The Complete American Masters 1931-1953

~ Veröffentlichung von Sidney Bechet (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Trombonist on disc 1, tracks 5-8 was probably John Mayfield but may have been Charlie Irvis

Anmerkung zuletzt geändert am 2014-08-08 18:10 UTC.

Titelliste

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▼CD 1: 1923-1932 Selected Recordings
Nr.TitelKünstlerBewertungLänge
1Wild Cat Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1923-07-30)
Banjo:
Buddy Christian (am 1923-07-30)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1923-07-30)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (am 1923-07-30)
Posaune:
John Mayfield (trombonist) (am 1923-07-30)
Sopransaxophon:
Sidney Bechet (am 1923-07-30)
recording of:
Wild Cat Blues (am 1923-07-30)
Komponist(in):
Thomas Waller und Clarence Williams (composer / pianist /bandleader)
Clarence Williams’ Blue Five3:01
2Kansas City Man Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1923-07-30)
Banjo:
Buddy Christian (am 1923-07-30)
Klarinette:
Sidney Bechet (am 1923-07-30)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1923-07-30)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (am 1923-07-30)
Posaune:
John Mayfield (trombonist) (am 1923-07-30)
recording of:
Kansas City Man Blues (am 1923-07-30)
Komponist(in):
Clarence Johnson (1930s jazz & blues pianist) und Clarence Williams (composer / pianist /bandleader)
Clarence Williams’ Blue Five2:59
3Achin' Hearted Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1923-08-27)
Banjo:
Buddy Christian (am 1923-08-27)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1923-08-27)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (am 1923-08-27)
Posaune:
John Mayfield (trombonist) (am 1923-08-27)
Sopransaxophon:
Sidney Bechet (am 1923-08-27)
recording of:
Achin' Hearted Blues (am 1923-08-27)
Komponist(in):
Clarence Johnson (1930s jazz & blues pianist), Clarence Williams (composer / pianist /bandleader) und Spencer Williams (US jazz composer, pianist & singer)
Clarence Williams’ Blue Five2:58
4Oh Daddy!
recorded in:
New York, New York, Vereinigte Staaten (in 1923)
Banjo:
Buddy Christian (in 1923)
Klavier:
Clarence Williams (composer / pianist /bandleader) (in 1923)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (in 1923)
Posaune:
John Mayfield (trombonist) (in 1923)
Sopransaxophon:
Sidney Bechet (in 1923)
recording of:
Oh Daddy! (in 1923)
Komponist(in):
Ed Herbert (composer) und William Russell (composed Oh Daddy)
Clarence Williams’ Blue Five3:11
5Shreveport Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1923-11-10)
Banjo:
Buddy Christian (am 1923-11-10)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1923-11-10)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (am 1923-11-10)
Posaune:
John Mayfield (trombonist) (am 1923-11-10)
Sopransaxophon:
Sidney Bechet (am 1923-11-10)
recording of:
Shreveport Blues (am 1923-11-10)
Komponist(in):
A.F. Potter
Clarence Williams’ Blue Five3:01
6Old Fashioned Love
recorded in:
New York, New York, Vereinigte Staaten (am 1923-11-10)
Banjo:
Buddy Christian (am 1923-11-10)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1923-11-10)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (am 1923-11-10)
Posaune:
John Mayfield (trombonist) (am 1923-11-10)
Sopransaxophon:
Sidney Bechet (am 1923-11-10)
recording of:
Old Fashioned Love (am 1923-11-10)
Komponist(in):
James P. Johnson und Cecil Mack
Clarence Williams’ Blue Five3:10
7House Rent Blues (The Stomp)
recorded in:
New York, New York, Vereinigte Staaten
Banjo:
Buddy Christian (in 1923-11)
Klavier:
Clarence Williams (composer / pianist /bandleader) (in 1923-11)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (in 1923-11)
Sopransaxophon:
Sidney Bechet (in 1923-11)
recording of:
House Rent Blues (The Stomp) (in 1923-11)
Komponist(in):
Reginald De Koven
Clarence Williams’ Blue Five2:58
8Mean Blues
recorded in:
New York, New York, Vereinigte Staaten (in 1923-11)
Banjo:
Buddy Christian (in 1923-11)
Klavier:
Clarence Williams (composer / pianist /bandleader) (in 1923-11)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (in 1923-11)
Sopransaxophon:
Sidney Bechet (in 1923-11)
recording of:
Mean Blues (in 1923-11)
Komponist(in):
Art Gillham (US songwriter & singer) und Billy Smythe
Clarence Williams’ Blue Five2:58
9Texas Moaner Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1924-10-17)
Banjo:
Buddy Christian (am 1924-10-17)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1924-10-17)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1924-10-17)
Kornett:
Louis Armstrong (am 1924-10-17)
Posaune:
Charlie Irvis (am 1924-10-17)
recording of:
Texas Moaner Blues (am 1924-10-17)
Komponist(in):
Faye Barnes und Clarence Williams (composer / pianist /bandleader)
Clarence Williams’ Blue Five3:15
10Off and On Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1924-12-02)
Banjo:
Buddy Christian (am 1924-12-02)
Klarinette:
Sidney Bechet (am 1924-12-02)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1924-12-02)
vocals:
Sippie Wallace (am 1924-12-02)
recording of:
Off and On Blues (am 1924-12-02)
Verfasser(in):
Hociel Thomas und Sippie Wallace
Sippie Wallace accompanied by Clarence Williams’ Trio2:53
11Mandy, Make Up Your Mind
recorded in:
New York, New York, Vereinigte Staaten (am 1924-12-17)
Banjo:
Buddy Christian (am 1924-12-17)
Blasinstrumente, Sarrusophon und Sopransaxophon:
Sidney Bechet (am 1924-12-17)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1924-12-17)
Kornett:
Louis Armstrong (am 1924-12-17)
Posaune:
Charlie Irvis (am 1924-12-17)
vocals:
Eva Taylor (am 1924-12-17)
recording of:
Mandy, Make Up Your Mind (am 1924-12-17)
Texter:
Grant Clarke und Roy Turk
Komponist(in):
Arthur Johnston (American composer and songwriter) und George W. Meyer (Tin Pan Alley songwriter)
Clarence Williams’ Blue Five3:10
12I'm a Little Blackbird Looking for a Bluebird
recorded in:
New York, New York, Vereinigte Staaten (am 1924-12-17)
Banjo:
Buddy Christian (am 1924-12-17)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1924-12-17)
Kornett:
Louis Armstrong (am 1924-12-17)
Posaune:
Charlie Irvis (am 1924-12-17)
Sopransaxophon:
Sidney Bechet (am 1924-12-17)
vocals:
Eva Taylor (am 1924-12-17)
recording of:
I'm a Little Blackbird Looking for a Bluebird (am 1924-12-17)
Texter:
Grant Clarke und Roy Turk
Komponist(in):
Arthur Johnston (American composer and songwriter) und George W. Meyer (Tin Pan Alley songwriter)
Clarence Williams’ Blue Five3:18
13Who'll Chop Your Suey (When I'm Gone)
recorded in:
New York, New York, Vereinigte Staaten (am 1925-01-08)
Banjo:
Buddy Christian (am 1925-01-08)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1925-01-08)
Kornett:
Bubber Miley (am 1925-01-08)
Posaune:
Aaron Thompson (US trombone player) (am 1925-01-08)
Sopransaxophon:
Sidney Bechet (am 1925-01-08)
vocals:
Margaret Johnson (early jazz and blues vocalist) (am 1925-01-08)
recording of:
Who'll Chop Your Suey (When I'm Gone) (am 1925-01-08)
Verfasser(in):
Sidney Bechet und Rousseau Simmons
Margaret Johnson accompanied by Clarence Williams' Blue Five3:24
14Cake Walking Babies from Home
recorded in:
New York, New York, Vereinigte Staaten (am 1925-01-08)
Banjo:
Buddy Christian (am 1925-01-08)
Klavier:
Clarence Williams (composer / pianist /bandleader) (am 1925-01-08)
Kornett:
Louis Armstrong (am 1925-01-08)
Posaune:
Charlie Irvis (am 1925-01-08)
Sopransaxophon:
Sidney Bechet (am 1925-01-08)
vocals:
Eva Taylor (am 1925-01-08)
recording of:
Cake Walking Babies from Home (am 1925-01-08)
Verfasser(in):
Chris Smith (Ragtime composer), Henry Troy und Clarence Williams (composer / pianist /bandleader)
Eva Taylor accompanied by Clarence Williams' Blue Five2:56
15In a Café on the Road to Calais
recorded in:
New York, New York, Vereinigte Staaten (am 1931-02-24)
alto saxophone:
Ralph Duquesne (am 1931-02-24) und Rudy Jackson (clarinetist and saxophonist) (am 1931-02-24)
Banjo:
Frank Etheridge (am 1931-02-24)
Klarinette:
Sidney Bechet (am 1931-02-24), Ralph Duquesne (am 1931-02-24), Rudy Jackson (clarinetist and saxophonist) (am 1931-02-24) und Ramón Usera (am 1931-02-24)
Klavier:
Lloyd Pinckney (am 1931-02-24)
Kontrabass:
Edward Coles (am 1931-02-24)
Posaune:
Billy Burns (am 1931-02-24)
Schlagzeug:
Jack Carter (jazz drummer) (am 1931-02-24)
Sopransaxophon:
Sidney Bechet (am 1931-02-24), Ralph Duquesne (am 1931-02-24) und Rudy Jackson (clarinetist and saxophonist) (am 1931-02-24)
Tenorsaxophon:
Ramón Usera (am 1931-02-24)
Trompete:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1931-02-24) und Tommy Ladnier (American jazz trumpeter) (am 1931-02-24)
vocals:
Noble Sissle (am 1931-02-24)
recording of:
In a Café on the Road to Calais (am 1931-02-24)
Texter und Komponist(in):
[traditional] (special purpose artist)
Noble Sissle and His Orchestra2:49
16Loveless Love
recorded in:
New York, New York, Vereinigte Staaten (am 1931-02-24)
alto saxophone:
Ralph Duquesne (am 1931-02-24) und Rudy Jackson (clarinetist and saxophonist) (am 1931-02-24)
Banjo:
Frank Etheridge (am 1931-02-24)
baritone saxophone:
Sidney Bechet (am 1931-02-24)
Klarinette:
Sidney Bechet (am 1931-02-24), Ralph Duquesne (am 1931-02-24), Rudy Jackson (clarinetist and saxophonist) (am 1931-02-24) und Ramón Usera (am 1931-02-24)
Klavier:
Lloyd Pinckney (am 1931-02-24)
Kontrabass:
Edward Coles (am 1931-02-24)
Posaune:
Billy Burns (am 1931-02-24)
Schlagzeug:
Jack Carter (jazz drummer) (am 1931-02-24)
Sopransaxophon:
Sidney Bechet (am 1931-02-24), Ralph Duquesne (am 1931-02-24) und Rudy Jackson (clarinetist and saxophonist) (am 1931-02-24)
Tenorsaxophon:
Ramón Usera (am 1931-02-24)
Trompete:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1931-02-24) und Tommy Ladnier (American jazz trumpeter) (am 1931-02-24)
vocals:
Noble Sissle und [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1931-02-24)
recording of:
Loveless Love (am 1931-02-24)
Texter und Komponist(in):
William Christopher Handy
Noble Sissle and His Orchestra3:18
17The Basement Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1931-04-21)
alto saxophone:
Ralph Duquesne (am 1931-04-21) und Rudy Jackson (clarinetist and saxophonist) (am 1931-04-21)
Banjo:
Frank Etheridge (am 1931-04-21)
baritone saxophone:
Sidney Bechet (am 1931-04-21)
Klarinette:
Ralph Duquesne (am 1931-04-21), Rudy Jackson (clarinetist and saxophonist) (am 1931-04-21) und Ramón Usera (am 1931-04-21)
Klavier:
Lloyd Pinckney (am 1931-04-21)
Kontrabass und Tuba [brass bass]:
Edward Coles (am 1931-04-21)
Posaune:
Billy Burns (am 1931-04-21)
Rohrblattinstrumente:
Sidney Bechet (am 1931-04-21), Ralph Duquesne (am 1931-04-21), Rudy Jackson (clarinetist and saxophonist) (am 1931-04-21) und Ramón Usera (am 1931-04-21)
Schlagzeug:
Jack Carter (jazz drummer) (am 1931-04-21)
Sopransaxophon:
Sidney Bechet (am 1931-04-21), Ralph Duquesne (am 1931-04-21) und Rudy Jackson (clarinetist and saxophonist) (am 1931-04-21)
Tenorsaxophon:
Ramón Usera (am 1931-04-21)
Trompete:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-21), Demas Dean (am 1931-04-21) und Tommy Ladnier (American jazz trumpeter) (am 1931-04-21)
vocals:
Noble Sissle (am 1931-04-21)
recording of:
The Basement Blues (am 1931-04-21)
Texter und Komponist(in):
William Christopher Handy
Noble Sissle and His Orchestra3:18
18Roll on, Mississippi, Roll On
recorded in:
New York, New York, Vereinigte Staaten (am 1931-04-21)
alto saxophone:
Ralph Duquesne (am 1931-04-21) und Rudy Jackson (clarinetist and saxophonist) (am 1931-04-21)
Banjo:
Frank Etheridge (am 1931-04-21)
Klarinette:
Sidney Bechet (am 1931-04-21), Ralph Duquesne (am 1931-04-21), Rudy Jackson (clarinetist and saxophonist) (am 1931-04-21) und Ramón Usera (am 1931-04-21)
Klavier:
Lloyd Pinckney (am 1931-04-21)
Kontrabass:
Edward Coles (am 1931-04-21)
Posaune:
Billy Burns (am 1931-04-21)
Rohrblattinstrumente:
Sidney Bechet (am 1931-04-21)
Schlagzeug:
Jack Carter (jazz drummer) (am 1931-04-21)
Sopransaxophon:
Sidney Bechet (am 1931-04-21), Ralph Duquesne (am 1931-04-21) und Rudy Jackson (clarinetist and saxophonist) (am 1931-04-21)
Tenorsaxophon:
Ramón Usera (am 1931-04-21)
Trompete:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-21) und Tommy Ladnier (American jazz trumpeter) (am 1931-04-21)
vocals:
Noble Sissle (am 1931-04-21)
recording of:
Roll on, Mississippi, Roll On (am 1931-04-21)
Verfasser(in):
James McCaffrey (1930s US songwriter, known for "Roll On, Mississippi, Roll On"), Dave Ringle und Eugene West
Noble Sissle and His Orchestra3:07
19Sweetie Dear
Klarinette:
Sidney Bechet (am 1932-09-15)
Klavier:
Hank Duncan (am 1932-09-15)
Kontrabass [bass]:
Wilson Myers (am 1932-09-15)
Posaune:
Teddy Nixon (am 1932-09-15)
Schlagzeug:
Morris Morand (am 1932-09-15)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1932-09-15)
recording of:
Sweetie Dear (am 1932-09-15)
Komponist(in):
Will Marion Cook und Joe Jordan (ragtime/jazz musician/composer)
New Orleans Feetwarmers2:51
20I Want You Tonight
Klarinette und Sopransaxophon:
Sidney Bechet (am 1932-09-15)
Klavier:
Hank Duncan (am 1932-09-15)
Kontrabass, Kontrabass [bass] und Sologesang [vocal refrain]:
Wilson Myers (am 1932-09-15)
membranophone und Schlagzeug:
Morris Morand (am 1932-09-15)
Posaune:
Teddy Nixon (am 1932-09-15)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1932-09-15)
vocals:
Wilson Myers
recording of:
I Want You Tonight (am 1932-09-15)
Verfasser(in):
Sidney Bechet und Billy Maxey
New Orleans Feetwarmers3:08
21I've Found a New Baby
Klarinette und Sopransaxophon:
Sidney Bechet (am 1932-09-15)
Klavier:
Hank Duncan (am 1932-09-15)
Kontrabass und Kontrabass [bass]:
Wilson Myers (am 1932-09-15)
Posaune:
Teddy Nixon (am 1932-09-15)
Schlagzeug:
Morris Morand (am 1932-09-15)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1932-09-15)
vocals:
Wilson Myers (am 1932-09-15)
recording of:
I’ve Found a New Baby (am 1932-09-15)
Verfasser(in):
Jack Palmer (Jazz pianist and composer) und Spencer Williams (US jazz composer, pianist & singer)
New Orleans Feetwarmers3:13
22Lay Your Racket
Klavier:
Hank Duncan (am 1932-09-15)
Kontrabass und Kontrabass [bass]:
Wilson Myers (am 1932-09-15)
Posaune:
Teddy Nixon (am 1932-09-15)
Schlagzeug:
Morris Morand (am 1932-09-15)
Sopransaxophon:
Sidney Bechet (am 1932-09-15)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1932-09-15)
Sologesang [vocal refrain]:
Billy Maxey (am 1932-09-15)
vocals:
Billy Maxey
recording of:
Lay Your Racket (am 1932-09-15)
Verfasser(in):
Sidney Bechet und Billy Maxey
New Orleans Feetwarmers3:15
23Maple Leaf Rag
Klarinette und Sopransaxophon:
Sidney Bechet (am 1932-09-15)
Klavier:
Hank Duncan (am 1932-09-15)
Kontrabass und Kontrabass [bass]:
Wilson Myers (am 1932-09-15)
Posaune:
Teddy Nixon (am 1932-09-15)
Schlagzeug:
Morris Morand (am 1932-09-15)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1932-09-15)
recording of:
Maple Leaf Rag (catch-all for arrangements) (am 1932-09-15)
Komponist(in):
Scott Joplin (composer and pianist) (in 1901)
Arrangement von:
Maple Leaf Rag (piano rag)
New Orleans Feetwarmers2:56
24Shag
Klavier:
Hank Duncan (am 1932-09-15)
Kontrabass [bass] und Sologesang [vocal]:
Wilson Myers (am 1932-09-15)
Posaune:
Teddy Nixon (am 1932-09-15)
Schlagzeug:
Morris Morand (am 1932-09-15)
Sopransaxophon:
Sidney Bechet (am 1932-09-15)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1932-09-15)
vocals:
Wilson Myers
recording of:
Shag (am 1932-09-15)
Texter und Komponist(in):
Sidney Bechet
New Orleans Feetwarmers3:07
▼CD 2: 1934-1938
Nr.TitelKünstlerBewertungLänge
1Under the Creole Moon
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-15)
alto saxophone:
James Toliver (am 1934-08-15)
Gitarre:
Howard Hill (US jazz guitarist from the swing era) (am 1934-08-15)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1934-08-15)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1934-08-15)
Kontrabass:
Eddie Cole (older brother of Nat King Cole, 1910–1970) (am 1934-08-15)
Schlagzeug:
Jack Carter (jazz drummer) (am 1934-08-15)
Tenorsaxophon:
Ramón Usera (am 1934-08-15)
Trompete:
Clarence Brereton (am 1934-08-15) und Wendell Culley (am 1934-08-15)
Sologesang:
Noble Sissle (am 1934-08-15)
Noble Sissle & His International Orchestra3:20
2Loveless Love
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-15)
alto saxophone:
James Toliver (am 1934-08-15)
Gitarre:
Howard Hill (US jazz guitarist from the swing era) (am 1934-08-15)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1934-08-15)
Kontrabass:
Eddie Cole (older brother of Nat King Cole, 1910–1970) (am 1934-08-15)
membranophone:
Jack Carter (jazz drummer) (am 1934-08-15)
Sopransaxophon:
Sidney Bechet (am 1934-08-15)
Tenorsaxophon:
Ramón Usera (am 1934-08-15)
Trompete:
Clarence Brereton (am 1934-08-15) und Wendell Culley (am 1934-08-15)
Noble Sissle & His International Orchestra2:58
3Polka Dot Rag
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-15)
alto saxophone:
Harvey Boone (am 1934-08-15), Ramon Usera (am 1934-08-15) und James Toliver (am 1934-08-15)
Geige / Violine:
Oscar Madera (am 1934-08-15)
Gitarre:
Howard Hill (US jazz guitarist from the swing era) (am 1934-08-15)
Klarinette:
Sidney Bechet (am 1934-08-15) und Harvey Boone (am 1934-08-15)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1934-08-15)
Kontrabass:
Eddie Cole (older brother of Nat King Cole, 1910–1970) (am 1934-08-15)
Posaune:
Chester Burrill (am 1934-08-15)
Schlagzeug:
Jack Carter (jazz drummer) (am 1934-08-15)
Sopransaxophon:
Sidney Bechet (am 1934-08-15)
Tenorsaxophon:
Ramón Usera (am 1934-08-15)
Trompete:
Clarence Brereton (am 1934-08-15), Wendell Culley (am 1934-08-15) und Demas Dean (am 1934-08-15)
recording of:
Polka Dot Rag (am 1934-08-15)
Komponist(in):
Sidney Bechet, Noble Sissle und James Toliver
Noble Sissle & His International Orchestra2:52
4You Can't Live in Harlem
recorded in:
New York, New York, Vereinigte Staaten (am 1936-03-11)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1936-03-11)
Sopransaxophon:
Sidney Bechet (am 1936-03-11)
Trompete:
Clarence Brereton (am 1936-03-11) und Wendell Culley (am 1936-03-11)
vocals:
Billy Banks
Noble Sissle and His Orchestra2:24
5'Tain't a Fit Night Out for Man or Beast
recorded in:
New York, New York, Vereinigte Staaten (am 1936-03-11)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1936-03-11)
Sopransaxophon:
Sidney Bechet (am 1936-03-11)
Trompete:
Clarence Brereton (am 1936-03-11) und Wendell Culley (am 1936-03-11)
Sologesang:
Noble Sissle (am 1936-03-11)
vocals:
Noble Sissle
Noble Sissle and His Orchestra2:33
6Rhythm of the Broadway Moon
recorded in:
New York, New York, Vereinigte Staaten (am 1936-03-11)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1936-03-11)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1936-03-11)
Trompete:
Clarence Brereton (am 1936-03-11) und Wendell Culley (am 1936-03-11)
Sologesang:
Noble Sissle (am 1936-03-11)
vocals:
Noble Sissle
Noble Sissle and His Orchestra2:48
7Bandana Days
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-14)
Geige / Violine:
Oscar Madera (am 1937-04-14)
Gitarre:
Jimmy Miller (Jazz guitar player) (am 1937-04-14)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1937-04-14)
Klavier:
Erskine Butterfield (am 1937-04-14)
Kontrabass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (am 1937-04-14)
Posaune:
Chester Burrill (am 1937-04-14) und Chauncey Haughton (am 1937-04-14)
Schlagzeug:
Wilbert Kirk (am 1937-04-14)
Tenorsaxophon:
Jerome Pasquall (am 1937-04-14) und Gil White (am 1937-04-14)
Trompete:
Clarence Brereton (am 1937-04-14), Wendell Culley (am 1937-04-14) und Demas Dean (am 1937-04-14)
recording of:
Bandana Days
Texter und Komponist(in):
Eubie Blake und Noble Sissle
recording of:
I’m Just Wild About Harry
Texter:
Noble Sissle
Komponist(in):
Eubie Blake
Noble Sissle and His Orchestra2:53
8I'm Just Wild About Harry
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-14)
Geige / Violine:
Oscar Madera (am 1937-04-14)
Gitarre:
Jimmy Miller (Jazz guitar player) (am 1937-04-14)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1937-04-14)
Klavier:
Erskine Butterfield (am 1937-04-14)
Kontrabass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (am 1937-04-14)
Posaune:
Chester Burrill (am 1937-04-14) und Chauncey Haughton (am 1937-04-14)
Schlagzeug:
Wilbert Kirk (am 1937-04-14)
Tenorsaxophon:
Jerome Pasquall (am 1937-04-14) und Gil White (am 1937-04-14)
Trompete:
Clarence Brereton (am 1937-04-14), Wendell Culley (am 1937-04-14) und Demas Dean (am 1937-04-14)
recording of:
Bandana Days
Texter und Komponist(in):
Eubie Blake und Noble Sissle
recording of:
I’m Just Wild About Harry
Texter:
Noble Sissle
Komponist(in):
Eubie Blake
Noble Sissle and His Orchestra2:51
9Dear Old Southland
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-14)
Geige / Violine:
Oscar Madera (am 1937-04-14)
Gitarre:
Jimmy Miller (Jazz guitar player) (am 1937-04-14)
Klavier:
Erskine Butterfield (am 1937-04-14)
Kontrabass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (am 1937-04-14)
Posaune:
Chester Burrill (am 1937-04-14) und Chauncey Haughton (am 1937-04-14)
Schlagzeug:
Wilbert Kirk (am 1937-04-14)
Sopransaxophon:
Sidney Bechet (am 1937-04-14)
Tenorsaxophon:
Jerome Pasquall (am 1937-04-14) und Gil White (am 1937-04-14)
Trompete:
Clarence Brereton (am 1937-04-14), Wendell Culley (am 1937-04-14) und Demas Dean (am 1937-04-14)
Sologesang:
Noble Sissle (am 1937-04-14)
vocals:
Noble Sissle (am 1937-04-14)
Noble Sissle and His Orchestra2:35
10Okey Doke
Noble Sissle’s Swingsters2:54
11Characteristic Blues
Gitarre:
Jimmy Miller (Jazz guitar player) (am 1937-04-16)
Kontrabass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (am 1937-04-16)
Rohrblattinstrumente:
Sidney Bechet (am 1937-04-16)
Schlagzeug:
Wilbert Kirk (am 1937-04-16)
vocals:
Billy Banks (am 1937-04-16)
Noble Sissle’s Swingsters2:57
12Viper Mad
Gitarre:
Jimmy Miller (Jazz guitar player) (am 1938-02-10)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1938-02-10)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1938-02-10)
Kontrabass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (am 1938-02-10)
Schlagzeug:
O'Neill Spencer (am 1938-02-10)
Tenorsaxophon:
Gil White (am 1938-02-10)
Trompete:
Clarence Brereton (am 1938-02-10)
vocals:
O'Neill Spencer (am 1938-02-10)
recording of:
Viper Mad (am 1938-02-10)
Verfasser(in):
Sidney Bechet und Mayer Williams
Sidney “Pops” Bechet with Noble Sissle's Swingsters3:05
13Blackstick
Gitarre:
Jimmy Miller (Jazz guitar player) (am 1938-02-10)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1938-02-10)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1938-02-10)
Kontrabass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (am 1938-02-10)
Schlagzeug:
O'Neill Spencer (am 1938-02-10)
Tenorsaxophon:
Gil White (am 1938-02-10)
Trompete:
Clarence Brereton (am 1938-02-10)
vocals:
O'Neill Spencer (am 1938-02-10)
Sidney “Pops” Bechet with Noble Sissle's Swingsters2:48
14When the Sun Sets Down South (Southern Sunset)
Sidney “Pops” Bechet with Noble Sissle's Swingsters3:13
15Sweet Patootie
Gitarre:
Jimmy Miller (Jazz guitar player) (am 1938-02-10)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1938-02-10)
Klavier:
Harry Brooks (jazz pianist & songwriter) (am 1938-02-10)
Kontrabass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (am 1938-02-10)
Schlagzeug:
O'Neill Spencer (am 1938-02-10)
Tenorsaxophon:
Gil White (am 1938-02-10)
Trompete:
Clarence Brereton (am 1938-02-10)
vocals:
O'Neill Spencer (am 1938-02-10)
Sidney “Pops” Bechet with Noble Sissle's Swingsters3:20
16Freight Train Blues
Gitarre:
Teddy Bunn (am 1938-05-26)
Klarinette:
Sidney Bechet (am 1938-05-26)
Klavier:
Sammy Price (jazz/blues/boogie pianist) (am 1938-05-26)
Kontrabass:
Richard "Dick" Fullbright (am 1938-05-26)
Schlagzeug:
O'Neil Spencer (am 1938-05-26)
Trompete:
Charlie Shavers (am 1938-05-26)
vocals:
Trixie Smith (am 1938-05-26)
recording of:
Freight Train Blues
Komponist(in):
Thomas A. Dorsey (gospel musician aka “Georgia Tom”) und Trixie Smith
Trixie Smith3:19
17Trixie's Blues
Bass:
Richard Fullbright (am 1938-05-26)
Gitarre:
Teddy Bunn (am 1938-05-26)
Klarinette:
Sidney Bechet (am 1938-05-26)
Klavier:
Sammy Price (jazz/blues/boogie pianist) (am 1938-05-26)
Schlagzeug:
O'Neill Spencer (am 1938-05-26)
Trompete:
Charlie Shavers (am 1938-05-26)
vocals:
Trixie Smith (am 1938-05-26)
Trixie Smith3:18
18My Daddy Rocks Me, Parts 1 & 2
Kompilation von:
My Daddy Rocks Me von Trixie Smith und My Daddy Rocks Me, Part II von Trixie Smith
Trixie Smith5:53
19He May Be Your Man But He Comes to See Me Sometimes
Gitarre:
Teddy Bunn (am 1938-05-26)
Klarinette:
Sidney Bechet (am 1938-05-26)
Klavier:
Sammy Price (jazz/blues/boogie pianist) (am 1938-05-26)
Kontrabass:
Richard Fullbright (am 1938-05-26)
Schlagzeug:
O'Neill Spencer (am 1938-05-26)
Trompete:
Charlie Shavers (am 1938-05-26)
vocals:
Trixie Smith (am 1938-05-26)
Trixie Smith2:47
20Jack, I'm Mellow
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-26)
Gitarre:
Teddy Bunn (am 1938-05-26)
Klarinette:
Sidney Bechet (am 1938-05-26)
Klavier:
Sam Price (jazz/blues/boogie pianist) (am 1938-05-26)
Kontrabass:
Richard Fullbright (am 1938-05-26)
Schlagzeug:
O'Neill Spencer (am 1938-05-26)
Trompete:
Charlie Shavers (am 1938-05-26)
vocals:
Trixie Smith (am 1938-05-26)
Trixie Smith2:46
21My Unusual Man
Bass:
Richard Fullbright (am 1938-05-26)
Gitarre:
Teddy Bunn (am 1938-05-26)
Klarinette:
Sidney Bechet (am 1938-05-26)
Klavier:
Sammy Price (jazz/blues/boogie pianist) (am 1938-05-26)
Schlagzeug:
O'Neill Spencer (am 1938-05-26)
Trompete:
Charlie Shavers (am 1938-05-26)
vocals:
Trixie Smith (am 1938-05-26)
Trixie Smith2:46
22Uncle Joe
Rohrblattinstrumente:
Sidney Bechet (am 1938-05-26)
Grant & Wilson2:36
23I Am a Woman
Grant & Wilson2:48
24Toot It, Brother Armstrong
Grant & Wilson3:17
▼CD 3: 1938-1939
Nr.TitelKünstlerBewertungLänge
1Blue Monday on Sugar Hill
Rohrblattinstrumente:
Sidney Bechet (am 1938-05-26)
recording of:
Blue Monday on Sugar Hill (am 1938-05-26)
Verfasser(in):
Wesley A. Wilson
Grant & Wilson2:18
2What a Dream
baritone saxophone:
Ernie Caceres (am 1938-11-16)
E-Gitarre:
Leonard Ware (American jazz guitar player and composer) (am 1938-11-16)
Klavier:
Dave Bowman (jazz pianist) (am 1938-11-16)
Kontrabass:
Eddie Robinson (jazz bassist) (am 1938-11-16)
Rohrblattinstrumente:
Sidney Bechet (am 1938-11-16)
Schlagzeug:
Zutty Singleton (am 1938-11-16)
Sidney Bechet and His Orchestra2:54
3Hold Tight
Sidney Bechet and His Orchestra2:37
4Jungle Drums
Sidney Bechet and His Orchestra2:29
5Chant in the Night
baritone saxophone:
Ernie Caceres (am 1938-11-16)
E-Gitarre:
Leonard Ware (American jazz guitar player and composer) (am 1938-11-16)
Klavier:
Dave Bowman (jazz pianist) (am 1938-11-16)
Kontrabass:
Eddie Robinson (jazz bassist) (am 1938-11-16)
Rohrblattinstrumente:
Sidney Bechet (am 1938-11-16)
Schlagzeug:
Zutty Singleton (am 1938-11-16)
Sidney Bechet and His Orchestra2:26
6Ja-Da
Klarinette:
Sidney Bechet (am 1938-11-28)
recording of:
Ja-Da (am 1938-11-28)
Komponist(in):
Bob Carleton
Tommy Ladnier and His Orchestra2:55
7Really the Blues
Gitarre:
Teddy Bunn (am 1938-11-28)
Klarinette:
Sidney Bechet (am 1938-11-28) und Mezz Mezzrow (am 1938-11-28)
Klarinette und Sopraninosaxophon und Sopransaxophon:
Sidney Bechet (am 1938-11-28)
Klarinette und Tenorsaxophon und Tenorsaxophon:
Mezz Mezzrow (am 1938-11-28)
Klavier:
Cliff Jackson (jazz pianist) (am 1938-11-28)
Kontrabass:
Elmer James (am 1938-11-28)
Schlagzeug:
Manzie Johnson (am 1938-11-28)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1938-11-28)
Tommy Ladnier and His Orchestra3:38
8When You and I Were Young, Maggie
Gitarre:
Teddy Bunn (am 1938-11-28)
Klarinette:
Sidney Bechet (am 1938-11-28) und Mezz Mezzrow (am 1938-11-28)
Klavier:
Cliff Jackson (jazz pianist) (am 1938-11-28)
Kontrabass:
Elmer James (am 1938-11-28)
Schlagzeug:
Manzie Johnson (am 1938-11-28)
Sopransaxophon:
Sidney Bechet (am 1938-11-28)
Tenorsaxophon:
Mezz Mezzrow (am 1938-11-28)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1938-11-28)
instrumental recording of:
When You and I Were Young, Maggie (am 1938-11-28)
Texter:
George Washington Johnson (Hamilton Canada poet)
Verfasser(in):
[traditional] (special purpose artist)
Komponist(in):
James A. Butterfield
Tommy Ladnier and His Orchestra2:44
9Weary Blues
Gitarre:
Teddy Bunn (am 1938-11-28)
Klarinette:
Sidney Bechet (am 1938-11-28) und Mezz Mezzrow (am 1938-11-28)
Klavier:
Cliff Jackson (jazz pianist) (am 1938-11-28)
Kontrabass:
Elmer James (am 1938-11-28)
Schlagzeug:
Manzie Johnson (am 1938-11-28)
Sopransaxophon:
Sidney Bechet (am 1938-11-28)
Tenorsaxophon:
Mezz Mezzrow (am 1938-11-28)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1938-11-28)
recording of:
Weary Blues (am 1938-11-28)
Texter:
George Cates und Mort Greene
Komponist(in):
Artie Matthews
Tommy Ladnier and His Orchestra3:02
10Blues for Tommy Ladnier
recorded in:
New York, New York, Vereinigte Staaten (am 1939-06-08)
Gitarre:
Teddy Bunn (am 1939-06-08)
Klarinette, Klarinette und Sopransaxophon und Sopransaxophon:
Sidney Bechet (am 1939-06-08)
Klavier:
Meade Lux Lewis (am 1939-06-08, am 1939-08-06)
Kontrabass:
Johnny Williams (jazz bassist) (am 1939-06-08)
Posaune:
J.C. Higginbotham (am 1939-06-08)
Schlagzeug:
Sidney Catlett (am 1939-06-08)
Trompete:
Frankie Newton (am 1939-06-08)
Teil von:
Blue Note (by matrix number) (Nummer: GM-532-X-12)
recording of:
Blues for Tommy Ladnier (am 1939-06-08)
Komponist(in):
Sidney Bechet
Port of Harlem Seven4:27
11Summertime
Gitarre:
Teddy Bunn (am 1939-06-08)
Klavier:
Meade Lux Lewis (am 1939-06-08, am 1939-08-06)
Kontrabass:
Johnny Williams (jazz bassist) (am 1939-06-08)
Kontrabass [bass]:
John Williams (jazz bassist) (am 1939-06-08)
Schlagzeug:
Sid Catlett (am 1939-06-08)
Sopransaxophon:
Sidney Bechet (am 1939-06-08)
Teil von:
Blue Note (by matrix number) (Nummer: GM-533-14)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1939-06-08)
Texter:
Dorothy Kuhns (playwright), Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (vom 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
lyrics quoted on:
Doin’ Time
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway Musical)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Dorothy Kuhns (playwright), Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (vom 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
lyrics quoted on:
Doin’ Time
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Port of Harlem Seven4:13
12Pounding Heart Blues
Gitarre:
Teddy Bunn (am 1939-06-08)
Klarinette, Klarinette und Sopransaxophon und Sopransaxophon:
Sidney Bechet (am 1939-06-08)
Klavier:
Meade Lux Lewis (am 1939-06-08, am 1939-08-06)
Kontrabass:
Johnny Williams (jazz bassist) (am 1939-06-08)
Kontrabass [bass]:
John Williams (jazz bassist) (am 1939-06-08)
Posaune:
J.C. Higginbotham (am 1939-06-08)
Schlagzeug:
Sid Catlett (am 1939-06-08)
Trompete:
Frankie Newton (am 1939-06-08)
recording of:
Pounding Heart Blues (am 1939-06-08)
Komponist(in):
Sidney Bechet
Port of Harlem Seven4:02
13Oh, Didn't He Ramble?
Jelly Roll Morton’s New Orleans Jazzmen3:11
14High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Texter:
Walter Melrose
Komponist(in):
Porter Steele (in 1901-04)
basiert auf:
High Society (march composed by Porter Steele in 1901)
Jelly Roll Morton’s New Orleans Jazzmen2:49
15I Thought I Heard Buddy Bolden Say
recording of:
Buddy Bolden’s Blues (I Thought I Heard Buddy Bolden Say)
Texter und vorher zugeschrieben zu:
Jelly Roll Morton
Komponist(in):
Buddy Bolden
zusätzliche(r) Komponist(in):
Jelly Roll Morton
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und MCD Music Limited
Jelly Roll Morton’s New Orleans Jazzmen3:13
16Winin' Boy Blues
recording of:
Winin’ Boy Blues
Texter und Komponist(in):
Jelly Roll Morton
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS-affiliated) und MPL Music Publishing Inc.
Jelly Roll Morton’s New Orleans Jazzmen3:08
17Magic Islands
Rohrblattinstrumente:
Sidney Bechet (am 1939-11-22)
The Haitian Orchestra2:39
18Mayotte
Rohrblattinstrumente:
Sidney Bechet (am 1939-11-22)
The Haitian Orchestra2:28
19Rose Rhumba
The Haitian Orchestra2:23
20Sous les Palmiers
Rohrblattinstrumente:
Sidney Bechet (am 1939-11-22)
The Haitian Orchestra2:36
21Original Haitian Music 1 (Ça Pique à Haïti)
Rohrblattinstrumente:
Sidney Bechet (am 1939-11-22)
The Haitian Orchestra2:23
22Original Haitian Music 2 (Tirre Chatte)
Rohrblattinstrumente:
Sidney Bechet (am 1939-11-22)
The Haitian Orchestra2:26
23Tropical Mood Moon Rhumba (Danse Ensemble)
Klarinette:
Sidney Bechet (am 1939-11-22)
The Haitian Orchestra3:02
24Baba Rhumba (Nana)
Klarinette:
Sidney Bechet (am 1939-11-22)
The Haitian Orchestra2:36
▼CD 4: 1939-1940
Nr.TitelKünstlerBewertungLänge
1Original Haitian Music 3 (La Belle Germaine)
Klavier:
Willie “The Lion” Smith (am 1939-11-22)
Sopransaxophon:
Sidney Bechet (am 1939-11-22)
Trompete:
Kenny Roane (am 1939-11-22)
The Haitian Orchestra2:45
2Original Haitian Music 4 (Danses de Chez Nous)
Rohrblattinstrumente:
Sidney Bechet (am 1939-11-22)
The Haitian Orchestra2:45
3Colonel Bogey March
Sopransaxophon:
Sidney Bechet (am 1939-11-22)
recording of:
Colonel Bogey March (also known as Dink March or Underberg) (am 1939-11-22)
Komponist(in):
Kenneth J. Alford
The Haitian Orchestra2:40
4Ti Ralph
The Haitian Orchestra2:20
5Merengue de Amor (Meringue D'amour)
The Haitian Orchestra2:58
6Indian Summer
Sidney Bechet and His New Orleans Feetwarmers3:05
7One O'Clock Jump
E-Gitarre:
Charlie Howard (am 1940-02-05)
Klarinette:
Sidney Bechet (am 1940-02-05)
Klavier:
Sonny White (am 1940-02-05)
Kontrabass:
Wilson Myers (am 1940-02-05)
Schlagzeug:
Kenny Clarke (am 1940-02-05)
recording of:
One O’Clock Jump (am 1940-02-05)
Komponist(in):
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Sidney Bechet and His New Orleans Feetwarmers2:26
8Preachin' Blues
E-Gitarre:
Charlie Howard (am 1940-02-05)
Klavier:
Sonny White (am 1940-02-05)
Kontrabass:
Wilson Myers (am 1940-02-05)
Schlagzeug:
Kenny Clarke (am 1940-02-05)
Sopransaxophon:
Sidney Bechet (am 1940-02-05)
Sidney Bechet and His New Orleans Feetwarmers3:04
9Sidney's Blues
E-Gitarre:
Charlie Howard (am 1940-02-05)
Klavier:
Sonny White (am 1940-02-05)
Kontrabass:
Wilson Myers (am 1940-02-05)
Schlagzeug:
Kenny Clarke (am 1940-02-05)
Sopransaxophon:
Sidney Bechet (am 1940-02-05)
Sidney Bechet and His New Orleans Feetwarmers2:53
10Careless Love
Rohrblattinstrumente:
Sidney Bechet (am 1940-03-07)
instrumental recording of:
Careless Love (am 1940-03-07)
Verfasser(in):
[traditional] (special purpose artist), William Christopher Handy, Martha Koenig und Spencer Williams (US jazz composer, pianist & singer)
Version von:
Careless Love
Josh White Trio3:44
11Milk Cow Blues
Rohrblattinstrumente:
Sidney Bechet (am 1940-03-07)
instrumental recording of:
Milk Cow Blues (am 1940-03-07)
Komponist(in):
[traditional] (special purpose artist)
Josh White Trio4:06
12Lonesome Blues
Rohrblattinstrumente:
Sidney Bechet (am 1940-03-20)
Sidney Bechet Blue Note Quartet4:05
13Dear Old Southland
Rohrblattinstrumente:
Sidney Bechet (am 1940-03-20)
recording of:
Dear Old Southland (1921 Layton/Creamer jazz standard) (am 1940-03-20)
Texter:
Henry Creamer (in 1921)
Komponist(in):
Ray Bloch (French-born composer/bandleader) und Turner Layton (in 1921)
Sidney Bechet Blue Note Quartet4:02
14Bechet's Steady Rider
Rohrblattinstrumente:
Sidney Bechet (am 1940-03-20)
Sidney Bechet Blue Note Quartet2:56
15Saturday Night Blues
Gitarre:
Teddy Bunn (am 1940-03-27)
Klarinette und Sopransaxophon:
Sidney Bechet (am 1940-03-27)
Kontrabass:
George "Pops" Foster (am 1940-03-27)
Rohrblattinstrumente:
Sidney Bechet (am 1940-03-20)
Schlagzeug:
Sid Catlett (am 1940-03-27)
Teil von:
Blue Note (by matrix number) (Nummer: RS-712-A)
Sidney Bechet Blue Note Quartet2:59
16Four or Five Times
Bechet-Spanier Big Four3:59
17Sweet Lorraine
Bechet-Spanier Big Four4:14
18Lazy River
Bechet-Spanier Big Four4:07
19China Boy
Bechet-Spanier Big Four3:48
20If I Could Be with You (One Hour Tonight)
recording of:
If I Could Be With You (One Hour Tonight)
Texter:
Henry Creamer (in 1926)
Komponist(in):
James P. Johnson (in 1926)
Bechet-Spanier Big Four4:00
21That's a Plenty
Bechet-Spanier Big Four4:08
22Squeeze Me
Bechet-Spanier Big Four3:49
23Sweet Sue, Just You
Bechet-Spanier Big Four4:03
▶CD 5: 1940-1941
▶CD 6: 1941–1944
▶CD 7: 1944–1945
▶CD 8: 1945
▶CD 9: 1946–1947
▶CD 10: 1947
▶CD 11: 1947–1949
▶CD 12: 1949–1950
▶CD 13: 1950–1953 Studio and Selected Live Recordings
▶CD 14: 1939–1946 Broadcasts, Concerts, Private Recordings

Nennungen

Veröffentlichung

Diskografieeintrag:http://www.jazzmasters.fr/en/album/sidney-2/ [Info]

Veröffentlichungsgruppe

Teil von:The Jazz Masters (Reihenfolge: 1)
Allmusic:https://www.allmusic.com/album/mw0002237515 [Info]