From Sousa to Spielberg

~ Release by John Williams & Boston Pops Orchestra (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleArtistRatingLength
1The Washington Post
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-11-03)
conductor:
John Williams (American score composer) (on 1990-11-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-03)
John Philip Sousa2:39
2One O'Clock Jump
recording engineer and producer:
Shawn Murphy (producer/engineer)
bass:
Lawrence Wolfe (double bass player) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
drums (drum set):
Fred Buda (from 1994-06-10 until 1994-06-11, on 1994-06-14)
guitar:
John Damian (guitarist) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
piano:
Bob Winter (from 1994-06-10 until 1994-06-11, on 1994-06-14)
orchestra:
Boston Pops Orchestra (from 1994-06-10 until 1994-06-11, on 1994-06-14)
conductor:
John Williams (American score composer) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
arranger:
Sammy Nestico
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1994-06-10 until 1994-06-11, on 1994-06-14)
instrumental recording of:
One O’Clock Jump (from 1994-06-10 until 1994-06-14)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie3:18
3Love Changes Everything (from the musical "Aspects of Love")
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer)
Andrew Lloyd Webber4:37
4Remembrances
recording engineer and producer:
Shawn Murphy (producer/engineer)
violin:
Tamara Smirnova (from 1995-05-25 until 1995-05-27)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Remembrances (Schindler’s List) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Schindler's List
John Williams6:26
5It Don't Mean a Thing (If it Ain't Got That Swing)
recording engineer and producer:
Shawn Murphy (producer/engineer)
bass:
Lawrence Wolfe (double bass player) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
drums (drum set):
Fred Buda (from 1994-06-10 until 1994-06-11, on 1994-06-14)
guitar:
John Damian (guitarist) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
piano:
Bob Winter (from 1994-06-10 until 1994-06-11, on 1994-06-14)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
orchestra:
Boston Pops Orchestra (from 1994-06-10 until 1994-06-11, on 1994-06-14)
conductor:
John Williams (American score composer) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
arranger:
Sammy Nestico
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1994-06-10 until 1994-06-11, on 1994-06-14)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (from 1994-06-10 until 1994-06-14)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy "Duke" Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
John Williams2:28
6Flying
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams3:39
7Cherokee
recording engineer and producer:
Shawn Murphy (producer/engineer)
bass:
Lawrence Wolfe (double bass player) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
drums (drum set):
Fred Buda (from 1994-06-10 until 1994-06-11, on 1994-06-14)
guitar:
John Damian (guitarist) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
piano:
Bob Winter (from 1994-06-10 until 1994-06-11, on 1994-06-14)
orchestra:
Boston Pops Orchestra (from 1994-06-10 until 1994-06-11, on 1994-06-14)
conductor:
John Williams (American score composer) (from 1994-06-10 until 1994-06-11, on 1994-06-14)
arranger:
Sammy Nestico
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1994-06-10 until 1994-06-11, on 1994-06-14)
instrumental recording of:
Cherokee (from 1994-06-10 until 1994-06-14)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Ray Noble2:53
8Star Wars, Episode IV: A New Hope: Main Theme
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer) (from 2014-12 until 2015-11)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
music quoted on:
Finale (Star Wars, Episode IX: The Rise of Skywalker)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams5:52
9Send in the Clowns (from the musical "A Little Night Music")
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1989-01-01)
conductor:
John Williams (American score composer) (on 1989-01-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1989-01-01)
instrumental recording of:
Send In the Clowns (A Little Night Music) (on 1989-01-01)
lyricist and composer:
Stephen Sondheim
publisher:
Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
A Little Night Music (musical)
Stephen Sondheim2:58
10The Stars and Stripes Forever
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (on 1990-05-18)
conductor:
John Williams (American score composer) (on 1990-05-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-05-18)
John Philip Sousa3:31

Credits