Playlist: The Very Best of Dixie Chicks

~ Release by Dixie Chicks (see all versions of this release, 3 available)

Tracklist

Enhanced CD 1
#TitleRatingLength
1Wide Open Spaces
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville, Tennessee, United States
additionally produced at:
Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
recording of:
Wide Open Spaces (from 1997-03 until 1997-08)
lyricist and composer:
Susan Gibson
publisher:
Pie-Eyed Music (in 1997)
53:46
2You Were Mine
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville, Tennessee, United States
additionally produced at:
Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
recording of:
You Were Mine (from 1997-03 until 1997-08)
writer:
Emily Erwin and Martie Seidel
33:39
3Sin Wagon
recording engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Blake Chancey and Paul Worley
acoustic guitar:
Bryan Sutton
recording of:
Sin Wagon (in 1999)
writer:
Natalie Maines (in 1999), Emily Robison (in 1999) and Stephony Smith (American singer/songwriter) (in 1999)
publisher:
Bug Music (music publishing) (in 1999), EMI Blackwood Music Inc. (1989-07-24–present) (in 1999), Scrapin’ Toast Music (in 1999), Singles Only Music (in 1999) and Woolly Puddin’ Music (in 1999)
4.653:39
4Cowboy Take Me Away
recording engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Blake Chancey and Paul Worley
recording of:
Cowboy Take Me Away (in 1999)
writer:
Marcus Hummon (in 1999) and Martie Seidel (in 1999)
publisher:
Bug Music (music publishing) (in 1999), Careers BMG Music Publishing, Inc. (in 1999), Floyd's Dream Music (in 1999) and Woolly Puddin’ Music (in 1999)
54:48
5Let Him Fly
recording engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Blake Chancey and Paul Worley
acoustic guitar:
Adam Steinberg
cover recording of:
Let Him Fly (in 1999)
lyricist and composer:
Patty Griffin
43:09
6Long Time Gone
additional engineer and assistant mixer:
Eric Bickel
assistant engineer:
Thomas Johnson (engineer/mastering), Adam Odor and Fred Remmert
engineer and mixer:
Gary Paczosa
producer:
Lloyd Maines and The Dixie Chicks (US country trio, formerly known as the Dixie Chicks)
additional percussion:
John Mock
banjo:
Emily
bass guitar [bass]:
Glenn Fukunaga
fiddle:
Martie
guitar:
Bryan Sutton
mandolin:
Adam Steffey (bluegrass mandolin player)
percussion:
Paul Pearcy
slide guitar:
Lloyd Maines
background vocals [harmony vocals]:
Emily and Martie
vocals:
Natalie
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2002)
recorded at:
Cedar Creek Recording in Austin, Texas, United States
mixed at:
Emerald Sound Studios in Nashville, Tennessee, United States
cover recording of:
Long Time Gone ("...long time gone, and it ain't coming back again")
lyricist and composer:
Darrell Scott (Country musician)
publisher:
Chuck Wagon Gourmet Music and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
54:10
7Landslide
additional engineer and assistant mixer:
Eric Bickel
assistant engineer:
Thomas Johnson (engineer/mastering), Adam Odor and Fred Remmert
engineer and mixer:
Gary Paczosa
producer:
Lloyd Maines and The Dixie Chicks (US country trio, formerly known as the Dixie Chicks)
banjo and resonator guitar [dobro]:
Emily
bass guitar [bass]:
Byron House (American bass player)
guitar:
Bryan Sutton
mandolin:
Adam Steffey (bluegrass mandolin player)
mandolin [leads] and solo mandolin:
Martie
background vocals [harmony vocals]:
Emily and Martie
vocals:
Natalie
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2002)
recorded at:
Cedar Creek Recording in Austin, Texas, United States
mixed at:
Emerald Sound Studios in Nashville, Tennessee, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 62)
cover recording of:
Landslide
lyricist and composer:
Stevie Nicks
publisher:
Sony Songs Inc., Sony/ATV Music Publishing (1995–2020) and Welsh Witch Music (BMI affiliated)
was commissioned by:
BBC Enterprises Ltd. (predecessor of BBC Worldwide Ltd.)
3.653:50
8Truth No. 2
additional engineer and assistant mixer:
Eric Bickel
assistant engineer:
Thomas Johnson (engineer/mastering), Adam Odor and Fred Remmert
engineer and mixer:
Gary Paczosa
producer:
Lloyd Maines and The Dixie Chicks (US country trio, formerly known as the Dixie Chicks)
acoustic guitar [Papoose] and slide guitar [Weissenborn]:
Lloyd Maines
banjo:
Emily
bass guitar [bass]:
Byron House (American bass player)
fiddle:
Martie
guitar:
Bryan Sutton
mandolin:
Adam Steffey (bluegrass mandolin player)
percussion:
Paul Pearcy
background vocals [harmony vocals]:
Emily and Martie
vocals:
Natalie
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2002)
recorded at:
Cedar Creek Recording in Austin, Texas, United States
mixed at:
Emerald Sound Studios in Nashville, Tennessee, United States
recording of:
Truth No. 2
lyricist and composer:
Patty Griffin
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and One Big Love Music
44:29
9The Long Way Around
additional recording engineer:
Greg Fidelman and John Silva
assistant recording engineer:
Kevin Dean and Vanessa Par (assistant engineer)
recording engineer:
Jim Scott (US recording engineer and producer) and Chris Testa
producer:
Rick Rubin (American record producer and former co-president of Columbia Records)
assistant mixer:
John Netti
mixer:
Richard Dodd (mastering engineer, producer and engineer)
recorded at:
Sunset Sound Studios in Hollywood, Los Angeles, California, United States and The Village (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Blackbird Studio B (Blackbird Studio) in Nashville, Tennessee, United States
recording of:
The Long Way Around
lyricist and composer:
Martie Maguire, Natalie Maines, Emily Robison and Dan Wilson (American singer/songwriter)
3.54:35
10Easy Silence
additional recording engineer:
Greg Fidelman and John Silva
assistant recording engineer:
Kevin Dean and Vanessa Par (assistant engineer)
recording engineer:
Jim Scott (US recording engineer and producer) and Chris Testa
producer:
Rick Rubin (American record producer and former co-president of Columbia Records)
assistant mixer:
John Netti
mixer:
Richard Dodd (mastering engineer, producer and engineer)
recorded at:
Sunset Sound Studios in Hollywood, Los Angeles, California, United States and The Village (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Blackbird Studio B (Blackbird Studio) in Nashville, Tennessee, United States
recording of:
Easy Silence
lyricist and composer:
Martie Maguire, Natalie Maines, Emily Robison and Dan Wilson (American singer/songwriter)
54:05
11Not Ready to Make Nice
additional recording engineer:
Greg Fidelman and John Silva
assistant recording engineer:
Kevin Dean and Vanessa Par (assistant engineer)
recording engineer:
Jim Scott (US recording engineer and producer) and Chris Testa
producer:
Rick Rubin (American record producer and former co-president of Columbia Records)
assistant mixer:
John Netti
mixer:
Richard Dodd (mastering engineer, producer and engineer)
flute:
Steve Kujala
French horn:
Joe Meyer (French horn player) and Brad Warnaar
strings:
Larry Corbett, Mario DeLeon, Joel Derouin, Andrew Duckles, Matt Funes, Gerardo Hilera (violinist) and Martie Maguire
strings arranger:
David Campbell (US based Canadian violinist, composer, conductor and arranger) and Martie Maguire
recorded at:
Sunset Sound Studios in Hollywood, Los Angeles, California, United States and The Village (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Blackbird Studio B (Blackbird Studio) in Nashville, Tennessee, United States
recording of:
Not Ready to Make Nice
lyricist and composer:
Martie Maguire, Natalie Maines, Emily Robison and Dan Wilson (American singer/songwriter)
44:00
12Lubbock or Leave It
additional recording engineer:
Greg Fidelman and John Silva
assistant recording engineer:
Kevin Dean and Vanessa Par (assistant engineer)
recording engineer:
Jim Scott (US recording engineer and producer) and Chris Testa
producer:
Rick Rubin (American record producer and former co-president of Columbia Records)
assistant mixer:
John Netti
mixer:
Richard Dodd (mastering engineer, producer and engineer)
recorded at:
Sunset Sound Studios in Hollywood, Los Angeles, California, United States and The Village (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Blackbird Studio B (Blackbird Studio) in Nashville, Tennessee, United States
recording of:
Lubbock or Leave It
lyricist and composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Martie Maguire, Natalie Maines and Emily Robison
43:54