Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

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CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
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1Nach dir, Herr, verlanget mich, BWV 150: 1. Sinfonia
producer:
Isabella de Sabata
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:37
2Nach dir, Herr, verlanget mich, BWV 150: 2. Chorus: Nach dir, Herr, verlanget mich
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
3:19
3Nach dir, Herr, verlanget mich, BWV 150: 3. Aria: Doch bin und bleibe ich vergnügt
producer:
Isabella de Sabata
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:34
4Nach dir, Herr, verlanget mich, BWV 150: 4. Tutti: Leite mich in deiner Wahrheit
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:51
5Nach dir, Herr, verlanget mich, BWV 150: 5. Aria: Zedern müssen von den Winden
producer:
Isabella de Sabata
alto vocals:
Daniel Taylor (Canadian countertenor) (on 2000-06-04)
bass vocals:
Panajotis N. Iconomou (bass-baritone) (on 2000-06-04)
tenor vocals:
Paul Agnew (tenor / conductor) (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:08
6Nach dir, Herr, verlanget mich, BWV 150: 6. Chorus: Meine Augen sehen stets zu dem Herrn
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
2:05
7Nach dir, Herr, verlanget mich, BWV 150: 7. Tutti. Ciacona: Meine Tage in dem Leide
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
3:00
8Christ lag in Todes Banden, BWV 4: 1. Sinfonia
producer:
Isabella de Sabata
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:23
9Christ lag in Todes Banden, BWV 4: 2. Versus 1: Christ lag in Todes Banden
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
4:00
10Christ lag in Todes Banden, BWV 4: 3. Versus 2: Den Tod niemand zwingen kunnt
producer:
Isabella de Sabata
alto vocals:
Daniel Taylor (Canadian countertenor) (from 2000-04-23 until 2000-04-24)
soprano vocals:
Gillian Keith (soprano) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
5:33
11Christ lag in Todes Banden, BWV 4: 4. Versus 3: Jesus Christus, Gottes Sohn
producer:
Isabella de Sabata
tenor vocals:
James Gilchrist (tenor) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:44
12Christ lag in Todes Banden, BWV 4: 5. Versus 4: Es war ein wunderlicher Krieg
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:48
13Christ lag in Todes Banden, BWV 4: 6. Versus 5: Hier ist das rechte Osterlamm
producer:
Isabella de Sabata
bass vocals:
Stephen Varcoe (bass-baritone) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
4:23
14Christ lag in Todes Banden, BWV 4: 7. Versus 6: So feiern wir das hohe Fest
producer:
Isabella de Sabata
soprano vocals:
Gillian Keith (soprano) (from 2000-04-23 until 2000-04-24)
tenor vocals:
James Gilchrist (tenor) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:38
15Christ lag in Todes Banden, BWV 4: 8. Versus 7: Wir essen und leben wohl
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:21
16Gott ist mein König, BWV 71: 1. [Chorus:] Gott ist mein König
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": I. Coro (Sopran, Alt, Tenor, Bass) "Gott ist mein König von altersher" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
2:04
17Gott ist mein König, BWV 71: 2. Air: Ich bin nun achtzig Jahr
producer:
Isabella de Sabata
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-07-23)
tenor vocals:
Paul Agnew (tenor / conductor) (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": II. Aria (Sopran, Tenor) "Ich bin nun achtzig Jahr" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
3:36
18Gott ist mein König, BWV 71: 3. Fuga: Dein Alter sei wie deine Jugend
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": III. Fuga (Coro) "Dein Alter sei wie deine Jugend" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
2:05
19Gott ist mein König, BWV 71: 4. Arioso: Tag und Nacht ist dein
producer:
Isabella de Sabata
bass vocals:
Peter Harvey (bass-baritone) (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": IV. Arioso (Bass) "Tag und Nacht ist dein" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
2:57
20Gott ist mein König, BWV 71: 5. Air: Durch mächtige Kraft
producer:
Isabella de Sabata
alto vocals:
William Towers (Countertenor) (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": V. Aria (Alt) "Durch mächtige Kraft" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
1:12
21Gott ist mein König, BWV 71: 6. [Chorus:] Du wollest dem Feinde nicht geben
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VI. Coro "Du wollest dem Feinde" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
3:12
22Gott ist mein König, BWV 71: 7. [Chorus:] Das neue Regiment auf jeglichen Wegen
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VII. Coro (Sopran, Alt, Tenor, Bass) "Das neue Regiment" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
3:23
23Der Herr denket an uns, BWV 196: 1. Sinfonia
producer:
Tini Mathot
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
1:41
24Der Herr denket an uns, BWV 196: 2. [Chorus:] Der Herr denket an uns und segnet uns
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns" (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
1:53
25Der Herr denket an uns, BWV 196: 3. [Aria:] Er segnet, die den Herrn fürchten
producer:
Tini Mathot
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten" (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
2:35
26Der Herr denket an uns, BWV 196: 4. [Duet:] Der Herr segne euch
producer:
Tini Mathot
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1994-11-23 until 1994-12-03)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr" (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
2:09
27Der Herr denket an uns, BWV 196: 5. Chorus: Ihr seid die Gesegneten des Herrn
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn" (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
2:42
CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
#TitleRatingLength
1Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 1. Sinfonia [& Chorus:] Aus der Tiefen rufe ich, Herr, zu dir
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia e Coro "Aus der Tiefen rufe ich, Herr, zu dir" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
3:49
2Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 2. Bass solo [& Chorus:] So du willt, Herr, Sünde zurechnen
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso (Bass) con Choral "So du willst, Herr, Sünde zurechnen" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
4:21
3Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 3. Chorus: Ich harre des Herrn
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn, meine Seele harret" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
3:03
4Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 4. Tenor solo [& Chorus:] Meine Seele wartet auf den Herrn
producer:
Peter Wadland
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenor) con Choral "Meine Seele wartet auf den Herrn" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
4:40
5Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 5. [Chorus:] Israel, hoffe auf den Herrn
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel hoffe auf den Herrn" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
3:51
6Gottes Zeit ist die allerbeste Zeit, BWV 106: 1. Sonatina
producer:
Peter Wadland
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:11
7Gottes Zeit ist die allerbeste Zeit, BWV 106: 2a. [Chorus:] Gottes Zeit ist die allerbeste Zeit
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:44
8Gottes Zeit ist die allerbeste Zeit, BWV 106: 2b. Ach, Herr, lehre uns bedenken
producer:
Peter Wadland
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:56
9Gottes Zeit ist die allerbeste Zeit, BWV 106: 2c. Bestelle dein Haus!
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:06
10Gottes Zeit ist die allerbeste Zeit, BWV 106: 2d. Es ist der alte Bund
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:30
11Gottes Zeit ist die allerbeste Zeit, BWV 106: 3a. In deine Hände befehl / 3b. Heute wirst du mit mir
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
5:34
12Gottes Zeit ist die allerbeste Zeit, BWV 106: 4. [Chorus:] Glorie, Lob, Ehr und Herrlichkeit
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:53
13Lobe den Herrn, meine Seele, BWV 143: 1. [Chorus:] Lobe den Herrn, meine Seele
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:16
14Lobe den Herrn, meine Seele, BWV 143: 2. Chorale: Du Friedefürst, Herr Jesu Christ
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
soprano vocals:
Ingrid Schmithüsen (Sopran) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:54
15Lobe den Herrn, meine Seele, BWV 143: 3. Recitative: Wohl dem, des Hülfe der Gott Jakob ist
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
0:24
16Lobe den Herrn, meine Seele, BWV 143: 4. Aria: Tausendfaches Unglück, Schrecken
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
3:13
17Lobe den Herrn, meine Seele, BWV 143: 5. Aria: Der Herr ist König ewiglich
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:43
18Lobe den Herrn, meine Seele, BWV 143: 6. [Aria:] Jesu, Retter deiner Herde, bleibe ferner unser Hort
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:10
19Lobe den Herrn, meine Seele, BWV 143: 7. Chorus [& Chorale:] Halleluja – Gedenk, Herr Jesu, an dein Amt
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:23
20Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 1. Sinfonia
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
2:46
21Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 2. Recitative: Gleichwie der Regen und Schnee vom Himmel fällt
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
1:10
22Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 3. Recitative: Mein Gott, hier wird mein Herze sein
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (from 1997-02 until 1997-07)
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
5:39
23Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 4. Aria: Mein Seelenschatz ist Gottes Wort
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (from 1997-02 until 1997-07)
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
3:16
24Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 5. Chorale: Ich bitt, o Herr, aus Herzens Grund
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (from 1997-02 until 1997-07)
lyricist:
Lazarus Spengler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
librettist:
Salomon Franck
part of:
Breitkopf 389 Choralgesänge (number: 73)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix,
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
1:16
25Aria: Alles mit Gott und nichts ohn’ ihn, BWV 1127
producer:
Isabella de Sabata
soprano vocals:
Elin Manahan Thomas (soprano) (on 2005-07-22)
conductor:
Sir John Eliot Gardiner (on 2005-07-22) and 鈴木雅明 (keyboardist, conductor) (on 2005-07-22)
performer:
English Baroque Soloists (on 2005-07-22)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 2005-07)
recording of:
Aria, BWV 1127 "Alles mit Gott und nichts ohn' ihn" (on 2005-07-22)
premiered in:
Weimar, Thüringen, Germany (on 1713-10-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Bach-Werke-Verzeichnis (number: BWV 1127)
12:14
CD 3: Cantatas 182, 12, 54, 172 (1714)
#TitleRatingLength
1Himmelskönig, sei willkommen, BWV 182: 1. Sinfonia
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
1:57
2Himmelskönig, sei willkommen, BWV 182: 2. Chorus: Himmelskönig, sei willkommen
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": II. Coro "Himmelskönig, sei willkommen" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
3:25
3Himmelskönig, sei willkommen, BWV 182: 3. Recitative: Siehe, ich komme
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Bass) "Siehe, ich komme" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
0:35
4Himmelskönig, sei willkommen, BWV 182: 4. Aria: Starkes Lieben
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Bass) "Starkes Lieben" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
2:38
5Himmelskönig, sei willkommen, BWV 182: 5. Aria: Leget euch dem Heiland unter
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
alto vocals:
Yoshikazu Mera (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
8:58
6Himmelskönig, sei willkommen, BWV 182: 6. Aria: Jesu, lass durch Wohl und Weh
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenor) "Jesus, laß durch Wohl und Weh" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
3:56
7Himmelskönig, sei willkommen, BWV 182: 7. Chorale: Jesu, deine Passion ist mir lauter Freude
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
3:10
8Himmelskönig, sei willkommen, BWV 182: 8. Chorus: So lasset uns gehen in Salem der Freuden
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro "So lasset uns gehen in Salem der Freuden" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
3:49
9Weinen, Klagen, Sorgen, Zagen, BWV 12: 1. Sinfonia
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
2:31
10Weinen, Klagen, Sorgen, Zagen, BWV 12: 2. [Chorus:] Weinen, Klagen, Sorgen, Zagen
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
6:57
11Weinen, Klagen, Sorgen, Zagen, BWV 12: 3. Recitative: Wir müssen durch viel Trübsal
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
0:47
12Weinen, Klagen, Sorgen, Zagen, BWV 12: 4. Aria: Kreuz und Kronen sind verbunden
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
6:04
13Weinen, Klagen, Sorgen, Zagen, BWV 12: 5. Aria: Ich folge Christo nach
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
2:19
14Weinen, Klagen, Sorgen, Zagen, BWV 12: 6. Aria: Sei getreu, alle Pein
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
tenor vocals:
Makoto Sakurada (in 1996-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
3:59
15Weinen, Klagen, Sorgen, Zagen, BWV 12: 7. Chorale: Was Gott tut, das ist wohlgetan
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1996-04)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
0:58
16Widerstehe doch der Sünde, BWV 54: 1. Aria: Widerstehe doch der Sünde
alto vocals:
Andreas Scholl (countertenor) (in 1997-07)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
6:58
17Widerstehe doch der Sünde, BWV 54: 2. Recitative: Die Art verruchter Sünden
alto vocals:
Andreas Scholl (countertenor) (in 1997-07)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
1:09
18Widerstehe doch der Sünde, BWV 54: 3. [Aria:] Wer Sünde tut, der ist vom Teufel
alto vocals:
Andreas Scholl (countertenor) (in 1997-07)
orchestra:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel (in 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
3:06
19Erschallet, ihr Lieder, BWV 172: 1. Chorus: Erschallet, ihr Lieder, erklinget, ihr Saiten!
recording engineer:
Wolf-Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
choir vocals:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (in 1999-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
3:51
20Erschallet, ihr Lieder, BWV 172: 2. Recitative: Wer mich liebet, der wird mein Wort halten
recording engineer:
Wolf-Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
bass vocals:
Reinhard Hagen (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (in 1999-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
0:51
21Erschallet, ihr Lieder, BWV 172: 3. Aria: Heiligste Dreieinigkeit
recording engineer:
Wolf-Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
bass vocals:
Reinhard Hagen (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (in 1999-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:59
22Erschallet, ihr Lieder, BWV 172: 4. Aria: O Seelenparadies
recording engineer:
Wolf-Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
tenor vocals:
Christoph Genz (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (in 1999-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
5:12
23Erschallet, ihr Lieder, BWV 172: 5. Aria: Komm, lass mich nicht länger warten
recording engineer:
Wolf-Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
countertenor vocals [alto]:
Robin Blaze (countertenor) (in 1999-04)
soprano vocals:
Martina Janková (soprano) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (in 1999-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
4:20
24Erschallet, ihr Lieder, BWV 172: 6. Chorale: Von Gott kömmt mir ein Freudenschein
recording engineer:
Wolf-Dieter Karwatky, Everett Porter and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
choir vocals:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (in 1999-04)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
1:18
CD 4: Cantatas 21, 199 (1714)
#TitleRatingLength
1Ich hatte viel Bekümmernis, BWV 21: 1. Sinfonia
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
3:08
2Ich hatte viel Bekümmernis, BWV 21: 2. Chorus: Ich hatte viel Bekümmernis
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
3:54
3Ich hatte viel Bekümmernis, BWV 21: 3. Aria: Seufzer, Tränen, Kummer, Not
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
soprano vocals:
Monika Frimmer (soprano) (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
4:26
4Ich hatte viel Bekümmernis, BWV 21: 4. Recitative: Wie hast du dich, mein Gott
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
soprano vocals:
Monika Frimmer (soprano) (in 1997-06)
orchestra:
Bach Collegium Japan (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
1:30
5Ich hatte viel Bekümmernis, BWV 21: 5. Aria: Bäche von gesalznen Zähren
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
tenor vocals:
Gerd Türk (German tenor) (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
5:21
6Ich hatte viel Bekümmernis, BWV 21: 6. Chorus: Was betrübst du dich
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
3:33
7Ich hatte viel Bekümmernis, BWV 21: 7. Recitative: Ach Jesu, meine Ruh, mein Licht
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (in 1997-06)
soprano vocals:
Monika Frimmer (soprano) (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
1:17
8Ich hatte viel Bekümmernis, BWV 21: 8. Aria Duet: Komm, mein Jesu, und erquicke
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (in 1997-06)
soprano vocals:
Monika Frimmer (soprano) (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
3:47
9Ich hatte viel Bekümmernis, BWV 21: 9. Chorus: Sei nun wieder zufrieden
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
4:30
10Ich hatte viel Bekümmernis, BWV 21: 10. Aria: Erfreue dich, Seele
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
soprano vocals:
Monika Frimmer (soprano) (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
2:39
11Ich hatte viel Bekümmernis, BWV 21: 11. Chorus: Das Lamm, das erwürget ist
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
3:22
12Ich hatte viel Bekümmernis, BWV 21: 3. Aria: Seufzer, Tränen, Kummer, Not (Alternative version)
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
tenor vocals:
Gerd Türk (German tenor) (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
4:35
13Ich hatte viel Bekümmernis, BWV 21: 7. Recitative: Ach Jesu, meine Ruh, mein Licht (Alternative version)
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (in 1997-06)
tenor vocals:
Gerd Türk (German tenor) (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
1:24
14Ich hatte viel Bekümmernis, BWV 21: 8. Aria Duet: Komm, mein Jesu, und erquicke (Alternative version)
sound engineer:
Jens Braun (classical engineer) (in 1997-06)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (in 1997-06)
tenor vocals:
Gerd Türk (German tenor) (in 1997-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1997-06)
performer:
Bach Collegium Japan (in 1997-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1997-06)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
3:55
15Mein Herze schwimmt im Blut, BWV 199: 1. Recitative: Mein Herze schwimmt im Blut
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
1:59
16Mein Herze schwimmt im Blut, BWV 199: 2. Aria [– Recitative]: Stumme Seufzer, stille Klagen
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
8:00
17Mein Herze schwimmt im Blut, BWV 199: 3. Recitative: Doch Gott muss mir genädig sein
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
0:58
18Mein Herze schwimmt im Blut, BWV 199: 4. Aria: Tief gebückt und voller Reue
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
9:04
19Mein Herze schwimmt im Blut, BWV 199: 5. Recitative: Auf diese Schmerzensreu
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
0:12
20Mein Herze schwimmt im Blut, BWV 199: 6. Chorale: Ich, dein betrübtes Kind
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
1:50
21Mein Herze schwimmt im Blut, BWV 199: 7. Recitative: Ich lege mich in diese Wunden
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
0:45
22Mein Herze schwimmt im Blut, BWV 199: 8. Aria: Wie freudig ist mein Herz
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
2:05
CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
CD 8: Cantatas 75, 76, 24 (1723)
CD 9: Cantatas 167, 147, 186, 136 (1723)
CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
CD 11: Cantatas 77, 25, 119, 138 (1723)
CD 12: Cantatas 95, 148, 48, 109 (1723)
CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
CD 16: Cantatas 18, 66, 134, 67 (1724)
CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
CD 18: Cantatas 173, 184, 194 (1724)
CD 19: Cantatas 20, 2, 7, 135 (1724)
CD 20: Cantatas 10, 93, 107, 178 (1724)
CD 21: Cantatas 94, 101, 113 (1724)
CD 22: Cantatas 33, 78, 99, 8 (1724)
CD 23: Cantatas 130, 114, 96, 5 (1724)
CD 24: Cantatas 180, 38, 115, 139 (1724)
CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
CD 27: Cantatas 124, 3, 111, 92 (1725)
CD 28: Cantatas 125, 126, 127 (1725)
CD 29: Cantatas 1, 6, 42 (1725)
CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
CD 34: Cantatas 32, 13, 72, 43 (1726)
CD 35: Cantatas 146, 129, 39 (1726)
CD 36: Cantatas 88, 170, 187, 45 (1726)
CD 37: Cantatas 102, 35, 17, 19 (1726)
CD 38: Cantatas 27, 47, 169, 56 (1726)
CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
CD 40: Cantatas 82, 157, 84 (1727)
CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
CD 42: Cantatas 171, 156, 159, 120a (1729)
CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
CD 44: Cantatas 29, 140, 36 (1731)
CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
CD 49: 4-Part Chorales, BWV 250-318 AC-GO
CD 50: 4-Part Chorales, BWV 319-381 GO-ME
CD 51: 4-Part Chorales, BWV 382-438 MI-WO
CD 52: Magnificat BWV 243, 243a
CD 53: Motets
CD 54: Mass in B minor (1 Mortensen)
CD 55: Mass in B minor (2 Mortensen)
CD 56: Mass in B minor (1 Brüggen)
CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
CD 58: Missas BWV 234-236
CD 59: St. John Passion (1724) (1 Gardiner)
CD 60: St. John Passion (1724) (2 Gardiner)
CD 61: St. John Passion (1749) (1 Suzuki)
CD 62: St. John Passion (1749) (2 Suzuki)
CD 63: St. Matthew Passion (1 Gardiner)
CD 64: St. Matthew Passion (2 Gardiner)
CD 65: St. Matthew Passion (1 McCreesh)
CD 66: St. Matthew Passion (2 McCreesh)
CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
CD 69: Christmas Oratorio (1 Gardiner)
CD 70: Christmas Oratorio (2 Gardiner)
CD 71: Christmas Oratorio (1 Chailly)
CD 72: Christmas Oratorio (2 Chailly)
CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
CD 75: Cantatas 36c, 205, 34a (1725-1726)
CD 76: Cantatas 207, 204, 216a (1726-1728)
CD 77: Cantatas 198, 201 (1727-1729)
CD 78: Cantatas 213, 214 (1733)
CD 79: Cantatas 211, 215 (1734)
CD 80: Cantatas 206, 30a (1736-1737)
CD 81: Cantatas 209, 210, 212 (1730s-1740s)
CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
CD 83: Cantatas 56, 82, 4
CD 84: Cantatas 31, 104, 57
CD 85: Cantatas 199, 173, 74, 151
CD 86: Easter Oratorio / Cantata 140
CD 87: Cantatas 170, 159, 102
CD 88: Cantatas 80, 52, 84, 209
CD 89: Cantatas 82, 158, 56
CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
CD 92: Cantatas 92, 126, 182 (Easter)
CD 93: Cantatas 1, 4, 67, 104 (Easter)
CD 94: Cantatas 34, 68, 39 (Whitsun)
CD 95: Cantatas 30, 147 (Whitsun)
CD 96: Cantatas 76, 21 (Trinity)
CD 97: Cantatas 135, 10, 45, 105 (Trinity)
CD 98: Cantatas 51, 78, 8, 130 (Trinity)
CD 99: Cantatas 27, 5, 60, 26 (Trinity)
CD 100: St. Matthew Passion (1 Richter)
CD 101: St. Matthew Passion (2 Richter)
CD 102: St. Matthew Passion (3 Richter)
CD 103: Great Singers (1952-1965)
CD 104: Great Singers (1967-2011)
CD 105: Great Singers (Period Instruments)
CD 106: Organ Works (Introduction 1)
CD 107: Organ Works (Introduction 2)
CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
CD 115: Early Chorale Preludes / Chorale Partitas
CD 116: Chorale Preludes (Mühlhausen & Weimar)
CD 117: Breitkopf Collection, BWV 690-713
CD 118: Orgelbüchlein (Preston)
CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
CD 122: Clavier-Übung III (1) (Preston)
CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
CD 124: Free Works of Unproven Authenticity
CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
CD 126: Keyboard Works (Introduction 1: Harpsichord)
CD 127: Keyboard Works (Introduction 2: Piano)
CD 128: Early Fugues & Capriccios
CD 129: Early Suites & Sonatas
CD 130: Toccatas, BWV 910-916
CD 131: Virtuoso Fantasias & Fugues
CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
CD 134: English Suites 1-3 (Dreyfus)
CD 135: English Suites 4-6 (Dreyfus)
CD 136: French Suites 1-4 (Hogwood)
CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
CD 138: Partitas 1, 2, 6 (Rousset)
CD 139: Partitas 3-5 (Rousset)
CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
CD 145: Goldberg Variations (Rousset)
CD 146: Goldberg Variations (Esfahani)
CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
CD 149: French Suites 1-3 (Perahia)
CD 150: French Suites 4-6 (Perahia)
CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
CD 158: Goldberg Variations (Schiff)
CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
CD 163: Orgelbüchlein (Walcha)
CD 164: Brandenburg Concertos 1-6 (Goebel)
CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
CD 167: Orchestral Suites 1-3 (Goebel)
CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
CD 169: Orchestral Suites 1-4 (Pinnock)
CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
CD 180: Concertos (Alternative Instrumentations)
CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
CD 183: Suites for "Lute"
CD 184: Cello Suites 1, 3, 5 (Watkin)
CD 185: Cello Suites 2, 4, 6 (Watkin)
CD 186: Violin Sonatas BWV 1014-1018
CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
CD 188: 5 Flute Sonatas / Partita for Solo Flute
CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
CD 190: Musical Offering / Canons (Goebel)
CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
CD 192: The Art of Fugue (Aimard)
CD 193: The Art of Fugue (1742) (Gilbert)
CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
CD 198: Cello Suites 1-3 (Fournier)
CD 199: Cello Suites 4-6 (Fournier)
CD 200: Solo & Chamber Works (Alternative Instrumentations)
CD 201: Clavier-Büchlein W. F. Bach (1)
CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
CD 203: Notenbüchlein A. M. Bach (1725) (1)
CD 204: Notenbüchlein A. M. Bach (1725) (2)
CD 205: Schemelli Gesangbuch BWV 439-474
CD 206: Schemelli Gesangbuch BWV 475-507
CD 207: Bach: Early Influences
CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
CD 209: Concertos at Weimar (Vivaldi)
CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
CD 211: The Bach Family
CD 212: Bach & Other Composers (c. 1715-1730)
CD 213: Bach & Other Composers (c. 1730-1742)
CD 214: Bach & Other Composers (1742-1750)
CD 215: Bach Renewed (From Bach's Sons to Mahler)
CD 216: Bach Reimagined (Chaconne & Passacaglia)
CD 217: Bach Orchestrated (Reger to Stokowski)
CD 218: Inspired by Bach (Gounod to Pärt)
CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
CD 220: Bach & The Virtuoso Piano (The 20th Century)
CD 221: Bach à la Jazz
CD 222: New Colours of Bach
DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]