltd.
Judie Tzuke53:55
2I Hear You Now
recording of:
I Hear You Now
Texter:
Jon Anderson (Yes/Jon & Vangelis)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Topographic Music, Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Bros., Inc. (not for release label use!)
Jon and Vangelis4:15
3What a Fool BelievesThe Doobie Brothers3:41
4Every Kinda People
Produzent(in):
Robert Palmer (English singer-songwriter)
recording of:
Every Kinda People
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Robert Palmer43:26
5Time Passages
Al Stewart6:34
6Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited und Universal‐Songs of PolyGram International, Inc.
Gerry Rafferty44:07
7Hold the Line
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Toto (US rock group)
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (in 1978-08)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978) und Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California, Vereinigte Staaten (in 1978-08)
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Spirit Two Music und ソニー・ミュージックパブリッシング A事業部
Toto43:59
8Feels Like the First Time
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (vom 2015-01-01 bis heute)
Foreigner4.23:51
9Hit Me With Your Best Shot
recording of:
Hit Me With Your Best Shot
Texter und Komponist(in):
Eddie Schwartz
Pat Benatar2:53
10Life Is for Living
recording of:
Life Is for Living
Texter und Komponist(in):
Les Holroyd
Barclay James Harvest3:32
11Gold
John Stewart & Stevie Nicks4:24
12Promises
assistierende(r) Techniker(in):
John Astley
Techniker(in) und Produzent(in):
Glyn Johns
Bassgitarre:
Carl Radle (vom 1978-08 bis 1978-09)
Gitarre:
Eric Clapton (vom 1978-08 bis 1978-09) und George Terry (guitar player with Clapton in 70's) (vom 1978-08 bis 1978-09)
Keyboard:
Dick Sims (vom 1978-08 bis 1978-09)
Schlagzeug:
Jamie Oldaker (vom 1978-08 bis 1978-09)
Hintergrundgesang:
Marcy Levy (vom 1978-08 bis 1978-09)
Sologesang:
Eric Clapton (vom 1978-08 bis 1978-09)
aufgenommen bei:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (vom 1978-08 bis 1978-09)
recording of:
Promises (vom 1978-08 bis 1978-09)
Verfasser(in):
Richard Feldman und Roger Linn
publisher:
Virgin Music (Publishers) Ltd.
Eric Clapton4.253:02
13Poor Shirley
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Bassgitarre:
Andy Salmon
Klavier und Orgel:
Rob Meurer
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Solo-Gitarre, Hintergrundgesang und Sologesang:
Christopher Cross (US singer‐songwriter)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Poor Shirley
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
Universal Music–MGB Songs, シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Christopher Cross24:24
14Isn’t It Time
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
Seven Summits Music, Sony/ATV Melody und X‐Ray Music
The Babys4.54:03
15Heaven Can Wait
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Klavier:
Roy Bittan
Hintergrundgesang:
Rory Dodd und Todd Rundgren
Sologesang:
Meat Loaf
Saiteninstrumente arranger:
Kenny Ascher
arranger:
Todd Rundgren und Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Heaven Can Wait
Texter und Komponist(in):
Jim Steinman
Meat Loaf44:40
CD 2
Nr.TitelKünstlerBewertungLänge
1You Angel You
recording of:
You Angel You
Texter und Komponist(in):
Bob Dylan
publisher:
Ram’s Horn Music (vom 1973 bis heute)
Manfred Mann4:04
2Love Is Like Oxygen
recording of:
Love Is Like Oxygen
Verfasser(in):
Trevor Griffin und Andy Scott (Member of Sweet)
publisher:
Maxwood Music Ltd.
Sweet6:53
3Making Up Again
Goldie3:33
4It’s a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Soundbarrier Ltd. (production company) (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
produced for:
Soundbarrier Ltd. (production company)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Lojo Music, Scott/Wolfe Songs Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
live recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Lojo Music, Scott/Wolfe Songs Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler43:29
5Him
Rupert Holmes3:37
6Brass in Pocket
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1987, in 2000)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, Hynde House of Hits Music und Modern Music Publishing Co., Inc.
Pretenders4.253:04
7English Rose
Produzent(in):
Vic Coppersmith‐Heaven
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.)
aufgenommen bei:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich und RAK Studios in London (Greater London), England, Vereinigtes Königreich (am 1978-08-16)
recording of:
English Rose (am 1978-08-16)
Texter und Komponist(in):
Paul Weller
publisher:
BMG Music Publishing Ltd. und Stylist Music Ltd.
Jam3.652:52
8My Funny Valentine
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
Elvis Costello & The Attractions1:31
9Lady Lynda
Produzent(in):
The Beach Boys (American rock band), Jim Guercio und Bruce Johnston (US singer‐songwriter, member of The Beach Boys)
alto saxophone:
Joel Peskin
Bassgitarre:
Joe Chemay und Jim Guercio
Bassgitarre und Gitarre:
Ed Carter
Cembalo:
Sterling Smith
Clavinet:
Mike Maros
Gitarre:
Jimmy Lyons (saxophone player), Melvin “Wah Wah” Watson und Richie Zito
Klavier:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) und Carli Muñoz (keyboardist, worked with the Beach Boys)
Perkussion:
Victor Feldman (jazz musician) und Steve Foreman
Schlagzeug:
Mike Baird (drummer), Bobby Figueroa und Gary Mallaber
Synthesizer:
Bob Esty (disco songwriter - producer from Massachusetts) und John Philip Shenale
Horn und Saiteninstrumente arranger:
Harry Betts
recording of:
Lady Lynda
Komponist(in):
Ron Altbach und Al Jardine
basiert auf:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Beach Boys2.654:00
10Never Let Her Slip Away
assistierende(r) Techniker(in):
George Ybara
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Andrew Gold und Brock Walsh (singer, producer, songwriter)
Perkussion:
Andrew Gold (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
Saxophon:
Ernie Watts (jazz and blues saxophonist) (in 1978)
Synthesizer:
Andrew Gold (in 1978)
Hintergrundgesang:
Andrew Gold (in 1978), John David Souther (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California, Vereinigte Staaten (in 1978)
recording of:
Never Let Her Slip Away (in 1978)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:25
11The Tide Is High
assistierende(r) Techniker(in):
Gary Boatner (Engineer) und Doug Schwartz
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
Power Station Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California, Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt
zusätzliche(r) Verfasser(in):
Howard Barrett und Tyrone Evans
publisher:
B & C Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
lyrics quoted on:
Numba 1 (Tide Is High) (Keri Hilson feature)
lyrics quoted on:
Numba 1 (Tide Is High) (Rihanna feature)
Blondie4.154:36
12Living on an Island
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
recording of:
Living on an Island
Verfasser(in):
Rick Parfitt (UK guitarist for Status Quo) und Robert Keith Young (UK musician & author, Young & Moody; Status Quo)
publisher:
Birchwood Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo3:48
13Dust in the Wind
Techniker(in):
Jeff Glixman (vom 1977-06 bis 1977-07)
zusätzliche(r) Techniker(in):
Terry Diane Becker (engineer)
Produzent(in):
Jeff Glixman (in 1977-06)
Akustikgitarre und E-Gitarre:
Kerry Livgren (vom 1977-06 bis 1977-07) und Rich Williams (guitarist of Kansas) (vom 1977-06 bis 1977-07)
Bassgitarre:
Dave Hope (vom 1977-06 bis 1977-07)
Bratsche / Viola, Cello und Geige / Violine [violins]:
Robby Steinhardt (vom 1977-06 bis 1977-07)
Celesta, Orgel, Synthesizer, Vibraphon und Sologesang:
Steve Walsh (original lead singer of Kansas) (vom 1977-06 bis 1977-07)
Chimes, gong, Pauke und Schlagzeug:
Phil Ehart (vom 1977-06 bis 1977-07)
Clavinet und Synthesizer [synthesizers]:
Kerry Livgren (vom 1977-06 bis 1977-07)
Klavier:
Kerry Livgren (vom 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (vom 1977-06 bis 1977-07)
Perkussion [additional percussion]:
Phil Ehart (vom 1977-06 bis 1977-07), Kerry Livgren (vom 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (vom 1977-06 bis 1977-07)
Hintergrundgesang:
Robby Steinhardt (vom 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (vom 1977-06 bis 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten (vom 1977-06 bis 1977-07) und Woodland Studios in Nashville, Tennessee, Vereinigte Staaten (vom 1977-06 bis 1977-07)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, Vereinigte Staaten (in 1977-08)
recording of:
Dust in the Wind (vom 1977-06 bis 1977-07)
Texter und Komponist(in):
Kerry Livgren
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing und フジパシフィックミュージック SBK事業部
Kansas43:24
14After the Love Has GoneEarth, Wind & Fire4.653:57
15The RoseBette Midler3:42

Nennungen

Veröffentlichungsgruppe

Teil von:The Power of Love (Time-Life Music) (Nummer: 8) (Reihenfolge: 8)