Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

▶CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
▶CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
▶CD 3: Cantatas 182, 12, 54, 172 (1714)
▶CD 4: Cantatas 21, 199 (1714)
▶CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
▶CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
▶CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
▶CD 8: Cantatas 75, 76, 24 (1723)
▶CD 9: Cantatas 167, 147, 186, 136 (1723)
▶CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
▶CD 11: Cantatas 77, 25, 119, 138 (1723)
▶CD 12: Cantatas 95, 148, 48, 109 (1723)
▶CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
▶CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
▶CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
▶CD 16: Cantatas 18, 66, 134, 67 (1724)
▶CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
▶CD 18: Cantatas 173, 184, 194 (1724)
▶CD 19: Cantatas 20, 2, 7, 135 (1724)
▶CD 20: Cantatas 10, 93, 107, 178 (1724)
▶CD 21: Cantatas 94, 101, 113 (1724)
▶CD 22: Cantatas 33, 78, 99, 8 (1724)
▶CD 23: Cantatas 130, 114, 96, 5 (1724)
▶CD 24: Cantatas 180, 38, 115, 139 (1724)
▶CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
▶CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
▶CD 27: Cantatas 124, 3, 111, 92 (1725)
▶CD 28: Cantatas 125, 126, 127 (1725)
▶CD 29: Cantatas 1, 6, 42 (1725)
▶CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
▶CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
▶CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
▶CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
▶CD 34: Cantatas 32, 13, 72, 43 (1726)
▶CD 35: Cantatas 146, 129, 39 (1726)
▶CD 36: Cantatas 88, 170, 187, 45 (1726)
▶CD 37: Cantatas 102, 35, 17, 19 (1726)
▶CD 38: Cantatas 27, 47, 169, 56 (1726)
▶CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
▶CD 40: Cantatas 82, 157, 84 (1727)
▶CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
▶CD 42: Cantatas 171, 156, 159, 120a (1729)
▶CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
▶CD 44: Cantatas 29, 140, 36 (1731)
▶CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
▶CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
▶CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
▶CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
▶CD 49: 4-Part Chorales, BWV 250-318 AC-GO
▶CD 50: 4-Part Chorales, BWV 319-381 GO-ME
▶CD 51: 4-Part Chorales, BWV 382-438 MI-WO
▶CD 52: Magnificat BWV 243, 243a
▶CD 53: Motets
▶CD 54: Mass in B minor (1 Mortensen)
▶CD 55: Mass in B minor (2 Mortensen)
▶CD 56: Mass in B minor (1 Brüggen)
▶CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
▶CD 58: Missas BWV 234-236
▶CD 59: St. John Passion (1724) (1 Gardiner)
▶CD 60: St. John Passion (1724) (2 Gardiner)
▶CD 61: St. John Passion (1749) (1 Suzuki)
▶CD 62: St. John Passion (1749) (2 Suzuki)
▶CD 63: St. Matthew Passion (1 Gardiner)
▶CD 64: St. Matthew Passion (2 Gardiner)
▶CD 65: St. Matthew Passion (1 McCreesh)
▶CD 66: St. Matthew Passion (2 McCreesh)
▶CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
▶CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
▶CD 69: Christmas Oratorio (1 Gardiner)
▶CD 70: Christmas Oratorio (2 Gardiner)
▶CD 71: Christmas Oratorio (1 Chailly)
▶CD 72: Christmas Oratorio (2 Chailly)
▶CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
▶CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
▶CD 75: Cantatas 36c, 205, 34a (1725-1726)
▶CD 76: Cantatas 207, 204, 216a (1726-1728)
▶CD 77: Cantatas 198, 201 (1727-1729)
▶CD 78: Cantatas 213, 214 (1733)
▶CD 79: Cantatas 211, 215 (1734)
▶CD 80: Cantatas 206, 30a (1736-1737)
▶CD 81: Cantatas 209, 210, 212 (1730s-1740s)
▼CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
#TitleRatingLength
1"Halt im Gedächtnis Jesum Christ", BWV 67: 1. [Chorus:] "Halt im Gedächhtnis Jesum Christ"
harpsichord:
Friedbert Sammler (harpsichordist) (in 1931-04)
organ:
Günther Ramin (organist, composer and chorus leader) (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (contralto) (in 1931-04)
tenor vocals:
Hans Lissmann (tenor) (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
3:56
2"Halt im Gedächtnis Jesum Christ", BWV 67: 2. Aria: "Mein Jesus ist erstanden"
harpsichord:
Friedbert Sammler (harpsichordist) (in 1931-04)
organ:
Günther Ramin (organist, composer and chorus leader) (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (contralto) (in 1931-04)
tenor vocals:
Hans Lissmann (tenor) (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
3:10
3"Halt im Gedächtnis Jesum Christ", BWV 67: 3. Recitative: "Mein Jesu, heißest du des Todes Gift"
harpsichord:
Friedbert Sammler (harpsichordist) (in 1931-04)
organ:
Günther Ramin (organist, composer and chorus leader) (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (contralto) (in 1931-04)
tenor vocals:
Hans Lissmann (tenor) (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
0:37
4"Halt im Gedächtnis Jesum Christ", BWV 67: 4. Chorale: "Erschienen ist der herrlich Tag"
harpsichord:
Friedbert Sammler (harpsichordist) (in 1931-04)
organ:
Günther Ramin (organist, composer and chorus leader) (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (contralto) (in 1931-04)
tenor vocals:
Hans Lissmann (tenor) (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag"
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
0:47
5"Halt im Gedächtnis Jesum Christ", BWV 67: 5. Recitative: "Doch scheinet fast"
harpsichord:
Friedbert Sammler (harpsichordist) (in 1931-04)
organ:
Günther Ramin (organist, composer and chorus leader) (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (contralto) (in 1931-04)
tenor vocals:
Hans Lissmann (tenor) (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
1:06
6"Halt im Gedächtnis Jesum Christ", BWV 67: 6. Aria: "Friede sei mit euch"
harpsichord:
Friedbert Sammler (harpsichordist) (in 1931-04)
organ:
Günther Ramin (organist, composer and chorus leader) (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (contralto) (in 1931-04)
tenor vocals:
Hans Lissmann (tenor) (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
6:50
7"Halt im Gedächtnis Jesum Christ", BWV 67: 7. Chorale: "Du Friedefürst, Herr Jesu Christ"
harpsichord:
Friedbert Sammler (harpsichordist) (in 1931-04)
organ:
Günther Ramin (organist, composer and chorus leader) (in 1931-04)
choir vocals:
Thomanerchor Leipzig (in 1931-04)
contralto vocals:
Dorothea Schröder (contralto) (in 1931-04)
tenor vocals:
Hans Lissmann (tenor) (in 1931-04)
orchestra:
Gewandhausorchester Leipzig (in 1931-04)
conductor:
Karl Straube (in 1931-04)
recorded at:
Grassimuseum in Leipzig, Sachsen, Germany (in 1931-04)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ"
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
1:08
8St. Matthew Passion, BWV 244 (excerpts): 18. Evangelist, Jesus "Da kam Jesus mit ihnen zu einem Hofe"
bass vocals [Jesus]:
William Ravelli (operatic bass / baritone) (on 1939-04-02)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (on 1939-04-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:44
9St. Matthew Passion, BWV 244 (excerpts): 19. Recitativo (Tenor, Chorus) "O Schmerz! Hier zittert das gequälte Herz!"
choir vocals:
Toonkunstkoor Amsterdam (on 1939-04-02)
tenor vocals:
Louis van Tulder (tenor) (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (on 1939-04-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:59
10St. Matthew Passion, BWV 244 (excerpts): 20. Aria (Tenor, Chorus) "Ich will bei meinen Jesu wachen"
choir vocals:
Toonkunstkoor Amsterdam (on 1939-04-02)
tenor vocals:
Louis van Tulder (tenor) (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (on 1939-04-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:07
11St. Matthew Passion, BWV 244 (excerpts): 21. Evangelist, Jesus "Und ging hin ein wenig"
bass vocals [Jesus]:
William Ravelli (operatic bass / baritone) (on 1939-04-02)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (on 1939-04-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:12
12St. Matthew Passion, BWV 244 (excerpts): 24. Evangelist, Jesus "Und er kam zu seinen Jüngern"
bass vocals [Jesus]:
William Ravelli (operatic bass / baritone) (on 1939-04-02)
tenor vocals [Evangelist]:
Karl Erb (German tenor) (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (on 1939-04-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:07
13St. Matthew Passion, BWV 244 (excerpts): 25. Choral "Was mein Gott will, das g'scheh allzeit"
choir vocals:
Toonkunstkoor Amsterdam (on 1939-04-02)
orchestra:
Koninklijk Concertgebouworkest (on 1939-04-02)
conductor:
Willem Mengelberg (on 1939-04-02)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1939-04-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (on 1939-04-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
2:12
14St. Matthew Passion, BWV 244 (excerpts): 26. Recitative: "Und er karn und fand sie aber schlafend"
baritone vocals [baritone - Judas]:
Eberhard Wächter (baritone) (in 1953-06)
bass-baritone vocals [bass-baritone - Jesus]:
Heinz Rehfuss (baritone) (in 1953-06)
choir vocals:
Wiener Kammerchor (in 1953-06)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1953-06)
soprano vocals:
Magda László (soprano) (in 1953-06)
tenor vocals [tenor - Evangelist]:
Hugues Cuénod (Swiss tenor) (in 1953-06)
orchestra:
Orchester der Wiener Staatsoper (in 1953-06)
conductor:
Hermann Scherchen (conductor) (in 1953-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1953-06)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:20
15St. Matthew Passion, BWV 244 (excerpts): 27a. Aria (Duet): "So ist mein Jesus nun gefangen" / 27b. [Chorus:] "Sind Blitze, sind Donner in Wolken verschwunden"
baritone vocals [baritone - Judas]:
Eberhard Wächter (baritone) (in 1953-06)
bass-baritone vocals [bass-baritone - Jesus]:
Heinz Rehfuss (baritone) (in 1953-06)
choir vocals:
Wiener Kammerchor (in 1953-06)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1953-06)
soprano vocals:
Magda László (soprano) (in 1953-06)
tenor vocals [tenor - Evangelist]:
Hugues Cuénod (Swiss tenor) (in 1953-06)
orchestra:
Orchester der Wiener Staatsoper (in 1953-06)
conductor:
Hermann Scherchen (conductor) (in 1953-06)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1953-06)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:26
16"Gottes Zeit ist die allerbeste Zeit", BWV 106: 1. Sonatina
baritone vocals:
Alfred Poell (baritone) (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1951)
tenor vocals:
Waldemar Kmentt (tenor) (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (conductor) (in 1951)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:02
17"Gottes Zeit ist die allerbeste Zeit", BWV 106: 2a. [Chorus:] "Gottes Zeit ist die allerbeste Zeit"
baritone vocals:
Alfred Poell (baritone) (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1951)
tenor vocals:
Waldemar Kmentt (tenor) (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (conductor) (in 1951)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:46
18"Gottes Zeit ist die allerbeste Zeit", BWV 106: 2b. "Ach, Herr, lehre uns bedenken"
baritone vocals:
Alfred Poell (baritone) (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1951)
tenor vocals:
Waldemar Kmentt (tenor) (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (conductor) (in 1951)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:22
19"Gottes Zeit ist die allerbeste Zeit", BWV 106: 2c. "Bestelle dein Haus!"
baritone vocals:
Alfred Poell (baritone) (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1951)
tenor vocals:
Waldemar Kmentt (tenor) (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (conductor) (in 1951)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:08
20"Gottes Zeit ist die allerbeste Zeit", BWV 106: 2d. "Es ist der alte Bund"
baritone vocals:
Alfred Poell (baritone) (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1951)
tenor vocals:
Waldemar Kmentt (tenor) (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (conductor) (in 1951)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:58
21"Gottes Zeit ist die allerbeste Zeit", BWV 106: 3a. "In deine Hände befehl"
baritone vocals:
Alfred Poell (baritone) (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1951)
tenor vocals:
Waldemar Kmentt (tenor) (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (conductor) (in 1951)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:09
22"Gottes Zeit ist die allerbeste Zeit", BWV 106: 3b. "Heute wirst du mit mir"
baritone vocals:
Alfred Poell (baritone) (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1951)
tenor vocals:
Waldemar Kmentt (tenor) (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (conductor) (in 1951)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:58
23"Gottes Zeit ist die allerbeste Zeit", BWV 106: 4. [Chorus:] "Glorie, Lob, Ehr und Herrlichkeit"
baritone vocals:
Alfred Poell (baritone) (in 1951)
choir vocals:
Wiener Kammerchor (in 1951)
contralto vocals:
Hilde Rössel-Majdan (Austrian contralto) (in 1951)
tenor vocals:
Waldemar Kmentt (tenor) (in 1951)
orchestra:
Orchester der Wiener Staatsoper (in 1951)
conductor:
Hermann Scherchen (conductor) (in 1951)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1951)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:53
24"Es erhub sich ein Streit", BWV 19: 1. [Chorus:] "Es erhub sich ein Streit"
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
5:02
25"Es erhub sich ein Streit", BWV 19: 2. Recitative: "Gottlob! der Drache liegt"
bass vocals:
Hermann Schey (bass-baritone)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
1:11
26"Es erhub sich ein Streit", BWV 19: 3. Aria: "Gott schickt uns Mahanaim zu"
soprano vocals:
Gunthild Weber (German soprano)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
4:26
27"Es erhub sich ein Streit", BWV 19: 4. Recitative: "Was ist der schnöde Mensch, das Erdenkind?"
tenor vocals:
Helmut Krebs (tenor)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:50
28"Es erhub sich ein Streit", BWV 19: 5. Aria: "Bleibt, ihr Engel, bleibt bei mir!"
tenor vocals:
Helmut Krebs (tenor)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
7:42
29"Es erhub sich ein Streit", BWV 19: 6. Recitative: "Lasst uns das Angesicht der drommen Engel lieben"
soprano vocals:
Gunthild Weber (German soprano)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
0:38
30"Es erhub sich ein Streit", BWV 19: 7. Chorus: "Lass dein Engel mit mir fahren"
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
1:28
▶CD 83: Cantatas 56, 82, 4
▶CD 84: Cantatas 31, 104, 57
▶CD 85: Cantatas 199, 173, 74, 151
▶CD 86: Easter Oratorio / Cantata 140
▶CD 87: Cantatas 170, 159, 102
▶CD 88: Cantatas 80, 52, 84, 209
▶CD 89: Cantatas 82, 158, 56
▶CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
▶CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
▶CD 92: Cantatas 92, 126, 182 (Easter)
▶CD 93: Cantatas 1, 4, 67, 104 (Easter)
▶CD 94: Cantatas 34, 68, 39 (Whitsun)
▶CD 95: Cantatas 30, 147 (Whitsun)
▶CD 96: Cantatas 76, 21 (Trinity)
▶CD 97: Cantatas 135, 10, 45, 105 (Trinity)
▶CD 98: Cantatas 51, 78, 8, 130 (Trinity)
▶CD 99: Cantatas 27, 5, 60, 26 (Trinity)
▶CD 100: St. Matthew Passion (1 Richter)
▶CD 101: St. Matthew Passion (2 Richter)
▶CD 102: St. Matthew Passion (3 Richter)
▶CD 103: Great Singers (1952-1965)
▶CD 104: Great Singers (1967-2011)
▶CD 105: Great Singers (Period Instruments)
▶CD 106: Organ Works (Introduction 1)
▶CD 107: Organ Works (Introduction 2)
▶CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
▶CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
▶CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
▶CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
▶CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
▶CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
▶CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
▶CD 115: Early Chorale Preludes / Chorale Partitas
▶CD 116: Chorale Preludes (Mühlhausen & Weimar)
▶CD 117: Breitkopf Collection, BWV 690-713
▶CD 118: Orgelbüchlein (Preston)
▶CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
▶CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
▶CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
▶CD 122: Clavier-Übung III (1) (Preston)
▶CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
▶CD 124: Free Works of Unproven Authenticity
▶CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
▶CD 126: Keyboard Works (Introduction 1: Harpsichord)
▶CD 127: Keyboard Works (Introduction 2: Piano)
▶CD 128: Early Fugues & Capriccios
▶CD 129: Early Suites & Sonatas
▶CD 130: Toccatas, BWV 910-916
▶CD 131: Virtuoso Fantasias & Fugues
▶CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
▶CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
▶CD 134: English Suites 1-3 (Dreyfus)
▶CD 135: English Suites 4-6 (Dreyfus)
▶CD 136: French Suites 1-4 (Hogwood)
▶CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
▶CD 138: Partitas 1, 2, 6 (Rousset)
▶CD 139: Partitas 3-5 (Rousset)
▶CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
▶CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
▶CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
▶CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
▶CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
▶CD 145: Goldberg Variations (Rousset)
▶CD 146: Goldberg Variations (Esfahani)
▶CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
▶CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
▶CD 149: French Suites 1-3 (Perahia)
▶CD 150: French Suites 4-6 (Perahia)
▶CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
▶CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
▶CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
▶CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
▶CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
▶CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
▶CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
▶CD 158: Goldberg Variations (Schiff)
▶CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
▶CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
▶CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
▶CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
▶CD 163: Orgelbüchlein (Walcha)
▶CD 164: Brandenburg Concertos 1-6 (Goebel)
▶CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
▶CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
▶CD 167: Orchestral Suites 1-3 (Goebel)
▶CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
▶CD 169: Orchestral Suites 1-4 (Pinnock)
▶CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
▶CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
▶CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
▶CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
▶CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
▶CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
▶CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
▶CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
▶CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
▶CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
▶CD 180: Concertos (Alternative Instrumentations)
▶CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
▶CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
▶CD 183: Suites for "Lute"
▶CD 184: Cello Suites 1, 3, 5 (Watkin)
▶CD 185: Cello Suites 2, 4, 6 (Watkin)
▶CD 186: Violin Sonatas BWV 1014-1018
▶CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
▶CD 188: 5 Flute Sonatas / Partita for Solo Flute
▶CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
▶CD 190: Musical Offering / Canons (Goebel)
▶CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
▶CD 192: The Art of Fugue (Aimard)
▶CD 193: The Art of Fugue (1742) (Gilbert)
▶CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
▶CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
▶CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
▶CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
▶CD 198: Cello Suites 1-3 (Fournier)
▶CD 199: Cello Suites 4-6 (Fournier)
▶CD 200: Solo & Chamber Works (Alternative Instrumentations)
▶CD 201: Clavier-Büchlein W. F. Bach (1)
▶CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
▶CD 203: Notenbüchlein A. M. Bach (1725) (1)
▶CD 204: Notenbüchlein A. M. Bach (1725) (2)
▶CD 205: Schemelli Gesangbuch BWV 439-474
▶CD 206: Schemelli Gesangbuch BWV 475-507
▶CD 207: Bach: Early Influences
▶CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
▶CD 209: Concertos at Weimar (Vivaldi)
▶CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
▶CD 211: The Bach Family
▶CD 212: Bach & Other Composers (c. 1715-1730)
▶CD 213: Bach & Other Composers (c. 1730-1742)
▶CD 214: Bach & Other Composers (1742-1750)
▶CD 215: Bach Renewed (From Bach's Sons to Mahler)
▶CD 216: Bach Reimagined (Chaconne & Passacaglia)
▶CD 217: Bach Orchestrated (Reger to Stokowski)
▶CD 218: Inspired by Bach (Gounod to Pärt)
▶CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
▶CD 220: Bach & The Virtuoso Piano (The 20th Century)
▶CD 221: Bach à la Jazz
▶CD 222: New Colours of Bach
▶DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]