Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

▶CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
▶CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
▶CD 3: Cantatas 182, 12, 54, 172 (1714)
▶CD 4: Cantatas 21, 199 (1714)
▶CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
▶CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
▶CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
▶CD 8: Cantatas 75, 76, 24 (1723)
▶CD 9: Cantatas 167, 147, 186, 136 (1723)
▶CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
▶CD 11: Cantatas 77, 25, 119, 138 (1723)
▶CD 12: Cantatas 95, 148, 48, 109 (1723)
▶CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
▶CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
▶CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
▶CD 16: Cantatas 18, 66, 134, 67 (1724)
▶CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
▶CD 18: Cantatas 173, 184, 194 (1724)
▶CD 19: Cantatas 20, 2, 7, 135 (1724)
▶CD 20: Cantatas 10, 93, 107, 178 (1724)
▶CD 21: Cantatas 94, 101, 113 (1724)
▶CD 22: Cantatas 33, 78, 99, 8 (1724)
▶CD 23: Cantatas 130, 114, 96, 5 (1724)
▶CD 24: Cantatas 180, 38, 115, 139 (1724)
▶CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
▶CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
▶CD 27: Cantatas 124, 3, 111, 92 (1725)
▶CD 28: Cantatas 125, 126, 127 (1725)
▶CD 29: Cantatas 1, 6, 42 (1725)
▶CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
▶CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
▶CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
▶CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
▶CD 34: Cantatas 32, 13, 72, 43 (1726)
▶CD 35: Cantatas 146, 129, 39 (1726)
▶CD 36: Cantatas 88, 170, 187, 45 (1726)
▶CD 37: Cantatas 102, 35, 17, 19 (1726)
▶CD 38: Cantatas 27, 47, 169, 56 (1726)
▶CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
▶CD 40: Cantatas 82, 157, 84 (1727)
▶CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
▶CD 42: Cantatas 171, 156, 159, 120a (1729)
▶CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
▶CD 44: Cantatas 29, 140, 36 (1731)
▶CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
▶CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
▶CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
▶CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
▶CD 49: 4-Part Chorales, BWV 250-318 AC-GO
▶CD 50: 4-Part Chorales, BWV 319-381 GO-ME
▶CD 51: 4-Part Chorales, BWV 382-438 MI-WO
▶CD 52: Magnificat BWV 243, 243a
▶CD 53: Motets
▶CD 54: Mass in B minor (1 Mortensen)
▶CD 55: Mass in B minor (2 Mortensen)
▶CD 56: Mass in B minor (1 Brüggen)
▶CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
▶CD 58: Missas BWV 234-236
▶CD 59: St. John Passion (1724) (1 Gardiner)
▶CD 60: St. John Passion (1724) (2 Gardiner)
▶CD 61: St. John Passion (1749) (1 Suzuki)
▶CD 62: St. John Passion (1749) (2 Suzuki)
▶CD 63: St. Matthew Passion (1 Gardiner)
▶CD 64: St. Matthew Passion (2 Gardiner)
▶CD 65: St. Matthew Passion (1 McCreesh)
▶CD 66: St. Matthew Passion (2 McCreesh)
▶CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
▶CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
▶CD 69: Christmas Oratorio (1 Gardiner)
▶CD 70: Christmas Oratorio (2 Gardiner)
▶CD 71: Christmas Oratorio (1 Chailly)
▶CD 72: Christmas Oratorio (2 Chailly)
▶CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
▶CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
▶CD 75: Cantatas 36c, 205, 34a (1725-1726)
▼CD 76: Cantatas 207, 204, 216a (1726-1728)
#TitleRatingLength
1"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: March (from the later version BWV 207a)
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Anhang: Marche (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
2:57
2"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 1. Chorus: "Vereinigte Zwietracht der wechselnden Saiten"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": I. Chorus "Vereinigte Zwietracht der wechselnden Saiten" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:54
3"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 2. Recitative: "Wen treibt ein edler Trieb"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": II. Recitativo "Wen treibt ein edler Trieb zu dem, was Ehre heißt" (Tenore) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:55
4"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 3. Aria: "Zieht euren Fuß nur nicht zurücke"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": III. Aria "Zieht euren Fuß nur nicht zurücke" (Tenore) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:27
5"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 4. Recitative: "Dem nur allein soll meine Wohnung offen"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IV. Recitativo "Dem nur allein" (Basso, Soprano) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
2:05
6"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 5. Aria (Duet): "Den soll mein Lorbeer schützend decken"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": V. Aria Duetto "Den soll mein Lorbeer" (Basso, Soprano) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
4:14
7"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 5a. Ritornello
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Va. Ritornello (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:21
8"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 6. Recitative: "Es ist kein leeres Wort"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VI. Recitativo "Es ist kein leeres Wort " (Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:46
9"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 7. Aria: "Ätzet dieses Angedenken"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
orchestra:
Musica Antiqua Köln (from 1966-11 until 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VII. Aria "Ätzet dieses Angedenken" (Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
5:19
10"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 8. Recitative: "Ihr Schläfrigen, herbei"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VIII. Recitativo "Ihr Schläfrigen, herbei" (Tenore, Basso, Soprano, Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:00
11"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 9. Chorus: "Korte lebe, Korte blühe"
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1996-11)
producer:
Wolfgang Mitlehner
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
orchestra:
Musica Antiqua Köln (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IX. Chorus "Kortte lebe, Kortte blühe" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:05
12"Ich bin in mir vergnügt", BWV 204: 1. Recitative: "Ich bin in mir vergnügt"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": I. Recitativo (Sopran) "Ich bin in mir vergnügt" (in 1996-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:37
13"Ich bin in mir vergnügt", BWV 204: 2. Aria "Ruhig und in sich zufrieden"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": II. Aria (Sopran) "Ruhig und in sich zufrieden" (in 1996-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
6:46
14"Ich bin in mir vergnügt", BWV 204: 3. [Recitative:] "Ihr Seelen, die ihr außer euch"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": III. Recitativo (Sopran) "Ihr Seelen, die ihr außer euch stets in die Irre lauft" (in 1996-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:58
15"Ich bin in mir vergnügt", BWV 204: 4. Aria: "Die Schätzbarkeit der weiten Erden"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 1996-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
4:06
16"Ich bin in mir vergnügt", BWV 204: 5. Recitative: "Schwer ist es zwar, viel Eitles zu besitzen"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": V. Recitativo (Sopran) "Schwer ist es zwar, viel Eitles zu besitzen" (in 1996-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:56
17"Ich bin in mir vergnügt", BWV 204: 6. Aria: "Meine Seele sei vergnügt"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt" (in 1996-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
5:52
18"Ich bin in mir vergnügt", BWV 204: 7. Recitative: "Ein edler Mensch ist Perlenmuscheln gleich"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VII. Recitativo (Sopran) "Ein edler Mensch ist Perlenmuscheln gleich" (in 1996-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
2:33
19"Ich bin in mir vergnügt", BWV 204: 8. Aria: "Himmlische Vergnügsamkeit"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VIII. Aria (Sopran) "Himmlische Vergnügsamkeit" (in 1996-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
4:06
20"Erwählte Pleißenstadt", BWV 216a: 1. Duet: "Erwählte Pleißenstadt"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Kantate, BWV 216a "Erwählte Pleißenstadt": I. Duet: Erwählte Pleißenstadt
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 216a "Erwählte Pleißenstadt"
7:24
21"Erwählte Pleißenstadt", BWV 216a: 2. [Recitative:] "Ihn Städte, die man in der Welt"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Kantate, BWV 216a "Erwählte Pleißenstadt": II. [Recitative:] Ihr Städte, die man in der Welt
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 216a "Erwählte Pleißenstadt"
0:35
22"Erwählte Pleißenstadt", BWV 216a: 3. Aria: "Angenehmes Pleiß-Athen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Kantate, BWV 216a "Erwählte Pleißenstadt": III. Aria: Angenehmes Pleiß-Athen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 216a "Erwählte Pleißenstadt"
4:24
23"Erwählte Pleißenstadt", BWV 216a: 4. [Recitative:] "Nicht die Gelehrsamkeit allein"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Kantate, BWV 216a "Erwählte Pleißenstadt": IV. [Recitative:] Nicht die Gelehrsamkeit allein
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 216a "Erwählte Pleißenstadt"
0:57
24"Erwählte Pleißenstadt", BWV 216a: 5. Aria: "Mit Lachen und Scherzen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Kantate, BWV 216a "Erwählte Pleißenstadt": V. Aria: Mit Lachen und Scherzen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 216a "Erwählte Pleißenstadt"
5:48
25"Erwählte Pleißenstadt", BWV 216a: 6. [Recitative:] "Drum ist gewiss"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Kantate, BWV 216a "Erwählte Pleißenstadt": VI. [Recitative:] Drum ist gewiss
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 216a "Erwählte Pleißenstadt"
0:45
26"Erwählte Pleißenstadt", BWV 216a: 7. Duet: "Heil und Segen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Kantate, BWV 216a "Erwählte Pleißenstadt": VII. Duet: Heil und Segen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 216a "Erwählte Pleißenstadt"
3:04
▶CD 77: Cantatas 198, 201 (1727-1729)
▶CD 78: Cantatas 213, 214 (1733)
▶CD 79: Cantatas 211, 215 (1734)
▶CD 80: Cantatas 206, 30a (1736-1737)
▶CD 81: Cantatas 209, 210, 212 (1730s-1740s)
▶CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
▶CD 83: Cantatas 56, 82, 4
▶CD 84: Cantatas 31, 104, 57
▶CD 85: Cantatas 199, 173, 74, 151
▶CD 86: Easter Oratorio / Cantata 140
▶CD 87: Cantatas 170, 159, 102
▶CD 88: Cantatas 80, 52, 84, 209
▶CD 89: Cantatas 82, 158, 56
▶CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
▶CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
▶CD 92: Cantatas 92, 126, 182 (Easter)
▶CD 93: Cantatas 1, 4, 67, 104 (Easter)
▶CD 94: Cantatas 34, 68, 39 (Whitsun)
▶CD 95: Cantatas 30, 147 (Whitsun)
▶CD 96: Cantatas 76, 21 (Trinity)
▶CD 97: Cantatas 135, 10, 45, 105 (Trinity)
▶CD 98: Cantatas 51, 78, 8, 130 (Trinity)
▶CD 99: Cantatas 27, 5, 60, 26 (Trinity)
▶CD 100: St. Matthew Passion (1 Richter)
▶CD 101: St. Matthew Passion (2 Richter)
▶CD 102: St. Matthew Passion (3 Richter)
▶CD 103: Great Singers (1952-1965)
▶CD 104: Great Singers (1967-2011)
▶CD 105: Great Singers (Period Instruments)
▶CD 106: Organ Works (Introduction 1)
▶CD 107: Organ Works (Introduction 2)
▶CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
▶CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
▶CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
▶CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
▶CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
▶CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
▶CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
▶CD 115: Early Chorale Preludes / Chorale Partitas
▶CD 116: Chorale Preludes (Mühlhausen & Weimar)
▶CD 117: Breitkopf Collection, BWV 690-713
▶CD 118: Orgelbüchlein (Preston)
▶CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
▶CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
▶CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
▶CD 122: Clavier-Übung III (1) (Preston)
▶CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
▶CD 124: Free Works of Unproven Authenticity
▶CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
▶CD 126: Keyboard Works (Introduction 1: Harpsichord)
▶CD 127: Keyboard Works (Introduction 2: Piano)
▶CD 128: Early Fugues & Capriccios
▶CD 129: Early Suites & Sonatas
▶CD 130: Toccatas, BWV 910-916
▶CD 131: Virtuoso Fantasias & Fugues
▶CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
▶CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
▶CD 134: English Suites 1-3 (Dreyfus)
▶CD 135: English Suites 4-6 (Dreyfus)
▶CD 136: French Suites 1-4 (Hogwood)
▶CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
▶CD 138: Partitas 1, 2, 6 (Rousset)
▶CD 139: Partitas 3-5 (Rousset)
▶CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
▶CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
▶CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
▶CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
▶CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
▶CD 145: Goldberg Variations (Rousset)
▶CD 146: Goldberg Variations (Esfahani)
▶CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
▶CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
▶CD 149: French Suites 1-3 (Perahia)
▶CD 150: French Suites 4-6 (Perahia)
▶CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
▶CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
▶CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
▶CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
▶CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
▶CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
▶CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
▶CD 158: Goldberg Variations (Schiff)
▶CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
▶CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
▶CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
▶CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
▶CD 163: Orgelbüchlein (Walcha)
▶CD 164: Brandenburg Concertos 1-6 (Goebel)
▶CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
▶CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
▶CD 167: Orchestral Suites 1-3 (Goebel)
▶CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
▶CD 169: Orchestral Suites 1-4 (Pinnock)
▶CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
▶CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
▶CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
▶CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
▶CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
▶CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
▶CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
▶CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
▶CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
▶CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
▶CD 180: Concertos (Alternative Instrumentations)
▶CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
▶CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
▶CD 183: Suites for "Lute"
▶CD 184: Cello Suites 1, 3, 5 (Watkin)
▶CD 185: Cello Suites 2, 4, 6 (Watkin)
▶CD 186: Violin Sonatas BWV 1014-1018
▶CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
▶CD 188: 5 Flute Sonatas / Partita for Solo Flute
▶CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
▶CD 190: Musical Offering / Canons (Goebel)
▶CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
▶CD 192: The Art of Fugue (Aimard)
▶CD 193: The Art of Fugue (1742) (Gilbert)
▶CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
▶CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
▶CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
▶CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
▶CD 198: Cello Suites 1-3 (Fournier)
▶CD 199: Cello Suites 4-6 (Fournier)
▶CD 200: Solo & Chamber Works (Alternative Instrumentations)
▶CD 201: Clavier-Büchlein W. F. Bach (1)
▶CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
▶CD 203: Notenbüchlein A. M. Bach (1725) (1)
▶CD 204: Notenbüchlein A. M. Bach (1725) (2)
▶CD 205: Schemelli Gesangbuch BWV 439-474
▶CD 206: Schemelli Gesangbuch BWV 475-507
▶CD 207: Bach: Early Influences
▶CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
▶CD 209: Concertos at Weimar (Vivaldi)
▶CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
▶CD 211: The Bach Family
▶CD 212: Bach & Other Composers (c. 1715-1730)
▶CD 213: Bach & Other Composers (c. 1730-1742)
▶CD 214: Bach & Other Composers (1742-1750)
▶CD 215: Bach Renewed (From Bach's Sons to Mahler)
▶CD 216: Bach Reimagined (Chaconne & Passacaglia)
▶CD 217: Bach Orchestrated (Reger to Stokowski)
▶CD 218: Inspired by Bach (Gounod to Pärt)
▶CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
▶CD 220: Bach & The Virtuoso Piano (The 20th Century)
▶CD 221: Bach à la Jazz
▶CD 222: New Colours of Bach
▶DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]