Tracklist

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Digital Media 1
#TitleArtistRatingLength
1Never an Absolution
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recording of:
Never an Absolution
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra3:03
2Distant Memories
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Distant Memories
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra2:24
3Southampton
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recording of:
Southampton
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra4:02
4Rose
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Rose
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra2.52:53
5Leaving Port
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Leaving Port
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra3:26
6“Take her to sea, Mr. Murdoch”
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
“Take her to sea, Mr. Murdoch”
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra4:31
7“Hard to starboard”
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
“Hard to starboard”
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra6:53
8Unable to Stay, Unwilling to Leave
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
uilleann pipes:
Eric Rigler
woodwind [woodwinds]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Unable to Stay, Unwilling to Leave
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra3:56
9The Sinking
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
The Sinking
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra5:05
10Death of Titanic
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Death of Titanic
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra8:26
11A Promise Kept
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
A Promise Kept
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra6:02
12A Life So Changed
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
A Life So Changed
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra2:13
13An Ocean of Memories
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
An Ocean of Memories
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra3.157:58
14My Heart Will Go On (love theme from “Titanic”)
producer:
Simon Franglen (English score composer) and James Horner (American score composer)
editor:
Joe E. Rand
vocals:
Céline Dion
conductor:
James Horner (American score composer)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
Academy Award for Best Original Song (number: 70)
part of:
Titanic
James Horner & Céline Dion15:11
15Hymn to the Sea
mixer:
Shawn Murphy (producer/engineer)
editor:
Joe E. Rand
uilleann pipes:
Eric Rigler
woodwind [woodwinds]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
vocals:
Sissel Kyrkjebø
conductor:
James Horner (American score composer)
recording of:
Hymn to the Sea
composer:
James Horner (American score composer)
part of:
Titanic
James Horner & Orchestra6:26
Digital Media 2
#TitleArtistRatingLength
1Titanic Suite
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
choir vocals:
Choristers of King’s College, Cambridge
vocals:
Sissel
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Titanic Incidental Music
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner, Sissel, Ian Underwood, Tommy Hayes, Zan McLeod, Choir of King’s College, Cambr, London Symphony Orchestra, Eileen Ivers & Tony Hinnigan19:05
2An Irish Party in Third Class (includes “John Ryan’s Polka” and “Blarney Pilgrim”)
producer:
Randy Gerston
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
arranger:
Gaelic Storm
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
medley including a recording of:
Ryan’s Polka
composer:
[traditional] (special purpose artist)
medley including a recording of:
The Blarney Pilgrim
composer:
[traditional] (special purpose artist)
Gaelic Storm3:48
3Alexander’s Ragtime Band
producer:
John Altman
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
cello, double bass [bass], piano and violin:
I Salonisti
arranger:
John Altman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
instrumental recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
I Salonisti2:31
4The Portrait
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
solo piano:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
The Portrait
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:43
5Jack Dawson’s Luck (includes “Humours of Caledon”, “The Red-Haired Lass”, “The Boys on the Hilltop” & “The Bucks of Oranmore”)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Jack Dawson’s Luck
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
medley of:
The Red Haired Lass
medley of:
The Bucks of Oranmore (reel)
medley of:
Humours of Caledon
medley of:
The Boys on the Hilltop
James Horner, Tommy Hayes, Eileen Ivers, Eric Rigler & Tony Hinnigan5:39
6A Building Panic
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
A Building Panic
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner & Orchestra8:09
7Nearer My God to Thee
producer:
Lorenz Hasler (Swiss violinist)
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
cello, double bass [bass], piano and violin:
I Salonisti
spoken vocals:
Jonathan Evans-Jones (violinist)
arranger:
Jonathan Evans-Jones (violinist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Roud Folk Song Index (number: 28881)
I Salonisti2:50
8Come Josephine, in My Flying Machine
engineer:
Ray Pyle
producer:
Randy Gerston
spoken vocals:
Ioan Gruffudd and Kate Winslet
vocals:
Máire Brennan (formerly known as Máire Brennan)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recording of:
Come Josephine, in My Flying Machine
lyricist:
Alfred Bryan (US songwriter)
composer:
Fred Fisher
publisher:
Bienstock Publishing Co. (ASCAP affiliated) and Shapiro & Bernstein Co., Inc.
James Horner & Máire Brennan3:33
9Lament (includes “A Spailpín a Rún”)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Lament
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
is based on:
A spailpín a rún
James Horner, Eileen Ivers, Tony Hinnigan & Eric Rigler4:36
10A Shore Never Reached
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
A Shore Never Reached
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner, London Symphony Orchestra & Eric Rigler4:27
11My Heart Will Go On (dialogue mix) (includes “Titanic” film dialogue)
producer:
Walter Afanasieff and James Horner (American score composer)
spoken vocals:
Leonardo DiCaprio and Kate Winslet
vocals:
Céline Dion
phonographic copyright (℗) by:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
Academy Award for Best Original Song (number: 70)
part of:
Titanic
Céline Dion, James Horner & Orchestra4:43
12Nearer My God to Thee
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
engineer:
Steve Hardy (engineer)
editor:
Jim Henrikson
violin:
Eileen Ivers
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Roud Folk Song Index (number: 28881)
James Horner & Eileen Ivers2:23
13Epilogue – The Deep and Timeless Sea
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
choir vocals:
Choristers of King’s College, Cambridge
vocals:
Sissel
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Epilogue - The Deep and Timeless Sea
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner, Sissel, Choir of King’s College, Cambridge, Ian Underwood, London Symphony Orchestra, Eileen Ivers, Tony Hinnigan & Eric Rigler12:37
Digital Media 3
#TitleArtistRatingLength
1Valse Septembre
arranger:
John Altman
recording of:
Valse Septembre
composer:
Felix Godin (in 1909)
I Salonisti3:40
2Marguerite Waltz
arranger:
John Altman
partial instrumental recording of:
Faust
composer:
Charles Gounod (French composer) (from 1845 until 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
premiered at:
Théâtre de la Ville (Paris) in Paris, Île-de-France, France (on 1859-03-19)
I Salonisti2:34
3Wedding Dance
arranger:
John Altman
recording of:
Wedding Dance
composer:
Paul Lincke
I Salonisti2:30
4Poet and Peasant
arranger:
György Mondway
recording of:
Dichter und Bauer: Ouvertüre
composer:
Franz von Suppè (composer)
part of:
Dichter und Bauer
I Salonisti6:48
5Blue Danube
arranger:
György Mondway
recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
I Salonisti6:55
6Song Without Words
arranger:
John Altman
recording of:
Song Without Words
composer:
Пётр Ильич Чайковский (Russian romantic composer)
I Salonisti2:37
7EstudiantinaI Salonisti3:11
8Vision of Salome
arranger:
John Altman
recording of:
Vision of Salome
composer:
Archibald Joyce
I Salonisti2:42
9Titsy Bitsy Girl
arranger:
John Altman
recording of:
Titsy Bitsy Girl
composer:
Ivan Caryll
I Salonisti1:35
10Alexander’s Ragtime Band
arranger:
John Altman
recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
I Salonisti2:28
11Sphinx
arranger:
John Altman
recording of:
Sphinx
composer:
Pierre Chapella, Francis Popy and Léo Pouget
I Salonisti3:48
12BarcaroleI Salonisti3:32
13Orpheus
arranger:
György Mondway
recording of:
Orpheus (arrangement for salon orchestra)
composer:
Jacques Offenbach
arranger:
György Mondway
is based on:
Orphée aux enfers : Ouverture
I Salonisti8:40
14Song of Autumn
arranger:
John Altman
recording of:
Songe d'Automne Waltz
composer:
Archibald Joyce (in 1908)
I Salonisti3:52
15Nearer My God to Thee
arranger:
Jonathan Evans-Jones (violinist)
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Roud Folk Song Index (number: 28881)
I Salonisti2:51
Digital Media 4
#TitleArtistRatingLength
1It’s a Long Way to Tipperary
recording of:
It’s a Long Way to Tipperary
writer:
Henry James “Harry” Williams (co-credited for the British music hall song, “It’s a Long Way to Tipperary”)
composer:
Jack Judge
John McCormack3:10
2Let Me Call You Sweetheart
recording of:
Let Me Call You Sweetheart
lyricist:
Beth Whitson
composer:
Leo Friedman
part of:
Thousands Cheer (1943 movie)
Halfway House Dance Orchestra3:05
3Vilia
partial instrumental recording of:
Die lustige Witwe
composer:
Franz Lehár (composer) (in 1905)
librettist:
Victor Léon (librettist) and Leo Stein
premiered at:
Theater an der Wien in Mariahilf, Wien, Austria (on 1905-12-30)
Guy Lombardo and His Orchestra2:44
4My Gal Sal
recording of:
My Gal Sal
lyricist and composer:
Paul Dresser
Chick Bullock & His Levee Loungers2:57
5Oh! You Beautiful Doll
recording of:
Oh, You Beautiful Doll
lyricist:
Seymour Brown (in 1911)
composer:
Nat D. Ayer (in 1911)
part of:
For Me and My Gal (1942 movie)
Chuck Foster & His Orchestra2:53
6Martha
partial instrumental recording of:
Martha
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
premiered at:
Theater am Kärntnertor in Wien, Austria (on 1847-11-25)
Adrian Rollini Trio2:58
7In the Shade of the Old Apple Tree
recording of:
In the Shade of the Old Apple Tree
writer:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) and Egbert Van Alstyne (in 1905)
publisher:
Francis, Day & Hunter Ltd. and Redwood Music Ltd. (Carlin)
Duke Ellington and His Orchestra3:11
8Waiting at the Church
recording of:
Waiting at the Church
lyricist:
Fred W. Leigh (lyricist)
composer:
Henry E. Pether (in 1906)
Beatrice Kay2:38
9Frasquita SerenadeJohn Kirby and His Orchestra2:40
10Shine On Harvest Moon
recording of:
Shine On, Harvest Moon
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
Hal Kemp & Hal Kemp and His Orchestra3:06
11From the Land of the Sky Blue Water (alternate take)
clarinet:
Hank D'Amico (on 1938-01-10)
double bass:
Pete Peterson (jazz bassist) (on 1938-01-10)
drums (drum set):
Dave Tough (jazz drummer) (on 1938-01-10)
guitar:
Allan Reuss (on 1938-01-10)
piano:
Teddy Wilson (on 1938-01-10)
tenor saxophone:
Leon “Chu” Berry (on 1938-01-10)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1938-01-10)
vocals:
Mildred Bailey (on 1938-01-10)
recording of:
Four American Indian Songs, op. 45: No. 1. From the Land of the Sky-Blue Water (on 1938-01-10)
lyricist:
Nelle Richmond Eberhart
composer:
Charles Wakefield Cadman (in 1909)
part of:
4 American Indian Songs, op. 45
Mildred Bailey and Her Orchestra2:47
12Loch Lomond
recording of:
Loch Lomond (Scottish folk song)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 9598)
Maxine Sullivan and Her Orchestra2:52
13A Hot Time in the Old Town Tonight
recording of:
A Hot Time in the Old Town Tonight
lyricist:
Joe Hayden (in 1896)
composer:
Theodore August Metz (in 1896)
Miff Mole’s Molers2:46
14Nearer My God to Thee
recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Roud Folk Song Index (number: 28881)
Nelson Eddy3:10

Credits

Release

phonographic copyright (℗) by:Paramount Pictures (in 1997, in 1998, in 2012)
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1997, in 1998)
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2012)
licensed to:Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
transliterated/translated track listings:《泰坦尼克号》电影原声 (沉没100周年电影15周年纪念版)
Titanic: Original Motion Picture Soundtrack (Collector’s Anniversary Edition)
purchase for download:https://itunes.apple.com/us/album/id582727503 [info]
stream for free:https://open.spotify.com/album/3XwgFTxiWxep4s1VjPEaHs [info]