Cool and Sparkling: The Liquid Sounds of Paul Smith

~ Release by Paul Smith (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleRatingLength
1I Remember You
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
I Remember You (from 1956-05 until 1956-06)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
3:19
2Kempy the Painter
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
Kempy the Painter (from 1956-05 until 1956-06)
composer:
Paul T. Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
2:56
3A Young Man’s Fancy
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
A Young Man’s Fancy (from 1956-05 until 1956-06)
composer:
Richard Whiting
3:48
4Dandy Randy
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
Dandy Randy (from 1956-05 until 1956-06)
composer:
Paul T. Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
2:27
5Alone Together
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
Alone Together (from 1956-05 until 1956-06)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:30
6The Grump
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
The Grump (from 1956-05 until 1956-06)
composer:
Paul T. Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
2:38
7You and the Night and the Music
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
You and the Night and the Music (from 1956-05 until 1956-06)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
2:24
8I’ll Take Romance
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
I’ll Take Romance (from 1956-05 until 1956-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
3:32
9Little Evil
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
Little Evil (from 1956-05 until 1956-06)
composer:
Paul T. Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
2:06
10Can’t Help Lovin’ Dat Man
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (from 1956-05 until 1956-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
4:17
11Murphy’s Light
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
Murphy’s Light (from 1956-05 until 1956-06)
composer:
Paul T. Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
1:53
12Have You Met Miss Jones?
recorded in:
Hollywood, Los Angeles, California, United States (from 1956-05 until 1956-06)
alto saxophone:
Ronnie Lang (from 1956-05 until 1956-06)
bass:
Sam Cheifitz (jazz bassist) (from 1956-05 until 1956-06)
clarinet:
Abe Most (from 1956-05 until 1956-06)
drums (drum set) [drums]:
Irving Cottler (from 1956-05 until 1956-06)
flute:
Julie Kinsler (from 1956-05 until 1956-06)
guitar:
Tony Rizzi (from 1956-05 until 1956-06)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-05 until 1956-06)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (from 1956-05 until 1956-06)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:39