Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
CD 3: Cantatas 182, 12, 54, 172 (1714)
CD 4: Cantatas 21, 199 (1714)
CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
CD 8: Cantatas 75, 76, 24 (1723)
CD 9: Cantatas 167, 147, 186, 136 (1723)
CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
CD 11: Cantatas 77, 25, 119, 138 (1723)
CD 12: Cantatas 95, 148, 48, 109 (1723)
CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
CD 16: Cantatas 18, 66, 134, 67 (1724)
CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
CD 18: Cantatas 173, 184, 194 (1724)
CD 19: Cantatas 20, 2, 7, 135 (1724)
CD 20: Cantatas 10, 93, 107, 178 (1724)
CD 21: Cantatas 94, 101, 113 (1724)
CD 22: Cantatas 33, 78, 99, 8 (1724)
CD 23: Cantatas 130, 114, 96, 5 (1724)
CD 24: Cantatas 180, 38, 115, 139 (1724)
CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
CD 27: Cantatas 124, 3, 111, 92 (1725)
CD 28: Cantatas 125, 126, 127 (1725)
CD 29: Cantatas 1, 6, 42 (1725)
CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
CD 34: Cantatas 32, 13, 72, 43 (1726)
CD 35: Cantatas 146, 129, 39 (1726)
CD 36: Cantatas 88, 170, 187, 45 (1726)
CD 37: Cantatas 102, 35, 17, 19 (1726)
CD 38: Cantatas 27, 47, 169, 56 (1726)
CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
CD 40: Cantatas 82, 157, 84 (1727)
CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
CD 42: Cantatas 171, 156, 159, 120a (1729)
CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
CD 44: Cantatas 29, 140, 36 (1731)
CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
CD 49: 4-Part Chorales, BWV 250-318 AC-GO
CD 50: 4-Part Chorales, BWV 319-381 GO-ME
CD 51: 4-Part Chorales, BWV 382-438 MI-WO
CD 52: Magnificat BWV 243, 243a
CD 53: Motets
CD 54: Mass in B minor (1 Mortensen)
CD 55: Mass in B minor (2 Mortensen)
CD 56: Mass in B minor (1 Brüggen)
CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
CD 58: Missas BWV 234-236
CD 59: St. John Passion (1724) (1 Gardiner)
CD 60: St. John Passion (1724) (2 Gardiner)
CD 61: St. John Passion (1749) (1 Suzuki)
CD 62: St. John Passion (1749) (2 Suzuki)
CD 63: St. Matthew Passion (1 Gardiner)
CD 64: St. Matthew Passion (2 Gardiner)
CD 65: St. Matthew Passion (1 McCreesh)
CD 66: St. Matthew Passion (2 McCreesh)
CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
CD 69: Christmas Oratorio (1 Gardiner)
CD 70: Christmas Oratorio (2 Gardiner)
CD 71: Christmas Oratorio (1 Chailly)
CD 72: Christmas Oratorio (2 Chailly)
CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
CD 75: Cantatas 36c, 205, 34a (1725-1726)
CD 76: Cantatas 207, 204, 216a (1726-1728)
CD 77: Cantatas 198, 201 (1727-1729)
CD 78: Cantatas 213, 214 (1733)
CD 79: Cantatas 211, 215 (1734)
CD 80: Cantatas 206, 30a (1736-1737)
CD 81: Cantatas 209, 210, 212 (1730s-1740s)
CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
CD 83: Cantatas 56, 82, 4
CD 84: Cantatas 31, 104, 57
CD 85: Cantatas 199, 173, 74, 151
CD 86: Easter Oratorio / Cantata 140
CD 87: Cantatas 170, 159, 102
CD 88: Cantatas 80, 52, 84, 209
CD 89: Cantatas 82, 158, 56
CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
CD 92: Cantatas 92, 126, 182 (Easter)
CD 93: Cantatas 1, 4, 67, 104 (Easter)
#TitleRatingLength
1"Wie schön leuchtet der Morgenstern", BWV 1: 1. [Chorale:] "Wie schön leuchtet der Morgenstern"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
cor anglais:
Kurt Hausmann (oboist) (in 1968-07) and Andreas Schwinn (oboist) (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (oboist) (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
horn [horn I]:
Hermann Baumann (horn player) (in 1968-07)
horn [horn II]:
Werner Meyendorf (horn) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
violin:
Otto Büchner (violinist) (in 1968-07) and Kurt Christian Stier (violist / violinist) (in 1968-07)
violin [violin I]:
Otto Büchner (violinist) (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (violist / violinist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
7:58
2"Wie schön leuchtet der Morgenstern", BWV 1: 2. Recitative: "Du wahrer Gottes und Marien Sohn"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (oboist) (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
horn [horn I]:
Hermann Baumann (horn player) (in 1968-07)
horn [horn II]:
Werner Meyendorf (horn) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
violin [violin I]:
Otto Büchner (violinist) (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (violist / violinist) (in 1968-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": II. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
1:02
3"Wie schön leuchtet der Morgenstern", BWV 1: 3. Aria: "Erfüllet, ihr himmlischen göttlichen Flammen"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
cor anglais and cor anglais [cor anglais I]:
Kurt Hausmann (oboist) (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
horn [horn I]:
Hermann Baumann (horn player) (in 1968-07)
horn [horn II]:
Werner Meyendorf (horn) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
violin [violin I]:
Otto Büchner (violinist) (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (violist / violinist) (in 1968-07)
soprano vocals:
Edith Mathis (soprano) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
5:01
4"Wie schön leuchtet der Morgenstern", BWV 1: 4. Recitative: "Ein irdscher Glanz, ein leiblich Licht"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (oboist) (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
horn [horn I]:
Hermann Baumann (horn player) (in 1968-07)
horn [horn II]:
Werner Meyendorf (horn) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
violin [violin I]:
Otto Büchner (violinist) (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (violist / violinist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": IV. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
1:20
5"Wie schön leuchtet der Morgenstern", BWV 1: 5. Aria: "Unser Mund und Ton der Saiten"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (oboist) (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
horn [horn I]:
Hermann Baumann (horn player) (in 1968-07)
horn [horn II]:
Werner Meyendorf (horn) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
violin:
Otto Büchner (violinist) (in 1968-07) and Kurt Christian Stier (violist / violinist) (in 1968-07)
violin [violin I]:
Otto Büchner (violinist) (in 1968-07)
violin [violin II]:
Kurt-Christian Stier (violist / violinist) (in 1968-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": V. Aria (Tenore) "Unser Mund und Ton der Saiten" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
6:10
6"Wie schön leuchtet der Morgenstern", BWV 1: 6. Chorale: "Wie bin ich doch so herzlich froh"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
cor anglais [cor anglais I]:
Kurt Hausmann (oboist) (in 1968-07)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
horn [horn I]:
Hermann Baumann (horn player) (in 1968-07)
horn [horn II]:
Werner Meyendorf (horn) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
violin [violin I]:
Otto Büchner (violinist) (in 1968-07)
violin [violin II]:
Kurt Christian Stier (violist / violinist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh" (in 1968-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
1:55
7"Christ lag in Todes Banden", BWV 4: 1. Sinfonia
executive producer:
Wolfgang Werner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:38
8"Christ lag in Todes Banden", BWV 4: 2. Versus 1: "Christ Lag in Todes Banden"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
4:23
9"Christ lag in Todes Banden", BWV 4: 3. Versus 2: "Den Tod niemand zwingen kunnt"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
alto vocals, choir vocals and soprano vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
4:00
10"Christ lag in Todes Banden", BWV 4: 4. Versus 3: "Jesus Christus, Gottes Sohn"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals and tenor vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:57
11"Christ lag in Todes Banden", BWV 4: 5. Versus 4: "Es war ein wunderlicher Krieg"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
2:13
12"Christ lag in Todes Banden", BWV 4: 6. Versus 5: "Hier ist das rechte Osterlamm"
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
4:36
13"Christ lag in Todes Banden", BWV 4: 7. Versus 6: "So feiern wir das hohe Fest"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals, soprano vocals and tenor vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
2:02
14"Christ lag in Todes Banden", BWV 4: 8. Versus 7: "Wir essen und leben wohl"
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:24
15"Halt im Gedächtnis Jesum Christ", BWV 67: 1. [Chorus:] "Halt im Gedächtnis Jesum Christ"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10, in 1974-01)
vocals:
Münchener Bach‐Chor (in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
2:58
16"Halt im Gedächtnis Jesum Christ", BWV 67: 2. Aria: "Mein Jesus ist erstanden"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
2:42
17"Halt im Gedächtnis Jesum Christ", BWV 67: 3. Recitative: "Mein Jesu, heißest du des Todes Gift"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
alto vocals:
Anna Reynolds (alto) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
0:46
18"Halt im Gedächtnis Jesum Christ", BWV 67: 4. Chorale: "Erschienen ist der herrlich Tag"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag" (from 1973-05 until 1973-06)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 83)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
0:43
19"Halt im Gedächtnis Jesum Christ", BWV 67: 5. Recitative: "Doch scheint fast"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
alto vocals:
Anna Reynolds (alto) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
1:13
20"Halt im Gedächtnis Jesum Christ", BWV 67: 6. Aria [& Chorus]: "Friede sei mit euch!"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
5:11
21"Halt im Gedächtnis Jesum Christ", BWV 67: 7. Chorale: "Du Friedefürst, Herr Jesu Christ"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
oboe:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
trumpet:
Pierre Thibaud (French trumpeter) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10, in 1974-01, in 1974-03)
recording of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ" (from 1973-05 until 1973-06)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 68)
part of:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
1:10
22"Du Hirte Israel, höre", BWV 104: 1. [Chorus:] "Du Hirte Israel, höre"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
4:53
23"Du Hirte Israel, höre", BWV 104: 2. Recitative: "Der höchste Hüter sorgt vor mich"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10)
tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenor) "Der höchste Hirte sorgt vor mich" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
0:48
24"Du Hirte Israel, höre", BWV 104: 3. Aria: "Verbirgt mein Hirte sich zu lange"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10)
tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenor) "Verbirgt mein Hirte sich zu lange" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
3:12
25"Du Hirte Israel, höre", BWV 104: 4. Recitative: "Ja, dieses Wort ist meiner Seelen Speise"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Bass) "Ja, dieses Wort ist meiner Seelen Speise" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
1:12
26"Du Hirte Israel, höre", BWV 104: 5. Aria: "Beglückte Herde, Jesu Schafe"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Bass) "Beglückte Herde, Jesu Schafe" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
8:24
27"Du Hirte Israel, höre", BWV 104: 6. Chorale: "Der Herr ist mein getreuer Hirt"
recording engineer:
Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (cellist) (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (double bass player) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (organist) (from 1973-05 until 1973-06, in 1973-10)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": VI. Choral "Der Herr ist mein getreuer Hirt" (from 1973-05 until 1973-06)
lyricist:
Kornelius Becker (Lutheran pastor 1561-1604)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 13)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
1:07
CD 94: Cantatas 34, 68, 39 (Whitsun)
CD 95: Cantatas 30, 147 (Whitsun)
CD 96: Cantatas 76, 21 (Trinity)
CD 97: Cantatas 135, 10, 45, 105 (Trinity)
CD 98: Cantatas 51, 78, 8, 130 (Trinity)
CD 99: Cantatas 27, 5, 60, 26 (Trinity)
CD 100: St. Matthew Passion (1 Richter)
CD 101: St. Matthew Passion (2 Richter)
CD 102: St. Matthew Passion (3 Richter)
CD 103: Great Singers (1952-1965)
CD 104: Great Singers (1967-2011)
CD 105: Great Singers (Period Instruments)
CD 106: Organ Works (Introduction 1)
CD 107: Organ Works (Introduction 2)
CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
CD 115: Early Chorale Preludes / Chorale Partitas
CD 116: Chorale Preludes (Mühlhausen & Weimar)
CD 117: Breitkopf Collection, BWV 690-713
CD 118: Orgelbüchlein (Preston)
CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
CD 122: Clavier-Übung III (1) (Preston)
CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
CD 124: Free Works of Unproven Authenticity
CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
CD 126: Keyboard Works (Introduction 1: Harpsichord)
CD 127: Keyboard Works (Introduction 2: Piano)
CD 128: Early Fugues & Capriccios
CD 129: Early Suites & Sonatas
CD 130: Toccatas, BWV 910-916
CD 131: Virtuoso Fantasias & Fugues
CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
CD 134: English Suites 1-3 (Dreyfus)
CD 135: English Suites 4-6 (Dreyfus)
CD 136: French Suites 1-4 (Hogwood)
CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
CD 138: Partitas 1, 2, 6 (Rousset)
CD 139: Partitas 3-5 (Rousset)
CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
CD 145: Goldberg Variations (Rousset)
CD 146: Goldberg Variations (Esfahani)
CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
CD 149: French Suites 1-3 (Perahia)
CD 150: French Suites 4-6 (Perahia)
CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
CD 158: Goldberg Variations (Schiff)
CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
CD 163: Orgelbüchlein (Walcha)
CD 164: Brandenburg Concertos 1-6 (Goebel)
CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
CD 167: Orchestral Suites 1-3 (Goebel)
CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
CD 169: Orchestral Suites 1-4 (Pinnock)
CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
CD 180: Concertos (Alternative Instrumentations)
CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
CD 183: Suites for "Lute"
CD 184: Cello Suites 1, 3, 5 (Watkin)
CD 185: Cello Suites 2, 4, 6 (Watkin)
CD 186: Violin Sonatas BWV 1014-1018
CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
CD 188: 5 Flute Sonatas / Partita for Solo Flute
CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
CD 190: Musical Offering / Canons (Goebel)
CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
CD 192: The Art of Fugue (Aimard)
CD 193: The Art of Fugue (1742) (Gilbert)
CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
CD 198: Cello Suites 1-3 (Fournier)
CD 199: Cello Suites 4-6 (Fournier)
CD 200: Solo & Chamber Works (Alternative Instrumentations)
CD 201: Clavier-Büchlein W. F. Bach (1)
CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
CD 203: Notenbüchlein A. M. Bach (1725) (1)
CD 204: Notenbüchlein A. M. Bach (1725) (2)
CD 205: Schemelli Gesangbuch BWV 439-474
CD 206: Schemelli Gesangbuch BWV 475-507
CD 207: Bach: Early Influences
CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
CD 209: Concertos at Weimar (Vivaldi)
CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
CD 211: The Bach Family
CD 212: Bach & Other Composers (c. 1715-1730)
CD 213: Bach & Other Composers (c. 1730-1742)
CD 214: Bach & Other Composers (1742-1750)
CD 215: Bach Renewed (From Bach's Sons to Mahler)
CD 216: Bach Reimagined (Chaconne & Passacaglia)
CD 217: Bach Orchestrated (Reger to Stokowski)
CD 218: Inspired by Bach (Gounod to Pärt)
CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
CD 220: Bach & The Virtuoso Piano (The 20th Century)
CD 221: Bach à la Jazz
CD 222: New Colours of Bach
DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]