The Masterworks

~ Release by Robert Schumann (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Orchestral Works
#TitleRatingLength
1Symphony in G minor, WoO 29 "Zwickau": I. Allegro molto
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Symphony in G minor, WoO 29 "Zwickau": I. Moderato - Allegro (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1832 until 1833)
part of:
Symphony in G minor, WoO 29 "Zwickau"
10:35
2Symphony in G minor, WoO 29 "Zwickau": II. Andantino quasi allegretto - Intermezzo quasi Scherzo. Allegro assai - Andantino
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Symphony in G minor, WoO 29 "Zwickau": II. Andantino quasi allegretto - Intermezzo quasi Scherzo: Allegro assai - Andantino (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1832 until 1833)
part of:
Symphony in G minor, WoO 29 "Zwickau"
8:07
3Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
10:54
4Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto - attacca
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
arrangement of:
シューマン交響曲第一番的日常
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
6:22
5Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
5:16
6Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
7:51
7Overture, Scherzo and Finale, Op. 52: I. Ouvertüre. Andante con moto - Allegro
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Overture, Scherzo and Finale, op. 52: I. Overture. Andante con moto - Allegro (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
6:03
8Overture, Scherzo and Finale, Op. 52: II. Scherzo. Vivo
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Overture, Scherzo and Finale, op. 52: II. Scherzo. Vivo (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
4:37
9Overture, Scherzo and Finale, Op. 52: III. Finale. Allegro molto vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Overture, Scherzo and Finale, op. 52: III. Finale. Allegro molto vivace (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
6:18
10Overture to Genoveva, Op. 81
orchestra:
Berliner Philharmoniker (in 1964-09)
conductor:
Rafael Kubelík (conductor) (in 1964-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-09)
recording of:
Genoveva, op. 81: Overture (in 1964-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1850)
part of:
Works of Robert Schumann by opus number (number: op. 81)
part of:
Genoveva, op. 81
9:30
▼CD 2: Orchestral Works
#TitleRatingLength
1Symphony No. 4 in D minor, Op. 120: I. Andante con moto - Allegro di molto
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
8:17
2Symphony No. 4 in D minor, Op. 120: II. Romanza. Andante
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
3:48
3Symphony No. 4 in D minor, Op. 120: III. Scherzo. Presto
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
5:08
4Symphony No. 4 in D minor, Op. 120: IV. Largo - Finale. Allegro vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
6:59
5Symphony No. 2 in C major, Op. 61: I. Sostenuto assai
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
12:12
6Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
7:01
7Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 2 in C major, op. 61: III. Adagio espressivo (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
10:08
8Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
8:27
9Overture "Julius Caesar", Op. 128
engineer:
Gordon Parry (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (in 1969-09)
conductor:
Sir Georg Solti (conductor) (in 1969-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-09)
recording of:
Julius Caesar Overture, op. 128 (in 1969-09)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Works of Robert Schumann by opus number (number: op. 128)
7:55
▼CD 3: Orchestral Works (Orchestre Révolutionnaire et Romantique feat. conductor: John Eliot Gardiner)
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1Konzertstück in F major for four Horns and Orchestra, Op. 86: I. Lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
horn:
Susan Dent (horn player) (in 1997-10), Gavin Edwards (horn player) (in 1997-10), Robert Maskell (horn player) (in 1997-10) and Roger Montgomery (horn player) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Konzertstück for Four Horns in F, op. 86: I. Lebhaft (in 1997-10)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Konzertstück for Four Horns in F, op. 86
7:06
2Konzertstück in F major for four Horns and Orchestra, Op. 86: II. Romanze. Ziemlich langsam, doch nicht schleppend
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
horn:
Susan Dent (horn player) (in 1997-10), Gavin Edwards (horn player) (in 1997-10), Robert Maskell (horn player) (in 1997-10) and Roger Montgomery (horn player) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Konzertstück for Four Horns in F, op. 86: II. Romanze (in 1997-10)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Konzertstück for Four Horns in F, op. 86
5:03
3Konzertstück in F major for four Horns and Orchestra, Op. 86: III. Sehr lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
horn:
Susan Dent (horn player) (in 1997-10), Gavin Edwards (horn player) (in 1997-10), Robert Maskell (horn player) (in 1997-10) and Roger Montgomery (horn player) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Konzertstück for Four Horns in F, op. 86: III. Sehr Lebhaft (in 1997-10)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Konzertstück for Four Horns in F, op. 86
5:43
4Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": I. Lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
8:50
5Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": II. Scherzo. Sehr mäßig
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
5:54
6Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": III. Nicht schnell
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
4:37
7Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": IV. Feierlich
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
4:55
8Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": V. Lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
5:46
9Symphony No. 4 in D minor, Op. 120 (revised version, 1951): I. Ziemlich langsam - Lebhaft - attacca:
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
9:58
10Symphony No. 4 in D minor, Op. 120 (revised version, 1951): II. Romanze. Ziemlich langsam - attacca:
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
3:39
11Symphony No. 4 in D minor, Op. 120 (revised version, 1951): III. Scherzo. Lebhaft - attacca:
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version)
4:51
12Symphony No. 4 in D minor, Op. 120 (revised version, 1951): IV. Etwas zurückhaltend - Langsam
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
1:32
13Symphony No. 4 in D minor, Op. 120 (revised version, 1951): IV. Lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (in 1997-05)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
7:40
▼CD 4: Concertos (London Symphony Orchestra feat conductor: Uri Segal, piano: Vladimir Ashkenazy)
#TitleRatingLength
1Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
recording engineer:
John Pellowe (audio engineer) (from 1977-03 until 1977-06)
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1977-06)
orchestra:
London Symphony Orchestra (in 1977-06)
conductor:
Uri Segal (Uri Segal) (in 1977-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-06)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (in 1977-06)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
15:44
2Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1977-06)
orchestra:
London Symphony Orchestra (in 1977-06)
conductor:
Uri Segal (Uri Segal) (in 1977-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-06)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso (in 1977-06)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
5:16
3Piano Concerto in A minor, Op. 54: III. Allegro vivace
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1977-06)
orchestra:
London Symphony Orchestra (in 1977-06)
conductor:
Uri Segal (Uri Segal) (in 1977-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-06)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (in 1977-06)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
11:11
4Introduction and Allegro appassionato for Piano and Orchestra, Op. 92
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1976-05)
orchestra:
London Symphony Orchestra (in 1976-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-05)
recording of:
Konzertstück (Introduction and Allegro appassionato) in G major, op. 92 (in 1976-05)
composer:
Robert Schumann (German classical composer)
part of:
Works of Robert Schumann by opus number (number: op. 92)
16:41
5Concerto Allegro with Introduction for Piano and Orchestra in D minor / D major, Op. 134
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1977-06)
orchestra:
London Symphony Orchestra (in 1977-06)
conductor:
Uri Segal (Uri Segal) (in 1977-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-06)
recording of:
Introduction and Concert Allegro in D minor, op. 134 (in 1977-06)
composer:
Robert Schumann (German classical composer)
part of:
Works of Robert Schumann by opus number (number: op. 134)
15:23
▼CD 5: Concertos
#TitleRatingLength
1Violin Concerto in D minor, WoO 1: I. In kräftigem, nicht zu schnellem Tempo
violin:
Henryk Szeryng (violinist) (in 1964-07)
orchestra:
London Symphony Orchestra (in 1964-07)
conductor:
Antal Doráti (conductor) (in 1964-07)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-05)
recording of:
Violin Concerto in D minor, WoO 23: I. In kräftigem, nicht zu schnellem Tempo (in 1964-07)
composer:
Robert Schumann (German classical composer) (from 1853-09-11 until 1853-10-03)
part of:
Violin Concerto in D minor, WoO 23
13:35
2Violin Concerto in D minor, WoO 1: II. Langsam
violin:
Henryk Szeryng (violinist) (in 1964-07)
orchestra:
London Symphony Orchestra (in 1964-07)
conductor:
Antal Doráti (conductor) (in 1964-07)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-05)
recording of:
Violin Concerto in D minor, WoO 23: II. Langsam (in 1964-07)
composer:
Robert Schumann (German classical composer) (from 1853-09-11 until 1853-10-03)
part of:
Violin Concerto in D minor, WoO 23
5:26
3Violin Concerto in D minor, WoO 1: III. Lebhaft, doch nicht schnell
violin:
Henryk Szeryng (violinist) (in 1964-07)
orchestra:
London Symphony Orchestra (in 1964-07)
conductor:
Antal Doráti (conductor) (in 1964-07)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-05)
recording of:
Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell (in 1964-07)
composer:
Robert Schumann (German classical composer) (from 1853-09-11 until 1853-10-03)
part of:
Violin Concerto in D minor, WoO 23
9:26
4Cello Concerto in A minor, Op. 129: I. Nicht zu schnell -
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
The Cleveland Orchestra (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (in 1981-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
11:10
5Cello Concerto in A minor, Op. 129: II. Langsam -
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
The Cleveland Orchestra (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
recording of:
Cello Concerto in A minor, op. 129: II. Langsam (in 1981-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
4:39
6Cello Concerto in A minor, Op. 129: III. Sehr lebhaft
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
The Cleveland Orchestra (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
recording of:
Cello Concerto in A minor, op. 129: III. Sehr lebhaft (in 1981-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
9:48
7Fantasy in A minor / C major for Violin and Orchestra, Op. 131
violin:
Anne‐Sophie Mutter (violinist) (in 1997-07)
orchestra:
New York Philharmonic (in 1997-07)
conductor:
Kurt Masur (conductor) (in 1997-07)
recorded at:
Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (in 1997-07)
recording of:
Fantasie für Violine und Orchester C-dur, op. 131 (in 1997-07)
composer:
Robert Schumann (German classical composer) (in 1853)
part of:
Works of Robert Schumann by opus number (number: op. 131)
13:13
▼CD 6: Works for Chorus and Orchestra (Orchestre Révolutionnaire et romantique, The Montiverdi Choir feat. conductor: John Eliot Gardiner)
#TitleRatingLength
1Requiem Für Mignon for Soloists, Chorus and Orchestra, Op. 98b
assistant engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals:
William Dazeley (baritone vocalist) (in 1997-10)
choir vocals:
Knabenchor Hannover (in 1997-10) and Monteverdi Choir (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Requiem für Mignon, op. 98b (in 1997-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Robert Schumann (German classical composer) (in 1849)
12:46
2Nachtlied for Chorus and Orchestra Op. 108
assistant engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Nachtlied, op. 108 (in 1997-10)
lyricist:
Friedrich Hebbel (German poet and dramatist)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Works of Robert Schumann by opus number (number: op. 108)
9:14
3Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. I. "Vor Edens Tor im Morgenprangen" (Alt-Solo)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 1 „Vor Edens Tor im Morgenprangen“ (Mezzosopran) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:12
4Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. II. "Wie glücklich sie wandeln, die sel'gen Geister" (Die Peri)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 2 „Wie glücklich sie wandeln“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:14
5Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. III. "Rezitativ: Der hehre Engel (Tenor-Solo); Dir, Kind des Stamms" (Der Engel)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals [The Angel]:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 3 „Der hehre Engel, der die Pforte“ (Rezitativ Tenor, Engel) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
1:59
6Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. IV. "Wo find' ich sie?" (Die Peri)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 4 „Wo find ich sie?“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:30
7Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. V. "So sann sie nach und schwang die Flügel" (Tenor-Solo)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 5 „So sann sie nach“ (Tenor) – „O süßes Land!“ (Quartett – Sopran, Mezzosopran, Tenor, Bariton) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
1:07
8Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. VI. "Doch seine Ströme sind jetzt rot" (Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 6 „Doch seine Ströme sind jetzt rot“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:46
9Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. VII. "Und einsam steht et Jüngling noch" (Tenor-Solo, Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Gazna]:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 7 „Und einsam steht ein Jüngling noch“ (Tenor, Chor, Gazna, Der Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:26
10Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. VIII. "Weh, weh, weh, er fehlte das Ziel" (Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 8 „Weh, weh, er fehlte das Ziel“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:13
11Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. IX. "Die Peri sah das Mal der Wunde" (Tenor-Solo)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 9 „Die Peri sah das Mal der Wunde“ (Tenor, Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
6:50
▼CD 7: Works for Chorus and Orchestra (Orchestre Révolutionnaire et romantique, The Montiverdi Choir feat. conductor: John Eliot Gardiner)
#TitleRatingLength
1Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: X. "Die Peri tritt" (Tenor-Solo); "Gern grüssen wir, die so gegangen" (Der Engel, Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals [The Angel]:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
solo tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 10 „Die Peri tritt mit schüchterner Gebärde“ (Tenor, Engel, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:02
2Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XI. "Ihr erstes Himmelshoffen" (Tenor-Solo); "Hervor aus den Wässern" (Chor, Die Peri)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 11 „Ihr erstes Himmelshoffen schwand“ (Tenor, Chor, Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:35
3Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XII. "Fort streift von hier" (Tenor-Solo); "Für euren ersten Fall" (Die Peri)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 12 „Fort streit von hier das Kind der Lüfte“ (Tenor, Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:47
4Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XIII. "Die Peri weint" (Tenor-Solo, Vokalquartett)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 13 „Die Peri weint, von ihrer Tränen scheint“ (Tenor) – „Denn in der Trän' ist Zaubermacht“ (Quartett – Sopran, Mezzosopran, Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:35
5Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XVI. "Im Waldesgrün am stillen See" (Alt-Solo); "Ach, einen Tropfen" (Der Jüngling)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 14 „Im Waldesgrün am stillen See“ (Alt, Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:11
6Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XV. "Verlassener Hüngling" (Mezzosopran-Solo); "Doch sieh, we naht" (Tenor-Solo); "Du hier?" (Der Jüngling)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 15 „Verlassener jüngling, nur das eine“ (Mezzosopran, Tenor, Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:03
7Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XVI. "O lass mich von der Luft" (Die Jungfrau); "Sie wankt - sie sinkt" (Tenor-Solo)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Maiden]:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 16 „O lass mich von der Luft durchdringen“ (Jungfrau, Tenor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:20
8Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XVII. "Schlaf nun und ruhe in Träumen" (Die Peri, Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 17 „Schlaf nun und ruhe in Träumen voll Duft“ (Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:05
9Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XVIII. "Schmücket die Stufen" (Chor); "Auch der Geliebten" (Vokalquartett); "Seht da, die Bahn" (Sopran I, II, Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Jacqueline Connell (alto) (from 1997-03 until 1997-04) and Susanna Spicer (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
soprano vocals:
Constanze Backes (from 1997-03 until 1997-04), Donna Deam (soprano) (from 1997-03 until 1997-04), Katherine Fuge (from 1997-03 until 1997-04) and Lucinda Houghton (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 18 „Schmücket die Stufen zu Allahs Thron“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:50
10Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XIX. "Dem Sang von ferne" (Tenor-Solo); "Noch nicht!" (Der Engel)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
solo alto vocals [The Angel]:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 19 „Dem Sang von ferne lauschend“ (Tenor, Engel) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:58
11Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XX. "Verstossen! Verschlossen aufs neu das Goldportal!" (Die Peri)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 20 „Verstoßen! Verschlossen auf's neu das Goldportal!“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:14
12Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXI. "Jetzt sank des Abends goldner Schein" (Bariton-Solo)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 21 „Jetzt sank des Abends goldner Schein“ (Bariton) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:21
13Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXII. "Und wie sie niederwärts" (Tenor-Solo); "Peri, ist's wahr" (Vokalquartett); "Mit ihrer Schwestern" (Bariton-Solo)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Jacqueline Connell (alto) (from 1997-03 until 1997-04) and Susanna Spicer (from 1997-03 until 1997-04)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
soprano vocals:
Donna Deam (soprano) (from 1997-03 until 1997-04) and Lucinda Houghton (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 22 „Und wie sie niederwärts sich schwingt“ (Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:54
14Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXIII. "Hinab zu jenem" (Die Peri); "Sie schwebt herab" (Tenor-Solo); "Doch horch" (Mezzosopran-Solo)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
solo baritone vocals [The Man]:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 23 „Hinab zu jenem Sonnentempel!“ (Peri, Mezzosopran, Tenor, Der Mann) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
5:52
15Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXIV. "O heil'ge Tränen inn'ger Reue" (Vokalquartett, Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo soprano) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 24 „O heil'ge Tränen inniger Reue“ (Quartett – Sopran, Alt, Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:16
16Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXV. "Es fällt ein Tropfen" (Die Peri); "Und sieh, demütig betend" (Tenor-Solo, Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 25 „Es fällt ein Tropfen aufs Land“ (Peri, Tenor, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
7:14
17Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXVI. "Freud', ew'ge Fruede; Wilkommen, wilkommen unter den Frommen!" (Die Peri, Chor)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 26 „Freud’, ew'ge Freude, mein Werk ist getan“ (Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
6:23
▼CD 8: Works for Chorus and Orchestra (Wandsworth School Choir, Aldeburgh Festival Singers, English Chamber Orchestra feat. conductor: Benjamin Britten)
#TitleRatingLength
1Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3: Overture
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Ouverture (in 1972-09)
composer:
Robert Schumann (German classical composer)
part of:
Szenen aus Goethes Faust, WoO 3
8:11
2Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part I: I. Garden scene: "Du kantest mich, o kleiner Engel, wieder" (Faust, Gretchen, Mephistopheles, Martha)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
contralto vocals:
Meriel Dickinson (in 1972-09)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 1. Scene im Garten. „Du kanntest mich, o kleiner Engel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
5:08
3Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part I: II. Gretchen before the image of the Mater Dolorosa: "Ach neige, Du Schmerzensreiche" (Gretchen)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 2. Gretchen for dem Bild der Mater dolorosa. „Ach neige, du Schmerzenreiche." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
5:00
4Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part I: III. Scene in the Cathedral: "Wie anders, Gretchen, war dir's" (Evil Spirit, Gretchen, chorus)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 3. Scene im Dom. „Wie anders, Gretchen, war dir's." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
7:00
5Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: IV. Ariel. Sunrise: "Die ihr dies Haupt umschwebt im luft'gen Kreise" (Ariel, chorus, soloists)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
John Noble (baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1972-09)
soprano vocals:
Jenny Hill (soprano) (in 1972-09)
tenor vocals:
John Elwes (tenor) (in 1972-09), Neil Jenkins (tenor) (in 1972-09) and Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 4. Ariel. Sonnenaufgang. „Die ihr dies Haupt umschwebt im luftigen Kreise." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
10:49
6Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: IV. "Des Lebens Pulse schlagen frisch-lebendig" (Faust)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 4. Ariel. Sonnenaufgang. „Die ihr dies Haupt umschwebt im luftigen Kreise." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
7:37
7Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: V. Midnight: "Ich heisse der Mangel" (Want, Debt, Care, Need)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
contralto vocals:
Meriel Dickinson (in 1972-09)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1972-09), Pauline Stevens (soprano) (in 1972-09) and Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
2:22
8Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: V. "Vier sah ich kommen" (Faust, Care)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
soprano vocals:
Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
8:15
9Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: V. "Die Nacht scheint tiefer tief hereinzuddringen" (Faust)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
2:56
10Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VI. Faust's Death: "Herbei, herbei! Herein, herein!" (Mephistopheles, Lemurs, Faust)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
choir vocals:
Wandsworth School Boys’ Choir (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
5:16
11Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VI. "Ein Sumpf zieht am Gebirge hin" (Faust)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
5:12
12Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VI. "Ihn sättigt keine Lust" (Mephistopheles, chorus)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
5:11
▼CD 9: Works for Chorus and Orchestra
#TitleRatingLength
1Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: I. "Waldung, sie schwankt heran"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 1. Chor. „Waldung, sie schwankt heran." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
2:43
2Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: II. "Ewiger Wonnebrand"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
tenor vocals:
Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 2. Tenor-solo. „Ewiger Wonnebrand, glühendes Liebesband." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
1:54
3Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: III. "Wie Felsenabgrund mir zu Füßen"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
bass vocals:
Robert Lloyd (operatic bass) (in 1972-09)
choir vocals:
Wandsworth School Boys’ Choir (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 3. Bass-solo. „Wie Felsen-Abgrund mir zu Füssen." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
6:47
4Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: IV. "Gerettet ist das edle Glied"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
choir vocals:
Aldeburgh Festival Singers (in 1972-09) and Wandsworth School Boys’ Choir (in 1972-09)
soprano vocals:
Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 4. Chor. „Gerettet ist das edle Glied." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
11:09
5Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: V. "Hier is die Aussicht frei"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 5. Bass-solo. „Hier ist die Aussicht frei." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
4:20
6Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: VII. "Dir, der Unberührbaren"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
contralto vocals:
Meriel Dickinson (in 1972-09)
mezzo-soprano vocals:
Alfreda Hodgson (contralto) (in 1972-09)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09), Felicity Palmer (mezzo-soprano) (in 1972-09) and Pauline Stevens (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 6. Bass-solo. Chor. „Dir, der Unberührbaren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
8:40
7Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: VII. "Alles Vergängliche ist nur ein Gleichnis"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
soprano vocals:
Elizabeth Harrison (in 1972-09) and Felicity Palmer (mezzo-soprano) (in 1972-09)
tenor vocals:
Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 7. Chorus mysticus. „Alles Vergängliche ist nur ein Gleichniss." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
9:27
▶CD 10: Works for Chorus and Orchestra
▶CD 11: Lieder
▶CD 12: Lieder
▶CD 13: Lieder
▶CD 14: Lieder
▶CD 15: Lieder
▶CD 16: Lieder
▶CD 17: Lieder
▶CD 18: Lieder
▶CD 19: Lieder
▶CD 20: Chamber Music
▶CD 21: Chamber Music
▶CD 22: Chamber Music
▶CD 23: Chamber Music
▶CD 24: Chamber Music
▶CD 25: Chamber Music
▶CD 26: Chamber Music
▶CD 27: Piano Music
▶CD 28: Piano Music
▶CD 29: Piano Music
▶CD 30: Piano Music
▶CD 31: Piano Music
▶CD 32: Piano Music
▶CD 33: Piano Music
▶CD 34: Piano Music
▶CD 35: Piano Music